Some Comments on the 2025 Nebula Finalists

As mentioned in the last post, both the 2025 Nebula Award finalists and the 2026 Academy Award winners were announced on Sunday night. I covered the Oscars in my last post, so now let’s get to the Nebulas.

The full list of finalists may be found here. Apologies if I get anybody’s gender, race or nationality wrong with regard to the diversity count.

ETA: Andrew Liptak shares the links to all the 2025 Nebula finalists you can read for free.

Best Novel

Once again, this category is a mix of novels that got a lot of buzz and a few more surprising choices.

Katabasis by R.F. Kuang and Death of the Author by Nnedi Okorafor both got a lot of attention last year both inside and also outside of the genre, so I’m not surprised to see them nominated. I suspect we’ll also see both books on the Hugo ballot and Katabasis will probably win as a belated payback for R.F. Kuang’s unjustified disqualification in 2023.

The Incandescent by Emily Tesh also got a lot of buzz last year and will likely make the Hugo ballot, though I haven’t yet read it, simply because I’m just tired of magical schools and dark academia.

John Wiswell has been a regular presence on awards ballots since he burst onto the scene six years ago, so I’m not surprised to see Wearing the Lion nominated. It’s also a good book.

Stephen Graham Jones is one of the most popular genre authors currently writing and a regular presence on awards ballots, though he’s more commonly found on the Stoker ballot than one the Hugo or Nebula ballot due to being a horror author. The Buffalo Hunter Hunter is also a really good book.

Natalia Theodoridou is mainly known for his short fiction. Sour Cherry is his debut novel, which kind of passed me by.

Daryl Gregory is also better known for his short fiction, though he also has several novels under his belt. He also is a long-time Nebula favourite. I have to admit that When We Were Real also passed me by, though it sounds like something I would enjoy.

Diversity count: 3 women, 4 men, 3 authors of colour, 2 international authors*

Best Novella

Again, we have a nice mix of stories that got a lot of buzz and somewhat lesser known fialists.

Automatic Noodle by Annalee Newitz and The River Has Roots by Amal El-Mohtar both got a lot of buzz last year. Both are also on my personal Hugo longlist.

I’m really happy to see Renan Bernardo nominated, though I haven’t yet read Disgraced Return of the Kap’s Needle. 

Hache Pueyo is best known for her horror fiction, though both the Hugos and Nebulas have been more willing to nominate horror in recent years. I haven’t read But Not Too Bold yet, so I can’t comment. That said, together with the nomination for Renan Bernardo, this is a good year for Brazilian SFF at the Nebulas.

Wole Talabi is also a frequent presence on SFF awards ballots in recent years and I liked his nominated novella “Descent”.

I haven’t read The Death of Mountains by Jordan Kurella, so I can’t comment on that one either, though I have enjoyed other stories by Jordan Kurella.

It’s notable that unlike the Hugos, which are strongly dominated by Tordotcom‘s novella line, there’s more publisher variety on the Nebula ballot. Three of the six finalists for published by Tordotcom, the other three were published by Dark Matter Ink, Lethe Press and Clarkesworld respectively.

Diversity count: 3 women, 3 men, 4 authors of colour, 4 international authors

Best Novelette

“The Life and Times of Alavira the Great as Written by Titos Pavlou and Reviewed by Two Lifelong Friends” by Eugenia Triantafyllou is a story I enjoyed a lot and is also on my personal Hugo longlist.

“Our Echoes Drifting Through the Marsh” by Marie Croke, “We Begin Where Infinity Ends” by Somto Ihezue, “The Name Ziya” by Wen-Yi Lee and  “Never Eaten Vegetables” by H.H. Pak all passed me by, even though I do follow the magazines in which they appeared.

“Uncertain Sons” by Thomas Ha, finally, appeared in a collection I haven’t read, though I have enjoyed other stories by him.

We do have a nice mix of publishers here with two stories from Clarkesworld and one each from Uncanny, Beneath Ceaseless Skies and Reactor as one story from a collection.

Diversity count: 3 women, 2 men, 1 non-binary,  4 authors of colour, 3 international authors

Best Short Story

I’m afraid that “Through the Machine” by P.A. Cornell, “Six People to Revise You” by J.R. Dawson, “In My Country”, by Thomas Ha, “The Tawlish Island Songbook of the Dead”, by E.M. Linden, “Because I Held His Name Like a Key” by Aimee Ogden and “Laser Eyes Ain’t Everything” by Effie Seiberg all passed me by, though I have enjoyed other stories by Thomas Ha, P.A. Cornell, Aimee Ogden and Effie Seiberg.

Once again, we have a nice mix of publishers with Lightspeed, Uncanny, Strange Horizons, Clarkesworld, PodCastle and Diabolical Plots all represented.

Diversity count: 5 women, 1 man, 2 authors of colour, 3 international authors

Best Poem

This is a new category and I’m happy to see both the Hugos and Nebulas recognising poetry now.

I have enjoyed works by Linda D. Addison, Mari Ness, Jennifer Hudak and Angela Liu before, while Jamal Hodge, Casey Aimer and Nico Martinez-Nocito are new to me.

The publishers are less varied here with two finalists each from Strange Horizons and Uncanny, one from Penumbric and one from an anthology, but then there are fewer markets for SFF poetry than for prose short fiction.

Diversity Count: 4 women, 2 men, 1 non-binary, 4 authors of colour, 2 international authors

BTW, I just realised that with Mari Ness being nominated for the Hugo for Best Poem last year, we actually have five German Hugo finalists – Wolfgang Petersen, Roland Emmerich, Simone Heller, Mari Ness and myself – since she’s a dual national. I don’t include Willy Ley or Klaus Janson who were born in Germany, but emigrated decades before they were nominated for a Hugo and were American citizens at the time.

Best Comic  

This is another new-ish Nebula category and again, it’s great to see comics honoured.

Helen of Wyndhorn by Tom King and Bilquis Evely is an amazing comic and also on my personal Hugo ballot. Though it probably won’t win, because lots of people have issues with Tom King.

Jeff Lemire’s work is always worth reading, though I haven’t yet read Fishflies.

Mary Shelley’s School for Monsters: The Killing Stone by Jessica Maison and Anna Wieszczyk is new to me, though the title is pretty self-explanatory.

Carmilla Volume 3: The Eternal by Amy Chu is another comic that does what it says on the tin, namely adapt/reimagine Sheridan LeFanu’s famous novel about a female lesbian vampire.

I wasn’t at all familiar with Second Shift by Kit Anderson, though it looks like a lovely science fiction comic about a maintenance worker on a space station.

Strange Bedfellows by Ariel Slamet Ries is another graphic novel I’m not familiar with. It appears to be the story of a man who can conjure up his dreams in real life, including his lost love.

The Flip Side by Jason Walz is another one I’m not familiar with. It appears to be a story of grief and survival in a world literally turned upside down.

I’m also not familiar with The Stoneshore Register by G. Willow Wilson and M.K. Perker, though it sounds like an interesting story about a journalist investigating all the weird things happening in a strange seaside town.

All in all, this is a pretty interesting ballot. Only two comics are published by mainstream comic publishers, namely Image and Dark Horse. There’s no Marvel or DC at all. Many appear to be standalone graphic novels rather than serialised comics. Several were apparently financed via Kickstarter campaigns.

No diversity count, too many people are needed to make comics.

Andre Norton Award for Middle Grade and Young Adult Fiction

This category is quite unusual this year, because I’m not familiar at all with most of the finalists at all and had to look them up. Of course, I’m not the target audience for YA at all, but I have usually at least heard of many books and authors. However, I have only heard of two of this year’s Andre Norton finalists and one of them is not an author I normally associate with YA.

