Cora Reviews Some Toys and Ventures into the Wasteland of Early 1970s Cinema

The next installment of my Eastercon report is coming, but I’ve also been blogging elsewhere.

For starters, I was at File 770, reviewing the first few movie figures from the new Masters of the Universe Chronicles collectors line, which will apparently replace Masterverse. This review only covers the three Heroic Warriors, namely He-Man himself, Man-at-Arms and Battle Cat. Part 2 will cover the three Evil Warriors released in the first two waves of movie figures, namely Skeletor, Trap-Jaw and Tri-Klops. We decided to split the review into two parts, because it was long anyway and besides one of the figures from the second wave, Trap-Jaw, hasn’t been delivered yet.

My more formal toy review – with size comparisons and a detailed look at the packaging and of course the “But can they kiss?” test – mainly go to File 770, because Mike likes publishing my toy reviews, where toy photo stories go here. And yes, there will definitely be more of those, when I find the time to do them. Also expect to see more movie toys – either here or at File 770 – since Mattel is producing a lot of those. And yes, I will probably also do a post analysing the latest trailers and featurettes about the upcoming Masters of the Universe live action film.

In other news, I was also at Galactic Journey, reviewing And Jimmy Went to the Rainbow, a bonkers spy thriller cum melodrama that is very typical of early 1970s West German cinema. There are also reviews of the horror comedy The Abominable Doctor Phibes (which I remember enjoying quite a bit, though I also haven’t seen it in ages), the Muppet fairytale film The Frog Prince, the avantgarde surreal erotic movie Pink Narcissus and another horror movie called Simon, King of the Witches. It is a weird selection of movies and in a way also very exemplary of the doldrums of western cinema in the early to mid 1970s, when TV had fully taken over in most western countries and movie theatre audiences were dropping a lot. For a while, it seemed as if studios were throwing everything at the wall to see what stuck. As a result, there were a lot of very strange movies, some of which were good, many of which were not. Plus, the sexual revolution had led to relaxed censorship standards, so early 1970s movies included a lot of sex regardless of genre, cause sex was one of the things which reliably drew audiences into movie theatres.

As for the movie I reviewed, it initially wasn’t a movie I was looking forward to. The main reason I agreed to review it is because it is borderline SFF (the plot is kicked off when a chemist who has developed a new chemical weapon and wants to sell it to the highest bidder is murdered) and because it is very typical of early 1970s West German cinema. Because Johannes Mario Simmel adaptations were to the first half of the 1970s what Edgar Wallace adaptations were to the 1960s to the point that some of the same people – most notably director Alfred Vohrer – were working on both. However, in my view the Simmel adaptations were a huge step down after the brilliant Edgar Wallace movies. See my dismissive remarks about the Simmel movies here.

Now Johannes Mario Simmel was a staple of West German bookshelves in the 1960s, 1970s and 1980s – along with Heinz G. Konsalik, Marie Louise Fischer and Uta Danella. Every shelf wall unit in every living room seemed to have books by these four authors, usually the Bertelsmann Book Club editions. My Mom had all of them. I inherited a whole shelf full of Marie Louise Fischer as well as plenty of Simmel and Uta Danella and some Konsalik, too. And yes, I read books by all of them – usually when I had run out of other reading material and was bored.

As an adult, I’d say that Simmel was probably the best of the bunch, though as a teen, his “ripped from the headlines” (headlines from before my time, at that) plots, the melodramatic romances, which inevitably seemed to end tragically and his unique journalistic style irritated me as did the obsessions with WWII and Nazis that both Simmel and Konsalik had – though for very different reasons. As for the Simmel movies, teen Cora found these just incredibly dull. There were seemingly endless blurry scenes of couples running around who would break up anyway in the end plus random revelations of deep dark secrets, which mostly weren’t that thrilling or shocking to me.

When I looked at which movies, TV shows, songs, events were coming up in Journey time, I realised that the era of the Simmel movie was about to start and that I should probably review one of them, because they were so very typical of the early 1970s downfall of West German cinema. I wasn’t exactly looking forward to (re)watching And Jimmy Went to the Rainbow (cause I’m honestly not sure if I watched it before or not, since the Simmel movies all feel kind of similar to me), but to my surprise I wound up enjoying it more than I thought I would. The romantic scenes shot through a vaseline smeared lens were still irritating and overly long – and it’s odd that I mainly remember those – but I did enjoy the spy thriller plot and – to my own amazement – the Nazi era flashbacks, too.

