Indie Speculative Fiction of the Month for May 2016

Indie Speculative Fiction of the MonthIt’s that time of the month again, time for “Indie Speculative Fiction of the Month”.

So what is “Indie Speculative Fiction of the Month”? It’s a round-up of speculative fiction by indie authors newly published this month, though some April books I missed the last time around snuck in as well. The books are arranged in alphabetical order by author. So far, most links only go to Amazon.com, though I may add other retailers for future editions.

Once again, we have new releases covering the whole broad spectrum of speculative fiction. We have a whole lot of space opera and military science fiction this month as well as hard science fiction, paranormal romance, epic fantasy, urban fantasy, Asian inspired fantasy, young adult fantasy, horror, fairytales, werewolves, dragons, ghosts, fae, fairytale curses, dark gnomes, iceslingers, squid creatures, tentacled horrors from the deep, alien invasions, superheroes, space marines, galactic conspiracies, troubled space captains and much more.

Don’t forget that Indie Speculative Fiction of the Month is also crossposted to the Speculative Fiction Showcase, a group blog run by Jessica Rydill and myself, which features new release spotlights, guest posts, interviews and link round-ups regarding all things speculative fiction several times per week.

As always, I know the authors at least vaguely, but I haven’t read all of the books, so Caveat emptor.

And now on to the books without further ado:

Kraken Island by Eric S. BrownKraken Island by Eric S. Brown:

Colonel Brannon Jackson’s Reapers are the toughest, deadliest, black ops squad that America has at her disposal. When the mission can’t afford to fail, the Reapers are the ones on the sharp end. A group of doomsday cultists determined to bring about the end of humanity is the Reapers’ latest target but this time even the Reapers may not be able to save the world as a prehistoric monster rises to claim the Earth’s seas as its own.

 

 

Conspirators by Cora BuhlertConspirators by Cora Buhlert:

Lord Jonathan Summerton, husband, father, lord of Caswallon and current head of one of the oldest families in the Empire. For too many years, he turned a blind eye to the abuses perpetrated by the Emperor and his followers. But now that his homeworld is under threat, he is no longer willing to stay silent.

Arthur Madden, miner’s son from Askvig IV turned Rebel leader turned most wanted man in the universe. He has dedicated his life to fighting the Empire and putting an end to injustice and inequality. However, in order to achieve that goal, he needs allies, including some who seem to represent everything he fights against.

Alanna Greyskull, former commander in the Imperial Navy. Court-martialled for refusing to scorch a planet full of unarmed civilians, she escaped the firing squad and wound up joining the Great Galactic Rebellion, because there was nowhere else she could go. Ever since then she has been trying to bring some semblance of organisation to the chaotic rabble that makes up the Rebellion, while plotting to make the Empire pay for what was done to her.

When these three meet in a nameless restaurant on the planet Wei Xiu II, lives are changed and history is made and the universe will never be the same…

This is a prequel novella of 24000 words or approximately 82 pages in the Shattered Empire universe, but may be read as a standalone.

Star Nomad by Lindsay BurokerStar Nomad by Lindsay Buroker

The Alliance has toppled the tyrannical empire. It should be a time for celebration, but not for fighter pilot Captain Alisa Marchenko. After barely surviving a crash in the final battle for freedom, she’s stranded on a dustball of a planet, billions of miles from her young daughter. She has no money or resources, and there are no transports heading to Perun, her former home and the last imperial stronghold.

But she has a plan.

Steal a dilapidated and malfunctioning freighter from a junkyard full of lawless savages. Slightly suicidal, but she believes she can do it. Her plan, however, does not account for the elite cyborg soldier squatting in the freighter, intending to use it for his own purposes. As an imperial soldier, he has no love for Alliance pilots. In fact, he’s quite fond of killing them.

Alisa has more problems than she can count, but she can’t let cyborgs, savages, or ancient malfunctioning ships stand in her way. If she does, she’ll never see her daughter again.

Guilty by Association by E.A. CopenGuilty by Association by E.A. Copen:

Everything’s bigger in Texas… Including the monsters.

When a young werewolf is murdered on the Paint Rock Supernatural Reservation, the local cops think it’s a drug deal gone bad. BSI agent Judah Black knows better. An occult expert, she knows magick is at work from the beginning. Using only her wits, knowledge of the supernatural and her limited magickal abilities, she must untangle a web of cover-ups and lies before the killer finds his next victim.

 

The First New Martians by Eric W. DeakinThe First New Martians by Eric W. Deakin:

A Novel by Eric W. Deakin about how Humankind began the ascent to the stars via inner space and those who made it possible. How an old soldier, his dog and a young Aboriginal girl, with help from the Axis Engineers, changed the history of humankind forever. How more money than the collective wealth of the entire world was spent on this mission.

 

 

The Fairytale Curse by Marina FinlaysonThe Fairytale Curse by Marina Finlayson:

Most people only wake up with hangovers after parties. Seventeen-year-old Violet wakes up with frogs falling out of her mouth whenever she speaks, and her twin sister CJ’s dripping diamonds with every word. As if starting at a new high school wasn’t hellish enough, they’ve been hit with a curse straight out of a fairy tale, with not a handsome prince in sight.

Apparently Mum and Dad don’t work for the military after all, but for a secret organisation dedicated to keeping the magical denizens of the world safely locked away. These are not the harmless fairies of children’s tales, but powerful beings with a score to settle for their long years of imprisonment. Now the barriers are failing, and if Vi can’t find answers fast the world will be overrun with vengeful fairies. And then there’ll be no happily ever after for anyone.

Video Game Recruiting by Tom GermannVideo Game Recruiting by Tom Germann:

Science Fiction and the Scientists lied…..

There was no golden age of discovery. No FTL or Galactic Federations. At first contact we found out how wrong we had been about the future.

Then a failed alien invasion had crushed our reborn hope.

Tim grew up a normal kid. He went to school and spent time with friends. After all ‘work hard, play hard’ is the way people live now.

All Tim had ever wanted was a nice entry level management position somewhere. Preferably in The Glentol Corporation. He didn’t know that he would become involved in something much bigger.

There have never been many successful candidates for Marine training. The requirements are high and only a few successfully complete training every year. Humanity needs every Marine it has and more.

Tim will be put into a situation where he will discover the sabotage in the recruiting program. Will he be able to expose the cause and fix it? Or will he fail and watch as the experimental video game recruiting process is shut down?

Without the Marines how will humanity survive when the aliens come back?

The First Chill of Autumn by W.R. GingellThe First Chill of Autumn by W.R. Gingell:

Llassar is an occupied country– but nobody seems to know it.

Fae began to filter slowly into the land shortly after the birth of the crown princess, Dion ferch Alawn, supposedly fleeing a dark threat in Faery known as the Guardians. But that was fifteen years ago, and now there isn’t a town in Llassar that isn’t populated by or under the control of the fae.

Smaller, weaker, and less talented at magic, Llassarians are quickly finding out that there’s no fighting the invasion that crept in so quietly and politely. Even the castle isn’t free of fae: those closest to the king and queen are faery advisors.

When Dion ferch Alawn returns from a carefully sanitised tour of Outer Llassar, the most exciting thing she expects from the near future is the present her twin sister Aerwn promised for their seventeenth birthday.

Then her carriage breaks down, and Dion gets a taste of what the real Llassar has become: desperate, enslaved, and ripe for rebellion. Getting home safely is just the first problem she faces: the real struggle begins when Dion returns to the castle. Her new knowledge is inconvenient and unwelcome– to declare it, treason.

Carl Sagan's Hunt for Intelligent Life in the Universe by C. GockelCarl Sagan’s Hunt for Intelligent Life in the Universe by C. Gockel:

Sometimes intelligent life is right in front of your whiskers.

Hsissh is a member of The One. There are some newcomers to The One’s homeplanet. They call themselves “humans,” and they are, frankly, mentally deficient–they can’t warp the quantum world with their minds. However, Hsissh is becoming attached to one of them, a Miss Noa Sato.

