Some Comments on the 2025 Hugo Winners – with Bonus Tall Ship Photos

The winners of the 2025 Hugo Awards were announced last night or rather very early in the morning at Worldcon in Seattle, Washington. My thoughts on the finalists may be found here and the full voting statistics and some comments by the administrator may be found here.

I didn’t attend Worldcon this year, because the US government has unfortunately gone quite mad and the risk of being refused entry to the US or – worse – getting thrown into some ICE jail is too big, especially since Worldcon already falls into the gray area between business and leisure travel for me.

However, Worldcon wasn’t the only big event happening this weekend. Cause the SAIL tall ship festival in Bremerhaven, one of the biggest in the world, was also happening at almost the same time as Worldcon. And unlike Seattle, Bremerhaven is only about eighty kilometers away. And when the water was sunny but cool on Saturday morning, I hopped into the car and drove to Bremerhaven to the visit the SAIL. I will probably do a separate blogpost with more photos, but for now enjoy this little taste:

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Deryni Rising by Katherine Kurtz or How to Suppress Women’a Writing – The Fantasy Edition

I’m over at Galactic Journey again – for the second time this month and a third article is coming later this month, which must be a new record for me – to talk about Deryni Rising by Katherine Kurtz, a novel which was incredibly influential and yet isn’t remembered nearly as well as it should be.

For the actual review, head over to Galactic Journey. If you want to know why this novel was so influential – which I obviously couldn’t discuss from the 1970 POV of Galactic Journey – read on.

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So what does Cora think of the new Masters of the Universe toys revealed at San Diego Comic Con?

So do you want to know what I think of the new Masters of the Universe toys revealed at San Diego Comic Con – illustrated with photos of my toys from my own collection which were not revealed at San Diego Comic Con, at least not this year? If yes, then you’re in luck. And if no – well, then I’m sorry, but you’ll just have to skip this post.

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A Charcuterie Board of Mixed Links

I’ve been working on a post about the Masters of the Universe reveals at the 2025 San Diego Comic Con, which started off with links to all the other places where I’ve been lately.  But that post got too long, so the links are getting their own separate post.

So here is where else you could find my work of late:

At Galactic Journey, I wrote about the breaking out of Andreas Baader from prison, an event which will eventually be considered the birth of the far left terrorist group Red Army Fraction.  This article wasn’t easy to write, even though the history of the Red Army Fraction is pretty well documented. However, it’s still a touchy subject in Germany, especially if you have a mildly more sympathetic view than “These people are evil, evil, evil.” I tried to be fair to all parties involved, because fairness is the one thing that the members of the future Red Army Fraction were rarely granted.

And even though I thought I knew a lot about the 1968 movement and how some of its members drifted off into terrorism and murder, it turns out that there is so much I didn’t know. There are also many things that no one knows, e.g. there’s one key member of the prison break plot about whom we know next to nothing except her name. For another member of the plot, we don’t even have that – all we know is that it was a man. We also know very little about the first victim of the future Red Army Fraction – a janitor who got caught in the crossfire – beyond his name and age.

The whole thing is also so much weirder and more pathetic than I thought. I mean, parts of this story – due to a typo, security was increased for the wrong prisoner, some of the fugitives forgot their passports when trying to flee to a different country, Horst Mahler accidentally gave away the location of the fugitives, because he rang the wrong embassy – are straight up comedic.

For those of us who grew up in the 1970s and 1980s, the Red Army Fraction were the ultimate bogeyman. Their faces were on every post office wall, yet no one had seen them in years. Occasionally, they would murder a banker, a CEO, a judge or a prosecutor – never a politician – and send rambling letters to the media, which never explained anything. The truth is that these bogeymen were actually quite pathetic, though no less deadly for it. As for a plan, they obviously never had one in the beginning beyond “break Baader out of prison” – indeed, quite a few people said that the Red Army Fraction was formed by accident – and most likely there never was any plan at all.

BTW, two weeks ago we got word that Horst Mahler, one of only two protagonists of the Red Army Fraction article who was still alive, died aged 89, very much unlamented, because he was scum, going from leftwing lawyer to far left terrorist to Neo-Nazi and raging Anti-Semite. At the time of his death, he was on trial for Holocaust denial – not for the first time.

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Also at Galactic Journey, I write about the merger of the two West German shipping companies Norddeutscher Lloyd and Hapag to form Hapag-Lloyd in 1970 as well as about the occult detective Larry Brent and what is considered to be the birth of the horror “Heftroman” a.k.a. dime novel in West Germany.

Both topics had a personal impact on me. Because my Dad worked at Hapag-Lloyd in Bremen from 1973 to 1982 and I remember going to visit him in his office as a little kid, remember the doorman who knew me and my Mom (because he actually was a distant relative, as I later learned), remember the carpeted floors and the model ships all over the place.

When Hapag-Lloyd closed its Bremen office and relocated most departments to the Hamburg office, my Dad left and instead went to work in Singapore. I was an adult until I realised that taking a job on the other side of the world, because you don’t want to relocate to an office 125 kilometers away makes no sense at all. I suspect there was something else to it – a promotion Dad expected, but didn’t get – but I never got around to asking him about this. Though, “My Dad hated Hamburg so much that he’s rather work in Singapore” is kind of funny. That said, he did eventually wind up working in Hamburg, though at a different company, from 1992 until 2008 or so.

Though Dad really did hate Hamburg or rather the terrible traffic. He even once paid for a more expensive plane ticket, so I could fly from Bremen rather than Hamburg. I don’t hate Hamburg and never have. But after Dad died and I decided to take the car and visit Hamburg, I quickly realised why Dad disliked driving to Hamburg so much, cause the traffic really is terrible. And public transport is an alternative, though it still takes forever, because Hamburg’s main problem is that there aren’t enough Elbe crossings and that almost all inner city traffic has to squeeze across a couple of bridges dating from the 19th century.

As for the horror “Heftromane”, when I was a kid, these horror dime novels were considered very, very bad stuff, which would inevitably turn you into an axe murderer or something. So of course they were also irresistable. When I finally got my courage up to buy one, I was actually disappointed that the contents were not nearly as bloody as I expected based on the moral panic these dime novels engendered.

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At the Yesterday, Today and Tomorrow Blog of the Seattle Worldcon, I wrote about the remarkable 100 year history of the body-hopping supervillain Dr. Mabuse, who experienced his second flourishing in the early 1960s.  There have been many issues with the Seattle Worldcon, but the Yesterday, Today and Tomorrow Blog was a consistently bright spot and I’m glad to have contributed several articles about the science fiction and fantasy of the early 1960s.

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I also was at the Hugo-nominated podcast Hugos There twice to discuss the 2025 Hugo finalists for Best Short Story and Best Novella with a panel of fans and reviewers.

Stay tuned for my thoughts on the Masters of the Universe reveals from San Diego Comic Con. The final two parts of my epic “He-Man goes Ruhrpott” a.k.a. “the industrial history tour featuring He-Man” adventure are coming as well.

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The Obligatory 2025 Dragon Awards Ballot Post

I was planning to blog about something else, but as they usually do, when you’re busy with other things, the 2025 Dragon Awards decided to drop their 2025 ballot – after posting an empty ballot page for several daysThe full list of finalists may be found here or – in a less eye-straining format – at File 770.

To recap, the Dragon Awards are a fan award given out by Dragon Con, a massive SFF media con in Atlanta, Georgia. They are in their tenth year now and have gone through quite a bit of history in those ten years, as recounted here by Camestros Felapton. I have covered the Dragon Awards since the beginning and you can also find my previous posts about the Dragon Awards and their tangled history here.

Camestros Felapton’s commentary about the 2025 Dragon Awards finalists may be found here – with some discussion in the comments.

Since it seems that I – along with Camestros Felapton and Doris V. Sutherland – am cursed to be the chronicler of the Dragon Awards, here is my analysis of the 2025 ballot:

Best Science Fiction Novel

We have a mix of the expected and unexpected here. The duo writing as James S.A Corey have had several Dragon Awards nominations and even wins. This year, they are nominated for their latest novel The Mercy of the Gods.

