Non-Fiction Spotlight: Story Matrices: Cultural Encoding and Cultural Baggage in Science Fiction and Fantasy by Gillian Polack

After the Hugos is before the next Hugos, so I’m continuing my Non-Fiction Spotlight project, where I interview the authors/editors of SFF-related non-fiction books that come out in 2022 and are eligible for the 2023 Hugo Awards. For more about the Non-Fiction Spotlight project, go here. To check out the spotlights I already posted, go here.

For more recommendations for SFF-related non-fiction, also check out this Facebook group set up by the always excellent Farah Mendlesohn, who is a champion (and author) of SFF-related non-fiction.

Today’s featured non-fiction book is a fascinating study of how culture and the baggage it carries influence storytelling in general and speculative fiction in particular. Therefore, I am thrilled to welcome Gillian Polack, author of Story Matrices: Cultural Encoding and Cultural Baggage in Science Fiction and Fantasy to my blog today.

Story Matrices by Gillian Polack

Tell us about your book.

What do we carry with us into our reading? What do we share with writers?

I’ve been exploring how we use fiction to transmit culture for a very long time. I wanted to explain where my explorations had led me, and find a way for writers and editors to think about fiction and for readers to get new insights. Story Matrices is that explanation.

Tell us a little bit about yourself.

Like many writers, I’m addicted to learning. I’m an historian, and a fiction writer, and someone who always tries to understand how the world works. My family focused on scientific explanations: I like the human side of things. It’s complicated and ever-changing.

What prompted you to write/edit this book?

Because I’m addicted to story, I wondered just how much of our invisible culture we carried in in the way we tell stories. I began to look at the world building we do and the paths we take when we tell stories and read them. What is the difference between story space for the reader and story space for the writer and, indeed, story space for the editor? As I addressed these questions, I discovered how very powerful genre literature is in our lives. Even those who have never read a science fiction novel have experienced the narratives we tell and the cultural material we embed into our stories.

I wanted to explain this: that genre literature is a powerful, powerful force, that culture is transmitted through story, that we can all think about story and through that thought have more control over what we accept from story. We can, in short, choose not to be bigots.

Why should SFF fans in general and Hugo voters in particular read this book?

Because it takes speculative fiction seriously. Story Matrices is useful for understanding any story, but it’s described by focusing on our stories, on SFF.

It shows some of the stuff we’re all beginning to realise about the way people from various parts of politics translate the worlds in our stories to meet their own needs. It provides tools for thinking about these things, and it helps us discover how we share our world, as SFF fans. It also gives some thoughts on how we can work through the discovery that our favourite author is problematic – what parts of the worlds we read about do we actually share with these people we suddenly distrust? In simple form: do Harry Potter fans have to give everything up, because they do not want to meet JK Rowling? And how do fans interpret those aspects of the novels that hurt?

We need tools and methods for handling these things, and Story Matrices uses SFF to provide them.

Do you have any cool facts or tidbits that you unearthed during your research, but that did not make it into the final book?

When I dreamed of this study, years ago, I used to call it “A Universal Theory of Story.” It’s the opposite to that, but I still dream of writing a universal theory.

My favourite tidbit, however, is that you can interpret recipes using my tools. Every story is set in its own world, or, in the case of recipes, its own kitchen. I can prove this, in my kitchen. Maybe one day I shall…

SFF-related non-fiction is somewhat sidelined by the big genre awards, since the Nebulas have no non-fiction category and the Best Related Work Hugo category has become something of a grab bag of anything that doesn’t fit elsewhere. So why do you think SFF-related non-fiction is important?

Stories don’t stand alone. They’re part of a vast and complex narrative. Non-fiction is part of our discourse about that narrative. Some of this discourse is clear and obvious: if we know what the most fascinating works are in any given year, we can read them first. This alone is a good reason to have that category – so that we can find out about fabulous work we’d otherwise miss. Non-fiction very seldom gets the public airing that the most popular fiction gets, and it can be equally important.

There is, however, another reason for it. The category helps us understand who we are as SFF fans, and enables us to see the wood, and not focus only on certain trees in that wood.

For example, so many of us talk incessantly about bias towards white men in publishing. It’s easy enough to compare the wide numbers of male and female authors. It’s much harder to look at the number of writers who are non-binary.

Then we look at who we talk about and how visible they are. Male writers are more likely to get reviews, for instance, especially in the most notable review places. US writers also have certain privileges. Australian writers have fewer, but compared with writers from, say Malaysia or Zimbabwe, we do well. The hierarchy of publishing and what that means about works that are available to readers is never boring, though often frustrating.

When we look at which writers are written about by experts ie have studies of their work, get mentioned in academic studies and general non-fiction, we can see how this works. We can discover what underpins what we hear about and what we can find in bookshops. These are the studies that help us work through the fog of too many books, and give us a means of interpreting them. (Some of the white male bias comes from this discourse, which is another story. There are always other stories.)

When we talk about story, we influence what stories are seen. The Hugo category helps us make decisions about what is important to us, as SFFians. Me, I examine at the category every year and note who is visible and why, and what that visibility adds to our understanding of ourselves. This is as well as reading the cool books, never instead of reading them!

Are there any other great SFF-related non-fiction works or indeed anything else (books, stories, essays, writers, magazines, films, TV shows, etc…) you’d like to recommend?

I want to recommend a set of communities. There are whole worlds of academic research that illumine SFF. German universities are looking at Australian speculative fiction, for instance, and the big Medieval Studies conferences always have a section just for people like us. I blog about them from time to time, when I attend a conference, or find a book that I want to share. My work as a medieval historian led me to the Tales after Tolkien people, and to fairy tale studies and ethnography and folk studies experts. There’s an amazing amount of very exciting work in all these areas right now, and so much of it is relevant to SFF. This is a golden decade for research that’s of interest to SFF fans.

Find me, tell me your interests, and I’ll introduce you to this side of my world.

Where can people buy your book?

Most online bookshops have it. Most brick-and-mortar shops can get it in. This sounds like an evasion, but it’s hard to know what shops on the other side of the world stock my books! (And, from Australia, most of the world is the other side.)

The easiest way to find a copy near you is through online tools such as this (the UK site given, but it’s international): https://booko.info/9781913387914/Story-Matrices-Cultural-Encoding-and-Cultural-Baggage-in-Science-Fiction-and-Fantasy

or, for those of you in the US, this: https://bookshop.org/a/1838/9781913387914

Where can people find you?

My website is: https://gillianpolack.com/ but I also blog every Monday at a favourite haunt (a treehouse for writers – a few of us set this up during the big COVID lockdown and have never left it) https://treehousewriters.com/wp53 . I write essays for Aurealis (the magazine) and elsewhere. I usually report the most interesting pieces on Twitter (https://twitter.com/GillianPolack) and Facebook https://www.facebook.com/gillian.polack

Thank you, Gillian, for stopping by and answering my questions. Do check out Story Matrices: Cultural Encoding and Cultural Baggage in Science Fiction and Fantasy if you’re interested in storytelling, culture and speculative fiction.

About Story Matrices: Cultural Encoding and Cultural Baggage in Science Fiction and Fantasy:

The culture we live in shapes us. We also shape the culture we live in. Stories we tell play critical roles in this shaping.
The heart of cultural transmission is how stories and the way we shape knowledge come together and make a novel work. How do they combine within the novel? Genre writing plays a critical role in demonstrating how this transmission functions.

Science fiction and fantasy illustrate this through shared traditions and understanding, colonialism, diasporic experiences, own voices, ethics, selective forgetting and silencing. They illuminate ways in which speculative fiction is important for cultural transmission.

This study uses cultural encoding and baggage within speculative fiction to decode critical elements of modern English-language culture.

About Gillian Polack:

I am Gillian Polack. I answer mainly to Gillian, but also to Dr Polack, Ms Polack, Miss Polack and “Hey, you”. I sometimes answer to “Gillian Pollack” because people simply can’t seem to get my name right. ‘Polack’ is not an insult in Australia and it is most definitely the correct spelling of my surname. I live in the centre of the known universe (Canberra, ACT, Australia).

I write, I think, I serve on committees, I teach. I am passionate about people, about books, about history.

I talk a lot. I dream a lot. The Middle Ages sneaks into my dreaming, and so does speculative fiction. Cooking sneaks onto my waistline.

***

Are you publishing a work of SFF-related longform non-fiction in 2022 and want it featured? Contact me or leave a comment.

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Some Comments on the 2022 Hugo Award Winners and the Hugo Ceremony in General

Now that I have somewhat recovered from the excitement of the past few days, here is the detailed Hugo commentary I promised you. The full list of 2022 Hugo winners may be found here and the detailed voting and nomination statistics breakdown here.

Hugo commentary is somewhat muted this year – and what there is often focusses solely on the Dramatic Presentation and Best Novel winners – but you can find more comments and analysis by fellow Hugo finalist Camestros Felapton (with bonus stats analysis here), my other fellow finalist Chris M. Barkley, my pal Steve J. Wright, Doris V. Sutherland, Kristenelle of the SFF Reader BookTube channel and deputy Hugo administrator Nicholas Whyte as well as some strongly worded comments from Peculiar Monster (really strongly worded, so if you’re a finalist/winner and don’t want your moment spoiled, don’t click) here.

ETA: I don’t necessarily agree with everything everybody says in the commentaries linked above.

The local free paper Weser Report wrote a nice article about my Hugo win. You can read it on page 5 of their electronic flip edition or check out the screenshots below:

Hugo article

The actual article from the Weser Report

Weser Report front page

And here is the front page of the “Huchting Stuhr Brinkum” regional edition of the Weser Report with me featured in the top right-hand corner. Looking at the other editions, I knocked the local football team Werder Bremen off the front page, which is huge. Okay, so I won and Werder lost, but it’s still huge.

Furthermore, I was also the top news item in last week’s edition of the Thews You Can Use sword & sorcery newsletter. Considering how many articles about the Hugos only focus on the Dramatic Presentation or Best Novel and often can’t even be bothered to list all the winners (which I accept in a print mag or paper, where space is limited, but not online), it’s nice to be the headline news item for once.

But before we get to the detailed discussion of the winners, I want to say a few words about the ceremony itself. You can watch the entire ceremony on YouTube BTW. I’m up at the 30 minute mark.

All in all, it was a very good – and most importantly, fairly brisk (the YouTube video is two hours and four minutes long) – Hugo ceremony. I particularly appreciate the latter, considering I survived the neverending Hugo ceremony from hell of 2020. We should probably put that on a badge ribbon. Toastmasters Annalee Newitz and Charlie Jane Anders were charming and funny hosts. There were also some fine guest presenters, including 2022 TAFF winner Fia Karlsson and Mary Anne Mohanraj. Finally, there was also a land acknowledgement read out by representatives of an indigenous youth group from Chicago. According to them, there are 75000 indigenous people living in Chicago, which I for one did not know.

Unlike previous years, there also was very little in the way of controversy. There was no controversial sponsor this year, unlike the Raytheon debacle of 2021. Google did provide the automatic captioning again, which has improved a lot since the Dublin Hugo ceremony, though unintentionally hilarious gaffes still happened. For example, when the staff of Best Semiprozine winner Uncanny thanked their supporters, the Space Unicorns, the auto captioning software turned that into “space urine corns”, which sounds like spilled pee droplets you might find floating around the ISS. I should probably check the auto-captioning of my acceptance speech to see what the software made of He-Man and Man-e-Faces.

There were also no names mispronounced that I noticed – and mine was pronounced correctly, so thank you to Annalee and Charlie Jane – though the hosts forgot to read out Marguerite Kenner, editor of Best Fanzine finalist The Full Lid. There was also some unpleasantness involving Best Semiprozine finalist Strange Horizons, who have a large staff and have long fought for all of them to be listed. The hosts did not read out the entire long list of names, which was agreed upon with Strange Horizons beforehand, but the dramatic pause before “…by the Strange Horizons editorial collective” generated laughter in the auditorium, which may not even have been ill intended, but which nonetheless hurt the Strange Horizons people, especially given the crap they’ve gotten over the years, e.g. last year when many people blamed Strange Horizons for complaining about the (eventually repealed) “only four people plus ones at the Hugo ceremony and reception rule”, even though it was a completely different team that complained. Finally – speaking as someone who’s been there three times now – it is a thrilling feeling to hear your name read out at the Hugo ceremony. Having that thrilling feeling marred by having your name mispronounced, omitted or people laughing about it is not cool. I was still in the finalist Zoom green room with Sonia Sulaiman of Strange Horizons, when Best Semiprozine was announced, and I could tell she was hurt. That said, Annalee and Charlie Jane have apologised by now.

