As mentioned in the last post, both the 2025 Nebula Award finalists and the 2026 Academy Award winners were announced on Sunday night. I covered the Oscars in my last post, so now let’s get to the Nebulas.
The full list of finalists may be found here. Apologies if I get anybody’s gender, race or nationality wrong with regard to the diversity count.
ETA: Andrew Liptak shares the links to all the 2025 Nebula finalists you can read for free.
Best Novel
Once again, this category is a mix of novels that got a lot of buzz and a few more surprising choices.
Katabasis by R.F. Kuang and Death of the Author by Nnedi Okorafor both got a lot of attention last year both inside and also outside of the genre, so I’m not surprised to see them nominated. I suspect we’ll also see both books on the Hugo ballot and Katabasis will probably win as a belated payback for R.F. Kuang’s unjustified disqualification in 2023.
The Incandescent by Emily Tesh also got a lot of buzz last year and will likely make the Hugo ballot, though I haven’t yet read it, simply because I’m just tired of magical schools and dark academia.
John Wiswell has been a regular presence on awards ballots since he burst onto the scene six years ago, so I’m not surprised to see Wearing the Lion nominated. It’s also a good book.
Stephen Graham Jones is one of the most popular genre authors currently writing and a regular presence on awards ballots, though he’s more commonly found on the Stoker ballot than one the Hugo or Nebula ballot due to being a horror author. The Buffalo Hunter Hunter is also a really good book.
Natalia Theodoridou is mainly known for his short fiction. Sour Cherry is his debut novel, which kind of passed me by.
Daryl Gregory is also better known for his short fiction, though he also has several novels under his belt. He also is a long-time Nebula favourite. I have to admit that When We Were Real also passed me by, though it sounds like something I would enjoy.
Diversity count: 3 women, 4 men, 3 authors of colour, 2 international authors*
Best Novella
Again, we have a nice mix of stories that got a lot of buzz and somewhat lesser known fialists.
Automatic Noodle by Annalee Newitz and The River Has Roots by Amal El-Mohtar both got a lot of buzz last year. Both are also on my personal Hugo longlist.
I’m really happy to see Renan Bernardo nominated, though I haven’t yet read Disgraced Return of the Kap’s Needle.
Hache Pueyo is best known for her horror fiction, though both the Hugos and Nebulas have been more willing to nominate horror in recent years. I haven’t read But Not Too Bold yet, so I can’t comment. That said, together with the nomination for Renan Bernardo, this is a good year for Brazilian SFF at the Nebulas.
Wole Talabi is also a frequent presence on SFF awards ballots in recent years and I liked his nominated novella “Descent”.
I haven’t read The Death of Mountains by Jordan Kurella, so I can’t comment on that one either, though I have enjoyed other stories by Jordan Kurella.
It’s notable that unlike the Hugos, which are strongly dominated by Tordotcom‘s novella line, there’s more publisher variety on the Nebula ballot. Three of the six finalists for published by Tordotcom, the other three were published by Dark Matter Ink, Lethe Press and Clarkesworld respectively.
Diversity count: 3 women, 3 men, 4 authors of colour, 4 international authors
Best Novelette
“The Life and Times of Alavira the Great as Written by Titos Pavlou and Reviewed by Two Lifelong Friends” by Eugenia Triantafyllou is a story I enjoyed a lot and is also on my personal Hugo longlist.
“Our Echoes Drifting Through the Marsh” by Marie Croke, “We Begin Where Infinity Ends” by Somto Ihezue, “The Name Ziya” by Wen-Yi Lee and “Never Eaten Vegetables” by H.H. Pak all passed me by, even though I do follow the magazines in which they appeared.
“Uncertain Sons” by Thomas Ha, finally, appeared in a collection I haven’t read, though I have enjoyed other stories by him.
We do have a nice mix of publishers here with two stories from Clarkesworld and one each from Uncanny, Beneath Ceaseless Skies and Reactor as one story from a collection.
Diversity count: 3 women, 2 men, 1 non-binary, 4 authors of colour, 3 international authors
Best Short Story
I’m afraid that “Through the Machine” by P.A. Cornell, “Six People to Revise You” by J.R. Dawson, “In My Country”, by Thomas Ha, “The Tawlish Island Songbook of the Dead”, by E.M. Linden, “Because I Held His Name Like a Key” by Aimee Ogden and “Laser Eyes Ain’t Everything” by Effie Seiberg all passed me by, though I have enjoyed other stories by Thomas Ha, P.A. Cornell, Aimee Ogden and Effie Seiberg.