C.J. Cherryh is a veteran science fiction author who has been publishing since the 1970s and has multiple Hugo and Nebula nominations and wins under her belt as well as an SFWA Grandmaster Award. She is nominated along with her wife Jane S. Fancher for Alliance Unbound.

Absolution is the latest novel in Jeff VanderMeer’s Southern Reach series, which was a Hugo finalist for Best Series this year. A previous Southern Reach novel also won the Nebula Award, plus the first Southern Reach novel Annihiliation was adapted as a movie in 2018.

Elizabeth Bear has had multiple Hugo and Nebula nominations and I wouldn’t be surprised to see The Folded Sky on next year’s Hugo ballot.

Kevin J. Anderson’s original fiction has never done much for me, but he is extremely popular. I haven’t read his nominated novel Nether Station.

Extremophile by Ian Green was a finalist for this year’s Arthur C. Clarke Award. It’s a kind of cyberpunk, climate change eco-thriller, which is not exactly what you’d expect to find on the Dragon Awards ballot. Coincidentally, this means that two works of ecological science fiction, Extremophile and Absolution, have made the Dragon Award ballot this year, which is sure to make puppies cry.

This Inevitable Ruin by Matt Dinniman is the latest book in Dinniman’s popular Dungeon Crawler Carl LitRPG series. It’s a self-published book, which means that Dinniman holds up the indie flag at the Dragon Awards.

Diversity Count: 3 women, 6 men (James S.A. Corey is two people, 1 author of colour, 1 international author, 1 indie author and a married lesbian couple.

Best Fantasy Novel

I’m really happy to see Shadow of the Smoking Mountain by the late Howard Andrew Jones, the third and sadly final book of the Chronicles of Hanuvar, on the Dragon Award ballot. The Chronicles of Hanuvar is an excellent series and I urge everybody who likes sword and sorcery and historical fantasy to read it.

Long Live Evil by Sarah Rees Brennan is a novel I enjoyed a lot and I’m happy to see it nominated. It’s also a portal fantasy in a category dominated mostly by epic fantasy with a military bend.

Joe Abercrombie is a very popular writer of grimdark fantasy and is nominated for his latest novel The Devils.

The Black Bird Oracle by Deborah Harkness is the latest book in her All Souls’ series, which is very popular.  It’s a kind of dark academia/urban fantasy type novel and the second outlier in this epic fantasy dominated category along with Long Live Evil by Sarah Rees Brennan. Interesting that the two outliers are also the only two novel written by women.

Larry Correia is a very popular with the Dragon Awards electorate and has several wins and nominations under his belt. This year’s finalist Heart of the Mountain is part of his Saga of the Forgotten Warrior epic fantasy series.

Cameron Johnston is a Scottish writer of grimdark fantasy who is quite popular. His Dragon nominated novel The Last Shield is billed as a “gender-flipped Die Hard set in a mysterious castle”, which actually sounds a lot of fun.

Diversity count: 2 women, 4 men, 1 author of colour, 2 international authors, 1 deceased author

Best Young Adult / Middle Grade Novel 

Sunrise of the Reaping is the latest instalment in Suzanne Collins’ extremely popular Hunger Games series and not even remotely a surprising finalist.

Shami Stovall has been nominated in this category several times before, so she’s clearly popular with the Dragon Awards crowd. Her 2025 finalist is Labyrinth Arcanist.

David Webber is another perennial Dragon Award favourite with multiple nominations and wins, though I didn’t know he also write YA until today. He is nominated in this category for Friends Indeed co-written with Jane Lindskold, who is a well regarded fantasy writer. Apparently, Friends Indeed is part of a whole series and ties into David Webber’s popular Honor Harrington series.

Compound Fracture by Andrew Joseph White would have made the Lodestar ballot this year, but the author chose to withdraw. Withdrawing from the Lodestar, but accepting a Dragon nomination is certainly unusual and now I wonder whether the Dragon Awards bothered to inform the finalists beforehand. Coincidentally, Compound Fracture with a queer and autistic protagonist is exactly the sort of book that makes puppies cry.

I have never heard of Among Serpents by Marc J. Gregson before, though it apparently was a New York Times bestseller.  The synopsis sounds more like military fantasy than YA, though it was published by a YA imprint.

I haven’t heard of Rest in Peaches by Alex Brown before either, though the novel sounds like a lot of fun and very much like YA with a murder investigation at a high school. Alex Brown has been a Locus Award finalist. Coincidentally, this is not Alex Brown, the Reactor and Locus reviewer, but a different person with the same name.

Diversity count: 4 women, 3 men, 1 author of colour, 1 indie author

Best Alternate History Novel

The most amazing thing about the Dragon Award for Best Alternate History Novel is that it’s still around and survived the gradual purge of the various subgenre categories that characterised the early years of the Dragon Awards. I guess someone among the faceless administrators of the Dragon Awards really likes alternate history fiction.

The Martian Contingency by Mary Robinette Kowal is the latest instalment in her popular Lady Astronaut series and not at all a surprising finalist.

Eric Flint has been steadily nominated in this category since its inception. This year, he is nominated for 1635: The Weaver’s Code, co-written with Jody Lynn Nye, which is part of the Ring of Fire series. What makes this nomination a little surprising is that Eric Flint died in 2022. I guess The Weaver’s Code was either an unfinished manuscript or based on notes Flint left behind.

S.M. Stirling is perennially popular – at least in the US, since I hardly ever see his books in Europe – and has been a Dragon Award finalist before. His nominated novel To Turn the Tide appears to be a kind of Lest Darkness Fall for the twenty-first century.

Both Tom Kratman and Kacey Ezell have been nominated for the Dragon Awards before. This year, they are jointly nominated for 1919: The Romanov Rising, co-written with Justin Watson.

Gangster by Dan Willis appears to be a supernatural crime novel and part of a series. I’m not familiar with this one and am also not sure whether it’s actually alternate history, since it sounds more like historical fantasy to me.

Gold, Gangs, and Glory by Laurence Dahners is another book I’ve never heard of. It seems to be a kind of multiverse hopping tale featuring a female doctor in 1918. Dahmers is an orthopaedic surgeon and indie writer.

It’s notable that most of the finalists in this category actually seem to be alternate history – only the status of Gangster by Dan Willis and Gold, Gangs, and Glory by Laurence Dahners is a little unclear. This hasn’t always been the case in the past.

Diversity count: 3 women, 6 men, 2 indie authors, 1 deceased author

Best Horror Novel

Stephen Graham Jones is one of the best and most popular horror authors writing these days. He is nominated for The Buffalo Hunter Hunter.

Chuck Tingle is a two-time Hugo finalist, writer a satirical gay erotica, master puppy-troller and now horror author. He can now add a Dragon nomination for Bury Your Gays to his impressive resume.

Delilah S. Dawson has been nominated for the Dragon Award and the Stoker Award before. This year, she is nominated for It Will Only Hurt for a Moment, which appears to be a modern gothic.

Ian McDonald has been nominated for the Hugo Award multiple times, though this is his first Dragon Award nomination as far as I can recall. He is normally a science fiction author, but The Wilding is very clearly horror.

S.A. Barnes writes science fiction horror and has won the Goodreads Choice Award in the science fiction category. She is nominated for Cold Eternity.

Darrcy Coates is a popular Australian horror author. Her nominated novel The Vengeful Dead is part of her Gravekeeper series.

Diversity count: 3 women, 3 men, 1 author of colour, 2 international authors

Best Illustrative Book Cover

Doris V. Sutherland has kindly posted the nominated covers in the comments at Camestros Felapton’s post, so check them out.

What’s notable is that these covers tend to have the busier style of the 1980s and early 1990s rather than the more stylized style that is popular today. I don’t find most of the finalists particularly interesting and while looking up the artists, I liked many of the other works on their portfolio much better than what they are nominated for. My favourite is Michael Whelan’s cover for Brandon Sanderson’s Wind and Truth.