Last year, the virtual finalists who couldn’t attend were “beamed” into the Hugo reception and after-party via Zoom and a mobile tablet. This was nice, because it allowed virtual and on-site finalists to interact, admire each other’s gowns, etc… Sadly, this was not repeated this year, so the virtual finalists were very isolated in the Zoom green room with hardly any contact to the in person finalists. Come to think of it, I don’t even know if there was a Hugo after-party this year, since I haven’t seen any photos.

Warning: I will be discussing the winners, finalists, placements and also the nomination statistics, so if this sort of thing bothers you – e.g. I know that there are finalists who do not want to know the rankings – you may want to stop reading now. Continue reading

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I Won a Hugo Award!

You’ll have to wait a bit longer for the 2022 Hugo Winner commentary, because it turns out that I’m one of the winners.

That was a huge surprise, because I honestly didn’t think I’d win this year, considering how strong the Fan Writer ballot was.

I had finished typing up the Dragon Award winner post with about twenty minutes to go. Since I couldn’t attend in person, I was in the virtual finalist Zoom chat in my full Hugo get-up, which you can see below, photographed earlier yesterday in the garden.

In my Hugo gown in the garden.

Hugo gown with sundial

We could watch a livestream of the Hugo ceremony in the virtual Zoom green room, but when your category comes up, you are sent to a breakout room, so they can bring you on stage, if necessary. In this breakout room, you don’t get the ceremony livestream, so you don’t hear the winner announcement. This is why Astounding winner Shelley Parker-Chan was so confused, because they hadn’t heard the announcement. After Shelley won, I told the ceremony Zoom moderator, “You should tell us who won, if we can’t hear it.”

The Lodestar and Fan Artist were awarded and then Best Fan Writer was up and fellow finalist Alex Brown and I were sent into the breakout room. The moderator typed into the chat, “The winner is Cora Buhlert,” and that’s how I learned I won, via Zoom chat. So I delivered my speech – with some action figure assistance – and my own Zoom screen was all I could see.

Though according to photos online, this is what it looked like on the big screen in the Hyatt Regency ballroom in Chicago.

Cora on screen

Cora on screen

The second photo is courtesy of my wonderful fellow finalist Olav Rokne. I don’t know who took the first one. Love the little dog in the front row.

ETA: You can rewatch the entire ceremony on YouTube, which is how I finally saw what happened after I was sent to the Zoom breakout room. Best Fan Writer is announced at the thirty minute mark.

After I’d finished my speech, I was sent back to the regular finalist Zoom green room. By that time, a lady whose name I did not catch [ETA: it was Mary Anne Mohanraj] was introducing Best Fancast. I waited for Fancast and Fanzine to be announced, because I have friends in both categories, though I switched off the camera to take off my gown and tiara. When Fanzine was announced, I got back to the computer to wish fellow virtual finalist Charley Payseur good luck. Unfortunately, typing into the chat switched the camera back on, so I accidentally managed to flash my fellow finalists. Though I don’t think anybody saw anything, because the camera doesn’t go that far down.

I wished the semiprozine and editor finalists good luck and switched off the camera. My parents had given me permission to wake them up in case I won, so that’s what I did. Because you should know that it was almost 4 AM German time by that point. My parents were very happy for me.

I had champagne in the fridge and some really fancy Belgian chocolate in the cellar, so I got that out to celebrate.

Cora celebrating with champagne

Brand-new Hugo winner celebrating with champagne.

And since He-Man and Man-e-Faces assisted with the speech, they got to celebrate with champagne, too.

He-Man and Man-a-Faces celebrate with champagne

Having stopped Skeletor, He-Man and Man-e-Faces celebrate with champagne.

Finally, here is my acceptance speech, complete with stage directions to myself:

Acceptance Speech Best Fan Writer 2022

Thank you very much.

September 4th is “Take Man-e-Faces to Work Day”. And yes, this is a real thing.

Now I happen to have a Man-e-Faces, but since I work from home, I don’t really have a workplace I could take him to. But then I realised that September 4th is actually Hugo Night, so I thought, “Why not take Man-e-Faces to the Hugos?” So here he is:

[Bring Manny on stage]

Say hello to the audience, Manny!

“People of Eternia, I am absolutely thrilled to win the Greatest Actor of the Universe Award…”

“Ahem, Manny, this is actually Chicago and the Hugo Awards.”

“All right then, people of Chicago, I am absolutely thrilled to win…”

“Ahem, Manny, actually I won the award.”

“So what am I doing here then?”

“Well today is “Take Man-e-Faces to Work” day and this is the closest thing to work I could take you to.”

[Bring He-Man on stage]

“Manny, come quick. Skeletor is attacking Castle Grayskull and we need your help!”

“Sorry, got to go!”

[Exit stage right]

Well, looks like Manny and He-Man will be busy for a while, so let’s talk about fandom.

Science fiction fandom was born shortly after the genre itself, in the letter pages of the science fiction magazines of the 1920s and 1930s. Via these letter columns, fans found each other and went on to publish fanzines, found clubs and organise conventions.

From these beginnings, fandom has grown by leaps and bounds into directions the letter writers of the 1930s could never have imagined. Over the past ninety years, thousands of people of all genders and races and from all over the world have written articles and reviews, letters and blogposts, essays and parodies, filk songs, poetry and fanfiction. They published fanzines, created fan art, made fanvids, sewed costumes, started blogs and podcasts, organised cons, all for the love of the genre. And so they all contributed to the great and colourful tapestry we call fandom, a tapestry that is wrapped around the entire world by now.

In the past 83 years, Worldcons have been held on four continents and in ten different countries. Next year, we will add Chengdu in China to the list and in 2024 we are going to Glasgow in Scotland. We also have active bids from Uganda, Egypt, Israel, Australia, Ireland and the US to make it truly a WORLDcon. Cause if there is one thing Worldcon has proven it’s that in spite of our many differences, we all have one thing in common: our love of science fiction, fantasy and horror.

I’m honoured that tonight, the threads I added to the great and glorious tapestry that is fandom have been recognised by you. Thank you very much.

I particularly want to thank Gideon Marcus and the crew at Galactic Journey, Jessica Rydill, my co-conspirator at the Speculative Fiction Showcase, Mike Glyer and everybody at File 770, Jo Van Ekeren, Camestros Felapton, Jason Ray Carney and everybody at the Whetstone Discord, Dr. Ian Watson of the University of Bremen, my parents and of course my wonderful fellow finalists Paul, Jason, Chris, Alex and Bitter. You’re all amazing and as far as I’m concerned, we’re all winners here tonight.

Thank you very much.

[Man-e-Faces and He-Man wave good-bye]

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Some Comments on the 2022 Dragon Award Winners

In a feat of terrible scheduling, not only do Chicon 8, the 2022 Worldcon, and DragonCon, the big media con in Atlanta, Georgia, happen on the exact same weekend, no, both Hugos and the Dragon Awards were also handed out on the same day.

Luckily, the Dragons were awarded earlier than the Hugos, which means that I could get a headstart on this post, before I have to get ready for the Hugos. The full list of winners is here.

So let’s dive right in:

The winner of the 2022 Dragon Award for Best Science Fiction Novel is Leviathan Falls by James S.A. Corey. No big surprise here, because it is a popular novel and the final volume of the hugely popular series.

The 2022 Dragon Award for Best Fantasy Novel goes to Book of Night by Holly Black. This one surprised me a little, because Book of Night was the finalist in this category I was least familiar with. That said, Holly Black is a very popular writer, though better known for her YA work.

The winner of the 2022 Dragon Award for Best Young Adult/Middle Grade Novel is A Dark and Starless Forest by Sarah Hollowell. This one is another surprise to me, because this was the only book in  this category I hadn’t heard of. But then, I’m not much of a YA reader.

The 2022 Dragon Award for Best Military SFF novel goes to A Call to Insurrection by David Weber, Timothy Zahn and Thomas Pope. Once again, this isn’t much of a surprise, because David Weber and Timothy Zahn are hugely popular, plus this novel is apparently tied in to Weber’s Honor Harrington series. Though I do wish that the voters in this category would look beyond David Weber and Honor Harrington once in a while.

The winner of the 2022 Dragon Award for Best Alternate History Novel is The Silver Bullets of Annie Oakley by Mercedes Lackey. The Alternate History category was uncommonly strong this year, so pretty much any of the finalists would have been a credible winner. That said, Mercedes Lackey is very popular, though I haven’t read this particular novel. Alas, Vondy McIntyre did not get to take home a posthumous Dragon Award three years after her death for a twenty-five-year-old novel.

The 2022 Dragon Award for Best Media Tie-In Novel goes to Star Wars: Thrawn Ascendancy: Lesser Evil by Timothy Zahn. Again, there is no real surprise here. I mean, the winner is a Star Wars novel by Timothy Zahn, most popular of the Star Wars tie-in writers, and the novel is about Grand Admiral Thrawn, one of the most popular characters in two continuities of Star Wars novels.

The winner of the 2022 Dragon Award for Best Horror Novel is The Book of Accidents by Chuck Wendig. I have to admit that this win surprised me a little, because I assumed Stephen Grahma Jones or Grady Hendrix would take it. That said, Chuck Wendig is a fine writer and his win will piss off the puppies so very much.

The 2022 Dragon Award for Best Comic Book goes to Immortal X-Men by Kieron Gillen and Mark Brooks. I’m surprised that the X-Men are still/again so popular, because it was my impression that their popularity had faded while Marvel focussed more on the Avengers and related heroes. Besides, I have to admit that I don’t care for this new Krakoa era of the X-Men at all. I preferred the X-Men when they were still underdogs, hated and feared by the very world they’re trying to protect.

The winner of the 2022 Dragon Award for Best Graphic Novel is Dune: House Atreides Volume 2 by Brian Herbert, Kevin J. Anderson and Dev Pramanik. This very much wouldn’t have been my choice – I voted for Saga – but I guess it got a boost from the Dune movie.

The 2022 Dragon Award for Best SFF TV series goes to Stranger Things, which is not only very popular, but also got a boost from airing fairly close to the nomination deadline.

The winner of the 2022 Dragon Award for Best SFF movie is Dune. Again, no real surprise here. I also strongly suspect that Dune will take the Hugo Award for Best Dramatic Presentation Long this year.

I still can’t offer any comment on the four game categories except that I have heard of the winners, which means they must be popular.

Furthermore, the 2022 Julie Award was awarded to Jim Starlin, creator of Thanos, Adam Warlock and many other memorable Marvel characters. The Hank Reinhardt Fandom Award went to John Carrol.

In general, the Dragon Awards continue the trend we have observed in recent years and now finally do what they were designed to do, namely award broadly popular works in a variety of genres and subgenres. There is no truly unexpected  winner here nor is there a single winner this year that will make future historians of the Dragon Awards go WTF?

So in short, after six years the Dragons are finally where they wanted to be.

The Hugo commentary will come tomorrow, because the ceremony starts at 3 AM my time.

ETA 1: Doris V. Sutherland has a write-up of the 2022 Dragon Award winners.

ETA 2: Camestros Felapton notes that one thing that hasn’t changed about the Dragons is that the winners skew heavily male. This is likely a result of the fact that the Dragons tend award broadly popular and very well known works. And books by big name male authors still get more promotion than books by female authors.

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First Monday Free Fiction: Old Mommark’s Tale

Old Mommark's Tale by Cora BuhlertWelcome to the September 2022 edition of First Monday Free Fiction.

To recap, inspired by Kristine Kathryn Rusch who posts a free short story every week on her blog, I’ll post a free story on the first Monday of every month. At the end of the month, I’ll take the story down and post another.

“Talk Like a Pirate Day” is September 19, so why not have a pirate story. Therefore, I give you Old Mommark’s Tale, the story of a pirate, a treasure and a mysterious island with a secret.

So take a seat in the most disreputable tavern in Tortuga and listen to…

Old Mommark’s Tale

 

Arr, my luvvies, let me tell you a tale. A tale that’s one hundred and ten percent true, honest to God, cross my heart and hope to die. And if my tale be just sailor’s yarn, then may I swing upon the gallows ere the week is through.

So buy me a cup of rum and I’ll tell you my tale. The true tale of how I escaped the island of horror.

***

’twas thirty years ago, when I was still a young whippersnapper, a cabin boy sailing under Captain Scarlet on the Bloody Skull and hoping for better things.

As ye may know, Captain Scarlet was the most feared pirate in all of the Caribbean in those days. He’d gotten that name both for the colour of his beard and the colour of the deck of a captured ship after he was done with her. Battle-hardened men shuddered and trembled when the Captain entered a room, while women fainted straight away. And when the Skull appeared on the horizon with its sails the colour of blood, many a sailor jumped over board rather than face Captain Scarlet. The Captain spread terror wherever he went, and that included us, his own crew.

