More Responses to Paul Cook

The uproar sparked by Paul Cook’s badly argued post at Amazing Stories is happily chugging along, so here are the latest reactions.

First of all, Steve Davidson, editor of Amazing Stories, has issued an apology of sorts for shutting down the comments on Paul Cook’s rant. Now IMO Davidson is not the person who needs to clarify anything here, though I was disappointed with shutting down the comments, especially as I didn’t see them descending into “hateful” territory. Though it seems that in certain quarters (not saying that Davidson is one of them, since I don’t know him), any disagreement with straight, white, cisgender, Anglo-American men is construed as “hateful”.

Romance and urban fantasy writer Shiloh Walker responds to Paul Cook and points out that Mr. Cooks seems a tad confused about the definitions of both SF and romance.

Here is a quote:

So basically, science fiction is about how science and technology will change the future. It doesn’t focus on tension…but maybe it should. Because unless the world of the future totally eliminates sexual desire or the human need for companionship (which most of us, even the guys), then those needs and desires will also be a part of the future…not writing about them kinda means you’re skipping out on a messy, but intrinsic part of human nature.

And another:

Funny, though…one thing actually a lot of romance editors will say is a problem with submissions? Not enough tension. Hmmmm. Funny, that. Maybe Cook is actually a closet romance reader and doesn’t know it. Especially if he’s looking for tension. Come to romance, buddy. We got tension.

And here is the moneyshot:

In the years since I’ve been published, I’ve lost track of how many books I’ve sent overseas to soldiers. The majority of them, by far, are men. The books I send? They are romance. And the SOS coordinator who takes receipt of them still sends me emails from the guys who get those books. They love them. They appreciate them. One of my prized possessions is the US flag I received as a thank gift for the books I’ve sent. Many of those books are traded around and shared among the other soldiers.
[…]
So you go ahead, Mr. Cook. Why don’t you hunt up the guys serving overseas and tell them how guys aren’t into romance? While you’re at it, be sure to hunt up all the guys who’ve had me sign their books over the years–their books, not for their girlfriends, or their wives.

On a related note, here is a great post by Ann Aguirre about the lack of sex in much of science fiction. The problem hereby is not worlds where sex and reproduction have become obsolete, but that a lot of SF simply does not address the issue of sexuality and reproduction and indeed of intimate relationships at all, probably because those things are not deemed to be important by the authors. Paul Cook would certainly agree.

Of course, the need for emotional connection with others is one of the most basic human drives out there, along with the sex drive (asexuals notwithstanding). All humans have relationships of some kind, most of them have sex. And yet so much of SF ignores those basic human experiences. It’s not just sexual and romantic love either, friendships and family relationships are also given a short shift by much of SF. Romantic partners or family members may be mentioned, but often you get the impression that the protagonist has no more feelings for them than for his co-workers on the great human project of terraforming Mars or building Ringworld or conquering the bug-eyed aliens or whatever.

In fact, I suspect that there is a sizeable contingent in the SF community that does not like the fact that humans have bodies and would just love to do away with them. How else to explain the popularity of the singularity, a concept that always sounded utterly horrible to me? How else to explain to dearth of sex and childbirth and descriptions of food in SF?

Sharon Lee, one half of the Lee/Miller writing duo and also author of several enjoyable fantasy novels on her own, responds to Paul Cook by stating that his opinion doesn’t bother her much, cause everybody has stupid opinions. As an example, she states her own dislike for Dorothy Dunnett’s characters.

Now I agree that everybody has a right to their own opinion and to dislike things others like. I dislike a lot of writers, films, TV shows, etc…, which are beloved by many, myself. For example, I cannot abide the books of contemporary romance author Susan Elizabeth Phillips. I tried reading her again and again and she just doesn’t work for me. In the SF realm, I don’t like the books of Charles Stross. Again, I tried reading him and he just doesn’t work for me. I don’t care for Kim Stanley Robinson and Alistair Reynolds and Cory Doctorow and – horror of horrors – Sir Terry Pratchett. Now I like humorous SFF just fine, I just don’t like Pratchett. Oh yes, and I can’t stand The Wire, The Sopranos or Breaking Bad.