Diversity count: 6 men, 2 international artists

Best Comic Book / Graphic Novel

This is a very mainstream ballot dominated by Marvel and DC and A-list superheroes. We have Absolute Batman, Absolute Superman, Ultimate Spider-Man, Ultimate Wolverine and Daredevil: Cold Day In Hell (no absolute or ultimate here).  The lone outlier is Transformers Volume 3 and that’s not exactly an obcure property

No diversity count, too many people are needed to make comics.

Best Science Fiction or Fantasy TV Series

This is basically a list of popular and well-regarded SFF series which aired/streamed in the past year. We have Murderbot, Andor, Severance, Silo, The Wheel of Time and The Rings of Power. No Marvel or Star Trek this year, but then I don’t think there was anything eligible except Daredevil Born Again. Doctor Who, which did air its most recent season during the eligibility period, is also notable by its absence.

No diversity count, too many people are needed to make TV series.

Best Science Fiction or Fantasy Movie

Once again, this is basically a list of popular and well-regarded SFF movies that came out during the eligibility period.

The Marvel Cinematic Universe, though in trouble, is represented by Thunderbolts* and Deadpool and Wolverine. I personally don’t care for Wicked at all, but it was hugely popular and also a Hugo finalist in this category. Sinners was probably the surprise horror hit of the year and is also a very good movie. I kind of forgot that Alien: Romulus existed, because it came out at the very start of the eligibility period. The live action How to Train Your Dragon got mixed reviews and was mostly considered an unnecessary remake of a beloved animated film. But then, live action remakes of animated films do tend to do well at the box office, in spite of lukewarm reviews.

No diversity count, too many people are needed to make movies. And yes, the ballot lists the directors, but you need a lot more than a director to make a film.

Best Digital Game

I can’t really say anything about this category, except that I’ve heard of Assassin’s Creed, Elden Ring and Death Standing.

No diversity count, too many people are needed to make games.

Best Tabletop Game

I can’t really say anything about this category either, except that it seems to be heavy on collectible cardgames with two different Magic the Gathering expansions and Disney’s Lorcana nominated.

No diversity count, too many people are needed to make games.

Overall Thoughts

As in previous years, the 2025 Dragon Award ballot consists mainly of broadly popular works with the occasional more niche work with a passionate fanbase thrown in, so the Dragons are doing what they were created to do, namely honour the sort of popular works that are often ignored by other awards.

As is common with the Dragons, they are a lot whiter and more male and more American than most other genre awards, though there is only one category that’s all male. Baen makes a strong showing, but then Baen traditionally has a large presence at Dragon Con and also actively promotes their authors for the Dragon Awards. One thing I noticed that there are a lot of writers from Utah nominated, more than you’d normally assume.

Another thing I noticed is that the Dragon Awards have a higher tendency to nominate deceased writers than other awards. I have no idea why this might be, but it is an interesting phenomenon.

Finally, there is nothing related to Dune on the ballot – no movie, tie-in comic or tie-in novel – for the first time in years.

I haven’t found any reactions beyond happy finalists announcing their nominations about the 2025 Dragon Award finalists. If any show up, I will add them here.

ETA 08-05-2025: Larry Correia is honoured to be nominated for a Dragon Award again, but would prefer people to vote for Shadow of the Smoking Mountain by Howard Andrew Jones, which is a classy thing of him to do.

ETA 08-08-2025: Camestros Felapton shares some stats analysing the gender breakdown of Dragon Award finalists over time.

ETA 08-11-2025: Camestros Felapton delves into the Amazon rankings of various Hugo and Dragon Award winners of recent years and finds some very crazy numbers.

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Cora’s TV Adventure – Take Two

Before we get to the main event, I was at the Yesterday, Today & Tomorrow blog of the Seattle Worldcon again, this time talking about the 1960 East German science fiction film Der schweigende Stern a.k.a. The Silent Star.

Back in January, I wrote about how I appeared in a segment on viewers’ opinions on NDR TV.

Well, guess what? This Saturday, I was on TV again. And this time around, it even has something to do with science fiction and the Hugos.

The story started last Friday, when I got a phone call from Désirée Bertram, a journalist working for buten un binnen. For those who don’t know (which is most likely everybody who’s not from Bremen and surroundings) buten un binnen is the regional news program of Radio Bremen TV, it has been broadcast daily on weekdays (and later on Saturdays) since 1980. The title is Low German for “without and within” and is taken from  the motto inscribed above the doorway of the Schütting, seat of the Bremen chamber of commerce, in gilded letters: “Buten un binnen – wagen un winnen” (Without and within – to dare and to win). BTW, I love that it rhymes in both English and Low German.

Back in 1980 – and I’m pretty sure I watched the first episode as a young kid – buten un binnen felt fresh and modern compared to the deadly dull evening news programs featuring serious looking older men (and very rarely women – since women were considered too emotional to read the news) in suits and ties who announced very serious news in very serious tones. buten un binnen was different. The anchors were fairly young, they wore sweaters and no ties and impressive facial hair (it was the early 1980s), they were less reverent than the staid elderly gentlemen of the mainstream news programs, asked hard questions and even made jokes on occasion. Nowadays, this sort of style is common for news programs, but back in 1980, it was something genuinely new and different. As a result, buten un binnen became hugely popular and remains so to this day. When the public TV channel ARD tried to banish all of its regional programming from its nation-wide channel (where the two hours from six to eight PM were once reserved for regional programming) to the less popular regional third programs, buten un binnen managed to avoid this fate for a while, since it was by far the most popular regional news program in Germany and the one that people were actually watching.  Though nowadays, buten un binnen is broadcast on the regional channel Radio Bremen TV.

As for why a journalist from buten un binnen called me, well, she’d read the article about my Hugo nomination in the Weser-Kurier and wanted to interview me. Now I always sent out my press releases about my Hugo nominations to all the local media, including Radio Bremen. However, I never got a response from them. When I won in 2022, I even adressed the e-mail directly to one of their radio journalists, who was a classmate of mine at university, though I still had to send it via their central contact address. No response. And now they suddenly contact me out of the blue in response to a newspaper interview about me.

I had a nice chat with Désirée Bertram and explained what the Hugos are, what Galactic Journey is, what we do and so on. She also asked me if they could interview me at home, how the conditions are, if there’s enough space to fit in a TV team and their equipment and so on. I said, “No problem, you can film me at home, there’s enough space and since I’m self-employed, I’m also flexible with regards to time.”

Initially they planned to shoot the interview on Tuesday, which gave me three and a half days to get the house in order – and luckily, the house was more orderly than it had been in January. Though the garden was not in great shape. The front lawn needed mowing and there were other issues like dead plants as well.

Now I dislike gardening work. I find it deeply unpleasant and so I’ve hired my neighbour Vladimir, who has a gardening and house repair business, to do the garden for me. Which normally isn’t a problem, except that the time frame was a little tight. So I asked Vladimir, “Could you maybe mow my lawn and clean up the garden by Monday, because buten un binnen wants to interview me on Tuesday?”

Indeed, Vladimir and his two helpers did mow my lawn and got rid of the dead plants for me on Monday – only to be promptly interrupted by a gust of rain. I also bought some strawflowers and lavender plants at the DIY store and planted them in a planter that was filled with mostly dead heather and weeds. At any rate, my garden looks much more presentable now, though in the end you can see very little of it in the TV report.

In the end, the buten un binnen TV team shot the interview on Wednesday rather than Tuesday, which gave me one additional day to clean up the house and reorganise my Masters of the Universe collection to show them off a little better.

The TV team showed up on Wednesday at noon in a van emblazoned with “Radio Bremen”, so all the neighbours could see what’s going on. And believe me, they were curious, because everything out of the ordinary gets noticed in this neighbourhood.