The Bloody Skull was once again prowling the Caribbean, looking for booty, when the lookout suddenly yelled from the crow’s nest, “Ahoy, land ahead.”

Now that was very odd, cause there wasn’t supposed to be no land in that part of the Caribbean. Just sea and waves and sharks as far as the eye could see. Besides, the lookout was known to have indulged a bit much in the good old Jamaica rum the night before. So no one paid much heed to what he’d said and seen.

But then he yelled again, “Land ahead,” and again and again. And finally, the first mate Mr. Bones reached for his spyglass and peered through. He frowned and then handed the spyglass to Captain Scarlet, who peered through as well. For lo and behold, the lookout had been right. There really was land on the horizon. A small island, uncharted and not found on any map.

Now it just happened that Captain Scarlet was looking for a good spot to hide some treasure. And an island that’s not found on any map… well, there is no better place to hide a treasure on the Lord’s great big Earth.

So Captain Scarlet ordered the Bloody Skull to set course for the island. We anchored just off the coast. I still remember the jolt as the anchor hit the bottom of the sea. It was bad enough to knock several pirates off their feet and throw me down the staircase back below deck.

“Captain, something’s wrong,” Mr. Bones said, “I don’t like this.”

But the Captain would have none of it. He ordered a boat let into the water, a boat that carried Mr. Bones, Mr. Scrabbles, Captain Scarlet, the treasure chest and mine own self, Jakob Mommark. Mr. Scrabbles and my own self were rowing, Mr. Bones watched over the chest and Captain Scarlet stood at the bow, arms crossed, glowering at nothing in particular, as he was wont to do. The plume of his hat fluttered in the wind.

The sea was smooth that day, almost unnaturally calm. That should’ve warned us… but it didn’t. And so Mr. Scrabbles and me strained our muscles to row over to the island, for the treasure chest was very heavy indeed and Captain Scarlet not exactly light either.

Finally, we set the boat onto the beach. The Captain was the first to jump ashore, then Mr. Bones, then Mr. Scrabbles and finally my own self. As my boots hit the ground, I got the strangest sensation. For this was no ordinary beach. There was no sand, no pebbles, not even rock. Instead, the ground was smooth and springy like I’d never seen before and have never seen since.

The others noticed it, too. For Mr. Scrabbles had trouble keeping his footing, while Mr. Bones frowned and poked the ground with the tip of his boot. And in response, the ground — I swear to God that it’s true — the ground itself flinched and shuddered, as if it really did not like to be poked.

“I really don’t like this, Captain,” Mr. Bones said, “I think we should leave. Now.”

***

This story was available for free on this blog for one month only, but you can still read it in Old Mommark’s Tale. And if you click on the First Monday Free Fiction tag, you can read this month’s free story.

 

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Cora goes virtually to Chicon 8, the 2022 Worldcon

Chicon 8 BannerFor a variety of reasons, I can’t attend Chicon 8, the 2022 Worldcon in Chicago, Illinois, in person, but I will be participating virtually.

If you’re a member of Chicon 8, you can see me on the following panels:

If It’s Not Love, Then It’s The Bomb That Will Bring Us Together

Thursday, September 1, 1 PM CDT, Airmeet 1

A huge swath of SF from the 50s through the 70s was written in direct response to the Cold War, the threat of nuclear annihilation, and disastrous and inhumane proxy wars. It all feels terribly relevant again! What are some gems and must-reads in the genre of “cautionary tales, pacificist, and anti-war SF”? Who are some more recent writers taking up these trends and what changes in approach have they made?

Cora Buhlert, Gloria McMillan, Julia Meitov Hersey, PJ Manney (moderator)

Virtual Table Talk – Cora Buhlert

Friday, September 2, 1 PM, Airmeet tables

This is what used to be called Kaffeeklatsch, but because there won’t be any food or drinks on site, they’ve renamed them. Anyway, sign up if you want to virtually chat with me.

To sign up for this Table Talk, visit https://chicon.org/tabletalks All sign up are available starting WednesdayAugust 31st at Noon central, and you will be notified at least 12 hours before the Table Talk time if you were chosen for a spot. More details available at https://chicon.org/tabletalks

1946: A Vintage Season For SFF

Saturday, September 3, 8:30 AM CDT, Airmeet 5

As the world began to recover from the trauma of the Second World War, SFF authors grappled with atomic futures. From Chan Davis to C.L. Moore, what works have withstood the test of time, and how are these works continuing to influence the genre today? How did they reflect, respond to, or ignore social and technological challenges of the day? (This panel is part of the 1946 project, a look back at the year in lieu of awarding Retro Hugo Awards.)

Cora Buhlert (moderator), Valentin D. Ivanov, Farah Mendlesohn, Terry Franklin

How Horror and SFF Blend

Saturday, September 3, 5:30 PM CDT, Airmeet 1

Horror has often overlapped with SFF—hello, Frankenstein! Lately it seems like we’re seeing a rise in horror elements in popular SFF, including many recent Hugo winners and nominees. What makes horror blend well with science fiction or fantasy? Are there challenges or problems with mixing the genres? And how do cosmic horror, the Weird, and New Weird fit into this discussion? Come find out whether or not anyone can hear you scream . . . in space!

Bob J. Koester, Cora Buhlert (moderator), Emma Osborne, Jennifer Brozek, L. Marie Wood

The Culinary Delights of Speculative Fiction

Monday, September 5, 8:30 CDT, Airmeet 3

Why do the fellowship/party have to eat the same stew every day on their trek into the dark lands? Why do the space farers enjoy reconstituted cubes/pellets on their way to Alpha Centauri? Food is the way we as a species come together, bond, and connect with each other. What are some examples of stories with rich descriptions of culinary traditions, as opposed to “astronaut fare” or “epic fantasy stews”? How does the inclusion—or exclusion—of eating and cooking practices impact the story?

Cora Buhlert, Gillian Polack, Jennifer Rhorer (moderator), Jo Miles, Thiago Ambrósio Lage

Finally, as regular readers of this blog will know, I’m a Hugo finalist for Best Fan Writer this year,  so of course you’ll find me (virtually) at the Hugo ceremony.

Hugo Awards Ceremony

Sunday, September 4, 8 PM, Grand Ballroom

Join your hosts Charlie Jane Anders and Annalee Newitz — and a bevvy of guest presenters — for the most prestigious awards in science fiction and fantasy. Come for the glitz and glamour, stay for the laughs and surprises!

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She-Hulk: Attorney at Law Experiences “A Normal Amount of Rage”

I haven’t been able to keep up with watching, let alone reviewing the latest Marvel TV series, because there are a lot of them and I don’t have a lot of time these days. So I still haven’t caught up with Moon Knight and Ms. Marvel, though I did like what little I saw of them.

However, there’s no way I was not going to watch She-Hulk: Attorney at Law, because She-Hulk or rather a version of her is a long-time favourite of mine.

Back in the 1980s, a company called Comics Spain made amazing PVC figures of various comic and pop culture characters, both American and European characters. Comics Spain had hardly any distribution in Germany, but at the time my Dad worked in the Netherlands and Belgium, where you could get the figures. And since I collect PVC figures and love comics, I bought a lot of their offerings.

Comics Spain‘s product range included a selection of Marvel and DC superheroes and a few supervillains (plus the Phantom and Flash Gordon, who are King’s Features Syndicate characters, but matched the Marvel and DC line in scale and style). Of course, I wanted to buy all of the characters – and I did eventually acquire most of them – but my pocket money was limited, so I could only afford a single figure first. I wanted a female character and as so often with toys supposedly aimed at boys, there were only two available, the Jessica Drew Spider-Woman and She-Hulk (they later added two DC heroines, Wonder Woman and Starfire, to the line). I never much liked the blank-eyes 1980s Spider-Woman costume, so I picked She-Hulk.

Except that I had no idea that this character was called She-Hulk at the time. To me, she was just an awesome green superheroine. Browsing some of the American comics on offer at the comic and book stores of Rotterdam and Antwerp eventually revealed that the character was called She-Hulk a.k.a. Jennifer Walters and that she was a female counterpart of the Hulk.

However, at this point I had already come up with a name, code name and origin story for the character, so I took the Marvel version as “Well, that’s their version of the story, but I prefer mine.” So here’s my version of her story:

Her name is Maud Daniels* and she used to be an investigative reporter. One day, while investigating a series of mysterious disappearances and deaths, she stumbles upon a mad scientist, is captured and experimented upon. Unlike the scientist’s previous test subjects, Maud survives, but she is now tall, muscular, super-strong and green. Maud takes out the mad scientist and escapes his lab, only to find that her old life is gone. No one will believe her, she loses her job, because she’s green and way too noticeable now and her boyfriend dumps her, because she’s green, taller and stronger than him and he thinks she’s ugly.

So Maud takes to wandering the world, looking for a cure, a purpose and a home. She finds the latter two, when she stumbles upon the Kirchenkistenheinis, an underground civilisation of gnomes, fairies, anthropomorphic animals and humans who have nowhere else to go. This underground civilisation of the Kirchenkistenheinis (the name means “church box guys” and refers to the fact that I originally kept my PVC figurine collection in a cookie tin embossed with a picture of the Cologne cathedral) is one of my oldest imaginary worlds and everybody, whether my own characters or characters borrowed from somewhere else, eventually washes up there. This stuff rarely finds its way into my published fiction, because it’s just too weird, but trust me, there are Kirchenkistenheinis everywhere and they’ve met everybody.

Anyway, the Kirchenkistenheinis and their leader Stella aren’t afraid of Maud, but think she’s absolutely awesome. Plus, her super-strength is really useful to help build their ever expanding underground civilisation (they have a space port, laser guns, highway, tunnels and everything). So Maud stays, find friends and is encouraged to become a superheroine, starts calling herself the Green Lady (yeah, not very imaginative, but then neither is She-Hulk) and joins a Justice League/Avengers type superhero organisation, because more Comics Spain superhero figures had by now joined my collection.

After a lot of misunderstandings, Maud eventually falls in love with and marries the Phantom, the second Comics Spain superhero figure I ever bought, because I liked the character. Plus, the version of the Phantom I was most familiar with was the one from the Defenders of the Earth cartoon who’s a widower living in a single dad superhero house share**. Together, Maud and Phantom raise Phantom’s teenage daughter Jedda from the Defenders of the Earth cartoon (who sadly never had a figure of any kind) adopt Suske and Wiske (there was no Aunt Sidonie figure and Suske and Wiske needed parent figures) and even have a baby boy.

You can see Maud and her family (sans Jedda, who has snuck off to make out with Flash Gordon’s son Rick – and yes, this is actually implied in Defenders of the Earth) below:

Maud and Phantom and their family

The extended Daniels-Walker family with Maud, Phantom, Suske, Wiske, Baby Kit, Jedda’s pet panther Kisa and the skull of the first Phantom.

Summing up Maud’s story, I still think it’s pretty good and no more absurd than what Marvel has come up with over the years.

Anyway, I absolutely loved this figure and took her everywhere. She was my absolute favourite for many years and I still love her and have her on display.

I did buy the John Byrne Sensational She-Hulk comics of the 1980s/1990s and generally enjoyed them, even if that story was not Maud’s story. Though Jennifer and Maud have a lot in common. They’re both green and both snarky and both kick arse.

There were rumours of a She-Hulk movie starring Brigitte Nielsen in the early 1990s, but it never happened and I never thought I’d ever see a version of this character on screen. Except that we now live in the golden age of superhero movies and every character, no matter how strange or obscure, will eventually wind up on screen. And if it’s a Marvel character, the chances of it being good are pretty high. If it’s a DC character, the chances are very hit and miss.

And so we have a She-Hulk TV series on Disney+ now and I of course had to watch it, because my teen self and Maud would never forgive me, if I didn’t. And yes, I had Maud and Phantom next to me, as I was watching.

Warning: Spoilers after this point! Continue reading

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Obi-Wan Kenobi Heads Into the Grand Finale

Here are my much belated thoughts on the final episode of the Disney Plus Obi-Wan Kenobi series. For my thoughts on previous episodes, go here.

Meanwhile, my latest article at Galactic Journey just went up two days ago. The subject is the rise of the shipping container, which may not be as flashy as space travel news, but which will profoundly transform global trade from the late 1960s on.

I’m also not sure if I linked to my previous Galactic Journey article, which was a review of two 1967 SFF novels, Chthon by Piers Anthony, which was still as terrible as it was when I first tried to read it at age 16, and The Flame of Iridar by Lin Carter, which was actually decent.