Nonetheless, there is a difference between having an opinion, even an unpopular one, and being a jerk about it. And Paul Cook’s post falls into the latter category. No one would mind if Paul Cook just didn’t care for Gene Wolfe or Lois McMaster Bujold or Sharon Lee and Steve Miller or Cherie Priest or Steampunk or zombies. In fact, I don’t care for zombies myself, though I tolerate them in small doses in settings where there are lots of other things going on. However, there is a difference between not liking something and declaring that this something should be evicted from the genre and that only members of some other, lesser group could probably care about that something. For example, I may not care for Susan Elizabeth Phillips, but I don’t think she should be evicted from the romance genre for the crime of writing books I don’t like. The fact that I don’t care for Charles Stross or Kim Stanley Robinson or Alistair Reynolds or Cory Doctorow doesn’t make their works any less science fiction. The Discworld books are still fantasy, even if they don’t work for me.

Regarding people not being outraged on behalf of Cherie Priest, I did mention her in my original post on Cook’s rant. Though I guess a lot of people overlooked her, since Cook used her book as a general illustration of what is wrong with the Steampunk genre in his opinion and did not take on Ms. Priest personally in the text. Though it is telling that of the many Steampunk novels featuring zombies he picked one that was written by a woman. The only way to make his opinion even clearer would have been by picking on Meljean Brook (not just zombies, but romance as well), but then lots of SFF people are not aware of Meljean Brook’s Iron Seas series.

Will Shetterly makes a similar point to Sharon Lee, namely that Paul Cook’s opinion is just that, one guy’s opinion, and that Paul Cook isn’t even particularly important in the bigger scheme of things. As I said before, the problem isn’t so much that Paul Cook dared to have an opinion, but the way in which he expressed it. And yes, he does attack three male writers, Gene Wolfe, Steve Miller and Alexandre Dumas, including a male writer of colour (though I’m not sure if Cook is aware that Dumas was black), along with three female writers. Nonetheless, expressions such as “the sort of detail only women are interested in” are clearly sexist. By comparison, I don’t recall him accusing e.g. Gene Wolfe of writing detailed torture scenes that only young male readers will be interest in.

Though I do agree that Paul Cook may well have posted that article hoping to gain some attention and notoriety and consequently recognition in the “SF should be manly and sciency and hard” crowd. His preemptive “People will hate me for this” whine seems to confirm this.

Well, he certainly got his attention. I just wonder if he likes it.

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“Get your girly stuff out of my SF, for SF should be sciency, manly and hard”

At Amazing Stories, Paul Cook rants about SF which is – at least in Paul Cook’s opinion – not SF. This includes such luminaries of the genre as Gene Wolfe (just Arthurian fantasy), Lois McMaster Bujold (romance – ick), Sharon Lee and Steve Miller (romance – ick) and Cherie Priest (zombies – ick).

It’s a grossly offensive piece, which can be summed up as “I like my SF hard, masculine and sciency.” Which may be fine for Paul Cook, but lots of us want different things from SF. Continue reading

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2013 Hugo and Campbell Awards: Get out the popcorn!

The winners of the 2013 Hugo and Campbell Awards have been announced. You may recall that this year’s nominations proved to be unexpectedly controversial, when a bunch of people did not agree with the nominated works and creators at all. Short summary of a long and heated discussion: Yes, we want diversity, but not this kind of diversity.