Inside the van, there were three people: Désirée Bertram, the journalist who’d contacted me, as well as a camera operator (his name is Lür Wagenheim according to the credits at the end of the TV report) and a sound technician. They lugged a lot of equipment into the house. Home cameras have gotten much smaller since my days with the public access channel Bremer Umland, but professional TV cameras are as big and heavy as they ever were.

This time around, I did not have a microphone clipped to my collar with a wire running under my shirt. I was glad about that, because it’s summer and I’m not wearing a lot under my t-shirt, so the wire would have been on my bare skin.

The house was inspected and the two Hugo trophies and my Masters of the Universe collection were duly admired. “I had no idea there were so many of those figures,” someone – I think the sound guy – said, “I always thought there were only four or five or so.” I replied, “Oh, there were a lot more than that [there were 72 figures in the vintage Masters of the Universe line, not including vehicles, playsets and mounts like Battle Cat or Panthor], only that they weren’t all available at the same time and some were never sold in Germany at all.”

As for filming, I pointed out that the dining room/hall was probably the best place to film, but we could also use the living room (actually a misnomer, since the room is only used on Christmas and sometimes for visitors), except that one of the automatic blinds is broken and permanently down and will likely remain so, since Dad couldn’t locate the problem and if he couldn’t find it, no one else stands a chance. The living room also needs redecorating, because I want to get rid of my parents’ outdated decor. “You can also film me in my office,” I said, “But it’s not very exciting – just an attic room.” – “Can we film you working somewhere else?” – “I can unplug the laptop, no problem,” I said.

So in the end, the dining room/hall it was. I unplugged the laptop, took it downstairs and started it up. “Do you have some research materials we can show?” Désirée Bertram asked. I replied, “You’re lucky, cause my parents’ collection of Das Jahr im Bild [The Year in Pictures, a kind of almanac] is right here on the shelf and I can pull out the 1970 edition. Though I hope it doesn’t cause everything else to come crashing down.”

As a matter of fact, I’m currently in the process of reorganising the bookshelves in the dining room/hall area, cause they are full of my parents’ books – lots of coffee table type books about ships and motorbikes and WWII, chronicles of the companies where my parents worked that no one really cares about as well as a shelf worth of Marie Louise Fischer novels – which aren’t necessarily topics that excite me very much. I’m not going to get rid of them altogether – not even the Marie Louise Fischer novels, because maybe I want to write something about her work – but I don’t want them clogging up prime real estate in the house. Some of the books have already been relocated to the basement, though others are still there. And those Das Jahr im Bild books really are useful for research.

So I pulled Das Jahr im Bild 1970 from the shelf – and no, nothing came crashing down, though I wondered why on Earth we own a book listing all the churches in Bremen? – and put it quite prominently on the table. Then I typed random stream of consciousness stuff, opened Galactic Journey and scrolled through one of my articles and flipped through the pages, while I was being filmed from all angles.

One funny moment was, when the pewter mugs and decorative plates in the shelf behind me were scrutinised, whether there’s anything political or potentially problematic visible. “Welll, unless the city of Hamelin or the propeller manufacturer Voith are considered problematic now, it should be fine.” The decorative pewter mugs, plates, spoons, etc.. also belonged to my parents and will probably be removed eventually – because they’re not to my taste at all – though so far I haven’t been able to bring myself to get rid of them.

I was asked a few questions and occasionally had to repeat an answer for another take. I was also handed some sheets of white cardstock and a marker and asked to write the date 1969 onto the cardstock. The first time I did it, I was asked to do it again and turn the marker, so you can’t make out the very prominent manufacturer’s name. Radio Bremen is a public TV channel and have to be wary of anything that might be considered product placement, cause that would be illegal advertising. And yes, there have been scandals involving product placement and illegal advertising in German public TV going back to the 1980s, though none of them ever involved Radio Bremen. The most infamous case is probably the very prominent appearance of Paroli cough lozenges in the Schimanski Tatort episodes “Zahn um Zahn” (Tooth for a Tooth) and “Freunde” (Friends), which allegedly were only greenlit, because the then head of the public TV station WDR claimed to have no idea that Paroli was a real brand.

I was also asked to take the Hugo from the shelf, put it on the table and admire it. Later, I was also asked if I could hold the trophy, while answering a few questions. “Not for very long,” I said, “It weighs four and a half kilos and is very heavy.”

After those shots had been finished, the TV team because to assemble a green screen in my dining rooms. Basically, it’s is a metal frame covered with green cloth. The thing was huge and pretty much divided the entire dining room. Squeezing past it wasn’t easy, squeezing past it while carrying a Hugo trophy was even more of a challenge. They also had problems with light shining through the green cloth from behind. Internal lights could be switched off, but sunshine streaming in through the garden door was a problem. “I can lower the automatic shutters, if you like,” I said. “Oh, that would be wonderful.” Of course, the switch to operate the automatic shutter was on the other side of the dining room table, so I had to squeeze past the green screen again to reach it.

I also asked if the fact that the print on my t-shirt – which is reproduction of the cover of the 1966 edition of Foundation – is green was a problem.  “That shouldn’t be a problem,” I was told, “We can exclude it from the process.”

I was then asked to stand or sit in front of the green screen, answer more questions and write “1969” onto the white cardstock again. I was also asked to look around and follow an imaginary object with my eyes. The Hugo was also filmed against the green screen.

Of course, I know what a green screen is and how it works. I’ve known that since I was a kid and eagerly watched “making of” documentaries about science fiction movies. However, this was my first experience with an actual green screen. Coincidentally, it was also the first time working with a green screen for journalist Désirée Bertram.

Now Radio Bremen has always had cutting edge TV technology and they have been using early versions of the green screen process since the 1960s, mostly to insert animated backgrounds into the famous Beat-Club/Musikladen music program. And nowadays, they use the tech for news programs, to make me appear in front of footage of the first Moon landing.

After the filming at my home was done, the TV team also wanted to film me outside. Now buten un binnen is a regional TV program for Bremen and surroundings, so of course they wanted a local hook. And the one they chose was the crash of Lufthansa flight 005 while landing at Bremen airport on January 28, 1966.  I wrote about this crash for Galactic Journey and incorporated eyewitness statements, including that of my Dad who chanced to drive past the crash site very shortly after it had happened. The article is here BTW and I’m very proud of it, because it took a lot of research.

Nowadays, there are two memorial steles commemorating the victims in a park near the crash site. The first stele was donated by the Italian National Olympic Committee and is dedicated to the seven members of the Italian national swim team as well as their coach and a TV reporter who died in the crash. That stele was erected in 1967 shortly after the crash, though it has been moved since then, when the runway of Bremen airport was extended in the early 1980s. The second stele, which lists the names of all 46 victims, was only erected in 2019 and no, I have no idea why it took them so long to honour all 46 people who died in what is still the worst plane crash ever at Bremen airport. Though Bremen has a thing for putting memorials decades later. The memorial stele for the three victims of the Gladbeck hostage drama (most of which did not actually take place in Gladbeck, but in Bremen), 15-year-old Emanuele De Giorgi, 19-year-old Silke Bischoff (who went to my school) and 31-year-old police officer Ingo Hagen, was not set up until 2019, thirty-one years after it happened, either.

So the TV team loaded everything back into their van and also filmed me going out and into the house. When I opened the door, I nearly stumbled over a stack of packages that had been delivered. I actually did see the mail person, but he never rang the doorbell. The packages actually contained things ordered weeks apart, because two shipments had been delayed due to holidays, one arrived unexpectedly fast and Mattel Creations packages arrive whenever they please anyway.

They also asked me if I could drive to the memorial for the victims of Lufthansa flight 005 in my own car, because they still had more filming to do in the city center afterwards. “No problem,” I said.

Just before we drove off, my neighbour Franziska chanced to come by with her two young kids whom she’d picked up at the kindergarten. The two kids cheerily greeted the TV team and me. Of course, a TV van is not nearly as exciting as heavy machinery, but still exciting enough for little kids.

We then drove to the park with the two memorial steles for the victims of flight 005. I drove ahead, since I know the way better, and the TV van followed. I drove onto a parking lot by the park, which is used by dog walkers and the like, again followed by the TV van.Of course, it had to start to rain the moment I stepped out of the car.