Besides, it is notable that though West Germany in the 1950s, 1960s and early 1970s didn’t really want to hear anything about the Third Reich – the “Nazis all the time” rememberance culture which dominated my childhood and teenage years didn’t really become a thing until the late 1970s and 1980s – they were perfectly willing to read about the Third Reich and Nazis being evil and destroying lives, when a popular author like Johannes Mario Simmel wrote about it and a popular director like Alfred Vohrer made movies about it. This isn’t even Vohrer’s only Third Reich movie either – he also adapted Every Man Dies Alone by Hand Fallada a few years later. It’s also worth noting that both Simmel and Vohrer were at risk of Nazi persecution and worse – Simmel, because his father was Jewish (the plight of Valerie Steinfeld who has to denounce her Jewish husband to protect her son in And Jimmy Went to the Rainbow was that of Simmel’s mother) and Vohrer, because he was gay.

And Jimmy Went to the Rainbow also has an insanely star-studded cast. For starters, there is Ruth Leuwerik, the darling of postwar West German cinema and my Mom’s favourite actress, and the movie makes this paragon of wholesomeness, who played Maria von Trapp and Queen Louise of Prussia among others, say “anal sex” multiple times, which I imagine must have been shocking in 1971. Coincidentally, this was her penultimate film role and Ruth Leuwerik had been mostly retired after popularity waned in the early 1960s, though she did live until 2016. She obviously wasn’t lacking for money, since she was very selective about her roles in the last half of her life, so Ruth Leuwerik clearly must have wanted to play this role. Ruth Leuwerik’s former husband Herbert Fleischmann also appears in the movie as a French agent.

Furthermore, we have two future TV detectives, Derrick-to-be Horst Tappert as a lawyer, and Tatort investigator-to-be (he will actually debut later in 1971) Klaus Schwarzkopf as an assassin. Legendary film and TV villain Horst Frank, known to every kid of the 1970s as the man who bought Timm Thaler‘s smile (and was actually the devil in disguise), plays an SS-officer. Another legendary movie villain, Jochen Brockmann, who played the criminal mastermind the Masked Frog in the Edgar Wallace adaptation Face of the Frog, also shows up.  Two up and coming actresses, Judy Winter and Doris Kunstmann, give very early performances, though Judy Winter as a brothel madam and double agent is more impressive than Doris Kunstmann as the female half of the vaseline smeared romance. We also get Friedrich G. Beckhaus, who played astrogator Atan Shubashi aboard the space cruiser Orion 7 and voiced Captain Future’s robot pal Grag in the 1979 anime, as a sadistic Nazi judge who also utters the word “anal sex” several times. We also get two more voice acting legends in Peter Pasetti and Karl Walter Diess, who would voice Skeletor and Man-at-Arms respectively in the German Masters of the Universe audio dramas of the 1980s. Here they play two spies who conspired to assassinate French heartthrob Alain Noury, who never had a big break, though he is certainly easy on the eyes.

In short, this was clearly a high budget movie with a star-studded cast and a very good director. It was also pretty bonkers, but I enjoyed it more than I thought I would and I guess I now have a better appreciation for the popularity of the Johannes Mario Simmel adaptations of the early 1970s. Though to be fair, I also picked one of the better ones. The next Johannes Mario Simmel adaptation, Liebe ist nur ein Wort (Love is only a word), seems to be a lot more painful. It’s basically The Graduate – young college student has an affair with an older married woman – with an unhappy ending. And yes, I know lots of people believe that The Graduate didn’t have a happy ending either, but I always found it super romantic. Meanwhile, the kid in Love is only a word kills himself in the end.

As for Johannes Mario Simmel himself, his work was reevaluated in his later years and is no longer considered just popular trash, because a new generation of critics realised that Simmel was actually very clever about addressing serious subjects amidst all the melodramatic soap opera stuff and spy thriller intrigue.

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Cora’s Adventures at Iridescence, the 2026 Eastercon in Birmingham, Part 3: Easter Saturday at the Con

Over the Easter weekend, I was at Iridescence, the 2026 Eastercon in Birmingham, UK.

I’ve already chronicled my adventures in getting to Birmingham and wandering around the city in part 1 and my adventures on Good Friday in part 2. So here is Easter Saturday:

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Cora’s Adventures at Iridescence, the 2026 Eastercon in Birmingham, Part 2: Good Friday at the Con

Over the Easter weekend, I was at Iridescence, the 2026 Eastercon in Birmingham, UK.