Warning! Spoilers under the cut! Continue reading

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Masters-of-the-Universe-Piece Theatre: “The Mystery of He-Man’s Long-Lost Twin Sister”

Here is the long-awaited Masters-of-the-Universe-Piece Theatre Photo Story about She-Ra, He-Man’s long lost twin sister. To recap, last year I bought myself a Masters of the Universe Origins He-Man and Battlecat and then a Teela figure, because I couldn’t find my vintage figure. Gradually, they were joined by other Masters of the Universe Origins figures. I also started posing the action figures to re-enact scenes from the cartoons and my imagination and started posting the results first on Twitter and then here.

This is part 3 in a sub-series of posts called “Secrets of Eternia” about how much the entire Masters of the Universe franchise is driven by secrets. Part 1, where I discuss the secret identity of He-Man and part 2, where I discuss the origin of Teela, are here. You can check out all the Masters-of-the-Universe-Piece Theatre Photo Stories here.

When Prince Adam was first introduced as He-Man’s alter-ego in 1982, he was or at least thought he was an only child. All that changed in the 1985 animated movie The Secret of the Sword (you can watch it here), where Adam learned that he had a twin sister he never knew about, a sister who shared his powers.

The real world reason for why Adam suddenly acquired a twin sister is that Mattel realised that forty percent of Masters of the Universe toys were selling to girls, which was unexpected for what had been designed as a boys’ toy line (there’s a video by a former Mattel employee about this here).

Personally, I wonder why toy manufacturers are always so surprised that girls like toys intended for boys and vice versa. Even if there are certain tendencies with regard to what toys girls and boys gravitate to (and we have no idea how much of this is inate and how much socially conditioned, since boys and girls are treated differently from birth on), gender is not a monolith. And I hate it that whenever you go to a toy store or on the website of a general toy retailer, you are greeted by “Boys” and “Girls” as categories rather than e.g. “vehicles”, “puzzles”, “boardgames”, “dolls”, “plush toys”, “action figures”, etc… Why not let kids play with whatever they like.

Besides, in the late 1970s and early 1980s, if you were a girl who enjoyed fantasy and science fiction and adventure stories, you were pretty much limited to the boy toy lines, because the girl lines just didn’t offer that sort of thing. She-Ra: Princess of Power and Jem did not appear until 1985/86.  Before that, you had a choice between regular dolls, Barbie and similar fashion dolls and, from the early 1980s on, pastel-coloured cartoon characters like Strawberry Shortcake, The Care Bears or My Little Pony. And of course, you had unisex toy lines like Playmobil or Lego. Now the more girl-oriented toys could and did have plenty of exciting adventures – my dolls regularly went on space trips and had adventures on the high seas, complete with getting shipwrecked and attacked by pirates. I also reenacted Star Wars with my dolls. But toy lines like Star Wars or Masters of the Universe required less improvisation.

Never mind that a lot of girls, myself included, loved the Star Wars movies or the Masters of the Universe cartoons, even if the target audience were boys. In fact, I have no idea why people were surprised that so many girls liked Star Wars or Masters of the Universe, because both featured female characters who were not purely fainting damsels-in-distress, but were just as strong and smart and skilled as the male characters.

Furthermore, the original Masters of the Universe cartoon featured several great female characters.  Teela was of course the most notable one, but there were also the Sorceress, Evil-Lyn, Queen Marlena and lots of female guest characters. Rewatching the Filmation cartoons as an adult, I’m struck by how many women there are. Compared to other toy tie-in cartoons of the era, which often had just two female characters, a good and a bad girl, this was quite remarkable.

The Filmation cartoons also subvert traditional gender roles a whole lot. Teela is stronger  and faster than Adam, when he’s not He-Man, and she has the male-coded position of Captain of the Royal Guard and Prince Adam’s bodyguard. We also see Teela engaging in male-coded activities like fighting and competitive sports and Adam engaging in female-coded activities like cooking and baking a cake (though Teela bakes and cooks, too, because it is a useful skill, as she tells Orko). We see a young Adam nursing and bottlefeeding baby Cringer. And the most nurturing of the various parent figures in the cartoon (and highly deserving winner of the 2021 Jonathan and Martha Kent Fictional Parent of the Year Award) is a man and not just any man either, but a grizzled old soldier. The cartoons also gave us a female NASA astronaut at a time when Sally Ride was still training for her first spaceshuttle flight. They gave us a woman who gave up her child in order to pursue her career (and Duncan very much accepts that the Sorceress just isn’t suitable to be a mother and steps up to the plate and loves her anyway). They gave us a single father who somehow manages to combine child rearing and a demanding career. Both the original He-Man cartoon and the various reboots place a strong focus on found families. The Filmation cartoons even showed us men crying, as did Revelation. Man-at-Arms definitely sheds a manly tear or two at times as do Randor and even He-Man himself. And Mattel executives were honestly surprised that girls lapped up that story as much as boys did?

At any rate, once Mattel grasped that girls were buying forty percent of Masters of the Universe toys, they realised that they had an untapped potential for even more sales on their hands and decided to create more female characters. And this is why they decided to introduce Adora, Adam’s heretofore unknown twin sister, who wields the Sword of Protection and turns into She-Ra, the most powerful woman in the universe. Initially, She-Ra was just intended to be a new character and action figure in the Masters of the Universe series, but eventually she got her own spin-off cartoon She-Ra: Princess of Power as well as her own toy line, which was nice enough, but because it was managed by Mattel’s girls’ toys department and was more doll-like with rooted hair and fabric clothing, the She-Ra toys never really meshed well with the existing Masters of the Universe toys.

Unlike her brother, She-Ra did not appear in any of the later Masters of the Universe revival attempts, whether it’s the New Adventures of He-Man of the late 1980s, the 2002 cartoon, Masters of the Universe Revelation or the recent Netflix CGI show. Meanwhile, the 2018 She-Ra and the Princesses of Power cartoon largely followed the overall plot of the 1980s Filmation cartoon with one major difference: There was no He-Man, since the 2018 She-Ra did not have a twin brother. The reason why He-Man and She-Ra have not been seen together on screen for more than thirty-five years are rights issues. He-Man and She-Ra are considered separate brands owned by different companies, making crossovers extremely difficult. Oddly enough, this only affects She-Ra and her supporting cast – the antagonists Hordak and the Evil Horde can (and do) still appear in Masters of the Universe cartoons and did feature in both the 2002 series and were teased in Revelation. Toys are also unaffected, which is why most Masters of the Universe toylines of the past twenty years have featured She-Ra as well as Hordak and the Evil Horde, though She-Ra’s friends and comrades are much rarer.

The in-universe explanation for the revelation that He-Man had a heretofore unknown twin sister is that Randor and Marlena actually had twins, Adam and a little girl named Adora, both of whom were prophecied to be destined for greatness.

Babies Adora and Adam

Babies Adora and Adam. And no, these are not Masters of the Universe figures, but Bully baby figurines in a scale that matches the Masters of the Universe figures.

However, shortly after the twins were born, that cosmic never-do-well Hordak invaded Eternia. He heard about the cosmic wonder twins and decided that two strong warriors would be an excellent addition to the Evil Horde, so he planned to kidnap the babies and raise them to be loyal Horde warriors. Hordak also enlisted the aid of his occasional associate Skeletor (who had reasons of his own for wanting the young crown prince and princess of Eternia out of the way). Hordak and Skeletor did manage to sneak into the palace and the royal apartments and they did manage to overcome Queen Marlena, but then their kidnapping attempt was interrupted by the ever-heroic Man-at-Arms and his lover the Sorceress, so Hordak managed to snatch only one of the babies, Adora. Duncan and the Sorceress gave chase, but Hordak escaped through a portal to another dimension.

The kidnapping of Baby Adora is shown in The Secret of the Sword. Below, you’ll find my take. Instead of Skeletor proper, I used Keldor i.e. Skeletor before he had a skull-face (he was not born with a skull-face), because the change from Keldor (more on him another time) to Skeletor must have happened around this time.

Hordak, Keldor, Mer-Man and a Horde Trooper surround babies Adam and Adora
“Are you sure these children have fabulous secret powers, Keldor? Cause they’re so soft and squishy and pink.”

“Who cares? Stealing the babies will royally piss off Randor and that’s good enough for me.”

“Can I eat the babies, boss?”

“No, we’re here to steal the babies, not eat them.”

“Can I eat just one? Cause they look so pink and tasty.”

“No, Mer-Man, we’re not eating babies today.”

Man-at-Arms, the Sorceress and a royal guard confront Hordak, Keldor, Mer-Man and a Horde Trooper as they try to steal babies Adam and Adora

“Halt! Put down the babies, fiends! You are under arrest.”

“Tell Randor that he will never see his precious children again, bwahaha.”

“Waaah!”

“Why is it making those sounds, Keldor? And what’s that smell?”

“Just shut up and take the baby!”

“Waaah! Waaah!”

“Ahh, now it has sprayed me with some kind of stinking poisonous liquid!”

“Take the baby and go! Now!”

Hordak escapes through a portal with baby Adora, while a Horde Trooper drops baby Adam. Man-at-Arms, the Sorceress and a Palace Guard are in pursuit, while Keldor and Mer-Man slip away.“Take that, robot monster!”

“Waaah! Waaah!”

“Duncan, the portal! No!”

“Come on, Mer-Man, we’d best make our escape, while they’re otherwise occupied.”

“Grump, and I didn’t even get to eat one of those tasty looking babies.”

So Hordak escaped through an interdimensional portal with Baby Adora. The portal closed before Duncan could go after him. Worse, neither Duncan nor the Sorceress had any idea where the portal led. Baby Adora was lost forever… or so it seemed.

Man-at-Arms holds baby Adam, while the Sorceress and a guard look on.“Don’t cry, little Adam. I promise we’ll find your sister, no matter how long it takes. Here, look at the pretty blinking lights.”

“Duncan, that thing still isn’t a rattle.”

“But Teela loves it, so maybe it will calm little Adam, too.”

“Our daughter, is she…?”

“Teela is safe, have no fear. I left a man to guard her.”

“Uhm, Sir, should I alert the King?”

“No, Lieutenant, that’s something I need to do myself. And I’ll have to explain to Randor and Marlena that I lost their daughter.”

“But you saved their son, my love. And Grayskull’s future champion.”

Meanwhile, here is a glimpse into Duncan’s home life around this time:

Man-at-Arms gives childcare instructions to a guardsman

Finding a babysitter is never a problem, when you have the entire Royal Guard at your disposal.

“All right, Corporal. Feed her every four hours and change her diapers at feeding time or when she cries. Bottles, baby formula and diapers are in the cabinet over there. If there’s an emergency, call me on the radio. Any questions?”

“Ahem, with all due respect, Sir, but I’m not sure if babysitting is part of my job description.”

“It is now, Corporal. Understood?”

“Yes, Sir.”

Losing Baby Adora to Hordak left Randor and Marlena heartbroken. However, they still had a planet to rule not to mention another child that needed them, namely Adam. And so life went on and Randor and Marlena never spoke of their lost daughter again. Meanwhile, Adam, who had been only a baby, when his twin sister was stolen, grew up and never knew that he had ever had a sister at all.

As for why Adam was never told he had a sister, the intention was to spare him the pain of knowing he once had a twin sister and lost her. This is a noble motive, though once again it probably did more harm than good. Cause it must have been incredibly painful for Randor and Marlena to not only have lost a child, but to never even talk about her in front of Adam. Coincidentally, the fact that Randor and Marlena already lost one child also explains why particularly Randor puts so much pressure on Adam.

While life went on in Eternia, Adora was raised by Hordak and Shadow Weaver on Horde World and brainwashed into believing that everything the Horde did was good and right (which includes enslaving random people on planets conquered by the Horde) and that everybody who opposed the Horde was a rebel to be fought and destroyed. She grows up to become Force Captain Adora and Hordak’s right hand woman during his conquest of Ethiria.

Hordak presents Baby Adora to Shadow Weaver
“Behold what I brought you, Shadow Weaver. Keldor says this child has fabulous secret powers.”

“Waaahh!”

“Fabulous secret powers or not, I’m not changing its diapers.”

Some twenty years later:

She-Ra surrounded by Hordak, Shadow-Weaver, Mosquitor and a Horde Trooper.

She-Ra or rather Force Captain Adora with all the members of the Evil Horde in my collection at the present.

“You have done well, Adora, and become a worthy member of the Horde. I am very proud of you.”

“And I am very proud of you, too, child.”

“Thank you, Mighty Hordak and Shadow Weaver. I live to serve the Horde.”

“I know, Adora. And therefore I name you Force Captain of the Horde.”

“Thank you, Mighty Hordak. It is an honour I hope to prove myself worthy of.”

“You can start by taking the troops to the village of Thaymor on the edge of the Whispering Woods, a hotbed of rebel activity.”

“Yes, Mighty Hordak.”