Now the winners have been announced, so let’s heat up the popcorn and wait for the controversy or not to roll in. John Scalzi finally won a Hugo in the best novel category (he already won best fan writer and best related work) for Redshirts. It wouldn’t have been my first choice (I preferred both Captain Vorpatril’s Alliance and Throne of the Crescent Moon), but it’s one I can live with. It’s also a choice very likely to piss off the “The Hugos are broken” crowd, since Redshirts came in for a lot of flak along with the works of Lois McMaster Bujold and Seanan McGuire/Mira Grant for being too light, too nostalgic and not serious enough (because SFF is serious business, damn you!).

Brandon Sanderson won in the novella category for The Emperor’s Soul, which is the main puzzler in the fiction categories for me. Because I vastly prefer Aliette de Bodard’s On a Red Station, Drifting and Jay Lake’s The Stars Do Not Lie in this category. The Nancy Kress novella also got a lot of good press and actually won the Nebula award in that category. Meanwhile, The Emperor’s Soul was along with the Mira Grant novella the nominee that wasn’t really on my radar at all. It’s not the only Hugo Brandon Sanderson got to take home either, for his Writing Excuses podcast also won in the best related works category. IMO this is another puzzling win. It’s not that I have issues with Writing Excuses. A lot of my writer fans praise that podcast, though I have never listened to it, cause I don’t do podcasts. However, there is a separate podcast category in the Hugo awards, which was won by SF Squeecast (so Seanan McGuire did get to take home a well-deserved Hugo after all). So why did Writing Excuses get nominated in the “Best related work” category, which I have always understood to be for non-fiction books about SFF-nal themes? Indeed, my favoured choices in the best related work category are usually academic books about SFF, though those rarely win.

Pat Cadigan won in the novelette category for the delightfully entitled The Girl Thing Who Went Out for Sushi, while Ken Liu won in the short story category for Mono No Aware. I can’t really disagree with either winner, though I would have preferred both Kij Johnson and Aliette de Bodard in the short story category, since I have read and enjoyed their short stories, while I haven’t read Ken Liu’s. Mur Lafferty won the Campbell award, another good choice.

The Avengers won in the best dramatic presentation long form category, which surprised absolutely no one considering how popular the movie was. Though there was something of a surprise in the short form category, for Game of Thrones finally managed to break the six year domination of Doctor Who and won for the episode “Blackwater”. Next year will certainly be interesting in this category, when we have a rather lackluster Neil Gaiman written Doctor Who episode, the 50th anniversary special, the episode that was supposed to reveal the name of the Doctor, but didn’t and possibly a regeneration episode, too, going up against the Red Wedding.

I can’t say much about the graphic novel and the artist categories, ditto for best podcast. The choices for best editor, best semiprozine and best fanzine should be pretty non-controversial as well (but then you never know). Finally, I am very pleased that Tansy Rayner Roberts won the best fan writer Hugo.

Strangelove for Science Fiction has photos of the winners. I was quite surprised that the gentleman standing next to George R.R. Martin is Rory McCann, the actor who plays The Hound in Game of Thrones, since I didn’t recognize him without the make-up.

The voting breakdown, including works which didn’t make the nomination list, may be seen here BTW. And since Hugo voting is rather cryptic, Nicholas Whyte has taken it upon himself to analyze the breakdown. What I find particularly interesting is that the Cambridge Companion to Fantasy, which would have been my personal favourite in the best related work category, lost out to the podcast by only a couple of votes. Larry Correia, whose self-promotional efforts caught quite a bit of flak during the “Hugos are broken” debate earlier this year, narrowly missed being nominated in the best novel category (Correia himself comments on his blog). Seanan McGuire narrowly lost out garnering another nomination in the short story category. The nominees who didn’t quite make it in the fan writer category are also interesting.

As for reactions, so far everything has been surprisingly quiet. Mondyboy shares his Hugo reactions at The Hysterical Hamster and Cheryl Morgan has some Hugo thoughts here. Among other things, she writes:

I gather that the Angry Young Men brigade thinks that Scalzi winning Best Novel is a sign of the death of civilization.