I’ve already chronicled my adventures in getting to Birmingham and wandering around the city in part 1. Now – after some delays caused by the Hugo finalist announcement, various Masters of the Universe trailers and life just happening – let’s get to the actual con, starting with day 1 or Good Friday.

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Cora’s Comments on Yet More New Masters of the Universe Footage

April 28 was apparently Masters of the Universe Day as declared by Tom Bradley, the then mayor of Los Angeles in 1987 on occasion of a stage show called the He-Man and She-Ra Power Tour playing in the city. For more about that, see He-Man.org, who even have a full cast list as well as a link to a recording of the show.

Also on Masters of the Universe day, sad news have reached us that Roger Sweet, the Mattel employee who co-created He-Man together with Mark Taylor and designed many of the characters and action features from the vintage toyline, has died aged 91. Mark Taylor died on Christmas Eve 2021, so none of the two men who were so instrumental in creating the character and toyline that brought joy to so many kids will be around to see the new live action movie.

What is more, Michael Halperin who wrote the series bible for the Filmation cartoon, died this February. We lost Alfredo Alcala, artist of many of the early mini-comics, in 2000, Tony Guerrero, the artist who sculpted the prototypes of the early figures, in 2012 and H.G. Francis, who wrote the German audio dramas, in 2011. Of the people who shaped Masters of the Universe in the early days, only Donald F. Glut, who wrote the first few mini-comics and named Castle Grayskull and Teela among others, and Paul Kupperberg, who worked on the second run of mini-comics and the Superman crossover and came up with Prince Adam as He-Man’s civilian identity, are still with us.

Though thankfully, Roger Sweet gets more acknowledgement in the mainstream press than Mark Taylor did upon his death in 2021, which went almost completely unnoticed beyond the fandom bubble. Here is a detailed obituary for Roger Sweet from the New York Times as well as one from Forbes and one from Variety. I strongly suspect that the increased presence of Masters of the Universe due to the upcoming movie has a lot to do with this as well as the understandable outrage that Roger Sweet’s wife Marlene had to take to crowdfunding to pay for her husband’s care, even though he co-created a billion dollar franchise.

Meanwhile, Mattel and Amazon MGM are using Masters of the Universe Day to further ramp up the promotion of the upcoming Masters of the Universe movie even further and released a new poster as well as two featurettes focussing on the heroes and villains of Eternia.

The poster can be seen here and the two featurettes are embedded below:

There’s quite a bit of new footage here, including our first good look at several characters, so let’s take a closer look at what we’re seeing here, starting with the “Heroes” featurette

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Cora’s Thoughts on the latest Masters of the Universe Trailer

Most of us didn’t expect another Masters of the Universe trailer quite so soon, but we did get one only three weeks after the last one. This one is billed as an international trailer and while it shares a lot with the trailer released on April 1, there is quite a bit of new footage, too, which gives us some more insight into Adam’s life on Earth.

So let’s take a look:

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Some Thoughts on the 2026 Hugo Finalists

Part 2 of my epic Eastercon report is coming and I’ll have a (now belated) birthday plus roadtrip post in the works as well as an essay about Masters of the Universe and masculinity. However, today we interrupt your regularly scheduled programming, because the 2026 Hugo finalists were announced last night.

I didn’t follow the announcement live, because I was out grocery shopping at the time. So the first thing I saw was my phone buzzing with some congratulatory messages in the Hugo finalist Discord, while I was looking for pickled garlic and Vegeta (the Croation seasoning mix, not the Dragonball Z character) at the Edeka market at Jute Center mall in Delmenhorst.

So let’s delve straight into the categories, starting with… Continue reading

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Cora’s Adventures at Iridescence, the 2026 Eastercon in Birmingham, Part 1: The Flight Out and Roaming Around Birmingham

Over the Easter weekend, I was at Iridescence, the 2026 Eastercon in Birmingham, UK.

I’ve been aware of Eastercon for many years now, but so far I’ve never attended, mostly because Eastercon happens at Easter, which is prime travel season in Germany, when airports are busy and flights expensive. Besides, Easter is also a family holiday and I didn’t really want to leave my elderly parents alone. Not to mention that we have lots of birthdays in my family in March and April, so Easter is often also someone’s birthday.