“Bzzzt, why is she getting a promotion and not me? It’s not fair. I’ve worked so hard to serve the Horde, but she’s Hordak’s favourite”

I don’t have an Adora figure, largely because there is none in a matching scale and type, so She-Ra has to play both roles in the photo story.

As a kid, I never really appreciated how fucked up Adora’s backstory really was, though I must have seen The Secret of the Sword, since I was familiar with the basic story. After all, Adora was stolen from her family and literally raised to be evil. When we first meet Adora in The Secret of the Sword, she is a villain – and apart from Catra the only human-looking Horde member.  Pretty much the first thing Adora does on screen is shoot Adam – whom she doesn’t know is her brother – in the back with her blaster. And while the Filmation cartoon features Adora in her familiar red outfit and with long blonde hair as a Horde member, where she sticks out like a sore thumb, some of the later comics have gone further and gave us a full-on evil looking Adora with a buzz cut and a Hordak mask. The comics seem to have been quite a bit darker and have Evil Buzz Cut Adora leading an invasion of Eternia and kidnapping Teela. I’ve even seen a comic panel of Evil Buzz Cut Adora slitting her brother’s throat (he gets better and forgives her).

What makes Adora’s backstory even more fucked up is that viewers of the original He-Man cartoon, i.e. pretty much everybody who watched The Secret of the Sword, know exactly what Adora was robbed of, because we see quite a lot of Adam’s life as Prince of Eternia. And even though his relationship with his father is strained on occasion, Adam otherwise has a really good life. His parents love him and he is close to his mother, even if his father is frequently disappointed in him. Adam has good friends in Teela, Cringer and Orko and a supportive mentor in Duncan. He is also extremely privileged, for while most of Eternia seems to be on a roughly medieval level of technology, Adam has Sky Sleds and Wind Raiders and all the tech Duncan can conjure up at his disposal. When he’s not out heroing, he gets to go on camping and fishing trips, reads his way through the palace library, has practice fights with Teela and takes naps in random parts of the palace. And whenever we see Adam, Teela, Orko and Cringer hanging out and having fun together, we know that if things had gone just a little bit differently, Adora would have been there with them.

We don’t see much of Adora’s upbringing, though she does say at one point that she hardly ever left the Fright Zone, likely to keep her from asking too many questions. And while there is no on-screen evidence that Hordak and Shadow Weaver were ever physically abusive (though considering how Hordak acts towards his subordinates like poor Mantenna, it’s likely), they did brainwash and gaslight her. The 2018 Netflix cartoon She-Ra and the Princesses of Power shows Adora and Catra being close friends before Adora sees the light (quite literally), But I don’t think Adora has any friends except maybe her horse Spirit before she joins the rebellion in the original series. In short, Adora’s life is the exact opposite of Adam’s, loveless and lonely.

By the standards of 1980s cartoons, this is very dark stuff indeed. That said, Adora’s story is also very hopeful, because it is the story of someone who manages to overcome a bad childhood and parent figures who gaslight her and who manages to free herself from their influence (with a little help) and becomes the good person and heroine she truly is inside. Plus, she gets a new set of family and friends who truly love and appreciate her. Particularly for kids from troubled family backgrounds, this narrative is extremely powerful.

Amazingly, neither Hordak nor Shadow Weaver have ever won the Darth Vader Parenthood Award, even though they are exactly the sort of terrible parent figures the award was created for. And Hordak and Shadow Weaver would certainly have been more deserving winners than the two soap opera characters Chase Gioberti and Hans Beimer, who did win in 1985 and 1986. Even though I really, really hated Hans Beimer. The reason for this oversight is that the Darth Vader Parenthood didn’t really become a thing until the late 1980s/early 1990s (and it started out as a joke), so when I compiled the full listing of winners – the first version was a handwritten piece of paper – the earliest awards were given retroactively. And at the time I was compiling the retroactive winners, both Falcon Crest and Lindenstraße were still running and my Mom was watching both religiously, so their characters were a lot more at the forefront of my mind than a villain from a cartoon I had enjoyed a lot, but which had gone off the air years before. Plus, Hans Beimer was probably at the peak of his awfulness around 1990, though he was a very different type of awful than the likes of Hordak (and unlike Hordak, he was never intended to be a villain – in fact, viewers were expected to like him. Ditto for Chase Gioberti). Still, Hordak is an excellent candidate for a Retro Darth Vader Parenthood Award somewhere down the line.

While Hordak was eagerly competing for the Darth Vader Parenthood Award, only to lose out to Hans Bloody Beimer (which sadly did not lead to the Evil Horde invading Lindenstraße, more’s the pity), the Sorceress never stopped looking for Adora. And some twenty years later, the Sword of Protection, which had always been intended for Adora when she came of age, suddenly begins to glow and leads the Sorceress to one of the interdimensional portals inside Castle Grayskull.

Here’s my take on that scene. And yes, in The Secret of the Sword, the Sorceress lies in her bed all alone – it is a kids cartoon, after all – but we all know that she had company, whenever Duncan could sneak away.

Duncan lies in bed, while the Sorceress looks at a portal.“Come back to bed, my love.”

“No, Duncan, the Sword of Protection… it is glowing and it’s pointing at this portal.”

“The Sword is glowing?! You mean…?”

“Yes, after all these years, Princess Adora has been found.”

Duncan and the Sorceress look at a portal.“All right, I’m going in. After all, it’s my fault that Adora was lost in the first place, so it’s my duty to bring her home.”

“No, Duncan, this is a job for He-Man.”

“You’re right. Adora is He-Man’s sister, after all. And maybe he can succeed where I failed.”

“You didn’t fail, my love. You saved Prince Adam, so he could grow up to become He-Man and save Adora.”

So the Sorceress summons Adam and tells him to pass through the portal and find someone wherever the portal leads. This would of course have been the perfect moment for the Sorceress to come clean and tell Adam the truth about his long lost twin sister. However, inexplicably the Sorceress says nothing except that Adam must find someone on the far side of the portal and that the Sword of Protection will point him to this person. And while it’s understandable why Adam was not told that he had a sister before, there is really no justification for not telling him now.

The Sorceress shows Prince Adam an interdimensional portal“So let me get this straight, Sorceress? You want me to go through that portal, but you won’t tell me where it leads, to find someone, but you won’t tell me who, using this sword which looks almost like mine as a guide, but you won’t tell me why? Cause that’s not very helpful at all.”

“Oh please, hurry, Prince Adam. It is of utmost importance that you find her.”

“Her? Okay, that narrows it down to fifty percent of the population. But some more information like – say – a name would still be great.”

“How about this? If you succeed, your father and mother will be very proud of you. And Duncan will be proud of you. And I as well.”

“Damn, Sorceress, you really know how to grab a man by the feels.”

So Adam and Cringer go through the portal and promptly get involved with the Evil Horde and the Etherian rebellion, when Adam decides to teach some bullying Horde Troopers a lesson. And yes, he does this as Adam, not as He-Man. Though he does transform into He-Man by the time he first faces off against Adora – whom he still has no idea is his sister at this point in time, though the Sword of Protection does in fact tell him that Adora is the person he is supposed to find – and the rest of the Evil Horde. Adora wins this first encounter by shooting He-Man with her blaster. He-Man is taken prisoner, while Adora winds up with the Sword of Protection.

Force Captain Adora, Mosquitor and a Horde Trooper oversee the loading of prisoners, while He-Man sneaks up on them.

The villagers are random Playmobil figures and Adora’s blaster was borrowed from a Star Wars figure.

“Okay, the sword led me to this village, so maybe that means that the one I am seeking is here. Soldiers, I’d better hide.”

“People of Thaymor, you are all under arrest for resisting the Horde. Troopers, Mosquitor, see to it that the prisoners are loaded into the transport and taken to the slave mines.”

“Yes, Force Captain.”

“Faster, prisoners, or you’ll feel my sting, bzzzt!”

“I’m not entirely sure what is going on here, but those robots and their leader are bullying the villagers and I hate bullies. Time for He-Man to teach them some manners.”

He-Man fights Mosquitor, while Adora and a Horde Trooper attack from behind and the prisoners run away.“Let those people go or you will feel the wrath of He-Man!”

“A rebel! Mosquitor, Troopers, get him!”

“So who’s first? You? All right then.”

“Bzzt, feel my sting, rebel. I shall drain you dry.”

“You got to catch me first.” SLAM.

“Quick, run!”

He-Man fights a Horde Trooper, Mosquitor is down and the prisoners are escaping. “The prisoners are escaping, Force Captain.”

“Never mind. We can recapture them later. Get the rebel!”

“A robot. You know, at home I fight machines like you as a training exercise before breakfast.”

“Brrrkzzz.”

He-Man faces Force Captain Adora“Looks like it’s just you and me now, my pretty.”

“Indeed, it is. And you, rebel, are under arrest in the name of the Evil Horde.”

“Sorry, but I’ve got a mission to fulfil. And while I normally don’t fight women, I’ll make an exception for… Oh, shit, the sword is glowing brighter. It’s you! You’re the one I’m looking for.”

“Is that so, rebel?”

A horde trooper zaps He-Man from behind, while Adora threatens him with her blaster.“Listen, maybe we can…”

ZAP!

He-Man is down and surrounded by Adora, Mosquitor and a Horde Trooper.“Bzzt, my head…”

“Mosquitor, Trooper, get the rebel loaded up for transport to the Fright Zone. I’m sure Hordak will want to interrogate him in person.”

“Yes, Force Captain.”

“Hmm, he dropped his sword and it’s glowing. Let’s see. Amazing. This weapon feels strangely right in my hand, almost as if it were made for me. I’d better take it along to the Fright Zone as well.”

Later, at the Fright Zone:

He-Man is chained and surrounded by Hordak, Shadow Weaver, Mosquitor and a Horde Trooper.“Ugh, what happened? Head hurts, can’t move.”

“Save your strength, rebel. Even you cannot break these magical chains.”

“And you are?”

“I am Hordak, vice-roy of Etheria on behalf of the Horde Prime, ruler of the mighty Horde Empire, and these are my minions, the Evil Horde.”

“This sword… there is something about it. It glows when I touch it and that stranger… there’s something about him, too.”

“Put that thing down, Adora. It’s icky and you don’t know where it’s been.”

“As you wish, Shadow Weaver.”

“Bzzt, boss, can I suck him dry? Cause I can smell all that juicy lifeforce.”

“No, Mosquitor, first he’ll tell us everything he knows about the rebellion and then you can suck him dry.”

“You’re out of luck then, cause I only just got here and know nothing about any rebellion. Though I wouldn’t tell you anyway.”

“Then you will be tortured until you talk, rebel. But first, I shall leave you to contemplate your fate.”

Adora stands over He-Man with the Sword of Protection in her hand.“You’re still here?”

“This sword you carry intrigues me, stranger. It feels so right in my hand, almost as if it were made for me.”

“I initially thought it was.”

“And now you no longer do?”

“I was tasked with delivering this sword to a great warrior who serves the forces of good. But you serve the forces of evil.”

“Evil? It’s you who serve evil, rebel. I serve the Horde, the rightful rulers of Etheria.”

“The Horde conquered this world against the will of its people.”

“Only because they would not see the light willingly and bow to the might of the Horde.”

“You enslave people.”

“Only criminals and miscreants.”

“You tried to enslave that entire village, including the children.”

“Because they’re all rebels. Including the children.”

“You people literally call yourselves the Evil Horde.”

“Only because the Mighty Horde, the Villainous Horde and the All-Conquering Horde were already trademarked.”

“That’s not very convincing.”

“Forget it, rebel. I’m not listening to you. You’re just trying to trick me.”

Adora leaves with the sword, while He-Man is still chained up.“I’m not trying to trick you, Adora. Haven’t you seen how the Horde mistreats people? You can’t honestly believe that’s right.”

“I… I have spent most of my life here in the Fright Zone, training. I haven’t actually seen a lot of Etheria. Hordak and Shadow Weaver always say that it’s too dangerous out there with all of those rebels causing trouble, that I should stay in the Fright Zone, where it’s safe.”

“Have you never considered that maybe Hordak and Shadow Weaver just don’t want you to see what the Horde is really doing to the people of Etheria?”

“Hordak and Shadow Weaver would never lie to me. They took me in and raised me after my real parents abandoned me. They were like a father and mother to me.”

“If you’re so sure that Hordak and Shadow Weaver are telling the truth, then why don’t you go out and see for yourself what Etheria is like under the rule of the Horde? Or are you afraid?”

“I’m not afraid of anything.”

“Then you will go and see for yourself how the Horde is treating the people of Etheria.?”

“I… I will think about it. And I shall take this sword. Good-bye, stranger.”