In fact, that pretty much was my first thought as well. My, a whole lot of people will be very pissed off at this. But oddly enough, the angry young men, at least the usual suspects among them, remain strangely silent so far. At The Guardian, David Barnett has a summary of this spring’s Hugo controversy, but that’s all so far. I suspect the angry young men are still too jetlagged or hungover to react.

Finally, there is some sad news to report, for legendary writer and editor (and in recent years blogger) Frederick Pohl died today aged 93. His last blog post is dated September 2, 2013 BTW, so he was active right up to the end. Jo Walton shares her reactions to the news at Tor.com.

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Photos: Bremerhaven, Part 1: City Views

I’ve been meaning to post these for a while now, but somehow I never got around to it. Alas, better late than never.

In the first week of the summer holidays, I took a day trip to Bremerhaven with my Mom. I gave her a choice where she wanted to go and she picked Bremerhaven, because – so she said – she hadn’t been there in ages. Now I get to go to Bremerhaven quite a couple of times every year, either on translation business or for school trips, because the city’s zoo and its four museums (more on those later) are popular destinations for school outings. Still, my Mom wanted to go to Bremerhaven, so to Bremerhaven we went.

Now Bremerhaven is a bit of a historical oddity. The town was founded in 1827 by Bremen’s then mayor Johann Smidt (who is mainly known for founding Bremerhaven and for being a horrible Anti-Semite), because the river Weser was increasingly silting up, while vessels became bigger. As a result, Bremen, located some 60 kilometers inland, was in danger of getting cut off from the international shipping trade. So Bremerhaven was founded at the estuary of the river Weser to serve as a harbour for the city of Bremen. The town name literally means “Bremen’s harbour”.

Ever since then, Bremerhaven has mainly been a harbour. In the 19th and early 20th century, it was one of the main harbours for emigrants headed to America. If your ancestors came to the US from either Germany or Eastern Europe, there is a very good chance that they emigrated via Bremerhaven.

Nowadays, Bremerhaven is the 4th largest container port in Europe and the 16th largest in the world. It’s also a hub for the offshore windpower industry and for vehicle in- and exports. Approximately 1.3 million vehicles pass through Bremerhaven every year. They are parked in huge lots at the vehicle terminal, which is the dream of every car thief and filmmaker, because there is no better place on Earth to film a car chase. Alas, I have no photos of the vehicle terminal for you today, because it’s a bit out of the way.

Bremerhaven was hit hard by the decline of the shipping and shipbuilding industry in the 1980s and 1990s and suffered from huge unemployment, poverty and the unfortunate tendency to vote for rightwing extremist parties. In the past fifteen years or so, it has experienced something of a rebirth as a tourist attraction and rainy day destination for holidaymakers on the North Sea Coast. Though we didn’t just see German tourists or white Americans (who come because of the emigration history), but also plenty of Asians and also several black tourists.

And now on to the photos. I have split this post into two parts. Part 1 includes general city views, while part 2 focusses on ships, particularly the historical ships that can be seen on the grounds of the German maritime museum. Continue reading

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An Interview and a Link

First of all, I was interviewed today by erotic romance writer Clarissa Wild at her blog. We talk about The Butcher of Spain a.k.a. the book formerly known as El Carnicero. So come on over and say hello.

Over at Pegasus Pulp, I post about how an e-book formatter decided to “improve” a client’s book for ideological reasons and about how the local North German radio and TV station NDR discovered e-books.

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Plugs, superfast publishing and a new story: Old Mommark’s Tale

First of all, I have a few links and plugs:

I have mentioned Find, Read, Love, a site dedicated to the promotion and discovery of indie e-books, in these pages before. Find, Read, Love just had a great redesign, so check it out. The site is run by French writer Nathalie Hamidi a.k.a. Irma Geddon, whom I interviewed a few months ago.