When The One decide they will wipe out the humans and Noa’s life is on the line, Hsissh is forced to take sides … he might find intelligent life where The One least expect it.

Blackwater Val by William GormanBlackwater Val by William Gorman:

Something isn’t quite right in the Val.

Richard Franklin has left his Midwestern roots behind to live on the coast of Maine with his family. But in the autumn of the year 2000, he must return to his Illinois birthplace on a sorrowful journey. His wife Michelle has been killed in New England by a hit-and-run driver who is never found, so back home he comes with her cremated remains, to fulfill a final wish and on her birthday scatter her ashes in the park along the river in Blackwater Valley—simply Blackwater Val to locals—the small town where they both grew up and fell in love.

With him he brings his six-year-old daughter Katie who still grieves for her lost mother: Katie, who can sometimes guess who’s going to be on the phone before it rings. Who can stop all the clocks in the house, and break up clouds in the sky with her mind, and heal sicknesses, and who sometimes sees things that aren’t there . . . people who are no longer alive. All gifts she inherited from her mother.

Only something isn’t quite right in the Val.

Sinkholes are opening up, revealing the plague pits the sleepy hamlet was built over in the 1830s, when malaria and cholera outbreaks ran riot. Mysterious bird and fish die-offs begin to occur, and Katie can see ghosts of the dead gathering all around. But what she can’t see is the charred, centuries-old malevolence which has been waiting for her, and wants her for its very own. Or the pale Sallow Man who haunts the town’s nighttime streets . . . or the river witch—another Blackwater Val, of sorts—each of whom will be drawn one by one into the nightmarish bloodletting about to take place.

Iceslinger by John HegenbergerIceslinger by John Hegenberger:

A deadly showdown on frozen Ganymede . . . an experiment in time travel that has unexpected results . . . the dead being brought back to life—to sell insurance . . . a legendary villain seeking to summon a strange visitor from another planet . . .

These are only some of the ventures into the fantastic and bizarre to be found in ICESLINGER, the latest collection from acclaimed author John Hegenberger. These classic tales of science fiction and fantasy are filled with action, big ideas, humor, and drama. Step into the many worlds of John Hegenberger and prepare to be entertained!

Weller Franks by R.D. HendersonWeller Franks by R.D. Henderson:

From the author of the Nambroc Sequence, here is Weller Franks, the second novella in the Water Falcon Trilogy, his next fantasy series.

Weller Franks, a dark gnome, owes a great deal of money to a halfling crime lord named Tom Bolden who operates in the Fairy Realm.
Franks desires nothing more than getting out from underneath the thumb of Bolden, disposing of the Franks persona, and return to his old life as a smuggler on the high seas in the Earth Realm.

While Weller dreams of his old life, the gnome works as a portal operator for Portal Travel, Inc. which is a company that takes passengers and cargo from one realm to another. Traveling by portal is the only mode of travel between the realms, and Portal Travel, Inc. is the only company that provides this service.

Sometimes, Tom or one of his underlings would order Weller to smuggle, narcotics, illicit magic items, and unregistered weapons in his portal which is a crime.

Weller is not so much bothered by committing crimes when his smuggling contraband in his portal. The gnome, however, is very hot and bothered that he is not getting a larger percentage from each illicit transaction. The problem also for the gnome was the more revenue he generated for Tom did not necessarily mean the amount of money he owed the halfling is getting less.

After doing some good work for Tom, but still owing money to the halfling, Weller is told that he would be returning to the high seas and would be able to get rid of the Weller Franks persona. The gnome should be estatic and happy that his dreams become a reality, but he is not. Why is that?

Ambassador by Patty JansenAmbassador: Blue Diamond Sky by Patty Jansen:

As Cory takes a well-earned rest and finally submits to proper weapons training, he and a couple of people from his household go on a hunting trip in the marshland between Barresh and the turquoise sea. A bad storm has come through recently and on a deserted beach, Cory finds something Earthly that doesn’t belong there: a message in a bottle, a piece of paper with HELP scratched on it with a sharp object. In Isla.

Cory has a list of all humans in Barresh: it’s very short and no one is missing. A few days later, he receives a curious message through official channels, from a woman on Earth whose rich businessman husband went on a trip of a lifetime “in a place where you can surf with plesiosaurs in turquoise waves”.
Cory knows the guy advertising the trip. He’s a shady character. He also knows where the “plesiosaurs” are. They’re not particularly friendly. Not to mention that the area is on the land of a viciously territorial Pengali tribe.

As it turns out, those are the least of his worries.

A child of the Pink Moon by Floyd LooneyA Child of the Pink Moon by Floyd Looney:

Nel is an ordinary seventeen year old, worried about her super-powers, scared that she could be drafted and the possibility of a deadly showdown with her stalker.

Nel has been in institutions most of her life, since her family gave her up when she exhibited signs of having super powers. Now there are super-powered teenagers around the world being drafted by governments for combat. While the world rushes into super-powered warfare, Nel must deal with a super-powered stalker who wants to kill her.

 

The Green Dragon by Salvador MercerThe Green Dragon by Salvador Mercer:

A thousand years ago, on the world of Claire-Agon, a war raged between men and dragons.

In Vulcrest, nearly a century before the Great Dragon War, a boy’s life was changed forever. Sheltered by a Druid of the Arnen, Elly Brown was raised in the druidic order destined to confront his childhood terror and become one of the most feared defenders in all of Agon, Elister the Druid.

Near the heart of Vulcrest’s Greenfeld Forest, the heir to the throne, Helvie, and her Paladin protector, Fist of Astor, Lucina, investigate a strange series of murders while the sinister Kesh ally with Vulcrest’s ancient enemy, the realm of Ekos in an attempt to dominate the frontier realm, laying siege to its capital, Vulkor.

Facing the destruction of her realm, Helvie must unite with an unlikely group of companions to free her homeland, but a deadly, ancient, woodland nemesis has other plans.

Helvie soon discovers that, in the world of Claire-Agon, when dealing with a Green Dragon, sometimes rules were meant to be broken.

Six Celestial Swords by T.A. MilesSix Celestial Swords by T.A. Miles:

Inspired by the rising chaos in Sheng Fan, Xu Liang, mystic and officer of the Imperial Court, leaves his homeland for the barbarian outer lands in search of four magical blades to unite with two sacred weapons already in the possession of the Empire. His plan is to bring all of the blades together and return them to Sheng Fan’s Empress as a symbol of unity that will bolster the people’s faith in the Imperial family and assist against the surge of dark forces.

 

 

The Lost Pilot by T.S. PaulThe Lost Pilot by T.S. Paul:

Before Athena Lee and the worlds that she knew there was an embattled Earth.

Earth was in turmoil before the first colony ship was launched. The Cyber Wars raged across the planet as country battled country. The war was fought until only the Major Powers were victorious. In the aftermath, the United Nations came into it’s own. Warriors, trained and bred to be the best the world had ever seen emerged from the shadows, bringing order and control out of the chaos of the Cyber Wars. Sam was one such warrior. Born and bred to serve he followed his orders and became one of the best pilots in the service. The future of man lay in the stars. Colonization was a good way to rid society of the undesirables of Earth. He volunteered to start a new colony and spread Earth’s power.

This is the Prequel for the Athena Lee Chronicles.

Sins of the Father by K.L. PhelpsSins of the Father by K.L. Phelps:

Kat Parker was looking forward to a nice normal night out with her boyfriend—though nothing is truly normal when you can see and talk with the dead. However, when Damian arrives with news that his estranged father has been killed, date night quickly turns into a trip to Vegas, the supernatural capital of the world. Whoever said romance was dead?

As a former detective for the Vegas Police Department, Damian is well aware of his father’s shady business dealings, but he’s still surprised when he’s confronted by an unstable squid-faced creature demanding he deliver on his father’s final deal.