“I guess you can’t remove those chains first? No? Well, it was worth a try.”

In The Secret of the Sword, Kowl, the intelligent flying critter that accompanies Bow, eventually frees He-Man by switching off the force field that keeps him chained. Since I don’t possess a Kowl and he always looked as if he had wandered in from a Strawberry Shortcake cartoon or something like that anyway, I shall skip that part.

Menawhile, contact with the Sword of Protection, combined with He-Man’s essential goodness and powers of persuasion as well as witnessing Horde Troopers abusing Etherian slaves, all help to break through Adora’s conditioning and make her start questioning the Horde. This initial attempt to break free is supressed by Shadow Weaver, but the cracks in Adora’s conditioning are there.

Adora confronts Hordak and Shadow Weaver“Adora, my dear, where have you been? We’ve been worried about you?”

“I’ve been taking a trip, travelling Etheria to see for myself how the Horde is governing the planet.”

“Uh, Shadow Weaver, I don’t think I like where this is going.”

“Let me handle her, Hordak.”

“And Adora, my sweet, what did you find? Surely you saw for yourself that the Horde is a just and lawful ruler and that there is no justification for rebel discontent.”

“No, I found that the rebels are right. The Horde is evil, cruel and unjust. The people hate us and with good cause.”

“Uh-oh, I told you this was going to be a problem.”

“Let me deal with this, Hordak. Somehow, the spell I put on Adora has weakened and it has something to do with that sword.”

“This stranger, this He-Man was right. The Horde is evil. I don’t know why I never saw this before, but now I have and…”

“The stranger was lying to you, Adora, my dear. It’s what rebels do. And now give me that sword. I told you not to touch it.”

“No, I can trust He-Man. I… I feel it deep inside of me.”

“Come on, Adora, didn’t I tell you that it is perfectly natural for a young person to feel certain… urges and encouraged you to explore those urges with fellow Horde members.”

“That’s not it. I don’t feel about this He-Man like I feel about Catra. It’s different. But I’m leaving the Horde and joining the rebellion and I’m going to ask Catra to come with me.”

“Shadow Weaver, do something!”

Evil Seed grabs Adora, while Hordak and Shadow Weaver look on.

Evil Seed is not a member of the Horde and indeed one of the few villains not affiliated with either Skeletor, Hordak or the Snake Men. However, I just happened to have him at hand, when I took those photos, so I used him.

“Get away from me, Shadow Weaver, or I swear I will…”

“And that’s quite enough out of you, young lady.”

“Let go off me, artichoke of evil!”

Shadow Weaver ensorcels Adora again, while Evil Seed has grabbed her and Hordak looks on.“No, go away!”

“Do you not trust me, Adora. Was I not like a mother to you?”

“You’re not my mother. You….”

Hordak, Shadow Weaver and Evil Seed stand over the fallen Adora.“There, that should deal with this whole rebel nonsense. When she awakes, she will be under my spell again.”

“I don’t like this, Shadow Weaver. First this He-Man shows up and then Adora turns against us. What is going on here?”

“I don’t know, Hordak, but I will find out. As for Adora, have you forgotten who she really is?”

“Of course not. After all, I was the one who brought her to Etheria to serve the Horde.”

“Ahem, far be it from me to interrupt this fascinating conversation, but what about my payment?”

“Get lost, artichoke face!”

Adam still has no idea who Adora really is, but he does sneak back into the Fright Zone, hoping to persuade her to turn against Hordak. Since Adora is under Shadow Weaver’s spell once more, this does not go as planned:

He-Man confronts She-Ra“Hello, Adora.”

“You? But Hordak said you had escaped. What are you doing here? If you’re going to sabotage the Fright Zone, I’ll…

“Please, Adora, just listen to me to me for a moment. There’s no need to raise the alarm.”

“What do you want?”

“The last time we met, I asked you to go out and see for yourself how the Horde rules Etheria. Did you do it?”

“I… Yes. At least, I think so.”

“So now you know that the Horde is evil?”

“Yes, I… I know that you’re a lying rebel spy and traitor and that you’re under arrest.”

“Okay, so that did not go as planned.”

Hordak and the Evil Horde interrupt He-Man and Adora.“Good work, Force Captain Adora. Well done. You’ve captured the rebel.”

“Sorry, Adora, just let me take out the trash and then we can continue our conversation.”

He-Man faces off against the Evil Horde, while Adora stands behind him.“I don’t think so, rebel. Guards, get him!”

“Force Captain Adora, stop the rebel!”

“But…”

“Adora, put down that sword and stop him!”

Adora shoots He-Man in the back.“Yes, Shadow Weaver.”

ZAP!

“Oh no, not again….”

He-Man is down after being shot in the back by Adora.“Excellent, Force Captain. I’m proud of you. Guards, takes the rebel to the dungeon.”

“Bzzzt, can I suck him dry, boss, pretty please?”

“All in due time, Mosquitor.”

He-Man is chained up and surrounded by the Evil Horde and Adora.“Ugh, what happened? Oh no, I got shot in the back again.”

“Welcome back, rebel. Though it won’t be a long reunion, because Mosquitor here will sap every last shred of energy out of your body.”

“The rebel is strong, bzzt. What a feast it will be.”

“You’re going to leave the rebel to Mosquitor? No.”

“Do you have any objections, Force Captain?”

“I… I…”

“Shadow Weaver, do something!”

“Yes, Mighty Hordak.”

“Listen to me, Adora. This rebel is evil and our enemy, so it’s only right to let Mosquitor drain him. Or do you have any objections?”

“No.. no objections, Mighty Hordak.”

Mosquitor drains He-Man's lifeforce, while Adora stands by, clearly troubled.

In “The Shadow of the Force”, Hordak uses a machine to drain He-Man’s lifeforce to power up his superweapon, but I used Mosquitor instead, because a) I had him on hand, and b) his power is draining people’s lifeforce, ditto for Leech. What is it about the Evil Horde and draining people?

“Must… resist…”

“You are strong, rebel, bzzt. There’s so much delicious power in you that we will be here all night.”

“Careful, Mosquitor, or do you want to overeat?”

“Shut up, Adora. Hordak left the rebel to me to play with. If you have any objections, take it up with him.”

“I… I don’t know what’s wrong with me. Hordak and Mosquitor are right. The rebel is our enemy. Draining his lifeforce will aid the Horde and must be done. Yet… somehow what we’re doing to him feels wrong. It feels… evil.”

“Adora…”

“What’s that voice? It sounds as if it’s coming from the sword.”

“Listen to me, Adora. The time has come for you to shake off the enchantment that has made you a slave of the Horde and seek your destiny. Let your heart guide you on your way.”

“Who are you? What do you want from me?”

“I want you to fulfil your destiny and become the champion of light and good that you were always meant to be. But first, I need you to save this man.”

“The rebel? But I… I can’t. He is an enemy of the Horde.”

“Great. Now she’s gone completely nuts and started talking to her sword, bzzt. Maybe Hordak will promote me to Force Captain now. Especially once I’ve absorbed all the tasty lifeforce from this rebel.”

She-Ra raises her sword.“This man is no ordinary rebel, Adora. He is He-Man, champion of all that is right and good. But to you, he is much more than that. This man, Adora, is your brother.”

“My… my brother…?”

“When you were but a baby, the Horde stole you from your real family, Adora. You had a mother once and a father and a twin brother.”

“I don’t understand. I don’t understand any of this. Though it feels right somehow.”

“You must hurry, Adora. There’s no time to lose. Your brother needs your help. And now speak after me: For the Honour of Grayskull…”

“What?”

“Just say it.”

Adora transforms into She-Ra.“Okay. For the Honour of Grayskull…”

“Oh shit! What’s happening now?”

She-Ra attacks Mosquitor to rescue He-Man.“Let go off my brother, fiend!”

“Who are you? Where’s Adora? Wait till I tell Hordak, bzzzzz….”

TWAK!

She-Ra frees He-Man“Have no fear, I’ll have you free in a flash.”

“Ugh, what’s happening?”

“What’s it look like? I’m rescuing you.”

“Uhm, thank you. Can you give me my sword?”

“Of course. Here.”

He-Man and She-Ra united“Ah, that’s much better. My strength is coming back. Not that I’m not grateful, but who the hell are you?”

“I… I’m Adora and this is going to sound weird, but I think I’m your sister.”

“You’re right. This is weird, cause I never had a sister.”

“I never thought I had a brother either. But when the voice from the sword told me you were my brother, I just knew it was the truth.”

“Voice from the sword? What voice?”

“A woman’s voice. She told me you were my brother and that you needed help and that I should say ‘By the Honour of Grayskull’. Then there was a huge lightshow and I turned into… well, into this. Like I said, it’s all very weird.”

“My sympathies. I also freaked out the first time I turned into He-Man.”

“So you believe me?”

“I’m not sure what to believe, but I know who can tell us more. But first, there’s still Hordak to deal with.”

“Right. Let’s go and get him!”

He-Man and She-Ra confront the Evil Horde“Who are you? What happened to Adora? And why is the rebel free?”

“See, boss? I… bzzt… told you Adora had gone mad and turned against us.”

“Shadow Weaver, do something!”

“I… I can’t.”

“That won’t work anymore. I know the truth now. I know that you stole me from my real family, monsters, and raised me to be like you, evil.”

“Well yes, we did – sort of – but look what I gave you. After all, you were just a pink, squishy, ugly, wailing little thing when I found you and now you’re a Force Captain in the Horde. You should be grateful to me.”

“Grateful? You stole me from my family, from the people who loved me.”

“Now you’ve really pissed her off, Hordak.”

He-Man fights Hordak, while She-Ra fights Shadow Weaver.“Get out of my way, you musclebound oaf. It’s Adora I want, not you.”

“Sorry, but you’ll have to go through me first, if you want Adora.”

“Be reasonable, Adora. We were good to you, were we not? Even if we theoretically took you from your biological parents.”

“You kidnapped me and used your magic to brainwash me, so excuse me for not feeling very reasonable right now.”

Once Hordak and Shadow Weaver are defeated… for now… He-Man and She-Ra finally return to Eternia to get some answers from the Sorceress.

He-Man and She-Ra confront the Sorceress“Welcome back to Eternia, Princess Adora. I see you’ve fulfilled your quest, He-Man.”

“Yes, but we have questions.”

“And all shall be told, so listen…”

A long explanation later…

“So let me get this straight, Sorceress. You, my parents and Duncan all knew that I had a twin sister, yet none of you ever thought to tell me?”

“Because we wanted to spare you the pain of knowing you’d lost her, Adam.”

“So your name is Adam?

“You didn’t think I was really called He-Man, did you? That’s just my nom de guerre.”

“I’ll need one as well, will I?”

“Definitely. Anyway, Sorceress, when you finally located Adora and sent me to Etheria to find her, why didn’t you tell me then that I was looking for my sister? Cause it might have been useful to know that beforehand.”

“Because it was not yet time to reveal that secret.”

“Is she always like that?”

“So mysterious, you mean? More or less.”

The Sorceress watches as He-Man hugs She-Ra.“But anyway, Adora, there’s something I really want to do now.”

“And that is…?”

“Hugging my long lost sister.”

He-Man and She-Ra hug“And now, let’s go and meet our parents and the rest of the family!”

“I… I’m not sure, Adam. Do you think they’ll like me?”

“Like you? They’ll love you, Adora. I promise.”

“But I… I used to be evil. I used to work for the Horde. I used to enslave and hurt people. How can anybody like me after that?”

“That wasn’t you, Adora. That was Hordak and Shadow Weaver manipulating you. You were a victim of the Horde, as much as the people they enslaved. And now come and meet the family. Everything will be fine. I promise.”

Since I have neither a King Randor nor a Queen Marlena figure, you’ll have to imagine Adora’s reunion with her parents. But of course, there are some other members and quasi-members of the Eternian royal family to introduce to Adora.

Adam, Cringer and Adora“And this is Cringer, my fearless friend. Cringer, meet Adora, my twin sister.”

“Hello, Adora. It’s so nice to meet you. By the way, is it me or do you smell a little of cat?”

“Uhm…”

However, not everybody is all that pleased that there is a new girl on Eternia…

In the palace garden:

Adam hugs Adora“See? That went well, didn’t it? Our parents were so happy to have you back.”

“And I’m so happy to be finally back with my real family. Oh, Adam, I’m so glad that we found each other again.”

“Me, too, Sis. Me, too.”

Duncan comes upon Adam and Adora hugging.“Duncan, come and meet Adora, my twin sister. But I think you already know about her.”

“Adora? By the ancients!”

“Adora, this is Duncan, my friend, mentor and our royal Man-at-Arms.”