If you’re in the Bremen area, the launch reading/event for Riverbank City, the latest poetry collection by Irish writer Ian Watson, will take place on Wednesday, August 28, at six o’clock PM in the Krimibibliothek in the central library Am Wall 201. Ian is the first editor who ever bought one of my stories (sort of, it was a non-paying mag) and the person who taught me most of what I know about writing.

Finally, I’ve also got an announcement of my own to make, for I have a new short story out. Now I hadn’t planned to publish a new story so soon – the next one, a post-apocalyptic novelette, won’t be ready until early September.

However, Joe Konrath launched the eight hour e-book challenge, i.e. to write, proof, format, create a cover and publish a short e-book in an eight hour period. Since it was a weekend, I decided to take part and actually did manage to write and publish a story from scratch in approx. seven hours, not counting the time it took for the story to go live on the various platforms.

I go a bit more into the process of writing and publishing a short story in eight hours over at Pegasus Pulp.

But for now, I present you Old Mommark’s Tale:

Old Mommark's TaleIn a tavern on Tortuga, the pirate Old Mommark recalls an adventure of his youth and tells a tale of an uncharted island, a great treasure, the gruesome Captain Scarlet and the even more gruesome monster that dragged him to his doom. But is it a true story or just sailor’s yarn, spun under the influence of too much rum?

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For more information, visit the Old Mommark’s Tale page.
Buy it for the low price of 0.99 USD, EUR or GBP at Amazon US, Amazon UK, Amazon Germany, Amazon France, Amazon Spain, Amazon Italy, Amazon Canada, Amazon Brazil, Amazon Japan, Amazon India, Amazon Mexico, Kobo, Barnes & Noble, Apple iTunes, Casa del Libro, W.H. Smith, Nook UK, DriveThruFiction, OmniLit/AllRomance e-books and XinXii.

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Doom and gloom predictions, random weirdness and celebrity deaths

First of all, I updated the master list of great German movies available on YouTube. Among other things, I added links to several of the iconic Winnetou adaptions of the mid 1960s, a neat 1970s adventure serial, two more East Germans meet the West films and Sibel Kekilli a.k.a. Shay from Game of Thrones in her film debut.

Ewan Morrison, whose gloom and doom predictions about the state of western literature and culture have been entertaining Guardian readers for at least two years now (I occasionally blogged about Mr Morrison over at Pegasus Pulp) is at it again and delivers a delightful two part dystopian future vision about a 2043 with no original literature, overrun by fanfiction writers and ruled over by the Chinese Communist Party. As an overblown paranoid dystopia, Morrison’s article is surprisingly amusing, if rather offensive (Seriously dated racist Yellow Peril sterotypes? Calling Cory Doctorow a Communist infiltrator/useful idiot? Calling Hugh Howey’s print only deal for Wool a sell-out?). Though I fear he may be serious. I should probably pick the article apart further, but my Chinese overlords demand that I produce more indie fiction to destroy western culture.

Now for a bit of weirdness:

Here is a creepy article about real and fake hanging trees in California and how they turned from judicial murder site to unlikely tourist attractions. Found via Jay Lake.

The zombie apocalypse has come and it has hit Moscow. Okay, so the zombie epidemic only affects Moscow’s pigeons which are succumbing in great numbers to an unknown epidemic and/or toxin. But the headline still made me click.

There have also been several notable deaths in the past two weeks:

Writer Barbara Mertz a.k.a. Elizabeth Peters a.k.a. Barbara Michaels died on August 8 aged 85. She was best known for her Amelia Peabody mysteries starring a Victorian egyptologist and amateur sleuth.

Prince Johan Friso, the younger brother of King Willem-Alexander of the Netherlands, died August 12 after getting trapped in an avalanche in early 2012 and spending one and a half years in a coma. He was only 44 years old.