With time running short and the creature’s patience running even shorter, Kat must help to figure out who killed Damian’s father and how to deliver on his final debt. Otherwise, Kat may have more to worry about than playing middleman to a postmortem family reconciliation or figuring out if her pet turtle has a gambling problem.

Falling Dusk by Jennifer R. PoveyFalling Dusk by Jennifer R. Povey:

Anna McKenzie just wants her life back. She wants the brutal murder of her brother never to have happened. She certainly doesn’t want magic, power, and to deal with a certain vigilante named Victor Prince…

…but once the world of magic has claimed her, there is no escape.

 

 

Eons Semester by Jim RudnickEons Semester by Jim Rudnick

Jilted by his Royal fiancee, captain Tanner Scott is assigned to Eons and the newly constructed RIM Naval Academy buildings and the duty is anything but a reward. His days are full of squabbling University professors and construction types all nitpicking for changes to plans and additions and extra and the boredom of detail is a horrible side-effect.

As he learns, there is more to looking after a successful construction project than being at the top of the heap and the machinations of the Issians who run Eons and it’s mind-readers comes to him for help. He knows that the Baroness is somehow also involved but the openness of the Master Adept and her Inner Circle that controls Eons is what is so surprising to him.

As the Naval Academy is finally ready to open and the heads of state of many of the RIM Confederacy planets arrive, the protesters against the Issians make their play to publicly humiliate the Inner Circle and their own plans to strengthen their ranks via the death of twins and Tanner must find a way to quell the uprising…

Fatal Blade by Eric ThomsonFatal Blade by Eric Thomson:

Someone was setting fire to the Commonwealth Rim, nurturing a storm to drag humanity through the horrors of colonial warfare and thereby hasten the rise of Empire. Their plan had just one fatal flaw: it didn’t count on an ex-Marine pathfinder with a grudge, a dagger and a deadly partner. Zack Decker had seen enough of war to know this one had to be stopped before it turned into an all-out bloodbath, even if that meant ignoring orders and risking his mission as well as his life. After all, he was still one of the Few…

 

Hunted by Magic by Jasmine WaltHunted by Magic by Jasmine Walt:

With the sudden disappearance of Iannis, the Chief Mage, Solantha has erupted into pandemonium. Citizens are rioting in the streets, the Mages Guild is on a misguided warpath, and shifters and humans are fleeing the city in droves. Ridden with guilt, Sunaya defies the Mages Guild and goes off in search of Iannis, trekking into dangerous, uncivilized territory to try and make things right. But Sunaya’s relationship with Iannis isn’t the only thing at stake — if she doesn’t find him soon, the Resistance might just succeed in plunging the Northia Federation into a devastating and bloody civil war.

Buried Desire by A.E. WaspBuried Desire by A.E. Wasp:

The vengeful ghost of a murdered girl stalks the innocent. A forbidden passion ignites in the dark. Secrets of the past that doom the present rise with the dead at Eden Lake.

For Nikolai and Alexei, their jobs at Camp Nevele were supposed to be a break from real life, a last deep breath of freedom before returning to their family and the traditional marriages arranged for them. But the peace of the summer is shattered when the ghost of a brutally murdered girl begins to kill.

Even within his Romany family, Alexei has always been different. Gifted with the sight, he’s lived his life knowing something dark hunts them. A being from the otherworld unwilling to stop until it gets what it wants…and what it wants is Nikolai.

As the boys struggle to put the spirit to rest before it kills again, they find it harder and harder to deny the passion burning between them.

Despite the deep taboos of their upbringing, desire ignites between the young men and they are left with a devastating choice between holding on to each other and losing everything they’ve ever known. But the very love that binds them together may separate them forever and the choice may not be theirs to make.

Fans of the supernatural and passionate stories of first love will fall in love with the fantasy romance of Nikolai and Alexei and their desperate struggle to stay together.

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Alarm für Cobra 11 and the Lester Dent Pulp Fiction master plot

I quite like Alarm für Cobra 11, a German TV show of about two highway cops (Turkish-German cop Semir Gerkan, played by Erdogan Atalay, and a succession of partners) and their cases, that has some of the best vehicle stunts this side of a Hollywood blockbuster with a nine digit budget. In fact, I have blogged about the show before, though I drifted away when Alarm für Cobra 11 suddenly became all grimdark and depressing from season 19 on due to a new showrunner who thought he was making Breaking Bad rather than escapist fare with lots of explosions and completely ruined the mix of humor, banter and non-stop action that made Alarm für Cobra 11 what it was.

I apparently wasn’t the only one who disliked the new “adult” direction of the show, because the viewing figures fell. The production company reacted and the showrunner was sacked along with the actor who played Semir’s latest partner during the problematic seasons (though IMO the actor is not to blame for issues with the script). Meanwhile, the events of the grimdark seasons (most notably the collapse of Semir’s long and previously completely happy marriage) were retconned, never to be mentioned again.

So far I like the new direction or rather the return to the old Alarm für Cobra 11 I enjoyed. I also like Semir’s new partner Paul Renner, played by Daniel Roesner, who had previously appeared in a different role in the show (and they are different characters, even though both are young cops who idolize Semir). Some of Semir’s previous partners have tended to come across as underdeveloped (ironically Alex Brandt, who had to leave because of the falling viewing figures, was not one of them), therefore I’m pleased that we got to see Paul’s family – his father, a car mechanic with early onset dementia, and his precocious niece – in one episode.

Now Alarm für Cobra 11 has always been a formulaic show to the point that you can pretty much predict the beats. It always starts off with a few minutes of Semir and Paul in their car bantering, then there is a huge spectacular car crash on the highway that is usually tied to some kind of crime. Paul and Semir investigate, which usually leads to two smaller action scenes (often chases, sometimes also shoot-outs), until the fiery finale with yet another spectacular stunt sequence, usually but not always a massive car crash. It’s clearly a formula that works, as evidenced by what happened when the screenwriters deviated from the established formula during the grimdark interlude. What is more, the show managed to offer just enough twists and turns and variations on this formula to remain enjoyable escapist viewing.

However, while watching both the new episodes and the repeats (of a pre-grimdark-interlude episode) broadcast right thereafter, I noticed something that had never occurred to me before. Alarm für Cobra 11 is not just formulaic – no, it even follows a very specific formula for writing popular fiction. A formula that’s older than pretty much everybody involved in the show, namely Lester Dent’s pulp fiction master plot.

Lester Dent was a prolific pulp author, best remembered today as the creator and writer of Doc Savage. If Doc Savage had been all he wrote, Lester Dent’s influence on popular culture would still have been assured, for not just is Doc Savage a.k.a. the Man of Bronze often considered to be one of the main inspirations behind Superman – no, Doc’s aides, five highly accomplished (and constantly bickering) specialists plus two pets plus Doc’s impressive cousin Pat, are the direct forerunners of the supporting teams/casts of pretty much every pop culture hero these days. You can see the influence of Doc Savage and his fabulous five (six, if you include Pat) in anything from The A-Team via Buffy via any number of CSI/NCIS variations via Torchwood via Castle to modern superhero movies/TV shows (it’s particularly notable in DC’s TV shows, where Arrow/Flash/Supergirl all have their own support teams).

However, in addition to creating Doc Savage and his pals, Lester Dent also came up with a plot template for a 6000 word pulp short story that is supposed to work for any genre. The entire thing, which apparently started life as an article in a writers’ magazine in 1939, may be found here, while Michael Moorcock’s application of Lester Dent’s formula may be found here. It’s well worth reading, even if you’re not a writer or a writer who doesn’t much like formulas.

To sum it up, Lester Dent advises writers to divide a story into four parts with increasingly escalating stakes and end every part with a revelation/reversal that sends the story off into a new direction. Dent also advises writers to introduce every character, plot point or theme that will eventually contribute to the resolution early on and reminds them to be original by having a different murder method, a different setting or a different treasure for the villains to be after. In short, Lester Dent’s pulp fiction master plot boils down to advice that makes sense even if you don’t actually want to follow his template.