Sunrise on the Reaping by Suzanne Collins is the best known finalist in this category by far. It’s a prequel to The Hunger Games and also has a film adpatation coming up.

Jonathan Brazee is an indie author who has been nominated for the Nebula Award before, though for his adult military SF. Gemini Rising is military SF as well, but the YA version.

The Tower by David Anaxagoras is a dystopian YA novel I wasn’t familiar with at all. It’s also an audio book original. We’ve seen audio book originals on the Hugo ballot before, but I don’t recall any on the Nebula ballot until this year, when we suddenly have two – The Tower and a story from PodCastle.

Wishing Well, Wishing Well by Jubilee Cho is a fairy tale style middle grade novel that I’m also not familiar with. Some googling also revealed that Jubilee Cho died much too young at the age of only 25.

Into the Wild Magic by Michelle Knudsen is another middle grade fantasy novel that I’m not familiar with, but then I am even less the target audience for middle grade fiction than for YA.

Goblin Girl by K.A. Mielke is yet another middle grade fantasy novel about a young goblin girl who goes off with some companions to rescue a princess. It looks like a lot of fun. It’s also self-published, so we have two indie novels on this year’s ballot. Of course, we’ve seen indie and self-published books on the Nebula ballot before – the first being The Red First Light by Linda Nagata all the way back in 2013 before self-published authors were even admitted to SFWA. That said, middle grade and YA fiction is still very dominated by traditional publishing, because a lot of it relies on school and library sales and those buyers rely on recommendations and reviews from outlets that rarely review indies.

Middle grade and YA fiction are also very female dominated, so it’s interesting that we have three male and three female finalists this year.

Diversity count:  3 women, 3 men, 1 author of colour, 1 international author, 1 deceased author, 2 indie authors

Ray Bradbury Nebula Award for Outstanding Dramatic Presentation

This is probably the least surprising category on this ballot, because we have a lot of very popular and well regarded movies and TV shows here, many/most of which I also expect to see on the Hugo ballot.

Sinners is an amazing movie and had the most Oscar nominations of all time, though in the end it only won a respectable four Oscars. Honestly, just read my Oscar post for my thoughts on Sinners.

KPop Demon Hunters was hugely successful, a phenomenon and also a genuinely good movie. It just won two Oscars – and a again, see my Oscar post for more thoughts – and I’m not at all surprised to see it on the Ray Bradbury ballot.

Superman was another hugely successful film. What is more, it was the first Superman movie in decades that actually got the character. We had several good Superman portrayals on TV, but we haven’t had a big screen Superman that actually got the character since Christopher Reeve hung up the cape. And to be honest, the last Reeve movies were bad. And yes, the Snyder bros are complaining about James Gunn’s take on Superman, but screw them.

The Murderbot Diaries by Martha Wells are hugely beloved and have won every award out there. And the TV adaptation was not only actually good, but also managed to capture the essence of the books. So I’m not at all surprised to see season 1 of the TV show nominated.

Season 1 of Severance gained a lot of accolades and acclaim, though it wasn’t for me. Season 2 seemed to maintain the standards set by season 1, so I’m not surprised to see an episode of season 2 nominated. It will very likely make the Hugo ballot as well, which means I will have to give it another try.

Pluribus also gained a lot of acclaim and buzz last year, so I’m not surprised to see it nominated, though I haven’t watched it, because I was busy with other things, when it came out and the premise didn’t appeal to me that much. Though Pluribus will probably make the Hugo ballot as well, so I will give it a try then.

I’m a bit surprised that Andor didn’t make the ballot, since that’s the one Disney era Star Wars show that everybody seems to love. But then, there are only so many slots.

No diversity count, too many people are needed to make movies and TV shows.

Best Game Writing

I can’t really say anything about the finalists in this category, since I’m not a gamer. That said, I chatted a bit with one of the writers/developers of Hades at the virtual 2021 Hugo afterparty and he was super-nice, so I’m glad to see Hades II get a nomination.

All six Ray Bradbury Award finalists and one game finalist – Hollow Knight – come with an asterisk that denotes “provisional nomination; awaiting acceptance and response on LLM-use”, which means that these finalists have not yet officially accepted and confirmed that they did not use generative AI, which the Nebulas don’t allow.

The lack of response in the film and TV category isn’t that surprising, since Hollywood tends to ignore genre awards like the Hugo or the Nebula. As for Hollow Knight, I don’t think it’s a game by a big studio, so they probably just didn’t get around to replying yet.

Meanwhile, File 770 points out that one game finalist without an asterisk – Clair Obscur: Expedition 33 – had a gaming award win rescinded over generative AI use last December, so it doesn’t meet the Nebula qualifications either. It will be interesting to see how SFWA will handle this.

No diversity count, too many people are needed to make games.

As for trends, horror continues to have a moment, since there are horror finalists in several categories. We also have a couple of “magic school” stories, the return of robot/AI POV stories and retellings continue to be a thing. We also have self-published works on the ballot for the first time since 2018. Finally, we also have two audio original finalists.

All in all, this is a good and diverse Nebula ballot and also one that’s bigger than before due to the addition of the poetry and comics categories.

*International authors means authors who have a nationality other than US-American and/or who are living and working outside the US. In cases of American authors living outside the US or dual nationals, I counted them as international authors.

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It’s a Sin – Some Comments on the 2026 Oscar Winners

Parts 2 and 3 of my con report about the 2026 Marché Noir convention are coming and I’m also working on a post with seasonal photos. But today, I’m taking a break for current events, because both the finalists for the 2025 Nebula Awards and the winners of the 2026 Academy Awards were announced last night.

I wasn’t awake for either announcement, since I had been out and about all Sunday, so I was tired. What is more, I had to get up early on Monday morning – or so I thought. Since it turned out that the appointment I had on Monday morning was cancelled at the last minute.

Besides, I’ve been feeling somewhat “meh” about the Oscars in recent years. It used to be that I was super excited about the Oscars and would watch live, but nowadays it’s enough for me to just wait for the winner announcement in the morning. And with the Internet you can easily look up all the winners, including the ones in the technical categories, and are not beholden on whatever nonsense German radio chooses to report the next morning.

However, I was a little surprised about how “meh” I felt about the Oscars this year, considering that I’ve actually seen and enjoyed several of the nominated movies, which often isn’t the case. Plus, the 2026 Academy Award nominations showed a lot of love for SFF movies – something which again often isn’t the case. On the other hand, we’ve been here before and have seen great SFF get lots of nominations, only to lose out to far more conventional fare.

And that’s exactly what happened this year. Sinners may have been the most nominated film of all time with sixteen nominations – and it would have been a most worthy winner in all categories – but in the end, it only took home four Oscars – for Best Actor in a Leading Role, Best Original Screenplay, Best Cinematography and Best Original Score. All of these wins are highly deserved – particularly Michael B. Jordan’s win, considering that Jordan has been criminally overlooked by the Oscars in the past. What is more, cinematographer Autumn Durald Arkapaw became both the first ever woman and the first ever black person to win Best Cinematography, which honestly shocked me, because I assumed there had been other women and/or black winners in this category before. Nonetheless, I expected Sinners to take home more Oscars in the artistic and technical categories like production design, costume design, make-up, special effects, editing, etc… However, Frankenstein took many of those categories – and to be fair, it is a highly deserving winner.

However, it’s also notable that many of the major categories went to Sinners‘ hottest rival, One Battle After Another, which had thirteen nominations and took home six Oscars – for Best Picture, Best Director, Best Adapted Screenplay, Best Supporting Actor, Best Casting (new category that’s probably of more interest to industry insiders than viewers) and Best Editing. The difference is striking – Sinners won a fourth of its nominations, while One Battle After Another won almost half – especially in the categories where Sinners and One Battle After Another were directly up against each other such as Best Picture or Best Director.