With my parents gone, I briefly considered attending Eastercon last year. But since it turned out that my birthday was actually on Good Friday, I decided against it.

So why did I decide to attend Eastercon this year. Well, that’s largely due to the Brisbane in 2028 Worldcon bid. They were planning to have a fan table at Iridescence, but needed someone to help staff it. And since I’ve been friends with Brisbane bid co-chair Jo Van for a long time now, she asked me, if I would be willing to do it. And that’s how I came to attend my first ever Eastercon.

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Cora’s Thoughts on the New Masters of the Universe Trailer

A new trailer for the upcoming live action Masters of the Universe movie dropped today. This is not actually a great time for me, because I’m flying to Iridescence, the 2026 Eastercon in Birmingham, UK, very early on Thursday morning and still have tons of stuff to do.

BTW, if you are at Iridescence, drop by and say hello. You can find me at the fan table for the Brisbane in 2028 Worldcon bid.  There will also be chocolate and candy and swag to give away, including incredibly cute tiny koalas.

But for now I’m still at home, so here are my thoughts about and analysis of the new Masters of the Universe trailer:

As is customary these days, there was a trailer for the trailer a day before, featuring actors Nicholas Galitzine (Adam/He-Man) and Camila Mendes (Teela) messing about with the Power Sword prop. It’s cute and Nicholas Galitzine and Camila Mendes clearly have a lot of chemistry, which is important for one of the central relationships in Masters of the Universe. Though Camila Mendes’ brown suit reminds of Frau Niesert, my old sewing and crafting teacher in seventh grade.

The actual trailer dropped a day later. You can watch it below:

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Easter Decorations 2026 and Springtime Photos

Before I’m off to Eastercon on Thursday, I wanted to show off my Easter decorations.

But before we get to that, I also have a couple of links to share about where else I have been of late:

For starters, I was at Galactic Journey three times, reviewing the 1971 science fiction thriller Tomorrow is Too Far by James White (with a bit about the latest adventures of the terrorist group that will be known as the Red Army Fraction), the 1970 East German science fiction film Signals – A Space Adventure (with a bit about a new crime drama called Tatort, which just debuted in Journey time and will go on to be a juggernaut) and the 1970 Czech children’s fantasy series Pan Tau, who may or may not be a Time Lord. Pan Tau also features the screen debut of the then 21-year-old skier and model Ivana Zelní?ková, better known under her married name Ivana Trump. She is pursued by an obnoxious guy in the show, who still manages to be not nearly as obnoxious as the man she eventually married. What is more, I was also at the Postcards from a Dying World podcast, discussing the 1950 science fiction story “The Little Black Bag” by Cyril Kornbluth with David Agranoff and John Battisberger.

Meanwhile, my basement is still a mess due to the ongoing work to get a heat pump installed, which took much longer than expected, because the crucial person fell ill and was out of commission for three weeks. Of course, people do fall ill, but the whole thing was nonetheless very frustrating.

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An Open Letter to the 2026 Hugo Finalists, Whoever They May Be

This is an updated version of this post from 2021, this post from 2022, this post from 2023, this post from 2024 and this post from last year, which a lot of people found helpful. There also a Chinese translation of the 2023 post to be found in issue 14 the Hugo winning fanzine Zero Gravity Newspaper.

Nominations for the 2026 Hugo Awards closed four hours ago and the finalists are expected to be announced in a few weeks.

Right now, no one except for possibly the Hugo administrators knows who those finalists will be. And yes, I deliberately posted this so shortly after the Hugo nominations closed that the e-mails won’t have gone out yet and no one knows who the finalists are.

However, sometime in the next two weeks or so, some of you will receive an e-mail from the Los Angeles Worldcon, informing you that you are a finalist for the 2026 Hugo Award and asking you whether you want to accept the nomination. Some of you will have received such e-mails before, for others it will be the first time.

But whether it’s your first or your twentieth nomination, congratulations! That’s awesome.