Tella comes upon Adam hugging Adora in the palace garden.“Oh wonderful! Isn’t it enough that you’re fooling around with those stupid giggling girls, Adam? Must you bring your arm candy into the palace, too, and shove them into everybody’s face?”

Duncan hugs Adora, while Adam and Teela look on.“Adora, my girl, it’s so good to see you again. The last time I saw you, you were just a baby and now look at you!”

“Hello, Man-at-Arms. It’s so wonderful to meet Adam’s friends.”

“Call me Duncan. After all, I’ve known you since were a baby. And I’m so sorry that I could not save you from the Horde.”

“That’s all right. Adam found me and brought me back.”

“You too, Dad? Just wonderful. Why is everybody so taken with Adam’s latest arm candy anyway? She’s not that wonderful. Okay, so she’s blonde and beautiful and… by Zoar, he’s not going to marry that one, is he? No, not even Adam would be that stupid. What if she’s Evil-Lyn is disguise and Skeletor is planning an invasion of the palace? Does no one care about palace security around here except me?”

Duncan hugs Adora, while Adam looks on and Teela berates a palace guard.“Corporal, how many times have I told you not to let anybody into the palace and the gardens without a valid security clearance?”

“But Prince Adam said it was okay, Captain.”

“Prince Adam does not get to decide who is allowed into the palace…”

“Actually, he is the Prince, so…”

“Security is my job. Is that understood, Corporal?”

“Yes, Captain.”

Adam wants to introduce Adora to Teela.“Adora, I want you to meet my very best friend in the whole world. Hey, Teela, come and meet…”

“I have no interest in meeting your latest girlfriend, Adam.”

“Uhm, what?”

Teela walks off, while Adam, Duncan and Adora look after her.“And now if you’ll excuse me, Adam, cause some of us have work to do. Good bye. Have… sniff… fun.”

“Teela, wait!”

“Okay, now that was weird.”

Adam talks to Duncan, while Teela stalks off.“Let me guess, Duncan, you never told Teela that I had a twin sister.”

“Of course not. After all, I gave my word.”

“Great. Cause Teela is jumping to conclusions… again. Anyway, I’d better go and talk to her. Sigh, why do I have a reputation as a womaniser anyway? I never do anything and it’s not my fault that those silly giggling noblewomen won’t take ‘no’ for an answer. After all, I can hardly go all He-Man on them, can I?”

Adam talks to Teela, while Duncan and Adora look on.“Hey, Teela…”

“Go away, Adam! I want to be alone. And I’m sure whatshername is eagerly awaiting your return.”

“Listen, Teela, it’s not what you think. She’s my sister.”

“Don’t play me for stupid, Adam. You don’t have a sister.”

“Well, apparently I do now.”

Adam hugs Teela, while Duncan and Adora look on.“Look, Teela, this is all very confusing for me as well. But apparently, I once had a twin sister. But when we were both babies, she was kidnapped by an outfit calling themselves the Evil Horde and taken to another dimension. Ask your father or the Sorceress, if you don’t believe me. They’ll tell you it’s the truth.”

“And that girl is…?”

“Yes, that’s my sister Adora. I found her and brought her back.”

“And you really had no idea you had a sister?”

“Not until today, when the Sorceress told me to go through a portal to find her.”

“But that’s terrible. To know that you had a sister all those years and that she was stolen from you. And then I come and go ballistic on you and…. I’m sorry.”

“It’s all right, Teela. And now come on. You want to meet her, don’t you?”

“Let me guess, Duncan, they’re not just friends, are they?”

“Sigh. No one quite knows just what they are. Including Adam and Teela themselves.”

Adora and Teela shake hands while Adam and Duncan look on.“Teela, meet Adora, my long lost twin sister. Adora, this is Teela, my best friend in the whole wide world.”

“It’s so wonderful to meet you, Teela. I hope we can be friends as well.”

“I… I’d like that. I think. I don’t have a lot of friends, women friends I mean.”

“I never had a lot of friends either, when I grew up in the Fright Zone. I mean, there was Catra and I really miss her, but she wants to stay with the Horde… sniff”

“However, I’m not just Adam’s friend, I’m also his bodyguard and Captain of the Royal Guard. And I am responsible for Adam’s combat training – which he keeps missing – and for yours as well, Princess Adora.”

“Careful, Teela. Don’t scare her off!”

“Combat training sounds great. Back at the Fright Zone, I was considered one of the best hand to hand fighters of the Horde.”

“I look forward to putting your fighting skills to the test.”

“Oh no, what have I wrought?”

Teela talks to Duncan and Adora talks to Adam.“How could you not tell Adam that he had a sister, Father? How could you keep such a secret from him?”

“It was for his own good, to spare him the pain of knowing that he had a sister once and lost her.”

“It was still wrong. Adam would have deserved to know the truth. You and your damned secrets!”

“I gave my word, Teela.”

“That’s always your excuse, isn’t it? That you gave your word. Don’t you realise that you keep hurting people with your damned secrets? What else are you not telling us?”

***

“She’s certainly spirited. Well done, brother. I like her.”

“Uhm, we’re not… I mean, we’re just friends. Very good friends.”

“Well, if you’re not interested, I certainly would.”

“Ahem…”

Beyond a few scenes in The Secret of the Sword, we never really see Teela and Adora interacting, because while He-Man visited his sister on Etheria quite frequently, he rarely brought his supporting cast along. And because the He-Man cartoon ended shortly after the She-Ra cartoon started, there were no crossovers in the reverse direction either.

Nonetheless, I like to think that Teela and Adora would quickly have become friends. Especially since Teela doesn’t really have any female friends except for Andra, who doesn’t come along until Revelation. And talking of which, I would love to see Teela, Adora and Andra having a girls’ night out.

So let’s take a look at the friendship between Teela and Adora that the cartoons did not give us:

Adora and Teela are having a practice fight, while Duncan and Adam look on.“Good counter, Adora. Teela, keep up your guard. Well done!”

“The fact that Adora actually enjoys those practice fights with Teela is one of the unexpected benefits of having a twin sister. Cause if Adora keeps Teela busy, she’s not constantly bothering me with her fight training.”

Duncan pushed Adam towards Teela and Adora.“Come on, Adam, your turn!”

“Oh, must we…? Cause I just remembered that I need to feed Cringer and…”

“Adam, just because you can turn into He-Man doesn’t mean you can neglect your fighting skills.”

Teela challenges Adam to a fight, while Duncan and Adora look on.“What’s the matter, Adam? Are you afraid of fighting a girl?”

“Or two?”

“If those girls are you, ladies? Very much.”

Adam surrenders to Teela and Adora, while Duncan looks on.“Okay, ladies, I yield, I surrender, I give up. You win.”

“Adam!”

“Come on, lad, humor Teela or you’ll never hear the end of it.”

Later, in Duncan’s workshop:

Teela and She-Ra are having tea“Poor Adam. You really wear him out, Teela.”

“All because I love him. After all, Adam must be able to defend himself, when Skeletor’s forces attack.”

“You know that he can change into He-Man and just smash the crap out of Skeletor and his Evil Warriors, don’t you?”

“But what if he is separated from his sword or can’t transform in time? No, Adam needs the training. Cause I’m not going to lose him again.”

“Talking of which, when you and my brother do… well, you know what, does he do it as He-Man or Adam?”

“Adam. He says turning into He-Man is too dangerous, because he might accidentally hurt me. Now I don’t think he would ever hurt me, but Adam is… well, he worried about being loved and appreciated as Adam, not He-Man.”

“But you do love him as Adam, don’t you?”

“Of course. He-Man is very impressive, a great warrior and hero, but Adam is my best friend and the one I love, the one I’ve always loved. So what about you? She-Ra or Adora?”

“Adora all the way. In fact, I only date people who like Adora, too, not just She-Ra. It’s… well, just like Adam I want to be loved for myself, not for She-Ra. Take Bow, for example. He’s cute and funny, a great archer, skilled musician and asset to the Great Rebellion. But he’s only pining for She-Ra and treats Adora strictly as a friend. Catra, on the other hand, liked me as Adora, long before I ever became She-Ra. If only I could convince her to leave Hordak and join the Rebellion… And then there’s Sea Hawk, who’s handsome and dashing and loves Adora as she is and views She-Ra just as a friend and comrade-in-arms.”

“You should tell them, you know? That you’re She-ra.”

“Which one?”

“All of them. I know you want to protect them, but if you’re not telling them the truth about yourself, all you’ll do is hurt them. Trust me, I know.”

This brings me to another point. Because the toys and cartoons were aimed at kids, Masters of the Universe characters, both heroes and villains, tend to be monogamous and only have a single love interest, if they have one at all. Randor has Marlena, Duncan has the Sorceress, Orko has Dree-Elle (who really needs an action figure), Skeletor has Evil-Lyn (though their relationship is dysfunctional), Hordak has Shadow Weaver (another dysfunctional relationship), Stratos has Hawke, Queen Angella has King Micah. And Fisto has Ram-Man, though that’s only my head canon.

Okay, so Adam ends up in a love triangle with himself in his relationship with Teela, but since Adam and He-Man are the same person, it’s still a monogamous relationship. One episode features a young wizard who had a crush on Teela, while She-Ra’s ally Frosta has a crush on He-Man, but both crushes are unrequited.

Adora/She-Ra is the big exception here, for not only does she have three different love interests across the original Filmation cartoon series from the 1980s and the 2018 Netflix cartoon, she’s also canonically bisexual. In the 1980s cartoon, Adora’s love interests are her friend, fellow rebel and crack archer Bow and the lightsabre wielding pirate and occasional rebel sympathiser Sea Hawk.

As a kid, I always preferred Sea Hawk to Bow and my adult self feels the same. After all, Sea Hawk had a solar-powered pirate ship and a lightsabre and was simply very cool. Plus, Sea Hawk actually was in love with Adora, not She-Ra. Sea Hawk and Adora also kiss on screen, something that Adam and Teela still haven’t done. There’s even – which surprised the heck out of me, when I rewatched the cartoons as an adult – a hint that Adora and Sea Hawk are having sex – unless you believe that Sea Hawk bunks with his first mate Sven, whenever Adora is a guest aboard his pirate ship.

As for Bow, rewatching some episodes of the 1980s She-Ra cartoon as an adult, it seems to me as if Adora mainly views Bow as a good and dependable friend. There’s no real hint of any romantic relationship between them, though Bow does seem to have a crush on She-Ra. In fact, I always expected that Bow would end up with Glimmer eventually. Unless he turns out to be gay.

The 2018 She-Ra and the Princesses of Power cartoon finally gave Adora a new love interest in the form of Catra, her former friend and comrade in the Evil Horde as well as successor as Force Captain. And yes, they do kiss on screen, which so shocked and confused a Republican politician that he named She-Ra and the Princesses of Power as one example of Disney trying to corrupt kids by showing them that LGBTQ people exist. The irony is of course that while Disney owns almost everything else in the universe, it does not actually own either He-Man or She-Ra.

So yes, She-Ra is canonically bisexual. And in fact, Evil Buzz Cut Adora predates the 2018 cartoon by several years and not only does she not look very straight, she also makes advances towards the captured Teela. So yup, Adora is bi. Live with it.

My She-Ra figure always looks as if she’s flirting, whenever she is not pointing her sword at someone, so She-Ra is always something of a flirt in my photo stories. Alas, none of her three canonical love interests are currently available at the right scale. There was an announcement that Mattel was making a Catra figure this fall, but she is in the wrong scale as well, so my poor She-Ra will have to remain single for now. Unless she suddenly clicks with someone who isn’t one of her canonical love interests. After all, that’s how Fisto and Ram-Man came to be a couple, too.

Anyway, that’s it for the (very long) story of She-Ra, He-Man’s long lost twin sister. There will definitely be more toy photo stories coming, including the fourth and final instalment of the “Secrets of Eternia” subseries, where I’ll take a look at another long-lost (well, sort of) member of the Eternian royal family and his not-so-secret identity.

Disclaimer: I don’t own any of these characters, I just bought some toys, took photos of them and wrote little scenes to go with those photos. All characters are copyright and trademark their respective owners.

 

 

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The 2022 Dragon Award Finalists Look Really Good… With One Odd Exception

As always this time of year, when you’re way too busy with other things, the Dragon Awards decided to drop their 2022 ballot. I sometimes swear they do this on purpose.The Dragon Awards are a fan award given out by Dragon Con, a massive SFF media con in Atlanta, Georgia.

This is only the seventh year of the Dragon Awards, but they have gone through quite a bit of history since then, as recounted here by Camestros Felapton. You can also find my previous posts about the Dragon Awards and their tangled history here.