Once again, we have a nice mix of publishers with Lightspeed, Uncanny, Strange Horizons, Clarkesworld, PodCastle and Diabolical Plots all represented.
Diversity count: 5 women, 1 man, 2 authors of colour, 3 international authors
Best Poem
This is a new category and I’m happy to see both the Hugos and Nebulas recognising poetry now.
I have enjoyed works by Linda D. Addison, Mari Ness, Jennifer Hudak and Angela Liu before, while Jamal Hodge, Casey Aimer and Nico Martinez-Nocito are new to me.
The publishers are less varied here with two finalists each from Strange Horizons and Uncanny, one from Penumbric and one from an anthology, but then there are fewer markets for SFF poetry than for prose short fiction.
Diversity Count: 4 women, 2 men, 1 non-binary, 4 authors of colour, 2 international authors
BTW, I just realised that with Mari Ness being nominated for the Hugo for Best Poem last year, we actually have five German Hugo finalists – Wolfgang Petersen, Roland Emmerich, Simone Heller, Mari Ness and myself – since she’s a dual national. I don’t include Willy Ley or Klaus Janson who were born in Germany, but emigrated decades before they were nominated for a Hugo and were American citizens at the time.
Best Comic
This is another new-ish Nebula category and again, it’s great to see comics honoured.
Helen of Wyndhorn by Tom King and Bilquis Evely is an amazing comic and also on my personal Hugo ballot. Though it probably won’t win, because lots of people have issues with Tom King.
Jeff Lemire’s work is always worth reading, though I haven’t yet read Fishflies.
Mary Shelley’s School for Monsters: The Killing Stone by Jessica Maison and Anna Wieszczyk is new to me, though the title is pretty self-explanatory.
Carmilla Volume 3: The Eternal by Amy Chu is another comic that does what it says on the tin, namely adapt/reimagine Sheridan LeFanu’s famous novel about a female lesbian vampire.
I wasn’t at all familiar with Second Shift by Kit Anderson, though it looks like a lovely science fiction comic about a maintenance worker on a space station.
Strange Bedfellows by Ariel Slamet Ries is another graphic novel I’m not familiar with. It appears to be the story of a man who can conjure up his dreams in real life, including his lost love.
The Flip Side by Jason Walz is another one I’m not familiar with. It appears to be a story of grief and survival in a world literally turned upside down.
I’m also not familiar with The Stoneshore Register by G. Willow Wilson and M.K. Perker, though it sounds like an interesting story about a journalist investigating all the weird things happening in a strange seaside town.
All in all, this is a pretty interesting ballot. Only two comics are published by mainstream comic publishers, namely Image and Dark Horse. There’s no Marvel or DC at all. Many appear to be standalone graphic novels rather than serialised comics. Several were apparently financed via Kickstarter campaigns.
No diversity count, too many people are needed to make comics.
Andre Norton Award for Middle Grade and Young Adult Fiction
This category is quite unusual this year, because I’m not familiar at all with most of the finalists at all and had to look them up. Of course, I’m not the target audience for YA at all, but I have usually at least heard of many books and authors. However, I have only heard of two of this year’s Andre Norton finalists and one of them is not an author I normally associate with YA.
Sunrise on the Reaping by Suzanne Collins is the best known finalist in this category by far. It’s a prequel to The Hunger Games and also has a film adpatation coming up.
Jonathan Brazee is an indie author who has been nominated for the Nebula Award before, though for his adult military SF. Gemini Rising is military SF as well, but the YA version.
The Tower by David Anaxagoras is a dystopian YA novel I wasn’t familiar with at all. It’s also an audio book original. We’ve seen audio book originals on the Hugo ballot before, but I don’t recall any on the Nebula ballot until this year, when we suddenly have two – The Tower and a story from PodCastle.
Wishing Well, Wishing Well by Jubilee Cho is a fairy tale style middle grade novel that I’m also not familiar with. Some googling also revealed that Jubilee Cho died much too young at the age of only 25.
Into the Wild Magic by Michelle Knudsen is another middle grade fantasy novel that I’m not familiar with, but then I am even less the target audience for middle grade fiction than for YA.