What’s also striking is that at least as far as I’m concerned, it wasn’t even a contest. Sinners is simply a much better film than One Battle After AnotherSinners is an amazing, genre-transcending film that surprised pretty much everybody with how great it was. One Battle After Another is a lesser adaptation of a lesser Thomas Pynchon novel. In a year, where the main competition was ye olde Oscar bait, I would probably have rooted for One Battle After Another, simply because it could have been much worse. However, Sinners blows One Battle After Another out of the water in every respect.

Now I am a huge Thomas Pynchon fan, ever since I read V. in a class postmodern literature at uni, and have read all of his books.  Now at the time, there only were V., Gravity’s Rainbow, The Crying of Lot 49 and VinelandMason & Dixon came out about a year later. And of these four, Vineland was by far the weakest to the point that it wasn’t even a contest. When One Battle After Another came out, my first response “Of all the Pynchon novels to adapt, you chose that one? Honestly?” What is more, writer/director Paul Thomas Anderson stripped out much of the weirdness and Pynchon-ness of the novel, so we have a lesser adaptation of a lesser Pynchon.

As for why One Battle After Another won Best Picture and Best Director over Sinners, I guess a film about political disillusionment and betrayal set on the US West Coast appealed to more Academy members than a film about blues, racism and vampires with a majority black cast set in the Mississippi Delta during the Prohibition. Perhaps the Academy, in spite of all the advances of recent years, isn’t yet ready to give its top honour to genre film, a horror film at that, with a majority black cast. We have seen films with majority black casts winning Best Picture in recent years, most notably Moonlight in 2017, but Moonlight is a movie about drugs and social issues and in many ways a very typical Oscar bait movie, except that it had a majority black cast. It also didn’t have vampires.

As for why Paul Thomas Anderson won Best Director over Ryan Coogler, Paul Thomas Anderson has been nominated for an Oscar several times (eleven times apparently), yet he never won. So I suspect that many Academy members felt that it was his turn. It wouldn’t be the first time that someone won an Oscar for a lesser film that they should have won for a different film years before. That said, Paul Thomas Anderson’s films never really interested me to the point that I just realised that I attributed two films to him that were actually directed by Alexander Payne. So no, I can’t blame Anderson for The Holdovers. I also only just realised that One Battle After Another wasn’t the first time Paul Thomas Anderson adapted a Thomas Pynchon novel – he also adapted Inherent Vice. So I guess he is a fellow Pynchon fan.

That said, the fact that Sinners got as many nominations as it did, even if it only won a fourth of them, is a win in itself, because only a few years ago, a film like Sinners – a horror film with a majority black cast – wouldn’t even have gotten a look in. 2026 was a good year for horror at the Oscars in general, because in addition to Sinners, Frankenstein also took home three Oscars – for production design, costume design and make-up – and Weapons took home one Oscar for Amy Madigan for Best Supporting Actress. All wins are highly deserved and particularly Amy Madigan’s win makes me super-happy (though I would also have been happy for Wummi Mosaku), because I’ve been a fan of hers since I saw her in Streets of Fire a whopping forty-two years ago. Amy Madigan is one of these actors who are always great, but never really get the recognition they deserve, so I’m glad that she finally got the Oscar she should have gotten long ago. Now can we also agree that Streets of Fire is a fucking masterpiece that was unjustly ignored?

2026 was also a good year for SFF films in general, because KPop Demon Hunters also got to take home two Oscars, for Best Animated Film and Best Original Song. Both are well deserved and KPop Demon Hunters is a great film, though personally it made me sad that Jem, which was my generation’s animated girl-aimed pop star fantasy, never got even an inch of the acclaim KPop Demon Hunters got. Personally, I also preferred “I Lied to You” from Sinners to “Golden” from KPop Demon Hunters (and “Rocky Road to Dublin” from Sinners was also really, really good), though both are great songs in their own way. It’s also telling that two of the best film songs of 2025 are both songs with supernatural effects. “I Lied to You” pierces the veil between past, present and future and attracts vampires, while “Golden” repels demons and strengthens the mystic barrier that keeps them out of our world. Come to think of it, Sinners and KPop Demon Hunters are actually a lot more similar than you’d assume, since both are films about the power of music and how it can attract or banish monsters.

Diane Warren was also nominated for a song called “Dear Me” from a film called Relentless, making this her seventeenth nomination without a single win. I do feel a bit sorry for her, but her since her songs neither repel demons nor pierce the veil of time and attract vampires, she had no chance this year.

We even had two more SFF films winning Oscars, because Avatar: Fire and Ash won Best Special Effects (probably deserved, though I really, really don’t like Avatar and haven’t watched any of the sequels) and the very sweet The Girl Who Cried Pearls won Best Animated Short.

As for the other two acting awards, Jessie Buckley won Best Actress for her performance as Ann Hathaway (not the actress, but William Shakespeare’s wife – and yes, I saw someone who apparently thought Buckley was playing Hathaway, the actress) in Hamnet. I’m not happy about this, because I just don’t like Jessie Buckley very much. She’s one of these actors who seemingly pop up out of nowhere to be in everything, even though there’s very little about them that’s interesting. The fact that she said in an interview that she hates cats and forced her partner to give up his cats didn’t endear her to me either. However, the Oscars love movies about the life of William Shakespeare. That said, I’m not sure whom I would have preferred to win in that category, since I really hate Yorgos Lanthimos (if you wonder why I never link to reviews of and articles about his films at the Speculative Fiction Showcase, that’s why), so Emma Stone was out. And have no idea what the films the other nominated actresses were in even are about. I guess 2025 was just a dud year for leading roles for women or at least what Hollywood considers leading roles.

Best Supporting Actor went to Sean Penn for his role in One Battle After Another. In this category, I would have vastly preferred Delroy Lindo for his role in Sinners or Jacob Elordi for his role in Frankenstein. Not to mention that Sean Penn didn’t even bother to show up for the ceremony, apparently preferring to hang out with Volodymyr Zelensky in Ukraine. Which is his good right, but nonetheless I’d rather see the Oscar go to someone who doesn’t already have one and actually appreciated it.

Coincidentally, one of the silliest reactions to the 2026 Oscar winners I saw on social media was someone complaining that Michael B. Jordan won an Oscar for killing white people. First of all, those white people were murderous KKK members and/or vampires and secondly, they’re not really dead. It’s just a movie and the blood was Kryolan. As for people on social media having problems telling movies from reality, I also saw several people complaining that One Battle After Another is a film about Antifa and a celebration of far left radicalism, which again made me wonder if they actually watched the movie. Especially since you know that those same people would have complained bitterly, if Sinners had won Best Picture instead.

Predictably, the “In Memoriam” segment left out several people who should have been included such as James Van Der Beek, Brigitte Bardot, Eric Dane, Bud Cort, Dharmendra. Malcolm Jamal Warner, Prunella Scales, etc…. James Van Der Beek, Eric Dane, Malcolm Jamal Warner and Prunella Scales probably fell victim to the fact that they are best known for their TV roles, though all of them also had movie credits. And while Hollywood may still strictly divide between films and TV, the average viewer really doesn’t and particularly James Van Der Beek and Malcolm Jamal Warner meant a lot to an entire generation, as did Shannon Doherty and Michelle Trachtenberg, who were also excluded in the respective years. There also really is no excuse for omitting Brigitte Bardot, Bud Cort and Dharmendra, since they were all primarily film actors. Brigitte Bardot was probably excluded because of her later in life far right turn (and when the Césars included her in their “In Memoriam”, as they absolutely should have, there were boos), but excluding people for their political views is a slippery slope and plenty of US rightwingers would have been included and have been in previous years. That said, the Academy also excluded Alain Delon, who was not far right, from last year’s “In Memoriam”, though maybe they just have issues with French actors. Dharmendra was probably excluded for being a Bollywood star, though I really have no explanation for Bud Cort. Though at least they remembered Drew Struzan, the artist who painted all of your favourite movie posters back when movie posters were still painted.