Anyway, the finalists for the 2022 Dragon Awards were announced today and the ballot looks really good with only a single WTF? finalist (more on that later) and a lot of popular and well regarded works on the ballot. This confirms a trend that we’ve seen in the past three years, namely that the Dragon Awards are steadily moving towards the award for widely popular SFF works that they were initially conceived to be, as the voter base broadens and more people become aware of the award, nominate and vote for their favourites. It’s a far cry from the early years of the Dragon Awards, where the finalists were dominated by Sad and Rabid Puppies, avid self-promoters and Kindle Unlimited content mills with a few broadly popular books mixed in.

So let’s take a look at the individual categories:

Best Science Fiction Novel

This category not only looks very good, it could easily be a Hugo or Nebula ballot. The Kaiju Preservation Society by John Scalzi, Goliath by Tochi Onyebuchi and Shards of Earth by Adrian Tchaikovsky all could (and well may) be on the Hugo or Nebula ballot. Leviathan Wakes by James S.A. Corey probably wouldn’t make the Hugo or Nebula ballot, because later entries in long series rarely get nominated in the Best Novel category. But given how popular The Expanse series is, I’m not at all surprised to see it here. Finally, we have You Sexy Thing by Cat Rambo, which makes me very happy, because it’s a great novel that deserves more recognition.

Diversity count: 5 men (James S.A. Corey is two people), 1 woman, 2 authors of colour, 1 international author

Best Fantasy Novel

This category also looks very good and none of the finalists would feel out of place on a Hugo or Nebula ballot. Indeed, the excellent Light From Uncommon Stars by Ryka Aoki is a Hugo finalist this year (though personally, I would have put it in science fiction rather than fantasy) and the also excellent Green Bone Saga, of which Jade Legacy by Fonda Lee is the final instalment, is a Best Series Finalist. The first book in the series, Jade War, was also a Dragon Award finalist. Ursula Vernon a.k.a. T. Kingfisher is both a Hugo and Dragon favourite and I would not be surprised to see Nettle and Bone on the Hugo ballot next year. Besides, it’s a great book. Moon Witch, Spider King by Marlon James is one of those books that sit on the borderline between genre and literary fiction and Marlon James did win the Booker Prize in 2015. It’s also a fine fantasy novel and I’m glad to see it on the ballot. Daniel Abraham’s solo work tends to get less attention than his collaborative work as James S.A. Corey, so I’m happy to see him nominated for Age of Ash. I was a bit surprised to see Book of Night by Holly Black nominated in this category, not because Holly Black isn’t a fine and highly popular writer, but because she is best known as a YA writer. However, Book of Night is apparently aimed at adult readers and therefore absolutely appropriate here.

What’s a bit surprising in this category is the absence of Larry Correia, either alone or together with co-author Steve Diamond, since Correia is a Dragon Awards favourite and had at least two eligible books.

Diversity count: 2 men, 4 women, 3 writers of colour, 1 international writer

Best YA/Middle Grade Novel

This category not only looks like an Andre Norton or Lodestar Award ballot, it actually is half of the 2022 Lodestar ballot, because A Snake Falls to Earth by Darcie Little Badger, Redemptor by Jordan Ifueko and Iron Widow by Xiran Jay Zhao are all Lodestar finalists this year and very fine choices they are, too. Nnedi Okorafor and V.E. Schwab are always worth reading and so I’m not surprised to see Akata Witch and Gallant on the ballot. A Dark and Starless Forest by Sarah Hollowell is the only Dragon finalist in this category that’s unknown to me, but then I am not much of a YA reader. Judging by the number of Goodreads and Amazon reviews, it’s definitely a popular book.

Diversity count: 5 women, 1 non-binary, 4 writers of colour

Best Military SFF Novel

Once again, this category looks most like the early years of the Dragon Awards with several indie books and Baen books on the ballot. But then, military SF is dominated by Baen and indie writers, so that’s no surprise. The Shattered Skies by John Birmingham also got quite a bit of attention among people who are not hardcore military SF readers and is probably the finalist I will end up voting for. Former countryman Marko Kloos is popular with Dragon Award nominators, so I’m not surprised to see his latest Citadel here. Resolute by Jack Campbell is a book in his popular Lost Fleet series. Unless I’m mistaken, this is the first Dragon nomination for Jack Campbell, which is surprising, considering how popular he is. A Call to Insurrection by David Weber, Timothy Zahn and Thomas Pope is connected to Weber’s hugely popular Honor Harrington series. J.N. Chaney is a popular and prolific indie author. He is nominated for Backyard Starship along with co-author Terry Maggert. Against All Odds by Jeffery H. Haskell is the first book in a series published by indie small press Aethon Books.

Diversity count: 9 men

Best Alternate History Novel

This category is a big surprise this year, because it does not resemble the early years of the Dragon Awards at all. There is not a single indie author on the ballot, instead all finalists are popular traditionally published books. She Who Became the Sun by Shelley Parker-Chan is also a Hugo finalist this year and a fine choice. Charles Stross has been nominated in this category for the Dragon Awards before and of course also has multiple Hugo nominations and even wins. Invisible Sun is the third book in his Empire Games alternate history series. When Women Were Dragons by Kelly Barnhill got quite a bit of buzz, though I wasn’t aware it was alternate history. The Silver Bullets of Annie Oakley by Mercedes Lackey passed me by completely, though I usually like her work and Mercedes Lackey is of course a hugely popular writer. I’m a bit surprised to see no nomination for the late Eric Flint, though a book in the 1632 series he originated, 1637: Dr. Gribbleflotz and the Soul of Stoner by Kerryn Offord and Rick Boatright, is nominated. Apparently, Rick Boatright died last year, so it’s nice that he get s posthumous nod for his work.

Which brings me to this year’s WTF? finalist, namely The King’s Daughter by Vonda N. McIntyre. Not that The King’s Daughter is a bad book, in fact it’s excellent. But it also isn’t eligible. Now Vonda N. McIntyre died in 2019. Posthumous award nominations are a thing, of course, but The King’s Daughter is not a new novel, but was published in 1997, i.e. 25 years ago, and even won the Nebula Award under the title The Moon and the Sun. A movie based on the book was released earlier this year after many years in development hell and on the shelf. As a result, The Moon and the Sun was re-released as The King’s Daughter, but it’s still the same novel that won the Nebula in 1997. Honestly, does no one at the Dragon Awards check this stuff?

Diversity count: 3 men, 4 women, 1 author of colour, 2 international writers, 2 deceased writers

Best Media Tie-in Novel

There are no surprises in this category. We have two Star Wars tie-in novels written by fan favourites Timothy Zahn and Claudia Gray, two Star Trek tie-in novels by David Mack and John Jackson Miller and a Halo tie-in novel by Troy Denning.

Diversity count: 4 men, 1 woman

Best Horror Novel

This is another really good ballot full of fine and popular horror novels. Stephen Graham Jones is probably the best horror author currently writing. He is nominated for My Heart Is a Chainsaw. Grady Hendrix is not just a great horror historian, but also a very good horror writer and is nominated for The Final Girl Support Group.  Chuck Wendig is another Dragon Award favourite and is nominated for The Book of Accidents. Daryl Gregory is a frequent presence on Hugo and Nebula ballots. I haven’t heard of his Dragon finalist Revelatory before, but it sounds like something I should like. I enjoyed Caitlin Starling’s 2019 SF horror novel The Luminous Dead a whole lot. Her Dragon finalist The Death of Jane Lawrence is billed as gothic horror and should be right up my alley. Hide by Kiersten White got a lot of buzz, when it came out earlier this year and I’m not surprised to see it on the ballot.

Diversity count: 4 men, 2 women, 1 writer of colour

Best Comic Book

This is another very good ballot. We’ve got three mainstream superhero comics in Immortal X-Men, Nightwing and Devil’s Reign, a Marvel mini-series about Wilson Fisk a.k.a. Kingpin becoming mayor of New York City. Marvel is also represented by their (very good) King Conan comic, which I’m very happy to see here. Step by Bloody Step and Twig are two newish SFF comics by Image that I hadn’t heard of before, but that sound really good.

No diversity count, too many people are needed to make comics.

Best Graphic Novel

This is another mix of old and new favourites. Both Monstress and Saga are perennial Hugo and Dragon favourites and also excellent comics. Though I’m surprised that Saga is nominated in Graphic Novel rather than Comic Book, because Saga was on an extended hiatus and only started up again recently and the next collection won’t be out until October. There’s also a Wonder Woman and a Dune graphic novel. Geiger is a post-apocalyptic graphic novel by Geoff Jones and Gary Frank, who was one of my favourite artists, back when I was still reading comics. Bitter Root is an Eisner Award winning series about a family of monster hunters in Harlem.

No diversity count, too many people are needed to make graphic novels.

Best Science Fiction or Fantasy TV Series

We have a whole lot of very popular series here. The Expanse and Stranger Things are long-time favourites and Star Trek: Strange New Worlds is the best of the three live action Star Trek series currently running. I have zero interest in either For All Mankind or Wheel of Time, but both are popular, both were Hugo finalists and Wheel of Time is based on a very popular novel series, too. The Boys is another popular and well regarded series. The only finalist in this category that surprises me a bit is Halo, for even though the TV show was based on a series of extremely popular videogames, neither fans of the games nor regular viewers seem to have liked it very much. I’m a bit surprised to see neither Moon Knight nor Ms. Marvel nor Obi-Wan Kenobi on the ballot, considering how perennially popular Marvel and Star Wars are.

No diversity count, too many people are needed to make TV series.

Best Science Fiction or Fantasy TV Film

This category is a mix of expected and somewhat unexpected favourites. Marvel is represented by Spider-Man: No Way Home and Doctor Strange in the Multiverse of Madness, its two most fan servicy films of recent times. The also eligible Marvel movies Eternals and Shang-Chi and the Legend of the Ten Rings did not make the ballot. In the case of Eternals, this isn’t surprising, because Eternals was as close to a dud as Marvel can get (though it’s getting a sequel), but Shang-Chi was generally popular and IMO better than either No Way Home or Multiverse of Madness. Dune is pretty much a no-brainer, because a) it’s Dune and b) it’s actually a good adaptation. Ghostbusters: Afterlife surprises me a little, because not even the fanboys who hated the 2016 Ghostbusters (which at least tried to do something new and was a lot of fun) seem to have liked this one very much and everybody else felt it was overly nostalgic and fan servicy. Free Guy was a lot of fun and I’m glad to see it nominated. And while I had heard of The Adam Project, I had to look up what it even was about (time travel), because it largely passed under my radar. Interestingly, both Free Guy and The Adam Project share the same director (Shawn Levy) and star (Ryan Reynolds), so are we maybe seeing the impact of eager Ryan Reynolds or Shawn Levy fans here?

No diversity count, too many people are needed to make movies.

The Gaming Categories

I’m still not a gamer, so all I can say is that I have heard of some of those games, so they must be popular. And something called Thirsty Sword Lesbians must be good based on the title alone. Apparently, two of the boardgames are not SFF, but then that’s nothing new for the boardgame category at the Dragons. One year, a (very good) game about tile-making won.

All in all, this is a very good ballot and shows that by now the Dragon Awards have gone beyond their initial niche of puppies and indie writers. Coincidentally, the Dragon Award ballot also proves that the Hugos and Nebulas are not in fact out of step with the tastes of “real fans(TM)”, because the same books and authors get nominated for the Hugos, Nebulas and Dragons these days, even if the Dragons tend to have more male finalists than the other two awards. Also, I find it amusing that authors like John Scalzi, Cat Rambo or Chuck Wendig, who are vehemently disliked by the Puppies, are all on the ballot as are a lot of women and writers of colour.

Of course, it would still help if the Dragon Awards administrators would at least do a cursory check to avoid things like a 25-year-old novel being nominated due to a re-edition. Nonetheless, the Dragons seem to have reached full mainstream respectability by now and are another addition to the spectrum of SFF Awards with a few unique quirks such as their odd category breakdown and eligibility period.

But of course the question is: How do the Puppies react to a Dragon Award ballot they’re pretty much guaranteed to hate? Oddly enough, the reactions in Puppyland are fairly muted. Everybody seems to be way too upset about the FBI searching Trump’s Mar-a-Lago estate to worry about the Dragons. Even Declan Finn is oddly silent.

Below, you’ll find a few puppy-adjacent reactions I found:

So in short, it’s the usual “I have never heard of any of these books” along with the also usual “We hates John Scalzi” stuff.

For more Dragon Awards discussion, see also Camestros Felapton’s post.

ETA: Camestros Felapton has also analysed the gender breakdown of Dragon Award finalists and winners (short version: The Dragons still skew male, though less than they used to) and traces how the Dragon Awards went mainstream.

ETA 2: File 770 compiles the number of Goodreads ratings for each Dragon Award finalist in the novel categories and confirms that these are broadly popular books.

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