The two memorial steles are quite close to the parking lot, located amidst a copse of oak trees. Thankfully, the grass had been mowed, so we didn’t have to wade through tall grass to get there. I told the TV team that I had actually taken a photo of the stele with the names of all the victims and googled every single one to see what I could find out about them. “This was the pilot,” I said, pointing at the name, “This was the co-pilot. This was a flight attendant. Here’s the actress Ada Tschechowa.”

I was filmed walking along a small path in the park, planes roaring overhead and traffic rushing by on Kladdinger Straße (which was particularly busy that day due to two traffic jams on Autobahn A1 and Bundesstraße B75). I was also filmed at the memorial, looking at the inscription and writing the year 1966 onto the white cardstock, while insects were buzzing all around me. “I’m not sure if they’re attracted to the scent of the marker or my deodoriser or my shampoo,” I said. The TV team assured me that insects wouldn’t be visible on the screen and they aren’t.

After the shooting at the memorial for the victims of Lufthansa flight 005, the TV team and I parted ways. The TV team returned to the city center for some more filming, while I wondered what to do now. I was hungry, because the TV team arrived at twelve o’clock and I didn’t want to have lunch before to avoid unpleasant smells or bowel movements. However, it was after two PM by now and too late for lunch, at least lunch outside the home. So I decided to have an ice cream instead and stopped by the ice cream parlour Il Sole in Brinkum on my way home. I had a martini sundae and then continued homewards.

I’d been told that the TV report would air in the Saturday edition of buten un binnen, unless something urgent came up. However, there were no urgent news and so the report actually did air on Saturday. You can watch it – and read the related text – here. And here is the full buten un binnen episode. My segment starts at the 19:24 minute mark

I think it’s a lovely piece and it’s always interesting to see how much work (roughly two and a half hours of filming plus post-production) goes into such a very short report.

Of course, I watched buten un binnen live on Saturday evening and then had dinner. When I checked my e-mail afterwards, I already had two acquaintances e-mail me to let me know that they had seen me on buten un binnen. I suspect I’ll get more of this in the next few days, because – as I said – almost everybody watches buten un binnen. I’ve also noticed an uptick in people visiting my blog, though I don’t know if Galactic Journey has a similar uptick.

ETA: Gideon has since confirmed that Galactic Journey receive an influx of visitors from Germany following the buten un binnen report as well.

And that was my second TV appearance in 2025.

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He-Man Goes Ruhrpott – Cora’s Adventures at the 2025 Los Amigos Masters of the Universe Convention in Neuss, Part 2: The Con and My Haul

On the long Pentecost weekend, I attended the Los Amigos Masters of the Universe convention in Neuss. For the rather eventful trip to get there, see part 1.

Like last year, the Los Amigos convention took place in the Stadthalle Neuss, a multipurpose event and convention center of the type found in most German cities. It’s a nice enough venue with a hotel attached and a parking lot that is probably sufficient for most of the events taking place there. However, the Los Amigos convention (and indeed most SFF and fan cons) isn’t your usual event. For starters, it draws a lot of people.

Parking Woes and the Wild Listeners

Last year, my Los Amigos experience began with a long queue to get into the con. This year, the various delays on route meant that I arrived at eleven thirty, one and a half hours after the con opened, so there was no queue. However, there was another problem and that was the parking situation.

As mentioned above, Stadthalle Neuss does have a parking lot attached. You have to pay to use it, but the fee is reasonable. However, the parking lot is not very big and so parked cars had spilled out onto the space in front of the entrance to the Stadthalle and adjacent hotel and even onto the driveway leading to the Stadthalle.

I drove up to the parking lot gate and rolled down the window only to find that I couldn’t reach the ticket button from the window. So I tried opening the door only to find that I couldn’t open it far enough to actually get out and press the damn button because some kind of pipe fence was in the way.

I spotted a trio of guys who looked like con attendees standing by the side of the parking lot chatting, so I called over to them if they could help me and press the button. All three wandered over and I noticed that they seemed familiar, almost as if I’d seen them before. Initially, I assumed I’d met them at last year’s Los Amigos convention or maybe at Toyplosion. But then I caught a glimpse of the t-shirts the three guys were wearing and realised that I recognised them because they host the Wilde Hörer (Wild Listeners) podcast that discusses the Masters of the Universe audio dramas.

“Oh, you’re the Wilde Hörer,” I said, “I really like your podcast.”

One of the three Wild Listeners pressed the ticket button, but nothing happened. No ticket appeared and the barrier did not open. The Wild Listeners crowded around the machine and tried pressing various buttons (which were not labeled) and finally succeeded in hitting the “call for assistance” button. A somewhat bored female voice asked what the problem was. “The barrier won’t open,” one of the Wild Listeners said.

“The parking lot is full,” the bored female voice replied.

“Is there anywhere else in the vicinity where I can park?” I asked.

“Not in the vicinity,” the bored voice replied, “There’s a parking lot at the vehicle licensing office.”

Of course, I had no idea where the vehicle licensing office of Neuss even is, but the woman had already switched off the loudspeaker. So I thanked the Wild Listeners and tried to reverse my car, which caused further issues, because there was another car behind me. One of the Wild Listeners told the driver that the parking lot was full, so he reversed as well, and I was able to turn around.

However, there still was the question where to park my car. I was about open Google Maps and tried to locate the Neuss vehicle licensing office or any other parking options in reasonable distance. But then I realised that the hotel adjacent to the Stadthalle had a parking garage, so maybe I could park there and pay the hotel for the privilege. I also spotted parking spaces directly in front of the entrance to the Stadthalle and the hotel, which are probably intended for short term parking. Even better, one of them was free. There were also signs announcing “Private Parking”, but judging by the cars parked in those slots, con goers had clearly taken over these parking spaces as well. So I pulled into the free slot, thinking that, “A) It’s hardly the congoers’ fault, if the Stadthalle doesn’t have sufficient parking for its capacity, and B) they can’t tow us all and besides, I will happily pay for parking.” I looked around for a ticket machine, but there was none, so I just put my parking disc on the dashboard. I also decided that once there was room on the main parking lot again, I would move my car there.

Stadthalle Neuss and the Dorint Hotel

The entrance to Stadthalle Neuss and the Dorint Hotel

Sculpture outside Stadthalle Neuss

A large sculpture of two stylized human figures outside the main entrance of Stadthalle Neuss.

Once I had found a place to park my car, at least for the time being, I could finally go to the con. On my way into the Stadthalle, I saw a guy carrying a life-size Havoc Staff to his car. “Does Skeletor know that you have his staff?” I asked. He laughed.

This time around, having arrived late turned out to be an advantage, for there was no queue at all. I could just walk up to the ticket counter, show my pre-booked ticket, get my armband and walk in.

Foyer of Stadthalle Neuss during Los Amigos

The glass-enclosed lobby of Stadthalle Neuss during Los Amigos.

Life-size Flying Fists He-Man

And here is the man himself. A life-size Flying Fists He-Man welcomes visitors to the Los Amigos convention in Neuss.

I later learned that the same torrential rainfall that had hit me on the Autobahn in Wuppertal also hit Neuss, while con goers were queuing outside the Stadthalle. The organisers actually opened the doors a little early, but plenty of people still got soaking wet. So I guess the delay turned out to be lucky after all, because I didn’t have to run around the con in wet clothes.

The counter for the convention exclusives and resulting queue had been relocated to the coat check area underneath the lobby. That means that the glass-enclosed lobby was less crowded and also less hot.

Queue for exclusives at Los Amigos

The queue for Los Amigos convention exclusives in the coat check area of Stadthalle Neuss

Arriving late also meant that the exclusives I was interested in were already sold out and exclusive plushie dragon had not been shipped in time for the con. So I could bypass the exclusive queue. I did plan to buy a con t-shirt, but by the time I’d done my rounds, the t-shirt counter was unmanned, so I’ll have to do without.