As a first time recipient of such an e-mail in 2020 as well as a Hugo finalist in 2021 and 2025 and a Hugo winner in 2022, here are a few things I’ve learned:

  1. The e-mail may not look like you think it will. When I got the e-mail from CoNZealand in 2020, the subject line was “CoNZealand Hugo Awards Confidential”. I was exhausted that day and waiting for two important e-mails, so I scanned right past that subject line, because I assumed it was the convention newsletter. I only opened the mail, because none of the two important e-mails had come yet, so I thought I might as well check out the CoNZealand e-mail while I was waiting. Good thing that I did.
  2. If you receive an e-mail from the Los Angeles Worldcon, please reply as soon as you can whether you accept the nomination or not. If there are questions regarding your eligibility, answer them as soon as possible. The Hugo administrator and their team work very hard, so don’t make their job any harder than it has to be.
  3. The Los Angeles team will also ask you to keep quiet about your nomination until the official announcement. Please don’t violate this, because you don’t want to steal LA’s thunder!
  4. The period between the time when the finalists are notified and when the Hugo finalists are officially announced can be weird, because while you know that you’re a finalist, almost nobody else does. I blogged a bit about my experiences in 2020 here. Basically, I kept having the niggling fear that there had been some terrible mistake and that I wasn’t a finalist after all or that I only was a finalist because all twenty people who would have been ahead of me had withdrawn. From talking to other first time finalists, I learned that I wasn’t alone in this. And while I can’t guarantee that terrible mistakes won’t happen, the chance that the wrong person is notified about being a Hugo finalist is extremely small. So relax. You really are a Hugo finalist, even if nobody else knows it yet.
  5. In 2023, it turned out that the Hugo nominations had been massively tampered with by Hugo administration team. However, this was the first time something like that happened and no member of the 2023 team is involved in any way with the 2026 Hugos, so chances of it happening again are minuscle.
  6. Do something nice for yourself to celebrate. Have an ice cream, a nice box of chocolates, a glass of champagne, a good beer, a bubble bath, whatever it is that makes you happy. You’re a Hugo finalist, so you damn well deserve to celebrate in private.
  7. You can tell a few people you trust about your nomination as long as you know they won’t blab it all over the internet. Before the official announcement, a handful of people knew I was a Hugo finalist. These include my parents (whose reaction was, “That’s nice,” before turning back to watch a rerun of Midsomer Murders), some folks from Galactic Journey and others in the SFF community, who knew not to say anything before the official announcement, as well as my accountant (because I asked her if buying an evening gown for the Hugo ceremony was tax-deductible – it’s not BTW) and the guy who repaired my patio, because he just happened to be there, when I got the e-mail. Neither the accountant nor the patio guy are SFF fans, so chances of a leak were zero. They both also probably thought I was quite mad.
  8. If you are nominated in a fiction category – i.e. short story, novelette, novella, novel, Series, Lodestar or Astounding – or nominated for a non-fiction book or essay in Best Related Work or in the Best Poem category, you should let your editor and/or publisher know that you’re a finalist. They work in the industry and therefore know not to say anything and they may want to prepare some kind of congratulatory tweet, post or other promotion effort. Finally, editors are also thrilled when one of their authors is nominated.
  9. One thing I did not do is tell people about my nomination who might be up in the same category. Because I didn’t know who else was nominated (you don’t before the official announcement) and didn’t want anybody to feel disappointed, because I was a finalist and they were not.
  10. Even if you can’t publicly talk about your Hugo nomination just yet, there are still a few things you can do in the meantime. For example, you can update your bio to mention that you’re a Hugo finalist or write a bio, if you don’t have one yet. Important: Don’t upload your updated bio anywhere until the official announcement has been made! In fact, I spent a chunk of the evening after the Hugo finalists had been announced updating my bio everywhere it appears.
  11. In fact – and this is important – don’t upload anything that mentions your Hugo nomination anywhere on the internet, until the official announcement has been made. Even if you set a social media or blogpost to go live after the announcement has been made, don’t upload it yet. Because mistakes happen, you accidentally hit “publish” rather than “schedule” or a post goes live too early. I had my celebratory blogpost ready to go in Word, but I only uploaded it with links and a few comments added once the announcement had been made.
  12. Another thing you can do in the meantime is prepare a media kit, if you haven’t got one already. You can see mine here (which is in need of an update) and there are also plenty of pages around the web that tell you what a media kit is supposed to contain. Important: Get permission to use any photos that you did not take yourself or that were taken at a studio.
  13. Another thing you can do is write a press release about your Hugo nomination. It doesn’t matter which category you’re nominated in, whether it’s Best Novel or a fan category. Write a press release anyway. There are plenty of places around the web which tell you how to write a press release. It varies from country to country, so make sure you get the correct format for your country. My press releases from 2020, 2021, 2022 and 2025 (in German) are here. Then make a list of the contact info for the relevant newspapers, radio stations, TV stations and other media outlets in your region or country. Once the nominations have been announced, send your press release as well as the link to your media kit to those media outlets. The press releases linked above netted me two in-depth profiles and a bonus article in two different newspapers in 2020 and two more in-depth profiles in 2021, an newspaper article and an interview in 2022 and a newspaper interview and a TV interview in 2025, which is much more than I’d hoped for.
  14. Because this came up in the Hugo finalist Discord, if media attention for yourself or your work could cause a problem with your day job, talk to a union representative, workers council member or – if none of those are available – a trustworthy co-worker first to make sure you’re not accidentally jeopardizing your job.
  15. In general, the Hugo finalist Discord is a great resource and also a way to get to know the other finalists, to exchange tips and information and also post pet photos, so do join. The Hugo finalist Discord and its predecessors were originally organised by the finalists themselves (including me), but nowadays, the respective Worldcon tends to send out the invitation link, once the finalists are announced.
  16. Consider whether you want to attend Worldcon and the ceremony. First of all, get a Worldcon membership, if you haven’t got one already. Like most recent Worldcons, Los Angeles offers a reduced rate for people attending their first ever Worldcon and others groups whose finances aren’t great. You can also start looking for flights, hotels, etc…. If you need to apply for a visa, do so now. If money is an issue, as it’s for many of us, think about crowdfunding your Worldcon trip, as several finalists have done in recent years. However, don’t start your crowdfunding campaign, until after the finalists have been announced.
  17. If you cannot attend Worldcon for health, family, work or other reasons or feel uncomfortable travelling to the US in the current political climate, there are also virtual memberships available, which allow to participate virtually. You can also accept a Hugo Award virtually and indeed that’s what I did in 2022.
  18. If you want to participate in programming, sign up at the Los Angeles Worldcon website. Do this as early as possible, so the programming team doesn’t have to find suitable programming for you at the last minute. You can also participate in programming as a virtual participant.
  19. Finally, start thinking about your Hugo voter packet. If you need to get permission to include certain texts or images, contact the relevant people.