Now let’s see how Lester Dent’s pulp fiction master plot applies to Alarm für Cobra 11. If you want to take a look at the show, a whole bunch of episodes both past and present are available for free online here. Avoid season 19 and 20, those are the grimdark seasons. Come to think of it, the grimdark episodes start halfway through season 18, when Semir’s old partner André returns from the dead to be revealed as a villain and Semir breaks up with his wife.

As I’ve said above, every episode of Alarm für Cobra 11 can be divided into four parts, which map quite neatly onto the four parts of Lester Dent’s pulp fiction master plot. Every one of those four parts/acts is punctuated by an action sequence, since spectacular stunts are the show’s raison d’etre, and also ends with a revelation that sends the plot off into a new direction. So far, pure Dent.

Establishing all important characters, plot points and themes early on, preferably in the first third, is pretty much standard for popular television of any kind these days and Alarm für Cobra 11 mostly hits that requirement, though I recently saw one episode which switched to a different villain (boss of the initial villain) towards the end.

The writers of Alarm für Cobra 11 also take care to serve up the various different things Lester Dent suggested. Different locales are difficult to do within the framework of show, first of all because of filming limitations and secondly because for a show focussed on two highway cops, it’s clear that a big chunk of it will take place on or near highways. The murder methods vary, though a lot of the episodes involve victims getting shot, stabbed, poisoned or dying in car crashes (well, it is a show about highway cops, remember, so car crashes feature prominently), frequently after having been shot or stabbed. Though the show also has a thing for apocalyptic terrorist plots involving poison gas, dirty bombs or botulinum toxin in the water supply, which is also when the show venture into SF territory.

However, the “different” on which Alarm für Cobra 11 places a big focus is the “different treasure for the villains to be after”. In the episodes (both new and repeats) broadcast during the most recent run, the treasures the villains were after included a rare vintage car which turned out to be used for smuggling, a supply of botox (for poisoning the water supply), nuclear waste (for building a dirty bomb), stolen and smuggled Syrian antiques, a contested piece of real estate, stolen high tech weaponry, babies kidnapped for human trafficking, mysteriously vanishing ransom money as well as the more common drugs, diamonds and money. And even the most recent new episode where the prize was indeed money put something of a twist on it, since the villains were looking to steal money from a government depot where it’s stored for cases of war and other national emergencies.

So Lester Dent’s lessons on writing pulp fiction stories are still put to good use almost eighty years after he first wrote them down to keep a rather formulaic TV show fresh after twenty years on the air. Another thing that helps to keep Alarm für Cobra 11 fresh is that several episodes of the most recent run focus less on the two leads (and for the new episodes, it’s notable that we don’t know a whole lot about Paul yet), but on supporting characters like forensics specialist Hartmut, junior police officer Jenny, veteran highway cop Bonrath (who was given a touching romance with former 1980s sexpot Sonja Kirchberger in a recent episode) and Kim Krüger, Semir’s and Paul’s (and in earlier episodes Ben’s) long suffering boss.

The Lester Dent pulp fiction master plot – still effective after almost eighty years.

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Cora guest-blogs elsewhere – and some thoughts on dialogue as characterisation

First of all, I have a guest post in the “Nobody Knew She Was There” series about female SFF writers over on Sarah Ash’s blog today. I talk about the challenges of being a woman from a non-anglophone country who writes SFF, so head over there and check out it.

And also read some of the other great posts in the series by writers such as Kari Sperring, Juliet E. McKenna, Stephanie Burgis, Jessica Rydill, Freda Warrington, Jenny Barber, Jan Edwards and others, while you’re at it.

In other news, today I came across this Storify of a Tweetstorm (i.e. a whole lot of Tweets) by Chuck Wendig about writing dialogue, which resonated with me a whole lot.

Now anybody who has ever read any of my stories probably knows that I write a lot of dialogue. For example, the Helen Shepherd Mysteries are about eighty percent dialogue, since Helen solves her cases primarily by talking to witnesses, suspects and of course the members of her own team. Yes, there are all sorts of clues and red herrings, but even those are usually presented in dialogue.

The late Jay Lake once said that all writers begin with different skill sets, aspects of writing they are naturally good at (basically what came in the box) and others they need more time to learn. For me, dialogue was something I was really good at from my very first attempts at writing on. I’m not sure why, though I suspect having spent years holding conversations with imaginary characters and sometimes writing them down helped a lot. Cause by the time I started writing in earnest, I had already spent a lot of time practicing how to write dialogue.

There is a school of thought that believes that any “fluff” in a story should be cut. And any dialogue that does not directly impact the plot is often considered “fluff” and gets cut, often leading to very formulaic stories.

As I wrote back in 2013:

And indeed the fact that we can no longer have any fluff is one of the reasons why TV shows are so damned predictable these days. Because every line, every single word has to serve a purpose, you automatically know that the throwaway line of the police chief about a wave of burglaries on XXX Street or the prison guard’s phone call to his wife in the background will inevitably turn out to be a vital clue to solving the case. Because in a modern crime drama, there never are any throwaway lines anymore. No one ever has a conversation that does not directly pertain to the plot. Fluff must be cut, everything must serve a purpose. Coincidentally, this is also why so many works these days fail the Bechdel test. Because any character and any sort of conversation that has no direct impact on the plot is cut.

Now Chuck Wendig does come out against throwaway lines and agrees that dialogue should move the story forward (so do I BTW). But there is more than one way of moving a story forward. And even dialogue that doesn’t do much to progress the plot can still reveal a whole lot about the characters and their relationship to each other. And it’s these character moments that are often lost when cutting all the fluff and the chit chat.

When Helen Shepherd interviews a witness and/or suspect, Helen and through her the reader not only learns facts as what did the witness/suspect see and do they have an alibi, but she and the reader also learns a lot about what sort of people these characters are and what their relationship is to the victim and to each other. Indeed, in an upcoming Helen Shepherd Mystery called Chamber Play, I have the stereotypical “all the suspects gathered in one room” scene so beloved of traditional and cozy mystery writers. And once I started writing that scene, I also realised why they are so popular to the point of cliché. Because the various suspects immediately started arguing and accusing each other so that Helen didn’t even have to ask any questions, she only had to listen. It was like magic.

In fact, most of my stories – and I go into that in my guest post over at Sarah Ash’s blog as well, since that’s not how “real” SFF writers are supposed to write – start with a character or two. I put these characters together, let them talk and see what happens. New York City’s Finest started out this way. I used a prompt from the They Fight Crime generator (which is awesome for these things), put Detective Ray McCormick into Jo’s taxi and let them talk. And lo and behold, this little conversation blossomed into a novelette with series potential (I’ll revisit Jo and Ray eventually, since I really like them).

Of course, it helps that plot is another thing for me that “came in the box” to quote the late and much missed Jay Lake. I’ve always been good at telling stories – probably due to consuming a whole lot of them – to the point that I even imposed a plot and dialogue on plotless vignettes I was supposed to write for creative writing class, since vignettes with lots of evocative description is one of the things I did not get in the box, but a skill I had to acquire. So when I put two character together in a room and let them talk, they usually generate a plot.

Though there are also exceptions. History Lesson, part 3 in the Shattered Empire series, basically has no external plot. All that happens is that Holly and Ethan sit in a room, get drunk, eat mint candies and talk. And indeed the fact that I write a lot of food scenes is largely due to the fact that I write a lot of dialogue, because eating and drinking are ideal for breaking up dialogue. Just take care not to give your characters alcohol poisoning by accident.

Now all Shattered Empire stories are dialogue heavy, but History Lesson really takes the crown here, because it’s almost all dialogue – for 13000 words. However, I have never had a single complaint about that story – even though nothing external happens – because all that dialogue serves a purpose and we learn a whole lot about Ethan and Holly (and a bit about Carlotta who shows up near the end), about the illustrious Summerton family and about the universe they live in, including the history of the Fifth Human Empire as narrated by Ethan (which bears some uncanny similarities to the history of postwar (West) Germany and I’m still waiting for someone to call me out on that). The upcoming Shattered Empire prequel novella Conspirators is mostly dialogue as well – with a fight scene against blaster-toting robot waiters in the middle.