German actor Jörg Pleva died August 15 aged 71. Jörg Pleva appeared in many German TV productions and was also the German voice of Malcolm McDowell. However, Jörg Pleva is best remembered for playing the contestant in the German SF classic Das Millionenspiel (The Million Game) back in 1973. The TV-movie, an adaption of a Robert Sheckley short story, caused a scandal at the time, because TV viewers mistook the media satire about a fictional game show where a contestant can win one million deutschmarks, if he manages to elude a team of contract killers for seven days, for the real thing. Even today, the film is still creepy, because it so eerily mirrors the look and feel of actual German TV variety shows of the 1970s that it is like watching TV from a parallel universe. You can see the full film here.

American actor Lee Thompson Young, who played Jane Rizzoli’s partner Detective Frost in Rizzoli and Isles and Clark Kent’s best friend Pete in Smallville, died yesterday aged only 29. Apparently, he committed suicide.

Elmore Leonard, author of countless thrillers, westerns and crime novels, died yesterday aged 87. Even if you have never read Elmore Leonard, you will probably have encountered his work via one of the many film adaptions (Get Shorty, Out of Sight, Jackie Brown and the TV show Justified were all based on his works). And if you’re a writer, you’ll probably have come across Elmore Leonard’s famous ten rules for writing at some point, whether you agree with them or not. And though I’m no big fan of The Onion, their Elmore Leonard parody obituary, which breaks every single one of Leonard’s famous rules, is amusing.

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V.C. Andrews – Mistress of the Teen Gothic

There seems to be a V.C. Andrews renaissance of sorts, probably because a new movie has just been announced starring the girl who plays Sally Draper in Mad Men (well, she has the look and she can act).

At any rate, a while back I linked to a post by Silvia Moreno-Garcia comparing V.C. Andrews to H.P. Lovecraft.

And now The Toast has declared August 12 “V.C. Andrews Day”. Among other things, they have an article about the sexual appeal of Flowers in the Attic, one about the portrayal of disability in My Sweet Audrina as well as an interview with Ann Patty, the editor who acquired Flowers in the Attic, and an article by Ann Patty remembering her experience publishing the books. Found via Radish Reviews.

Particularly the interview with and article by the editor contain lots of fascinating tidbits there, which I for one did not know, such as that Virginia C. Andrews was wheelchair bound from the age of 15 on and that both Flowers in the Attic and the Heaven series were based on supposedly true stories she’d heard as a young girl in the hospital. What is more, Flowers in the Attic would likely never be published by a mainstream publisher at all in today’s climate.

I’m one of the many, many teen girls who devoured the V.C. Andrews books in the 1980s. I borrowed Flowers in the Attic from an older cousin and then proceeded to read my way through the Dollanganger series (Flowers in the Attic and sequels), the standalone My Sweet Audrina, the Heaven series and lost interest somewhere halfway through the Ruby series. Interestingly, the incest – which seems to be what people remember most about Flowers in the Attic along with the arsenic doughnuts – never made much of an impression on me. It was obviously a consequence of the circumstances under which Cathy and Chris grew up and while it was clearly abnormal and dysfunctional, Chris and Cathy were dysfunctional people due to their upbringing. Honestly, what excuse do Jamie and Cersei Lannister have?

By comparison, I do remember the arsenic laced doughnuts and the various other horrors visited upon the Dollanganger kids quite clearly. But then I come from the same city as Gesche Gottfried, 19th century serial poisoner, so the doughnuts would of course register.

In fact, I find it interesting how many people read those books “for the sex”, because I can’t recall finding the sexual content (which is pretty vague anyway) in any of the V.C. Andrews books even remotely titillating. Sex is always creepy or abusive or at least dysfunctional (and often incestous) in V.C. Andrews novels. I don’t think anybody ever had anything approaching regular sex in those books. I must either have been a latebloomer or just very liberally bought up, because I was hardly ever interested in “the sex” in any of the books I read as a teen. I admit that I found the sexual misadventures of Angelique rather fascinating and was quite thrilled by a bad bodiceripper named Valentina by Fern Michaels pre women’s fiction rebranding. But mostly fictional sex just bored me. I gave up on Jean M. Auel halfway through the second book, when there was nothing but sex going on and slammed a Harold Robbins novel I had snatched from my Mom’s shelves back onto the kitchen table with the words “This is such a stupid book. It starts out so well (prologue about a baby being born on a stormy night), but then they skip all the interesting stuff and it’s just about people having sex all the time.”