Goblin Girl by K.A. Mielke is yet another middle grade fantasy novel about a young goblin girl who goes off with some companions to rescue a princess. It looks like a lot of fun. It’s also self-published, so we have two indie novels on this year’s ballot. Of course, we’ve seen indie and self-published books on the Nebula ballot before – the first being The Red First Light by Linda Nagata all the way back in 2013 before self-published authors were even admitted to SFWA. That said, middle grade and YA fiction is still very dominated by traditional publishing, because a lot of it relies on school and library sales and those buyers rely on recommendations and reviews from outlets that rarely review indies.
Middle grade and YA fiction are also very female dominated, so it’s interesting that we have three male and three female finalists this year.
Diversity count: 3 women, 3 men, 1 author of colour, 1 international author, 1 deceased author, 2 indie authors
Ray Bradbury Nebula Award for Outstanding Dramatic Presentation
This is probably the least surprising category on this ballot, because we have a lot of very popular and well regarded movies and TV shows here, many/most of which I also expect to see on the Hugo ballot.
Sinners is an amazing movie and had the most Oscar nominations of all time, though in the end it only won a respectable four Oscars. Honestly, just read my Oscar post for my thoughts on Sinners.
KPop Demon Hunters was hugely successful, a phenomenon and also a genuinely good movie. It just won two Oscars – and a again, see my Oscar post for more thoughts – and I’m not at all surprised to see it on the Ray Bradbury ballot.
Superman was another hugely successful film. What is more, it was the first Superman movie in decades that actually got the character. We had several good Superman portrayals on TV, but we haven’t had a big screen Superman that actually got the character since Christopher Reeve hung up the cape. And to be honest, the last Reeve movies were bad. And yes, the Snyder bros are complaining about James Gunn’s take on Superman, but screw them.
The Murderbot Diaries by Martha Wells are hugely beloved and have won every award out there. And the TV adaptation was not only actually good, but also managed to capture the essence of the books. So I’m not at all surprised to see season 1 of the TV show nominated.
Season 1 of Severance gained a lot of accolades and acclaim, though it wasn’t for me. Season 2 seemed to maintain the standards set by season 1, so I’m not surprised to see an episode of season 2 nominated. It will very likely make the Hugo ballot as well, which means I will have to give it another try.
Pluribus also gained a lot of acclaim and buzz last year, so I’m not surprised to see it nominated, though I haven’t watched it, because I was busy with other things, when it came out and the premise didn’t appeal to me that much. Though Pluribus will probably make the Hugo ballot as well, so I will give it a try then.
I’m a bit surprised that Andor didn’t make the ballot, since that’s the one Disney era Star Wars show that everybody seems to love. But then, there are only so many slots.
No diversity count, too many people are needed to make movies and TV shows.
Best Game Writing
I can’t really say anything about the finalists in this category, since I’m not a gamer. That said, I chatted a bit with one of the writers/developers of Hades at the virtual 2021 Hugo afterparty and he was super-nice, so I’m glad to see Hades II get a nomination.
All six Ray Bradbury Award finalists and one game finalist – Hollow Knight – come with an asterisk that denotes “provisional nomination; awaiting acceptance and response on LLM-use”, which means that these finalists have not yet officially accepted and confirmed that they did not use generative AI, which the Nebulas don’t allow.
The lack of response in the film and TV category isn’t that surprising, since Hollywood tends to ignore genre awards like the Hugo or the Nebula. As for Hollow Knight, I don’t think it’s a game by a big studio, so they probably just didn’t get around to replying yet.
Meanwhile, File 770 points out that one game finalist without an asterisk – Clair Obscur: Expedition 33 – had a gaming award win rescinded over generative AI use last December, so it doesn’t meet the Nebula qualifications either. It will be interesting to see how SFWA will handle this.
No diversity count, too many people are needed to make games.
As for trends, horror continues to have a moment, since there are horror finalists in several categories. We also have a couple of “magic school” stories, the return of robot/AI POV stories and retellings continue to be a thing. We also have self-published works on the ballot for the first time since 2018. Finally, we also have two audio original finalists.
All in all, this is a good and diverse Nebula ballot and also one that’s bigger than before due to the addition of the poetry and comics categories.
*International authors means authors who have a nationality other than US-American and/or who are living and working outside the US. In cases of American authors living outside the US or dual nationals, I counted them as international authors.









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