That said, I always have massive issues with who is and isn’t excluded in the “In Memoriam” segment for years. I remember how furious I was when George Nader, who was a huge star in Germany due to his performance in the Jerry Cotton movies and who actually won a Golden Globe, was excluded in 2002, whereas people I found a lot less memorable were included. Last year, the Academy excluded Tony Todd, even though he absolutely was a movie actor, though he likely appeared in the wrong kind of movies for the Academy. And let’s not forget that they omitted Bill Paxton twice – first, because he died very shortly before the Oscars, when the “In Memoriam” segment was likely already finished and then again the next year.

This has gotten longer than expected, so I’ll discuss the Nebula finalists in another post.

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Back to the Edge of the Ruhrgebiet: Cora’s Adventures at the 2026 Marché Noir Retro Fair in Dorsten, Part 1: It’s Roadtrip Time Once Again

This year’s Marché Noir Retro Fair took place on Sunday, March 1, in Dorsten on the northern edge of the Ruhrgebiet. I attended for first time last year (see my three part con report here) and enjoyed the experience, so I wanted to go again. Besides, Marché Noir has one of the coolest venues imaginable, the washing hall of a former coal mine.

What is more, I’ve also been experiencing a sort of cabin fever, because nigh constant snow and frost kept mostly kept me inside (with a few exceptions, two of which are chronicled here and here) until mid February. When the temperatures finally rose above freezing, we got a lot of rain, which was even more unpleasant than the snow.

In the last week of February, the temperatures rose rapidly by twenty degrees or so from frozen winter to early spring, which was rather annoying, because the rise was way too fast. Plus, I’m having a heat pump installed – the heat pump my Dad wanted to have installed before he died – and while it is supposed to save me money, it’s also a massive hassle, because the contractors have torn my basement apart, my washing machine and half the pantry are inaccessible and I have to use my parents’ old shower which is so narrow it’s hard to turn around. What is more, there’s an open chasm in the middle of my terrace where the pipes for the heat pump will go. The construction work is also taking longer than expected, because one guy fell ill and apparently there is no replacement for him. And while the contractors are working, I’m also tied to the house, since I have to let the contractors in and don’t want to leave them alone for too long. So I was glad for a distraction from all that nonsense. And a con and a roadtrip can be an excellent distraction.

Autobahn A1

I set out at roughly twenty past six in the morning. The trip to Dorsten takes about two and a half hours and the con was set to open at ten AM. However, I wanted to have breakfast on route, so I needed some additional time. And should I arrive too early, there was plenty to explore on the premises of the decommisioned Fürst Leopold Mine.

It was still dark, when I set out – the sun currently rises at approx. thirteen past seven AM. However, the sky was already turning light in the East. I made my way to Groß Mackenstedt and drove onto Autobahn A1 in southbound direction. Because it was so early in the morning and a Sunday besides, the Autobahn was mostly empty. I made good time, though there was a speed limit of first 100 kilometers per hour and later 120 kilometers per hour because of the bad condition of the tarmac. But once I passed junction Alhorner Heide, the speed limit was lifted and I could drive as fast as I wanted.  And since there was so little traffic, I drove up to 150 or even 160 kilometers per hour, which is faster than I normally go. But then the conditions were perfect for going very fast.

Outside, it was gradually getting lighter. By the time the sun rose at thirteen past seven, I had just passed service station Dammer Berge with its iconic bridge restaurant. I made a brief pitstop to drink some water and eat a piece of chocolate and drove onwards. By the time I had been driving for an hour, I had already passed Osnabrück and was crossing the Teutoburg Forest, one of the more scenic parts of the route.

Autobahn A43 and the Problem with the Münsterland

I continued to make good time. At shortly before eight, I passed Münster and changed onto Autobahn A43 at the intersection Münster South. By now, it was just about time for breakfast.

Now the problem with the Münsterland is that it’s thinly populated and that there’s a lot of it. From Bremen until you hit the Ruhrgebiet, you’re basically driving through a whole lot of nothing. Of course, there are several exits on the A1 and A43, but many of the towns listed on the exit signs are actually quite a bit away from the Autobahn. And sometimes, they’re not towns at all, but small villages. There are Autohöfe, of course, but Autohöfe are usually not great for breakfast.

Along the A43 or at least the part of it that I drove, there are only two towns of reasonable size close by the Autobahn, Dülmen and Haltern by the Lake. Last year, when heading to Marché Noir, I stopped for breakfast in Dülmen and since I already knew there was a good bakery café in Dülmen, which was open on a Sunday (bakeries are allowed to open on Sundays in Germany, but not all of them do), I decided that I might as well stop there for breakfast again.

Breakfast in Dülmen 

So I left the A43 at the exit Dülmen and headed to a local branch of Bakery Geiping, a bakery chain that is active all over the Münsterland and the northern Ruhrgebiet.

Germany is a country of bakeries and it used to be that every village and every town had their own bakery, often more than one. Eventually, some bakeries started opening branches in grocery stores and neighbouring villages, while other remained small. Then one by one, the small independent bakeries started dying off, while the chain bakeries steadily expanded. Nowadays, the situation with bakeries is as it was with grocery chains into the 1990s. There are lots of regional chains that are ubiquitous in one region and completely unknown elsewhere. In my region, the local champions are Hansemann and Brüne-Meyer, but we also have Haferkamp from Bremen, Tönjes from Ganderkese, Weymann from Twistringen, Behrens-Meyer from Garrel and Müller & Egerer from Oldenburg. Further north, we have Sam’s Urban Bakery from decidedly non-urban Fischerhude (the owner is not called Sam either, but Samann), while further south, there’s Bertermann from Minden.

In the Ruhrgebiet, you have Kamp, originally from Hagen, but by now you can find their shops all over Germany, particularly in train stations, Grobe from Dortmund and in the northern part Geiping, originally from Lüdinghausen in the Münsterland. Dülmen is a neighbouring town of Lüdinghausen, so they have Geiping as well as a local chain called Bakery Grote. However, the Dülmen branch of Geiping was closer to the Autobahn than any branch of Grote, so Geiping it was. And judging by the line of customers that stretched out onto the parking lot, even though it was barely past eight AM on a Sunday morning, it was the right decision, because the locals clearly like Geiping.

Since I was eating in, I could bypass the line of people buying fresh rolls for their Sunday breakfast and go straight inside. I had scrambled eggs with vegetables, a slice of bread and a roll, orange juice and latte macchiato. And looking at my post from last year, I had the exact same breakfast – after all, it was tasty.

Masters of the Universe Classics Battle Armour He-Man and Skeletor pose with scrambled eggs with vegetables, a slice of bread and a roll and a latte macchiato.

Breakfast of Champions of Grayskull: He-Man and Skeletor are about to battle it out over my scrambled eggs with vegetables.

And yes, I brought some action figures along for impromptu toy photography. But more on that later.

Service Station Hohe Mark

After breakfast, I set off again and drove back onto Autobahn A43. I had used the toilet at the bakery café, but I was feeling a bit of pressure on my bladder, so I stopped once more at service station Hohe Mark to use their toilets.

Hohe Mark is fairly small, as service stations go, but I came across this statue on the playground next to the restaurant.

Töddenläufer statue at service station Hohe Mark on the A43

The so-called Töddenläufer statue by Münster based sculptor Werner-Jakob Korsmeier at service station Hohe Mark on the A43. The poor fellow looks a bit pained by his heavy load.