Finally, here are a few observations regarding what happens after the Hugo finalists are announced:

  1. A lot of people will congratulate you. These will be people you expect – friends, peers, etc… – but also people you don’t expect. After the newspaper articles mentioned above came out, I suddenly got congratulations from translation customers, various relatives, neighbours, former classmates, my plumber, my Dad’s diabetes doctor and a random lady at the Easter fire among others. Enjoy the experience, thank everybody and don’t forget to congratulate your fellow finalists.
  2. Some people will also not congratulate you and again, some of these will be people you don’t expect. There are several reasons why someone might not congratulate you and most of them are not malicious. For example, some people might simply not have seen the news yet. Or they may not understand the significance, since not everybody is plugged into the SFF community and knows how important the Hugos are. Of course, there will also be a few people who think that you don’t deserve your nomination. Ignore them!
  3. Your fellow Hugo finalists are not your rivals, they are your peers. You’ll probably know some of them already and if not, you’ll quickly get to know them. And yes, only one of you will get to take home the rocket in the end, but all six of you are amazing and in a way, you’re all winners. This also applies across categories. I met a lot of great people in the SFF community and even made new friends, just because we were on the Hugo ballot in the same year.
  4. In general, there is a sense of community to siblinghood among Hugo finalists. Whether you’re a bestselling author or a first-time finalist in a fan category, you’re all in this together. There is usually a private group for Hugo finalists – in recent years on Discord – to chat, ask questions, share gripes, post photos of Hugo gowns, tiaras and pets, etc…
  5. If you’re not part of the Worldcon SFF community and don’t know anybody else on the ballot, don’t worry! You’ll get to know the others soon enough and pretty much everybody in this community is lovely and very welcoming. If you’re a repeat finalist, reach out to the first-timers to make them welcome.
  6. As a Hugo finalist, you will get plenty of e-mails from Los Angeles about anything from the Hugo voter packet via the program book to the ceremony itself. Pay attention to those e-mails, send any information requested in time and check your spam folder. You don’t accidentally want to miss something important.
  7. Once the Hugo finalists have been announced, there will be people who have opinions about the ballot. Most will be positive or at least fair – I always try to be fair in my own Hugo and Nebula finalist commentaries, even if I don’t care for some of the finalists – but some will be not. There are always people who think that your category or the entire ballot is too male, not male enough, too white, not white enough, too queer, not queer enough, too American, not American enough, too bestselling, not bestselling enough – you get the idea. There will be people who complain that only people no one knows got nominated or that only the usual suspects got nominated – and multiple bestsellers and Hugo winners can be “people no one knows”, while first or second time finalists can be “the usual suspects”. Some of these people won’t even wait 24 hours after the Hugo finalists have been announced to air their opinions – at least they didn’t in 2021. Some will even tag you, just to make sure you don’t miss their very important opinions. The best thing to do is ignore those people.
  8. A handful of people seem to have made it their life’s mission to mock and harass Hugo finalists. Ignore them and block them on social media and don’t let them get you down. Most of them are just jealous.
  9. There will be drama. So far, I’ve never seen a Worldcon that did not have at least some degree of drama and I have been a Worldcon member since 2014. It rarely gets as bad as it did in 2023, but there’s always drama of some kind. Often, this drama affects the Hugo finalists in some way. Sometimes, the Hugo finalists even band together and try to resolve this drama. How you engages with whatever this year’s drama will be is up to you. However, don’t let it get you down. Drama is normal. At this point, I would be more surprised at a Worldcon without drama than at one which has some degree of drama. And usually, everybody winds up having a great time anyway.