To quote Chuck Wendig again:

I completely agree. When you let the characters follow the plot, you get those weirdly formulaic TV crime dramas, where sometimes even established characters are distorted just to make the plot work. So I vastly prefer just letting the characters take the lead – never mind that mine tend to balk when I try to make them do something they don’t want to. And dialogue is of course excellent for revealing character.

I’ll finish with talking about a new project I’m working on, also a space opera with a strong romance subplot, but not set in the Shattered Empire universe, because it wouldn’t have worked. Now space opera is a very action-oriented subgenre – particularly the Nutty Nuggets fraction wants its manly space marines doing manly things in space and heaven help an author, if there’s too much talk or introspection or – gasp – romance. Don’t you know that you’ll never get in the Amazon top 100, if you write that sort of thing?

Now the protagonists of the upcoming series are two soldiers, which should assure plenty of Nutty Nuggetty action. Only that these soldiers don’t meet on the battlefield, but while on leave on a tropical pleasure planet, i.e. not exactly the most action-packed environment. And yes, there is action. There is a fight and there will eventually be a second one, once I get around to writing it. There is also an interlude, where our heroes go sailing and get caught in a storm. But most of story – and I suspect it will be around 60000 to 70000 words when done, i.e. short novel length – the protagonists eat, drink, dance and talk a lot. They talk and get to know each other and are heavily attracted to each other, which is going to be a problem, because one of them is not what they claim to be. And indeed this is why I deliberately went for so much dialogue – or rather overrode my own objections of “You can’t do this. No one will want to read it.” – because I want the reader to get to know these characters and eventually fall in love with them, just as they fall for each other. Because that will make the inevitable betrayal at the end hurt so much more.

Meanwhile, in the sequel – and since the first book will end on something of a cliffhanger, there needs to be a sequel – there’ll be some action in the form of interrogations, escape attempts, fights and even a space battle. But again, a lot of the story will involve the protagonists talking (and mean author that I am, I of course dump them in a situation where they have a lot of time to talk), gradually getting to know each other again and trying to figure out how much of their previous encounter was lie and how much was truth. What is more, one of the protagonists has some massive atonements to make, while both have to do some soulsearching.

Will this appeal to the Nutty Nuggets crowd? Probably not. But as I said over at Sarah Ash’s blog, I can only tell my own stories, not somebody else’s. And my stories tend to have a lot of dialogue.

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The 2015 Nebula Awards, the Bram Stoker Awards, the Eurovision Song Contest… and a bit about football

So the Eurovision Song Contest was last night. I was watching something else and occasionally switched over, only to decide that I really could not bring myself to care. I finally tuned for the voting only to realise that a) they had changed the voting system and announced first the jury votes in the regular way and then the collated televoting results. Personally, I prefer the old system. Okay, so they apparently wanted to defuse the political nature of the televoting results, but it’s not as if the jury votes aren’t political or as if the whole thing isn’t political in general.

Case in point: Germany finished last for the second time in a row. And unlike last year, where the German song did not even have a whole lot of backing in Germany itself, this year’s entry – “Ghost”, sung by 18-year-old Jamie-Lee – had a lot of popular support. Jamie-Lee was the runaway winner of the German primaries and she’d previously won the German edition of The Voice. I don’t think anybody really expected her to win Eurovision, but everybody expected her to at least place decently.

Okay, so she did have a weird manga-inspired outfit, but there were plenty of equally weird outfits (e.g. the Croatian tree dress, the Polish ringmaster vampire or the Armenian reject from the Black Widow program), so that a girl who looks like a cosplayer at an Anime con doesn’t really stick out all that much. I have heard from some older viewers that they had problems with Jamie-Lee’s outfit (i.e. they didn’t understand it, because they have no idea what mangas or anime are), but these were inevitably the sort of people who also hated the fact that she sang in English like eighty percent of the contestants. And the monolingual defenders of the German language don’t matter and never did.

One potentially problematic aspect is that Jamie-Lee is a white German teenager appropriating Asian culture, but considering we’ve seen all sorts of blatant cultural appropriation at the Eurovision Song Contest before, I doubt that was the deciding factor.

So if there was nothing wrong with the song and the singer, the obvious answer is that bad result for the German entry was due to political reasons. Because apparently, the rest of Europe hates us because of we insist on responsible fiscal policies or because we take our responsibility to help the refugees displaced by other people’s wars seriously, unlike certain other countries, or because they hate Angela Merkel, the best chancellor we’ve had in decades, or because… well, honestly, I no longer care. By this point, I think the German broadcaster ARD should simply get out of both the Song Contest and the European Broadcast Union altogether. Because I don’t see why we should have to pay for the privilege of having 18-year-old girls publicly humiliated. I’m not the only one who thinks so either, here is an article which compiles a bunch of confused and angry social media reactions.

ETA: Composer Ralph Siegel, self-styled Mr. Eurovision, because he wrote more Eurovision entries than anybody else and pretty much dominated the German entries in the 1970s, 1980s and early 1990s, squarely puts the blame on singer Jamie-Lee and on the way the German contestant is selected via a publicly voted primary. Because a “cute little girl from a talent show” couldn’t possibly hack it. I suspect Ralph Siegel would prefer that Germany bow to his superior wisdom and let him write the German entry again. Never mind that in his twenty plus Eurovision attempts, Siegel only ever won once, in 1982, with a sappy song sung by a teen girl. But generally his songs placed badly, because they were hopelessly out of touch, at least by the late 1980s/1990s. So in short, a guy past his prime wants some attention.

Ukraine won by the way with a singer called Jamala performing a song called “1944” about the expulsion of the Crimean Tartars under Joseph Stalin. Okay, so it wasn’t an okay song and clearly heartfelt, especially since singer Jamala drew on her own family history. But don’t believe for a minute that this wasn’t a political vote, especially since Australia was leading after the jury voting (and IMO had the better song). And of course, Russia is thoroughly pissed off (even though their televoters gave Jamala ten points), especially since their contestant only landed in third place, and are threatening to boycott the contest next year. Meanwhile, in the rest of Europe the reaction is, “Yes, please, do, cause we’re kind of tired of your blatant campaigning for a win.”

In better news, Werder Bremen will remain in the first German league after a last minute win against Frankfurt.

Also in better news, the winners of the 2015 Nebula Awards were announced tonight and they look very good.

“Hungry Daughters of Starving Mothers” by Alyssa Wong, winner in the short story category, and Binti by Nnedi Okorafor, winner in the novella category, are both very fine stories. Binti was on my Hugo nomination list, while “Hungry Daughters of Starving Mothers” made my personal longlist. I haven’t read “Our Lady of the Open Road” by Sarah Pinsker, the winner in the novelette category, because it’s not available online as far as I know, but I know that the story has gotten a lot of positive reactions. Correction: I just checked and “Our Lady of the Open Road” is available online here, if you want to read it.

ETA: Here is Alyssa Wong’s acceptance speech, courtesy of her blog.

I haven’t read Updraft by Fran Wilde, winner in YA category, yet, though I’ve heard a lot of good things. As for Uprooted by Naomi Novik, winner in the best novel category, so far I haven’t been overly interested in the book for the reasons outlined here (short version, contains too many “Not my things”), but it’s a novel that has gotten a lot of buzz and is clearly a worthy winner, even though Brandon Kempner of Chaos Horizons and Ceridwen Christensen of the Barnes & Noble blog both predicted that The Fifth Season would win. And who knows, once the Hugo voters’ packet goes online, I may well realise that Uprooted is my thing after all.

That leaves Mad Max: Fury Road in the best damatic presentation category, another worthy winner, which – let’s not forget – was also the big winner at the Oscars this year. Rounding out the 2015 Nebulas, C.J. Cherryh was deserved named SFWA Grandmaster and the two special awards went to the late Sir Terry Pratchett and Lawrence M. Schoen respectively.