The coat check area under the lobby is also where the toilets are. The signage had been adapted to the occasion and so the women’s bathrooms were marked with Teela and the men’s bathrooms with He-Man. Stadthalle Neuss does not have gender-neutral bathrooms, but if they did I wonder which character would have been chosen for the sign? Orko? The gender-fluid Double Trouble from the 2018 She-Ra cartoon?

Teela toilet sign

Even warrior goddesses need to use the bathroom on occasion.

In general, the crowd was approx. sixty percent male and forty percent female, i.e. the same gender breakdown that Mattel’s market research found was buying the toys in the 1980s. Some of the women were parts of couples, but most of them were also geeks in their right and not just wives/girlfriends dragged along by their parents. There was also a remarkable number of kids around who seemed to be enjoying themselves a lot. Seeing kids geek out about Masters of the Universe always makes me happy, because the fandom needs new blood to continue. In general, Los Amigos has a reputation as a family-friendly convention and also offers kids programming.

There were a few cosplayers and there was also a cosplay contest later in the day. I spotted a Man-at-Arms and no less than three She-Ras, one adult and two little girls. A one point, adult She-Ra and her two mini-mes posed together.

Like last year, there were also freebies to pick up. There were a bunch of Eternia mini-figures on offer and I picked up Teela/Sorceress as she appeared in the CGI kids show. I have the matching He-Man as a mini-figure, but not the Teela.

There was also a big stack of Masters of the Universe Revelation jigsaw puzzles with different pictures. Several people took multiple puzzles, but I took just one – featuring Teela, Andra and Evil-Lyn – because that weekend also happened to be the birthday of a neighbour kid and it would make a nice gift for her. She was happy about her gift, too, as was her little brother. When I took the boxed jigsaw puzzle to the car, an elderly couple who were obviously not con goers, but regular guests of the adjacent hotel, wondered, “Why are all of those people carrying boxes of jigsaw puzzles?”

“They’re being given away at the con,” I told them, “So if you want a jigsaw puzzle, feel free to take one. Though you may have to buy a ticket to the con first.”

“No, thank you,” the elderly lady replied, “We were just curious what was going on.”

Warriors of the Galaxy and the Weird Wonderful World of Knock-Off Toys

In the lobby of the Stadthalle, almost directly next to the ticket counter, was the booth of Formo Toys, an indie toy company which produces high quality fantasy action figures in the style of the vintage 5.5 inch Masters of the Universe figures. They have a line called Legends of Dragonore featuring various heroes and villains as well as dragons. The lines originally started out inspired by unproduced Masters of the Universe concept art and characters, but then turned into its own thing. I bought two of the Wave 1 figures – the two female characters Yondara and Pantera – at last year’s Los Amigos, because I really liked the designs and they fit perfectly into my Masters of the Universe Origins display, which suffered from a notable lack of female characters at the time.

Like last year, the Formo Toys booth was manned by Peer Brauner, the artist who sculpts the figures. He’s a local – well, sort of – and hails from Oberhausen. He even recognised me from last year and we chatted for a while. I asked him if Wave 2 of Legends of Dragonore was out yet, since that wave includes some intriguing characters such as a green-skinned witch, an African huntress, an indigenous character with wings and a tree/leaf creature. He replied that they had only just received the test shots and that it would be a while before Wave 2 came out, especially since Donald Trump’s insane tariffs are hitting Formo Toys hard like the rest of the US toy industry. Considering all the terrible things Trump has done and is continuing to do – Los Angeles was literally on the brink of civil war, while I was at the con – getting outraged about tariffs on toys might seem frivolous, but it is notable that Trump really seems to have it in for the toy industry – also note his comments about little girls not needing so many dolls or him threatening the “country of Mattel“. Which is an odd choice, because the toy industry isn’t harming anybody, but just producing products that bring joy and ideally also positively influence the development of children. So honestly, why would any government target the toy industry, especially smaller companies like Formo Toys or Neca or Super 7? It makes no sense at all. Not that anything Trump does makes sense.

But even though Wave 2 of Legends of Dragonore wasn’t available yet, Formo Toys did have something new on offer, so new that many stores still have these figures on pre-order, namely the triumphant return of the Warriors of the Galaxy.

So who on Earth are the Warriors of the Galaxy? The Warriors of the Galaxy have a remarkably long history going back all the way to 1983, when Mattel‘s new Masters of the Universe toyline turned out to be successful beyond anybody’s wildest imaginations. Other companies wanted a piece of the cake, too, and so various Masters of the Universe knock-off toylines were launched, both by established companies like Remco (whose World of the Warlord toyline, based on DC‘s sword and sorcery comics of the 1970s and 1980s, actually prompted a lawsuit from Mattel) and Galoob as well as by fly-by-night operations based in the Far East.

One of these fly-by-night outfits was Sungold Toys of Hong Kong. Not a lot is known about them beyond the fact that they appear to have been founded around 1980 and operated in the 1980s and 1990s, specialising in knock-offs of popular, mostly American toylines. In 1983, Sungold Toys introduced the Galaxy Warriors, a Masters of the Universe knock-off toyline that was in roughly the same scale and also copied the muscular bodies and somewhat squatted posture as well as the sword and sorcery theme of the Masters of the Universe figures.

I should probably say a few words about knock-off toylines. Even if you’ve never heard of knock-off toylines, I guarantee that you’ve seen them around and maybe even owned some of them. Like the name implies, knock-off toylines are copies of popular brand-name toylines that look just similar enough to fool the casual observer, but are mostly of notably lower quality. There are knock-offs of pretty much anything and they are usually sold in supermarkets, discount and dollar stores, drugstores, gas stations, market stalls, those messy Italian toy stores which seemed to carry every toy ever produced, only that you never had time to properly explore them (honestly, every German kid has a story about one of those Italian toy stores and that amazing toy they only ever saw there – or maybe it were always the same toy store, existing outside time and space and accesible via portals all over Italy), etc…, but also in regular toy and department stores, often alongside the very lines they were imitating. They’re usually manufactured in whatever the center of cheap consumer good manufacturing is at the time – Hong Kong and Taiwan in the 1980s, Thailand and Vietnam in the 1990s and China today – and distributed both by no name fly-by-night companies as well as by companies that specialise in such products such as Simba Toys of Germany (who’ve since moved into the higher priced brand-name market)

The main selling point of knock-offs is that they are notably cheaper than the original, but close enough to the real thing that if you squint hard enough they will do. You might think that the target market for these knock-off toys are lower income families, but that’s not the complete story. Plenty of people who could afford the brand-name product buy knock-offs, because they just don’t care or can’t tell the toys apart or just need a quick, cheap gift for a birthday or to shut up a kid. Of course, kids were never fooled by knock-offs, but adults often were, since most adults don’t give a damn about toys and can’t tell a Galaxy Warrior from a Master of the Universe. Many people also tend to view toys as disposable and so go for the cheaper option, because they believe the kids won’t notice and they’ll only break the toys anyway. In my younger years, I was something of a crusader against knock-off toys and always insisted on buying brand-name products as gifts for kids in the family. “No, we’re not buying Petra or Sindy or Steffi Love, we’re buying a proper Barbie. No, we’re not buying Simba toy cars, we’re buying Hot Wheels. We’re not giving kids cheap crap as presents, because kids deserve quality, too.”

Nowadays, I have a more nuanced view of the issue. When buying toys for kids, I still go for brand name products – for reasons of safety and quality, though it should be noted that knock-off toys sold in the EU (and most likely the US, too) still have to pass all safety standards or they wouldn’t be allowed to be sold. However, I also respect that some knock-off toys are actually quite interesting and unique with regards to design or just so plain weird you can’t help but like them. There are also dedicated collectors of knock-off toylines and some of those cheap knock-off toys have become quite expensive on the aftermarket, particularly if they are mint on card, because these were cheap disposable toys that were never meant or expected to last. Indeed, I saw a whole table full of various vintage Masters of the Universe knock-off figures at the Los Amigos convention, including several Galaxy Warriors. One of the hosts of the Tales From the Fright Zone podcast collects knock-off figures and purchased several at that table.