The statue depicts a so-called Töddenläufer, a wandering cloth merchant. These wandering merchants were active in the 17th, 18th and early 19th century, taking linen woven in Westfalia to the neighbouring Netherlands to sell it there. There were entire dynasties of wandering merchants and they had their own secret language.  The Napoleonic wars and later the rise of railroads put an end to the Tödden trade, though some of the merchant dynasties went on to found clothing store chains that can still be found on high streets in Germany and the Netherlands and beyond to this day. C&A, Peek & Cloppenburg, Vroom & Dreesmann or the now defunct Boecker clothing chain all had their roots in the Tödden trade.

Fun fact: As a teen, I dismissed Peek & Cloppenburg and Boecker as “boring clothes for old people”, though I liked C&A and Vroom & Dreesmann. These days, I rare go to C&A, because the quality is terrible. Peek & Cloppenburg actually has decent quality, though it’s still not my preferred store, because the clothes are still a little too boring for me. Boecker and Vroom & Dreesmann are both gone, fallen victim to changing buying habits.

Most Autobahn service stations are quite plain and utilitarian. Interesting architecture or public art at service stations is rare, which is why I was surprised to come across this statue at the relatively small service station Hohe Mark. I couldn’t find out when this particular statue was erected, though I suspect it was around 1981, when this leg of the A43 was completed.

Until now, Autobahn A43 was still firmly in the rural Münsterland. However, at the next exit Haltern on the Lake, I passed the “Metropolitan Region Ruhr” sign, which marks the beginning of the Ruhrgebiet. Now personally, I always assumed that the rather rural town Haltern on the Lake was still part of the Münsterland. However, Haltern on the Lake is part of Recklinghausen county and Recklinghausen is Ruhrgebiet, so Haltern is considered part of the Ruhrgebiet as well.

That said, even Dorsten, where I was headed still feels more like Münsterland than Ruhrgebiet, except that Dorsten has or rather used to have a mine. Coincidentally, Haltern on the Lake has a mine as well – Mine Auguste Victoria, which was one of the last coalmines in Germany to shut down in 2015.  Most of Mine August Victoria is in the city of Marl, but some of the mineshafts also extended into neighbouring Haltern.

Autobahn A52 and Marl

Talking of Marl, at the intersection Marl North, I changed onto Autobahn A52 for the last leg of the trip.  Now Marl is very clearly Ruhrgebiet and a center of the chemical industry. In fact, the A52 directly passes Marl Chemical Park.

Interestingly, there is another town called Marl in Germany, though this one is located further north on the shores of the Dümmer Lake. When my Mom was at a physical therapy clinic in the spa town of Bad Iburg in the Teutoburg Forest and Dad and I drove to visit her, we drove past the other Marl. There even was a sign pointing to some kind of chemical plant. At the time, I had no idea that there were two towns called Marl and said, “Wait a minute, Marl? But that’s in the Ruhrgebiet. Surely, we’re not that far south.”

As for how I knew that Marl was in the Ruhrgebiet, well, it turns out that even though I assumed last year that I had never been in Dorsten and on the Autobahn A43 before, it turns out that I have been there after all.

Because when my Dad worked in Rotterdam in the Netherlands in the 1980s, he also often had to go to Antwerp in Belgium, because that’s where the two ships for which he was the technical supervisors were actually moored, whenever they were in port. My Mom and I visited Dad during the school holidays. And when he had to go to Antwerp, he always took us along, especially since I loved Antwerp dearly. Sometimes, we’d drive straight home from Antwerp – or straight to Antwerp. The route to Antwerp led through the Ruhrgebiet. I don’t remember all the Ruhrgebiet cities we passed – and as I said before, in Ruhrgebiet all the cities blend into each other – though I remember that we crossed the Rhine at Duisburg, because Duisburg was the homebase of Horst Schimanski, the two-fisted working class cop who shook up the sale world of the Tatort crime series. Even today, Schimanski is still the first thing I associate with Duisburg.

Last October, I traveled to Belgium to attend the “Vintage Toys of the Universe” toy con in Geel, though I booked a hotel in Antwerp, because it’s still my favourite city in the whole wide world (I initially wrote universe, but I suspect Trantor, Coruscant and Lankhmar might be even cooler). And yes, I crossed the Rhine at Duisburg and while I was driving along Autobahn A40 headed for the Rhine bridge, “Faust auf Faust” (Fist on Fist) by Klaus Lage, which was the title song of the Schimanski Tatort “Zahn um Zahn” (A Tooth for a Tooth), came on on the radio, just as I passed the exit Duisburg-Ruhrort, title of the first ever Schimanski Tatort, and it was just fucking magical.

I didn’t write a report about that trip, because I came down with the flu immediately after the con and sick for two weeks. On the way to Belgium, I also did not take what my GPS Else thinks is the fastest route, but instead opted to travel straight through the heart of the Ruhrgebiet. But on the way back, I got delayed by two massive traffic jams, one in the Netherlands and one just after Duisburg, so it was late and I just wanted to go home, so I followed Else’s instructions and took the fastest route. And Else directed me onto the A52 and A43 past Dorsten and Marl. Dorsten still doesn’t ring a bell from back then, but then it’s just a town name on an exit sign. Nor does the rest of the A43, probably because teen Cora dismissed it as rural and boring. But I definitely remembered Marl and its Chemical Park with the various plants lit up by night, which is when I realised that yes, I have been here before.

Autobahn A52 doesn’t just pass Marl Chemical Park, but it also passes directly by the Fatih Mosque, which was built in 1992 as one of the first pupose-built mosques in all of Germany, catering to Turkish immigrants, of which there are many in the Ruhrgebiet. As for why the mosque is located directly next to the Autobahn – in 1992 that was the only plot of land that the Turkish community was able to buy, because no one else would sell to them. Even today, it’s often difficult for Muslim or other non-Judeo-Christian religions to get permission to build a mosque or a temple, which is why mosques, Hindu temples, Buddhist temples, Sikh temples, etc.. are often located on industrial estates and often look unremarkable. I don’t get this mindset at all, since I feel a architecturally interesting house of worship is a boon to any city, regardless of faith. I also inherited my Mom’s fascination for places of worship. She’d never pass a church she didn’t want to visit, but she also never passed a synagogue, mosque, Buddhist or Hindu temple she didn’t want to visit either, and I’m the same.  But “Church pretty, Mosque or Hindu Temple ugly” is sadly a common sentiment in Germany.

I drove past the Faith Mosque on my way to Dorsten, but on the way back I left the A52 in Marl, looking for something, and chanced to drive directly past the mosque, so I took this picture:

Fatih Mosque in Marl

The Fatih Mosque in Marl, built in 1992. Note the Turkish and German flags outside the mosque and the Christmas lights repurposed as Ramadan lights strung along the fence.

Come on, how can you dislike this building? It’s pretty and it serves a genuine need for Turkish immigrant population of Marl. I’m not religious at all, but beautiful buildings are one of the best things religion has done for humanity.

Dorsten is the next exit after Marl, though the A52 doesn’t go directly past/through Dorsten, but swings south towards Gelsenkirchen and fucking Gladbeck. So you have to drive along Bundestraße B225 past fields and industrial estates along the Datteln Hamm canal and the river Lippe.  It always surprises me that the river Lippe flows along the northern edge of the Ruhrgebiet, since I mainly associate the river Lippe with the former principality of Schaumburg-Lippe, which is further east.

Last year, I ran into the problem that my GPS Else, which can’t be updated anymore, didn’t recognise the actual street adress of the Fürst Leopold Mine in Dorsten, because the mine hadn’t yet been fully decommissioned and converted when Else was programmed, so the street didn’t exist. And the street I used instead was very long, so Else led me to the wrong place.