So all in all, some very fine winners at the 2015 Nebula Awards, even if not every winner would have been my first choice in the respective category. There is a discussion of the winners in the comments at File 770 BTW. Comparing the Nebula winners with the 2016 Hugo shortlist, you’ll notice that the winners are fairly well represented with Uprooted, Binti and Mad Max: Fury Road all nominated in the respective categories and Alyssa Wong, author of “Hungry Daughters of Starving Mothers”, nominated for the John W. Campbell Award. The only Nebula winners conspicuously absent from the Hugo shortlist are Updraft, which isn’t that much of a surprise, since the Hugos don’t have a YA category and YA usually has a hard time getting nominated in the regular categories, and “Our Lady of the Open Road”, which may well have been a casualty of canine interference.

Both Joel Cunningham at the Barnes & Noble blog and Andrew Liptak at io9 also point out that the winners of the 2015 Nebula Awards are all women with the sole exception of the dramatic presentation category, in which a movie which featured a plethora of well-drawn and interesting female characters won, even though the nominal protagonist was a man as were the director and writer.

What is more, two of the 2015 Nebula Award winners are women of colour and two of the winning stories feature queer characters and were written by queer authors, at least according to Andrew Liptak. Add in that the Grandmaster Award also went to a woman, the great C.J. Cherryh, and the 2015 Nebulas are a triumph of diversity and a reflection of the changing demographics of the SFF genre. And given the controversy that has been engulfing the Hugo Awards these past three years, this is a very encouraging sign. Yes, the Hugo Awards may be besieged by reactionaries, but they don’t speak for the rest of us.

Talking of which, I was curious and checked out some puppy-affiliated blogs for reactions, since I suspect that whining canines are not exactly happy with this year’s Nebula Award decisions. Most are conspicuously quiet, though Brad Torgersen, spokesperson of last year’s Sad Puppy campaign, laments that Mad Max: Fury Road won over his personal favourite The Martian, which he views as yet another sign of the decline of the genre.

Now I get that Brad Torgersen really, really loved The Martian, ironically for the same reasons that I don’t care for it (the movie was okay, largely due to the excellent actors, but the book was just dull), namely that it feels like a throwback to the 1950s/early 1960s. Now Mad Max: Fury Road is a throwback itself, namely a continuation of a franchise from the 1980s and a return to the trendy punk post-apocalyptica of the time. But Mad Max: Fury Road – which I initially filed under “sequel no one asked for” when it was announced – managed to update its narrative for the 2010s, while The Martian still feels very much like a 1950s/early 1960s work, even though the cast of both book and movie is a lot more diverse than it would have been back then and the special effects are a lot better as well.

As for why Mad Max: Fury Road winning over The Martian is a sign of the decline of the genre, Torgersen points out that The Martian features a positive future you would want to live in (unless you’re Mark Watney stuck on Mars, I suppose), while no one in his right mind would want to live in the world of any of the Mad Max movies. He’s actually right on that point, but it’s still the Ray Bradbury Award for best dramatic presentation and not the award for the best future world to live in. He also points out that The Martian made a lot more money at the box office than Mad Max: Fury Road, which in the “earnings are everything” world of the Sad Puppies must mean that it’s the better movie. But if the Nebula were awarded according to earnings than The Force Awakens should have won, because it outgrossed everything else on the shortlist. Never mind that Mad Max: Fury Road had the misfortune of being released sandwiched between two huge blockbusters in a crowded summer, while The Martian was released in a much less crowded environment. Plus, The Martian was very much marketed at a general audience, whereas Mad Max: Fury Road was clearly aimed at genre viewers. Coincidentally, my personal favourite in the best dramatic presentation category would have been a tie between The Force Awakens and Jessica Jones (haven’t seen Ex Machina yet and don’t care for Pixar’s stuff at all), though I’m perfectly happy with Mad Max: Fury Road as well.

As for the swipes against humanities graduates ruining the genre, because they don’t understand science, can we please just stop it? An author’s educational and professional background does not say anything about the quality of their work. There is an odd insistence in parts of the SFF sphere that “real scientists”, “real engineers” and “real soldiers” (if we’re talking about military SF) make better SFF writers because of their background. This is of course bullshit, because a) there is such a thing as research (just ask Andy Weir), b) having a humanities degree (or indeed no university degree at all) does not necessarily mean that you don’t understand science and c) it’s fiction, i.e. it’s all made up anyway. We don’t insist that mystery writers should be police officers or criminals, that historical fiction writers should be historians or that romance writers should be relationship counsellors or at least happily married. Fantasy writers usually aren’t knights, wizards or demon slayers in real life either. So why the hell is an author’s day job so important in science fiction?

While on the subjects of awards, the HWA also announced the winners of the 2015 Bram Stoker Awards yesterday. Now I’m not all that familiar with the winners, since horror isn’t really my genre, though Andrew Liptak gave the winner in the best novel category, A Head Full of Ghosts by Paul Tremblay, an excellent review at io9. I’ve also heard praise for Mr. Suicide by Nicole Cushing, winner in the first novel category, and the movie It Follows, winner in the screenply category. What is more, we featured Mercedes M. Yardley, winner in the long fiction category, over at the Speculative Fiction Showcase (though with a different title), where we also featured several works published by Crystal Lake Publishing, who published the winner in the poetry category.

Finally, the winners of the Bram Stoker Awards also have a good gender balance, particularly considering that horror is even more male dominated than science fiction.

So in short, yesterday saw some excellent works win awards and Werder Bremen stay in the Bundesliga. Pity about Eurovision.

Comments are closed, because SFF awards discussion generally brings out the trolls and Eurovision fans can be nasty as well. Ditto for disgruntled football fans.

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New Story Available: The Death of the American Dream

I have a new release to announce. It’s called The Death of the American Dream and it’s basically Mad Men meets the apocalypse, complete with giant mutant crabs and other monsters.

This is another story that was inspired by a piece of SFF artwork, in this case a painting called “Fatigue” by artist John Brosio. Brosio also has another painting called “Fatigue”, which came up during an image search and promptly influenced the story as well. In general, I like using images – often SFF art – for inspiration and have a whole folder full of intriguing images for that purpose. Occasionally, when I’m blocked and looking for inspiration I go through that folder, pick an image and start writing about it.

And since I was watching the final season of Mad Men, while I was writing The Death of the American Dream, the show combined itself with the nascent story.

You can find the result below. I hope you like it.

The Death of the American Dream
The Death of the American Dream by Cora BuhlertThey came out of nowhere to attack America’s towns and suburbs: Giant mutant crabs and other creatures, grown to enormous size due to nuclear radiation and bent on destroying the American way of life. But while many fall to the monster attacks, an advertising executive finds the unexpected strength to survive and fight back for the sake of his family…

This is a short story of 5300 words or approximately 20 print pages.

 

 

More information.
Length: 5300 words
List price: 0.99 USD, EUR or GBP
Buy it at Amazon US, Amazon UK, Amazon Germany, Amazon France, Amazon Netherlands, Amazon Spain, Amazon Italy, Amazon Canada, Amazon Australia, Amazon Brazil, Amazon Japan, Amazon India, Amazon Mexico, Kobo, Barnes & Noble, Apple iTunes, Scribd, Smashwords, Inktera, txtr, Thalia, Weltbild, Hugendubel, Buecher.de, DriveThruFiction, OmniLit/AllRomance e-books, Casa del Libro, Flipkart, e-Sentral, 24symbols and XinXii.

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And even more Hugo links – and the Locus Awards

The 2016 Hugo debate is still going on, which isn’t surprising, since last year it lasted all the way until the winners were announced in August, whereupon it morphed into a debate of the winning works. What is more, we’re having a debate about the Locus Awards as well.

For my own contributions so far, see this post, this post and this post. For even more Hugo links, including links to Puppy spaces, also check out File 770.