Some knock-off toylines even become brand names of their own like the various Barbie knock-offs such as Sindy by Pedigree from the UK, Petra by Plasty from West Germany (the company still exists, the doll does not) or Steffi by VEB Puppenfabrik Waltershausen from East Germany who actually survived her West German rival and is still being produced as Steffi Love by Simba Toys.

One of the best known Masters of the Universe knock-off  toylines with its own identity is Rulers of the Sun by Olmec Toys. Created by Yla Eason in 1985, Sun-Man and the Rulers of the Sun were created not just to make a quick buck, but to fill a gap in the original toyline. Because in the 1980s, Masters of the Universe was a very white toyline. By 1985, there was only one Masters of the Universe character of colour, Jitsu, who was not only a villain, but also a cliché. Yla Eason was a black mother whose young son loved Masters of Universe, but was sad that there was no character in the toyline who looked like him (Clamp-Champ, the lone black character from the original Masters of the Universe toyline, was not introduced until 1987). So Yla Eason created the black hero Sun-Man and the Rulers of the Sun, a racially diverse toyline of Masters of the Universe style heroes featuring Black, Asian, Hispanic and Indigenous characters and even a token white guy. Olmec Toys also produced racially diverse versions of other popular toylines of the day such as Princess of Power, G.I. Joe (which was more racially diverse than Masters of the Universe in the 1980s, but also managed to tell non-American kids that they weren’t welcome in the bloody tagline) and Barbie (which introduced the first black doll in 1966 and had been offering a black Barbie since 1980).

I strongly suspect that both Clamp-Champ and Netossa from Princess of Power directly owe their existence to Sun-Man, when Mattel realised that both Masters of the Universe and Princess of Power had no black characters at all (and note that Barbie had had black characters in 1966). And forty years later, there not only are several characters of colour in Masters of the Universe, but Mattel has also officially canonised the Rulers of the Sun toyline and reissued all of the characters in the Masters of the Universe Origins line.

Unlike other knock-off toylines, the Rulers of the Sun were never sold in Germany (Germany frequently didn’t get black characters, e.g. we didn’t get Clamp-Champ either, because it was assumed that they wouldn’t sell in what was still a very white country back then), so German fans have no nostalgic connection to these figures and some German fans also resented the Rulers of the Sun being included in the Masters of the Universe Origins line, supposedly because they were watering down, though good old-fashioned racism also plays into it. Therefore, I was happy to see a display celebrating the fortieth anniversary of Sun-Man and the Rulers of the Sun at Los Amigos. Because Sun-Man deserves to be celebrated for making toylines more diverse.

40 years of Sun-Man display at Los Amigos

The 40 Years of Sun-Man display at Los Amigos.

The Galaxy Warriors by Sungold Toys are another knock-off toyline which took on an identity of its own, though for an entirely different reason. The quality was pretty good by knock-off standards and the figures also had some interesting ideas and designs. Initially, there were twelve characters in the Galaxy Warriors line – a mix of humans, monsters and creatures with animal heads – plus a couple of beasts to ride upon. The figures were sold on blister cards with striking Frank Frazetta inspired (or rather just plain copied) artwork and some of the figures themselves were also obviously inspired by Frank Frazetta’s artwork. The characters had names, but no bios. Nor were there mini-comics, cartoons or any kind of storyline or even any indication who was good and who was evil, though there are theories. Basically, it was up to your own imagination who these characters were.

What makes the Galaxy Warriors legendary among the collectors of knock-off toys is that the basic molds were reused again and again for a plethora of knock-offs of the knock-off for years to come. In addition to the Galaxy Warriors, there are also Galaxy Fighters, Galaxy Heroes, Combo Heroes (these were quite common in Germany and sold at lots of supermarkets, durgstores, etc…), Freedom Fighters, Swords and Sorcerers, Galactic Gladiators, Lords of Insects, Troll Fighters, umpteen wrestling toylines and even Teenage Mutant Ninja Turtle knock-offs such as Turly Gang, Turtle Warriors or Tortoise Warriors. Sungold Toys also produced a She-Ra knock-off line called Galaxy Adventure Girl, which again spawned umpteen knock-offs of its own. The figures also come in lots of variations with regard to colours, accessories and packaging. Check out this YouTube channel for hilarious overviews and reviews of many of those Galaxy Warrior knock-off toylines. In short, the Galaxy Warriors  are a weird and wonderful rabbit hole of increasingly bizarre toys that is affectionately nicknamed the Galaxy Hole.

Formo Toys decided to bring back the Galaxy Warriors, now renamed Warriors of the Galaxy (though I doubt that anybody would have sued them for using the original name, since everybody and their sister was making Galaxy Warrior figures anyway), still based on the old designs from the 1980s, but now with much better sculpting and higher quality. When Peer Brauner showed me the Warriors of the Galaxy, I exclaimed, “Oh, wow, I remember those guys.  I used to see them all the time at the Comet supermarket at the Roland Center mall or the Woolworth store at the Berliner Freiheit mall or at Kaufhalle.”

Wave 1 of the Warriors of the Galaxy recreates three of the twelve original Galaxy Warriors: Magnon, a helmeted blonde human warrior who is the He-Man analogue of the Galaxy Warriors (okay, there’s also Rahh, who looks even more like He-Man, but whose status as a true blue Galaxy Warrior is unclear), Huk, a viking with a red beard and horned helmet and Baltard, an orc with pointy ears and a top knot, who is also one of the most memorable Galaxy Warriors, a) because his head sculpt was used over and over again in the various toylines reusing the Galaxy Warriors mold and so Baltard appeared in anything from wrestling lines to Teenage Mutant Ninja Turtles knock-offs, and b) because his delightfully grumpy facial expression makes him look as if he’d rather sit at home by the fire place with a mug of ale in hand and read a good book rather than be dragged out to fight all sorts of battles against all sorts of opponents. Baltard is such a knock-off legend that he even has his own Instagram page dedicated to the many weird and wonderful incarnations of Baltard, the orc warrior who never found a gang he did not want to join.

I was internally debating whether to get Baltard or Huk, since they’re both very cool, but then I decided to get both. And since I was buying two Warriors of the Galaxy already, I might as well buy Magnon, too, so I have the full first wave and Baltard and Huk have someone to fight.

Warriors of the Galaxy Wave 1 action figures.

Wave 1 of the Warriors of the Galaxy in packaging.

The packaging has very similar aesthetics to the vintage Galaxy Warriors packaging, though without blatant Frank Frazetta rip-offs and featuring the actual characters on the card. Baltard is billed as the “Unstoppable Creator of Chaos”, though he still looks as if he’d rather sit by the fire place with a mug of ale in his hand than creating chaos. Magnon is billed as the “Noble Hero of Planet Ferror” and Huk is billed as the “Bane of the Stormy Isles”, suggesting that he might be a bad guy. Or maybe he is just a little too fond of engaging in those popular viking pastimes of looting, raping and pillaging.

Unlike their predecessors from the 1980s, the new Warriors of the Galaxy have bios on the back of the packaging and they also come with mini-comics (which you can see here), telling their story. Magnon hails from the planet Ferror and is locked in a war with Huk’s vikings, when an intergalactic portal named the Galaxy Hole dumps all sorts of alien creatures, monsters and warriors onto his planet. Once of those warriors is Baltard, a mercenary who finds himself permanently on the losing side. The big bad appears to be another character from the vintage Galaxy Warriors line, Spikes, a faceless warrior with an all black body, sporting a green Spartan, who is one of the more memorable designs in the line. He recruits Baltard and Huk to his cause, though Huk finds out what Spikes is really up to – namely making a pact with various supervillains from around the galaxy – on the final page of his mini-comic. Meanwhile, Magnon receives a telepathic message from Yondara of Legends of Dragonore on the final page of his mini-comic, warning him of just such a pact. And since the Legends of Dragonore characters also pass through interdimensional portals as well in order to collect pieces of the divine armour of power (a very Jack Kirby-esque design that you can assemble, if you buy all the characters in the first wave), they can all interact.