This year, I was prepared and entered a street much closer to the former mine – literally called “Zechenstraße” (mine street) – that already existed when Else was programmed. So Else led me to the mine and I found a parking space on one of the parking lots next to the premises of the mine rather than in the adjacent business park, which meant less walking. By now, it was ten to ten and the con was about to open. But that’s a story for part 2.

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Serving Justice in Snowy Bremerhaven

I’m still working on a round-up of responses to the Masters of the Universe trailer and toy reveals, for in the past few days, my social media feeds were half footage of the terrible violence committed by ICE thugs in Minnesota (and for resources how to support the people of Minnesota, check out this excellent post by excellent author and Minnesota resident Naomi Kritzer) and half people geeking out about Masters of the Universe. Later, we also got excerpts from the Epstein files, which were just sickening.

But for now, here is a roadtrip report of a work-related trip to Bremerhaven I took last Monday: Continue reading

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More Masters of the Universe Movie Toys Revealed

We’ve barely had time to recover from Tuesday’s presentation of the first two Masters of the Universe movie toys at Nuremberg Toy Fair that Mattel dropped the next bombshell. Because the full first wave of Masters of the Universe Chronicles movie figures was revealed today.

This time around, the reveal wasn’t at Nuremberg Toy Fair, though I’m pretty sure the toys are all on display there in the walled off area that normal people cannot penetrate, but comes via Gerrard Hall at the US magazine Entertainment Weekly.

The article, complete with photos of actors Nicholas Galitzine, Camila Mendes and Alison Brie posing with their respective plastic counterparts, is here.

For a better look at the actual figures, Toy Habits has you covered.

Planet Eternia also reports on the newly revealed movie action figures. 

Mega Jay Retro also shares his thoughts on the new figures and I suspect the other ToyTubers and fan sites will weigh in as well.

ETA: Pixel Dan shares his thoughts on the new Masters of the Universe Chronicles movie figures. Pixel Dan is a huge fan and has been reviewing Masters of the Universe toys since the Classics era, but you get a bunch of negative ninnies in the comments.

ETA: Jay Glatfelter of Geek Dad Life also shares his thoughts on the new Masters of the Universe Chronicles figures. 

ETA: Justin Carter at io9 also shares photos of the newly revealed Masters of the Universe Chronicles figures. There’s nothing here we haven’t seen or read before, though it’s a good sign that io9 is showing off these toys at all, since they normally only report about new LEGO sets and Star Wars toys (and KPop Demon Hunters, for which a lot of toys were also revealed in Nuremberg).

In the comments, two people are complaining about the supposedly too high prices, which makes me wonder if they honestly have no clue what action figures cost these days (which is possible, if they don’t normally buy toys) or if they would say the same about LEGO sets, which can be hugely expensive, or modern Star Wars figures, which I find overpriced compared to what they offer.

So what do I think about this first wave of Masters of the Universe movie figures? Well, I’m glad you asked (or not), cause here are my thoughts. Continue reading

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Cora’s Thoughts on the Masters of the Universe Movie Toys

It’s been four days since we saw the first trailer for the upcoming Masters of the Universe movie (for my thoughts on the trailer, go here) and I’m still working on a massive round-up post of reactions to the trailer, interrupted by the unfortunate necessity of having to work, when Mattel dropped the next bombshell.

Because folks, we’ve got our first look at the Masters of the Universe movie tie-in toys. Which honestly wasn’t something I was expecting quite so soon.

The 2026 Nuremberg Toy Fair, the world’s biggest toy fair, opened today. It was pretty clear that the tie-in toys for the Masters of the Universe live action movie would be displayed there, though personally I didn’t expect that we would get to see them.

Because Nuremberg Toy Fair is strictly an industry event and not open to the public. As a regular person, you can’t get in at all. You need to be a toy industry professional, retail buyer or journalist to even get through the gates. In the past couple of years, they’ve also started admitting some YouTubers and other influencers. I’ve been wanting to go to Nuremberg Toy Fair for more than forty years now. So far, it’s a pipe dream and I have even considered offering my services to their interpreter pool (most major trade fairs have one).

What is more, the big toy companies have walled off their exhibition space at Nuremberg Toy Fair, which is another gate you have to pass. And even if you get in, you can’t take photos and need to sign a non-disclosure agreement that you won’t leak anything.

So in short, I knew that the Masters of the Universe movie toys would be on display at Nuremberg Toy Fair and I also knew that we wouldn’t see any of them, unless some clueless (American) ToyTuber or influencer leaked something. Because the German influencers know better than to do that.

So imagine my surprise, when I opened Instagram and – voilá – there were movie toys.

Apparently, Mattel had a big public presentation at their booth and even got in a celebrity, British German singer/actor/presenter Ross Antony, to host it. If you’ve lived in Germany sometime in the past twenty-five years, you know who Ross Antony is, even if his music and his TV exploits in shows like I’m a Celebrity – Get Me Out Of Here isn’t your thing at all.

One thing I didn’t know until last year is that Ross Antony is also a huge Masters of the Universe and Princess of Power fan. He’s got an amazing She-Ra collection and frequents the toy cons – in fact, I think I saw him at Toyplosion, but couldn’t place him him beyond “I’ve seen this guy before” – and Masters of the Universe cons. So in short, he’s exactly the right person for a presentation of the new Masters of the Universe movie toys.

I first saw the news on the Instagram account of the German fansite Planet Eternia, several members of which regularly attend Nuremberg Toy Fair and are let into the hallowed hall of the Mattel booth, because they know to keep their mouths shut.

So here is the reveal and here are some more photos of the two figures revealed so far.

The two figures are Duncan a.k.a. Man-at-Arms as portrayed by Idris Elba and Evil-Lyn as portrayed by Alison Brie. The line is called Masters of the Universe Chronicles and it appears to be basically a rebrand of 7-inch Masterverse toyline, so the movie figures will fit in nicely with your other Masterverse and Classics figures.

ETA: People who’ve been to the presentation have said that the movie figures are a little smaller than the regular Masterverse figures, but I hope they still fit. Honestly, it’s freaking annoying that supposedly 1:12 scale action figures all scale differently.

ETA: Pixel Dan shares his thoughts on the new figures and said that according to Ace of Ramen Toys, who sent him the pictures, the movie figures are smaller than the regular Masterverse figures.

ETA: Planet Eternia now has a news article about the toy reveals up and they also say these are smaller than Masterverse and closer to Marvel Legends or Star Wars Black Series. Which would be annoying, though I have to see them side by side first. Nonetheless, I really wish they would settle on one scale rather than have so many different ones. I also want the Masters of the Universe movie figures to fit in with my other Masters of the Universe figures rather than Marvel Legends or Star Wars figures.

Both Duncan and Lyn look good. Duncan looks a lot like what we saw in the trailer. He’s got his mace and a blaster and his armour looks somewhat battered, as if he’s been through wars – and he has. There’s also something else hanging from his belt, which might be a tool as a reference to the fact that he is an engineer in addition to a soldier.

As for Lyn, we only got a very brief glimpse of her in the trailer, so the action figure reveal is actually our best look at her costume. It’s a black bodysuit with thigh high boots and a blue cape. If you look at some close-up photos, you can see that her outfit looks almost Giger-esque and that she has several rings. She has short white hair under her iconic helmet, which has some beautiful detailing, and she’s got the movie version of her iconic staff with a translucent orb, which looks great. Her skin BTW is pale like in pretty much every cartoon version and not yellow as with the vintage action figure. I’m not quite sure about that face sculpt, though it does look like Alison Brie. However, it’s the kind of face she made a lot in Mad Men – which is my main exposure to her acting work – whenever her pathetic husband Pete came home late from the office again, because he was chasing after Peggy. Or maybe she’s wrinkling her nose, because Panthor just took a dump in the throne room of Snake Mountain – again. Or maybe she just happened to get a whiff of Stinkor’s unmistakable smell.