So what happens, if you win?

  1. Basically more of the same. Lots of people will congratulate you, most of them with genuine enthusiasm, a few very grudgingly (one in my case, not a fellow finalist) and some not at all.
  2. Make sure to have your acceptance speech ready before the ceremony with the names of all the people you want to thank. Check with people how their names are pronounced, if you aren’t sure. Always have a printed paper copy of your speech, because phones can and do break down, run out of juice, fail to have reception or get overloaded with messages at the crucial moment.
  3. After you win a Hugo, you should prepare another press release and send it to all the local, regional and national media you can think of. I actually wrote mine at six AM in the morning after the winners had been announced.
  4. Don’t forget to update your bio wherever it appears. That includes anthologies or magazines where you’ve been accepted, but which aren’t out yet.
  5. Your “market value” (for lack of a better word) does go up with your first nomination, goes up even further with your second and even more, if you win. For example, I got a story acceptance in the mail literally the day after I won. Of course, the story might have been accepted anyway, but the timing was still interesting. I also gained a bunch of new social media followers with every nomination and winning a Hugo pushed me over the 3000 follower mark for the first time. You’ll get invited to cons and you’ll notice that your name will start to show up on covers of anthologies or magazines, sometimes with “Hugo winner” attached. However, you’ll still get rejections as well, because even Hugo winners get rejected and that’s perfectly normal.
  6. You’ll also find that you have acquired more clout in the SFF community, something which also happens once you get nominated. Use what influence you have in the SFF community for good, to uplift and support others.
  7. One thing I noticed is that I would sometimes find myself thinking, “Wait a minute, I have a Hugo and [insert name of vastly more important genre person here] doesn’t? How on Earth did that happen?”
  8. That said, certain people will still call you a nobody who barely sells any books or a fake fan or whatever. This literally happened to me approx. a month after I won the Hugo, when I got into an argument about a TV show with the adherents of one of those “We hate everything” outrage clickbait YouTube channels. I pointed out that I really enjoyed the object of their rage du jour and so did many others and was called “not a real fan” in response. When I said, “Dude, I’m the 2022 Hugo winner for Best Fan Writer”, I was told that awards didn’t matter, that I was clearly not a real fan, because I didn’t hate the thing. Best just ignore those people and privately think, “Guess who has a shiny rocket? Hint, it’s not you.”
  9. Sometimes, it gets worse than online arguments with idiots. Because as I said above, there are a handful of people who seem to have made it their life’s mission to harass Hugo finalists and winners and will use any excuse, no matter how small, to send their flying monkeys after you. That happened to me, almost to the day a year after I won the Hugo, and I’ve seen it happen to others. Often, not a lot of people will help you and sometimes people you know and actually were friendly with before will join in. The best thing to do is to liberally mute and block harassers and if necessary, break off contact with some folks. On the plus side, you’ll know who your friends are afterwards. Also, never let yourself be silenced, because that’s what these folks want.

Finally – and this is the most important point – enjoy your experience! You’re a Hugo finalist, i.e. your peers consider you and your work one of the six best in your respective category. That’s amazing, so celebrate!

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