For starters, the 2016 Hugo Ballot has been updated with the replacements for the two dropped out finalists, the short story “The Commuter” by Thomas A. Mays and the fanzine Black Gate. The new Hugo finalists are “Cat Pictures, Please” by Naomi Kritzer in the short story category and Lady Business in the fanzine category. Both are excellent choices IMO and were also on my own nomination ballot (so was Black Gate which dropped out BTW). Continue reading →

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Photos: The Ems Barrier at Gandersum

Here is the second part of my photo post about my Ascension Day outing to East Frisia. Yesterday, we took a look at the town of Leer, today we visit the Ems Barrier at Gandersum a few kilometers downstream.

Gandersum is a tiny village on the River Ems, just a handful of houses and a medieval church, approximately 90 inhabitants all in all. And it’s very likely that no one would ever have heard of Gandersum, if it hadn’t been chosen as the location for the Ems Barrier in the 1990s.

As the name suggests, the Ems Barrier can shut off the river Ems, if necessary, keeping water in or out. The Ems Barrier was built between 1998 and 2002 and has a dual purpose.

The first purpose is flood protection, similar to the Thames Barrier in London (on which the design of the Ems Barrier is based) and the Deltawerken in the Netherlands. The idea is quite simple. In case of a massive storm surge in the North Sea, when winter storms press tidal waters into the river mouths, causing flooding and – in particularly bad cases like the 1953 and 1962 floods – heavy casualties inland, the river barriers are closed and keep the spring tides from flooding cities and farmland further upstream.

However, the Ems Barrier has another, more controversial purpose. For it cannot just be used to keep storm surges out, but also to keep the river waters in, causing the level of the Ems to rise. Now why would anybody want to raise the level of the river Ems? The answer lies 36 kilometers inland in the town of Papenburg, which also happens to be the location of the shipyard Meyer Werft, which specialises in building cruise liners.

Now anybody who has ever seen a modern cruise liner knows that those vessels are massive. And the river Ems is fairly shallow. And so, as the cruise liners built by the Meyer Werft became ever bigger, transferring those vessels the 36 kilometers down the river Ems to the North Sea became something of a problem. Because the last thing you want is a brand-new cruise liner getting stuck on the way to the sea. And this is where the Ems Barrier comes in. Because closing the Ems barrier raises the level of the river high enough to allow a cruise liner to pass through at high tide. As you can imagine, artificially damming up a river just to let giant cruise liner pass isn’t exactly good for the environment (and it is notable how muddy the Ems is compared to e.g. the Weser or the Elbe), which is why the Ems Barrier was controversial from the start. However, the Meyer Werft is the biggest employer and tax payer in the region, so their needs won out over environmental concerns.

A cruise liner transfer down the Ems is a sight to see BTW, because the giant vessels tower over everything in the area. It is also an enormous logistic undertaking, because first you have to wait for a suitably high tide, then Ems Barrier has to be closed to raise the level of the river even further and even then the vessel often only has centimetres to spare before running aground.

Here are some photos (not mine) of what a cruise liner transfer looks like: Here you can see a comparatively tiny tugboat towing a cruise liner along the river Ems, while people look on (cruise liner transfers are big tourist attractions), here we have the Star Virgo literally towering above farm houses, here we have the Aida Diva passing by overhead, while cars and trucks on the highway 31 drive into the Ems tunnel at Leer and here we have an aerial shot of a cruise liner passing through the Ems Barrier.

And now let’s see what it looks like from the ground and without a cruise liner: Continue reading →

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Photos: Leer in East Frisia

Yesterday was Ascension Day a.k.a. Father’s Day, which is a public holiday in Germany.

Ascension Day is traditionally a day for outings, including the infamous Father’s Day tours where groups of young men, most of whom are not fathers, set out with handcarts and/or bicycles to wander around the countryside and get very very drunk. I talk a bit more about this tradition in this 2013 post.

In addition to being a public holiday, yesterday also had some very sunny and pleasant weather and as a result, the streets were full of people of all ages and genders enjoying themselves on bicycles, motorbikes or on foot.

Because of the nice weather and the fact that it was a public holiday, we also decided to go on a trip to East Frisia. Our first destination was the city of Leer, a lovely little town located on a sidearm of the river Ems. Afterwards, we followed the river Ems and visited the Ems flood barrier at Gandersum.

Of course, I also took photos. We’ll start with the town of Leer and I’ll post the photos of the Ems flood barrier tomorrow. Continue reading →

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Yet more Hugo Debate 2016 – and a bit about the Clarke Awards

The 2016 Hugo debate is still going on, which isn’t surprising, since last year it lasted all the way until the winners were announced in August, whereupon it morphed into a debate of the winning works.

For my own contributions so far, see this post and this post.

Meanwhile, here are some more updates and reactions from around the web. Mike Glyer at File 770 has even more Hugo links, including several from puppy affiliated blogs and sites, which I won’t link to with “Do Not Link” down. Continue reading →

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Indie Speculative Fiction of the Month for April 2016

Indie Speculative Fiction of the MonthIt’s that time of the month again, time for “Indie Speculative Fiction of the Month”.

So what is “Indie Speculative Fiction of the Month”? It’s a round-up of speculative fiction by indie authors newly published this month, though some March books I missed the last time around snuck in as well. The books are arranged in alphabetical order by author. So far, most links only go to Amazon.com, though I may add other retailers for future editions.

Once again, we have new releases covering the whole broad spectrum of speculative fiction. We have retro science fiction, space opera, paranormal romance, epic fantasy, urban fantasy, horror, post-apocalyptic fiction, weird western, vampires, werewolves, wizards, demons, witches, time travel, zombies, alien invasions, flying saucers, god killers, superheroes, exiled princes, Wild West mages and much more.

Don’t forget that Indie Speculative Fiction of the Month is also crossposted to the Speculative Fiction Showcase, a group blog run by Jessica Rydill and myself, which features new release spotlights, guest posts, interviews and link round-ups regarding all things speculative fiction several times per week.

As always, I know the authors at least vaguely, but I haven’t read all of the books, so Caveat emptor.

And now on to the books without further ado:

Realm of Mirrors by Sonya BatemanRealm of Mirrors by Sonya Bateman:
“The dead must answer to you, and no one else. Remember that, Gideon.”

He may be the DeathSpeaker, but Gideon Black has no idea what he’s doing. The job didn’t come with an instruction manual. That’s why his half-brother Taeral plans to bring him across the Veil to the Fae realm of Arcadia, to consult with an ancient Fae who knew the previous DeathSpeaker personally.

Those plans are violently interrupted when the royal Unseelie Guard invade their home, dragging Taeral and their father, Daoin, to Arcadia ahead of schedule. And Gideon will do anything to get them back.

But the concrete jungles of Manhattan are nothing compared to the threats waiting in Arcadia. Facing deadly wildlife, even deadlier enemies, and magic he never imagined possible, Gideon must learn quickly to wield his power as both a Fae and the DeathSpeaker — before the vengeful Unseelie Queen can exact a cost higher than death from his family, and everyone he holds dear.

Double Feature by Cora BuhlertDouble Feature by Cora Buhlert:

1956: Judy is the designated town slut of Stillwater Creek. After getting thrown out of a sock hop at the local high school, Judy winds up going to the movies with bad boy Hank instead, where a science fiction double feature is playing. However, before the first reel of the second movie is through, the night is interrupted by a very real invasion of flying saucers from outer space…

This is a novelette of 8500 words or approx. 30 print pages.

 

The Young Vampire's Survival Guide by Lucy EldritchThe Young Vampire’s Survival Guide by Lucy Eldritch:

It started with his death.

Student Robert James never asked to be bitten. He didn’t want to be the leader of a new breed of vampires. Thing is: he wasn’t offered a choice.

Survival and destiny combine when Robert finds himself under threat from a mysterious cult known as the Dawn Warriors. Within months, many of those he cares about are dead and he vows to fight back without mercy. Robert unearths terrible truths and confronts eternal evils that threaten to break him. He may not succeed in defeating the Dawn Warriors, but he has no choice but to try.