Interestingly, I also remember the disability aspect in My Sweet Audrina barely at all. I guess the reason is that there were and are several disabled people in my extended family, so disabled family members were not as out of the ordinary for me as they might be to others. I don’t recall any of the things that so often infuriate me about the treatment of disability in fiction (e.g. the noxious trope of losing a body part as a rite of passage that is so endemic in SFF) in the novel either, but then I was a much less sophisticated reader at the time.

Indeed, what made those books so fascinating to me was basically the succession of thrillingly horrible things happening to their heroines. They play into the fear that lurks in the hearts of many adolescents that their parents, no matter how kind and loving and wonderful, will eventually turn into monsters. Or that the parents will die and that you will end up creepy relatives or foster parents who will do horrible things to you. Maybe incest is a secret fear for many as well, though it was never one of mine, since I’m an only child.

In many ways, the V.C. Andrews novels were the last hurrah of the gothic romance (and coincidentally, I obsessively read Daphne Du Maurier at around the same time). All the elements are there, the creepy old house, the beleaguered heroine, dark family secrets, untrustworthy relatives who are not what they seem. Only that V.C. Andrews turned already rather childlike gothic heroines into actual teenagers. In fact, I’m stunned that the editor and publisher did not expect that the book would be such a hit with teenagers. Honestly, who did they expect would read the stuff? Cause the books don’t really work all that well, when discovered at an older age. As a matter of fact, I’m not even tempted to reread the books, though I still have all of mine, because I doubt that I could stomach them today.

Teens and young adults tend to be rather gloomy anyway and have a taste for depressing entertainment. It’s why grimdark sells, why Stephen King made millions, why The Cure and The Smiths and Joy Division sold records and why you can always find depressing pop songs and “I’m so angry” rock in the charts. V.C. Andrews books were a part of my grimdark phase along with grim anti-hero comics (Wolverine mostly), melodramatic Italian operas, Daphne du Maurier and Angelique novels, Highlander and Beauty and the Beast and Freddy Krüger, hanging out with the heavy metal boys at school and sometimes listening to their music by osmosis. I grew out of grimdark in my late 20s (though I had already grown out of V.C. Andrews several years before), just at a time that popular culture in general was taking a massive turn towards grimdark.

Maybe the turn towards ever darker mainstream entertainment is what is causing the current V.C. Andrews renaissance. Or maybe it’s because the generation that devoured those books as teenagers is now at a point where they fondly look back on the obsessions of their youth.

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SFWA drama comes to a conclusion

The ongoing drama about racism and sexism in the SFWA (just read the other posts in the series for an overview, particularly this one) has finally come to a conlusion of sorts.

Yesterday, the SFWA posted the official announcement that they had expelled an as of yet unnamed member from the organisation. Of course, anybody who has been following the current controversy can probably supply a name. Locus Online also names the name as well. Continue reading

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Great German Movies on YouTube

In the comments to my last post, I recommended a bunch of full vintage German movies I found on YouTube to Sherwood. In case somebody else is interested as well, here is the list again, reorganized and expanded a bit.

The movies span eight decades, four regimes, several genres and range from light to heavy, from humourous to serious, but the main focus is on West German films of the 1950s and 1960s, though I have a lot of 1920s and early 1930s films as well. Most of them are theatrical features, though some TV movies have snuck in as well. All movies are full versions. With very few exceptions, none of them have subtitles. Trigger warnings are included for those that might bother some audiences.

So here it is. The master list of the best of German cinema from the Weimar to the Berlin Republic, from 1920 to 2003: Continue reading

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