We also get a glimpse at the back of the package, where we see the cross sell for what I assume is the first wave of figures featuring He-Man (well, there obviously was going to be a He-Man figure), Man-at-Arms and Tri-Klops, whom we haven’t seen at all in the trailer, though we know he’s in the movie. Tri-Klops’ costume seems to be very close to his traditional look, except that he’s wearing pants now, whereas traditionally he only has the leather kilt. He has his iconic visor and a very big rifle. Tri-Klops as a sniper of course makes sense for the man who sees everything. Tri-Klops is also black now, but that doesn’t matter one bit. In some ways, he reminds me a bit of the New Adventures character Vizar.

He-Man looks spot on, the face sculpt – often a problem with He-Man figures – is great and of course he comes with the Power Sword. I can’t tell whether he has the shield or the battle axe as well, though I hope he does. I do hope we’ll get a Prince Adam with the pink shirt from the trailer somewhere down the line as well.

It’s interesting that Skeletor does not appear to be in the first wave and neither is Lyn. Cause come on, you know that they’ll make a Skeletor figure. I also really want a movie Teela, though she may well be in the second wave along with Lyn and Skeletor. Of course, I want more movie figures, but Teela is a must-have.

Ramen Toys also posted some photos of the actual presentation and the figures at their Instagram account. Since Ramen Toys are a toy company, albeit a small one, it makes sense for them to attend Nuremberg Toy Fair and the presentation.

ETA: Toy Habits posts several high resolution photos of the movie figures and credit Ramen Toys.

ETA: Mega Jay Retro also weighs in on the movie figures revealed at Nuremberg Toy Fair.

ETA: Jay Glatfelter of Geek Dad Life also weighs in on the movie figures revealed at Nuremberg Toy Fair, two days after he speculated on what movie toys we might see.

ETA: The German movie channel Das Filmkästchen (The Film Box) also weighs in one the Masters of the Universe toy reveals. So far, he has been quite critical of the trailer, because apparently he’d prefer something that’s a mix of Lord of the Rings and the German Masters of the Universe audio dramas of the 1980s. He also thinks Nicholas Galitzine is too skinny and too young looking as He-Man. That said, he mostly likes the figures, though he isn’t too happy with the more military look of Tri-Klops, since he prefers him as a more mystical and mysterious character. I guess this goes back to the German audio dramas, who used to refer to Tri-Klops as “the uncanny radar man”.

He-Man.org also posted several photos and credited them to the German fanzine Welt der Meister Magazin. Mark and Miri, who run Welt der Meister Magazin, usually attend Nuremberg Toy Fair. There’s also a photo of Mark and Miri with Ross Antony and the new figures.

He-Mania.com and Toy News International also share photos of the figures.

Among other things, He-Man.org also has a photo of the back of the Man-at-Arms packaging. In addition to the cross sell, where we see He-Man and Tri-Klops, there’s also a bio and it’s very interesting. Since Mattel didn’t bother to cover it up, which they have done in the past, where they didn’t want the packaging to reveal something, I’ll just quote it below:

Just as Eternos fell, so too fell the Commander of the King’s Royal Guard. With the return of He-Man, however, Duncan fights to save Eternia from Skeletor. Alongside the Masters of the Universe, the king’s Man-at-Arms will find the redemption he seeks.

In many ways, this confirms what we saw in the trailer. The Evil Forces of Skeletor have conquered Eternos and the Royal Palace, while Queen Marlena sends Adam to Earth for his own safety along with the Power Sword, because if there’s two things on Eternia you don’t want Skeletor to get his hands on, it’s the crown prince and the Sword of Power.

What’s interesting is that Duncan apparently blames himself for Skeletor conquering Eternos. This isn’t out of character for him at all – Duncan does tend to blame himself, when things go catastrophically wrong, whereupon he exiles himself into the Eternian wilderness. We’ve seen this in Masters of the Universe Revelation and also in issue 2 of Masterverse anthology comic mini-series, which features a disgraced and depressed Duncan working as a hardboiled detective with Lyn as his beautiful assistant (and honestly, I would have read a whole comic series just about those two investigating cases on the mean streets of Eternos). Teela also does this, by the way. In the Filmation episode “Teela’s Quest”, she activates Duncan’s new teleporter, sets the coordinates wrong and teleports Duncan to places unknown and promptly decides to resign from her post and exile herself to the wastelands and no one – not Randor, not Marlena and not Adam – can convince her otherwise.

So Duncan feeling guilty and depressed about Skeletor conquering Eternos is in character, though somehow I expected him to lead the resistance against Skeletor, while Adam is stuck on Earth. It also makes me wonder even more what happened to Randor. Is he dead or is he in the dungeon? And if not Duncan, then who is leading the resistance? Teela is too young, obviously, so is Fisto leading the resistance? Ram-Man? Mekaneck? Cringer?

I suspect that the full presentation featuring Ross Antony will eventually pop up online somewhere and we may also see more movie figures, especially since showing off Man-at-Arms and Evil-Lyn rather than He-Man and Skeletor is an unexpected choice.

I’m also pretty sure that the more collector focussed Masters of the Universe Chronicles line won’t be the only movie toyline. There will also be a more kid-focussed toyline, hopefully one that matches Masters of the Universe Origins in scale and style.

ETA: The whole presentation is now online at the Comic Toy Hunter YouTube channel.

There’s a presenter whose name I didn’t catch, the Mattel head of distribution for Germany and the aforementioned Ross Antony. You can tell this is an industry event, because everybody is dressed in business attire rather than geeky t-shirts. There’s a lot of marketing speak in the presentation, basically that Masters of the Universe has been going strong for more than forty years now and never really went away (I guess we’ll just forget the wilderness years of the 1990s), the it’s one of Mattel‘s biggest lines for adult collectors/kidults, that adults collecting/playing with toys is no longer shameful, but celebrated now, that the kidult market is resilient (i.e. adult collectors keep buying toys even when prices rise and times are not so great), but that they also want to bring in new fans via the movie, that we need heroes and values right now in our difficult times and that the movie also has a diverse cast, which will bring in even more new fans. And yes, it’s totally marketing speak, but that’s what I’d expect from a presentation at Nuremberg Toy Fair.

Here’s also a general article from the t-online news site about adults buying toys and the so-called kidult phenomenon and that it’s one of the hottest trend at Nuremberg Toy Fair this year.

Ross Antony, meanwhile, totally geeks out, which is a joy to behold and I actually like him a lot more now than I ever did before. Not that I ever disliked him. Ross Antony is clearly talented and has a good voice, but I have to admit that I never much cared for his music. He started out doing musicals and then joined a casting show band called Bro’Sis (see one of their videos here) and later on mostly sang Schlager (here he is singing “Eine neue Liebe ist wie ein neues Leben”). And if you’re German and my age, Schlager is your parents’ and grandparents’ music (and whenever people my age sang Schlager, I assumed it was under duress and just for the money), while my friends and I mostly viewed the casting show bands of the late 1990s and 2000s as “music for stupid kiddies”. Yes, we were snobs, but then you’re never more snobbish about music than when you’re in your late teens and twenties. Though it’s notable that quite a few of the people who got their start via those casting shows did go on to have lasting careers. So in short, Ross Antony’s music isn’t for me and that’s okay, but he is a fan and we could probably spend hours geeking out about toys and Masters of the Universe.

When the case with the figures is finally unveiled, Evil-Lyn has decided to fall over at exactly the wrong time – a common problem particularly with female action figures – so they have to open the case to set her on her feet again.  I have to admit that I laughed at that bit.