‘The Young Vampire’s Survival Guide’ is the first book in the ‘New Breed Vampires’ book series. Described as “Anne Rice meets Kelley Armstrong”, it is set in London and Manchester and written in British English. It’s gruesome, compelling, horrifying and uplifting vampire fiction.

In the Dark by Kera EmoryIn the Dark: A Novella of the Undying by Kera Emory:

Chase Covington and Anne Sheffield are on the run, but Chase isn’t sure where they’re going.

She’s a centuries-old vampire, and he’s been a werewolf hybrid for about three weeks. They’ve left a trail of bodies and a shattered supernatural treaty in their wake, and they’re having major communication problems.

And when the full moon rises, things are going to get a whole lot worse.

From the author of YOUR NAME, IN FIRE, this stand-alone novella pays homage to classic Urban Fantasy traditions.

Assassin's Charge by Claire FrankAssassin’s Charge by Claire Frank:

A cold-hearted assassin. A boy with a price on his head.

Rhisia Sen is one of the Empire’s highest paid assassins. Living a life of luxury, she chooses her contracts carefully, working to amass enough wealth so she can leave her bloody trade. She is offered a new contract on the outskirts of civilization, and almost refuses—until she sees the purse. It could be the last job she ever has to take.

But when she reaches the destination, she discovers her mark is a child.

The contract, and her reputation, demand she kill the boy—if she can banish his innocent face from her mind. But another assassin has been sent to kill her, and a notorious bounty hunter is on her trail. She doesn’t know why the boy is a target, or why her former employer wants her dead. Saving the child could be her only chance at survival.

Assassin’s Charge is a stand-alone novel, set in the same world as the Echoes of Imara series. It can be enjoyed with or without having read the other books in the series.

For the Wildings by Kyra HallandFor the Wildings by Kyra Halland:

In the conclusion of Daughter of the Wildings, Silas and Lainie recover from their ordeal in Granadaia, while knowing that an evil is at work that threatens the freedom of the Wildings and that this peaceful interval is no more than a brief illusion. Then the unthinkable happens, the battle begins, and Lainie, the daughter of the Wildings, and Silas, the man she has claimed for herself and for the land, have to draw on all their power and strength – and on the life of the land itself – to protect their beloved Wildings and the people who make it their home.

 

Coronation by Kevin HardmanCoronation by Kevin Hardman:

As the grandson of the alien princess Indigo, Jim (aka Kid Sensation) has always known that, technically, he’s royalty. That said, he’d be the first to admit that he’s never lived any kind of regal lifestyle – no titles, no castles, no crown jewels… However, the arrival of a courier from his grandmother’s homeworld changes all of that in an instant.

By royal edict, Jim is summoned “home” to the distant planet Caeles in order to claim an alien inheritance. Unfortunately, this is no warm and cuddly family reunion. Caeles is a hotbed of political intrigue, and Jim’s arrival has widespread ramifications. Not only are several factions attempting to utilize his very existence as leverage to advance their own agendas, but Jim himself is required to submit to an archaic trial known as a prexetus. Moreover, while some are content with simply trying to use him, it quickly becomes apparent that at least one shadowy individual just wants Jim out of the way – quickly, completely, and permanently.

Light years from Earth, with little family and fewer friends, Jim faces the daunting task of finding an enemy whose ultimate purpose is unknown and whose methods are extreme. Complicating matters even further is the fact that Jim’s much-heralded super powers are glitching, making him incredibly vulnerable for perhaps the first time in his life.

Let Go by Michael Patrick HicksLet Go by Michael Patrick Hicks:

Widowed and with retirement drawing near, Everett Hart believes he has already lost everything – until the dead begin to rise.

Trapped in a cheap restaurant with a small band of other elderly survivors, Everett is forced to decide if he’ll fight for whatever scraps of a future remain, or if he will simply… let go.

LET GO is a short story of approximately 10,000 words.

 

Barrow Fiend by Amy Hopkins Barrow Fiend by Amy Hopkins:

When Emma is approached by DCI Greyson to assist with a case, her first instinct is to say no. Still shaken by the attack on her life six months earlier, and balancing her friendships with a budding relationship, she’d prefer to stay clear of the danger.
However, circumstances force her hand and she throws herself into the investigation. She soon realises that her target isn’t a mysterious creature, but a dangerous man without the slightest care for human life…

Can Emma survive the biggest risk she’s ever faced, or will she have to sacrifice too much?

This Would Be Paradise by N.D. IversonThis Would Be Paradise, Book 2 by N.D. Iverson:

Community connotes safety and togetherness–or does it?

Bailey and Chloe head back on the road, where they come across strange markings belonging to a group intent on bloodshed and abduction. With this heinous enemy lurking in the shadows, they seek help in new and old friends along the way.

When they arrive at Hargrove, nothing is what it seems inside the makeshift, post-apocalyptic community. People are turning up dead, and for once, zombies aren’t the ones to blame. Fingers are pointed, everyone is a suspect, and no one is safe outside or inside these walls.

Page count: ~282 pages

Borrowed Tides by Paul LevinsonBorrowed Tides by Paul Levinson:

The first starship to Alpha Centauri in 2029 uses a new technology which can move it through deep space at almost half the speed of light. But it requires an enormous amount of fuel, and can only carry enough for a one-way trip. A philosopher of science and his childhood friend, an anthropologist with a specialty in Native American culture, have a daringly bizarre plan, and talk the government into putting them in charge of the Light Through starship voyage.

 

The Men Who Killed God by J. Alex McCarthyThe Men Who Killed God by J. Alex McCarthy:

This is it.
They have finally done it.
They have finally killed a god.

In August’s world, everything was created by a single, secular god. HE—the creator of everything. However, HE left the world to be ruled with a subtle, iron fist by less powerful gods.

It had been two years since August stepped foot into his hometown, Sotira. It had also been that long since he’d last visited his father, seen his crooked smile, and felt those familial ties.

He wished he didn’t have to return. However, at the request of his girlfriend and his family, he was heading back home. To a place where the foundations themselves were built with false truths, hidden behind the ‘utopia’ the gods supposedly created. He knew fear lay under all that outward, deceitful happiness—a terror that Sotira would be next to come under the wrath of the gods.

When August arrived home, he wasn’t prepared for what he found. His best friend had been hanged and turned into a monument in the middle of town by the order of his father and the gods. The world he thought he knew had been turned upside down. To turn it right again, August would do anything… even start down the path that would allow him to gain the power to kill God.

Doctor Wolf by Jenny SchwartzDoctor Wolf by Jenny Schwartz:

A werewolf in London romance.

Liz Jekyll might be the most wanted werewolf in London—wanted for dating, that is—but she doesn’t take it as a compliment. In fact, it’s a wretched nuisance because Liz has a vital secret to hide. What she needs is a disinterested werewolf who could pretend to be her boyfriend.

Carson Erving would be very interested in Liz if it weren’t for Gentiana Aeternae. The botanist werewolf from Alabama has found the legendary Elixir Gentian, and ruthless people will do anything, kill anyone, to get their hands on a plant that can grant an extra hundred years of life.

As danger explodes around them, two very independent werewolves will have to do the unthinkable and rely on one another. But when Liz’s secret is revealed, who will die?

Demon Magic & Mayhem by Stella WilkinsonDemon Magic & Mayhem by Stella Wilkinson:

You know that feeling when you think life is pretty darn perfect, and then a werewolf savages your best friend and a ridiculously sexy demon drags your boyfriend off to hell with her? No? Just me then…

Young witch Emily Rand is back doing what she does best – blundering her way through paranormal mishaps with limited magic and mixed luck. But with her crow on her shoulder, and a ghost by her side, Emily’s not about to let some demonic vixen kidnap and keep the hot werewolf that holds her heart.

This book also includes a bonus short story : All Hallows Eve

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