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Cora’s Thoughts on the Actual Masters of the Universe Trailer

Yesterday, I shared my thoughts on the teaser trailer for the actual trailer for the upcoming Masters of the Universe live action film.

Now, you can read my thoughts on the actual trailer, which was released today. But first, let’s have a look at the full trailer below:

Continue reading

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Cora’s Thoughts on the Masters of the Universe Teaser Trailer

A few days ago, I was chatting with a friend and we were talking about the fact that the first trailer for the Masters of the Universe live action film was overdue, considering we’re less than six months out from the release date.

Meanwhile, Avengers: Doomsday, which releases in December 2026, is getting a battery of bizarre teasers which only confirm that everyone and their sister is in this movie and that both Thor and Steve Rogers have just announced their candidacy for the Jonathan and Martha Kent Fictional Parent of the Year Award.

At the time, I thought, “One day, I will wake up or come home from somewhere and open social media and there will be a trailer.

Well, that day was today. So here is the trailer. Or rather, it’s a trailer for the actual trailer (cause that’s apparently a thing now), which is coming tomorrow:

So what does Cora think of the teaser trailer for the Masters of the Universe live action movie?

Well, I’m glad you asked (or not), because here are my thoughts: Continue reading

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A Toyetic Interlude

I’m at File 770 today, reviewing the Mythic Legions: War of the Aetherblade Attila Leossyr II and Gorgo Aetherblade II Two-Pack with bonus toy photos, so check it out.

I sort of stumbled into Mythic Legions collecting last year, when I bought a bunch of skeleton warriors for my Masters of the Universe, Conan and other action figures to fight. You can see them here in my Halloween post.

I got the skeletons from a collectibles shop that was having a sale and while I was at it, I also got a knight, the noble paladin Sir Gideon Heavensbrand. He’s a gorgeous figure and I liked him a lot and so over the next few months other Mythic Legions figures joined my collection.

One of them was the evil lady knight Lady Avarona. I got her for a really good price and initially bought her to play the villainous girlfriend of the Masters of the Universe villain Count Marzo, because their dark red and black colour scheme. But even though Mythic Legions and Masters of the Universe Classics and Masterverse figures do work well together, the female Mythic Legions characters are quite a bit smaller than the male figures and as a result Lady Avarona looked like a teenager next to Marzo, which would not be entirely out of character for him, since Marzo does use kids to do his evil bidding, but it also felt wrong. So I put her next to Gideon Heavensbrand on the shelf.

Now my Lady Avarona figure has somewhat weak ankles and tends to fall over. And one day she knocked Gideon over as well as and I found her lying on top of him in a rather compromising position. This planted the story seed that these two are having a very inappropriate affair, even though they fight on different sides. And yes, you will see more of that particular romantic drama eventually.

Before deciding what to buy, I watched some YouTube videos reviewing the figures and noticed that people kept recommending that Attila Leossyr and Gorgo Aetherblade Two-Pack. So when I saw it offered at a German online marketplace for a good price, I snapped it up.  And because it’s a special set, I reviewed it for File 770 and I had a lot of fun with the figures.

As I said in the review, at the time I took the photos, I didn’t have any of Attila’s minions and only one of Gorgo Aetherblade’s, because the respective figures were mostly released years ago and are very expensive by now. Some have upcoming re-releases, but those are still some time away. Sir Gideon fares a bit better, because many of his noble knights were released fairly recently and are still available for normal prices.

I have had some new arrivals, since I wrote that review, so enjoy some quick dining table photos:

First of all, I got another knight for Sir Gideon and the Order of Eathyron, because those knights are just amazing figures. I’m not quite sure why a fantasy world that does not have Christianity (The Order of Eathyron is a religious order of knights, but their god is a crowned eagle) has Templars, but if they look this great, who cares? And yes, I love it that the newest addition Sir Elijah is a knight of colour.

Mythic Legions Sir Enoch, Sir Gideon and Sir Elijah

The Order of Eathyron as represented by Sir Enoch, Sir Gideon Heavensbrand and Sir Elijah

“Forward brethren! Smite the undead and all evil doers! And screw Attila Leossyr!”

“Don’t you think making that your battle cry is taking your rivalry with the King a tad far, Gideon?”

***

Then I got really lucky, when I saw that Comic Cave, a collectibles shop in Hamburg from whom I occasionally buy, still had some older Mythic Legions figures in stock, including one of Attila Leossyr’s minions, namely Magnus, a knight who is billed as a deputy commander of the Red Shield division of the Army of Leodysseus. Apparently, the Army of Leodysseus organises its regiments by the colour of their shields, because there also are Blue Shields, none of which I have. Magnus looks awesome, so of course I got him.

Mythic Legions Magnus

Magnus, deputy commander of the Red Shield division of the Army of Leodysseus

If you’re thinking, “Wait a minute, that guy looks a tad familiar”, well, you’re right. Because he looks a lot like Malcolm a.k.a. Fisto from Masters of the Universe. This isn’t an accident either, since Four Horsemen Studios, the company which makes the Mythic Legions figures, also designed the Masters of the Universe 200X and Classics toylines for Mattel.

For proof, here is the Mythic Legions Magnus posing with the Masters of the Universe Classics Fisto:

Masters of the Universe Classics Fisto and Mythic Legions Magnus

Fisto and Magnus side by side

“Hello there. My name’s Malcolm a.k.a. Fisto of the Masters of the Universe. Love the beard.”

“Thank you. I’m Magnus, deputy commander of the Red Shield division of the Army of Leodysseus. Cool first you have there, friend.”

***

 Finally, here is Magnus with his King:

Mythic Legions Magnus and Attila Leossyr

Magnus and Attila Leossyr

“So let Gideon Heavensbrand and his knights crawl back to their castle. Who needs them? We are the Army of Leodysseus and we shall win this war, with or without the Order of Eathyron.”

“With all due respect, Sire, we are an army of two, because the monstrous Legions of Arethyr have eaten the rest of our soldiers. If we want to defeat the Forces of Darkness, we need Sir Gideon and the knights of Eathyron.”

“Shut up, Magnus! Don’t distract me with a reality check.”

***

Finally, there is this guy:

Mythic Legions The Unknown One

The Unknown One

This monster is called The Unknown One and apparently was a con exclusive. I got mine loose and initially assumed that he was one of Gorgo Aetherblade’s minions, because he looks suitably monstrous. However, according to his official bio, he isn’t a part of any faction, but a monster that prowls the battlefields and preys on warriors of all sides. He’s definitely cool, though.

And here he is, battling Magnus:

Mythic Legions Magnus versus the Unknown One

Magnus versus the Unknown One

“Have at thee, vile monster of Arethyr! Tell Gorgo his evil legions may have captured and eaten our soldiers, but they will never have Magnus of the Red Shield.”

“Arethyr? You think I serve Arethyr?”

“You’re a demonic monster. Whom else would you serve?”

“I only serve A’death, true lord of the cosmos.”

“Another evil faction leader? Weren’t four horsemen enough?”

***

That’s it for today. You will eventually see more of these guys and of course my Masters of the Universe figures in upcoming toy photo stories.

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Comic Review: He-Man and the Masters of the Universe: The Sword of Flaws No. 2 by Tim Seeley and Freddie Williams II

Here is my much delayed review of issue 2 of Masters of the Universe: The Sword of Flaws by Tim Seeley and Freddie Williams II with colours by Andrew Dalhouse. For my take on issue 1, go here.

What is more, it has just been announced that The Sword of Flaws will transition into an ongoing Masters of the Universe comic series at Dark Horse, the first ongoing Masters of the Universe comic we’ve had since the DC run ended in 2016. Continue reading

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