Those mini-comics are a veritable treasure trove of knock-off toyline Easter Eggs. From the the original Galaxy Warriors, in addition to Huk, Baltard and Magnon, I spot Spikes (the faceless Spartan), Ygg (ugly minotaur monster creature), Thor (a human with evil eyes and a red helmet who looks like he stepped out of a 1930s science fiction cover), Rahh (an even more blatant He-Man rip-off than Magnon, who dies in Magnon’s arms on the page), Triton (human hero with dark curly hair), Tiger-Man (the sword and sorcery version of Tony the Tiger) and Anubi (a wolf/dog creature). From the Galaxy Fighters, there is Iguana (a reptilian monster warrior). From the Combo Heroes, I spot Unicorna (warrior with a unicorn head), Satanas (guy with a half-human and half-skull face and a batwing head dress, just in case there’s any doubt that he’s evil) and The Evil (green-skinned guy with mad eyes, assymetrically cut blonde hair and a long coat/vest, who looks more like a coked up 1980s pop star or a demented Ninja Turtle than actually evil). One of the Galaxy Adventure Girls shows up as well as well as Yondara and the evil magician Oskuro from Legends of Dragonore. And yes, I had to look up which character comes from which knock-off line and what their official names are. Though I wouldn’t be at all unhappy if all of those wonderful weirdos were eventually released. And indeed, Ygg and Spikes are supposed to come out in Wave 2 of Warriors of the Galaxy, which means that poor Magnon will have his hands full, because all the other Warriors of the Galaxy are villains, except for possibly Huk whom I still don’t see as a villain. But then, the villains have much cooler designs.

And here are my three Galaxy Warriors – pardon, Warriors of the Galaxy – out of the packaging.

Warriors of the Galaxy Baltard, Magnon and Huk

Baltard, Unstoppable Creator of Chaos, Magnon, Noble Hero of Planet Ferror and Huk, Bane of the Stormy Isles, reporting for duty.

Warriors of the Galaxy Huk, Baltard and Magnon

Emerging from the Galaxy Hole, Huk, Baltard and Magnon are ready for action.

And just for fun, my two Legends of Dragonore ladies Yondara and Pantera joined in as well.

Warriors of the Galaxy Baltard, Magnon and Huk and Legends of Dragonore Pantera and Yondara

Pantera gets cozy with Baltard, while Yondara is more taken by Huk and his manly beard than the noble hero Magnon.

Warriors of the Galaxy Huk, Baltard and Magnon and Legends of Dragonore Pantera and Yondara

Now Pantera is cozying up to Huk and his manly beard, while Yondara is proving that she is taller than Magnon.

I really like these figures. They’re not cheap, but the quality is great and they’re so much fun. In fact, I like them so much that I ordered the remaining four Legends of Dragonore figures of Wave 1 as well (which will also allow me to assemble the divine armour of power, which is currently a torso and head without limbs). And once Wave 2 of Legends of Dragonore and Warriors of the Galaxy comes out, they will certainly join my collection. Expect photos and maybe even a toy photo story.

Close Encounter with a Legend and More Con Adventures

At the table next to the Formo Toys booth, there was a lady with long white hair sitting at a table with a beautiful model of a concept art Castle Grayskull (this version). I initially assumed she was a regular con goer who’d sat down at an empty table (well, except for that Castle Grayskull) to rest for a moment, since places to sit down were somewhat short in supply at Stadthalle Neuss, which is sadly a common issue in Germany and elsewhere.

But then the lady got up and came over to the Formo Toys table, while I was chatting with Peer Brauner and asked me in English, if I could take a photo of her and Peer together. So I took a photo of the two of them with her phone. She said thank you, I said “No problem” and the lady returned to the table with the Castle Grayskull model.

Later I learned that this lady was Rebecca Taylor, widow of Mark Taylor who designed most of the early Masters of the Universe figures as well as Castle Grayskull. The model on the table was actually based on his original concept design. Rebecca Taylor also worked on Masters of the Universe herself and designed various stickers and cardboard inserts of the original Castle Grayskull playset. She was also the guest of honour at the con. Here is an interview with her and her late husband at the Battle Ram Blog.

As for why she asked me to take a photo of her and Peer Brauner, Mark Taylor was apparently involved in the Legends of Dragonore toyline before his death in December 2021, so Rebecca Taylor and Peer Brauner know each other quite well. They also did a panel together with artist Axel Gimenez later that day.

I continued making my round of the glass-enclosed lobby of Stadthalle Neuss. The displays and the stalls of the various artists and customisers were all in the lobby, while the programming and dealers room were in the auditorium at the center of the building.

Next, I stopped at the stall of the Retro Fabrik to buy episodes 5 and 6 of their new Masters of the Universe audio dramas on CD. Masters of the Universe audio dramas have a long history in Germany, because the vintage audio dramas by Europa were the entry point into the world of Masters of the Universe for many German kids in the 1980s, since the Filmation cartoon didn’t start airing in Germany until the late 1980s, unless you were lucky enough to have cable TV and access to Sky Channel. I was one of the lucky few and saw the Filmation cartoon via Sky Channel in the Netherlands and also spoke English, so I could actually understand it, so the cartoon was my primary Masters of the Universe influence. However, I was also familiar with the audio dramas.

The vintage audio dramas by Europa are long out of print and cannot be reissued either because of rights issues, though you can listen to them on YouTube. So Retro Fabrik issued a series of brand-new audio dramas with their own storyline and continuity. For the Los Amigos con, they’d also brought along David M. Schulze, the voice actor who plays He-Man and Prince Adam in the new audio dramas. Here’s a panel and Q&A session with the Retro Fabrik guys and David M. Schulze at the Los Amigos con. I actually saw this panel happening live on stage, while I was browsing the dealers room.

Retro Fabrik panel on stage

The Retro Fabrik audio drama panel at the 2025 Los Amigos convention in Stadthalle Neuss

Various artists were also displaying and offering their work in the lobby of Stadthalle Neuss, including Ken Coleman, Raul Barrero, who takes the amazing product photos of the Mondo figures, Axel Gimenez, who does much of the packaging artwork for the Origins line and also designed many of newer Snake People, and Simon Eckert, who does most of the packaging artwork for the Masterverse line. I chatted a bit with Simon and bought some art prints from him.

There were also some very cool custom figures on display (and for sale) in the lobby.

Masters of the Universe Custom figures

Various Masters of the Universe custom figures and dioramas on display at Los Amigos. You can also outfit your home bar with Masters of the Universe themed accessories

Custom Slime Pit He-Man and Revolution He-Man and Teela kiss artwork

Two entries in the Los Amigos custom contest: A great Slime Pit He-Man, i.e. He-Man is subjected to the Evil Horde’s Slime Pit and turned into a mindless zombie, and a drawing of the kiss between He-Man and Teela in Masters of the Universe Revolution.

Display of painted Masters of the Universe mini-figures.

An amazing display of handpainted Masters of the Universe mini-figures complete with Castle Grayskull. I think these are the mini-figures from the Fields of Eternia RPG.

Teela's costume from the 1987 Masters of the Universe live action movie

It’s a little hard to make out because of the light, but this mannequin is showing off the original costume worn by Chelsea Field as Teela in the 1987 Masters of the Universe movie.

There was also am exhibition of original animation cels from the Filmation He-Man and She-Ra cartoons, courtesy of Pierre, an animation art collector from Düsseldorf. See him interviewed on the bumo TV YouTube channel here.

Filmation animation cels on display at Los Amigos

A wall of Filmation animation cels on display at Stadthalle Neuss.

Filmation Animation cels on display at Stadthalle Neuss

Another look at some of the Filmation animation cels, mostly from the She-Ra cartoon, on display at Stadthalle Neuss: We have Hordak with a rather unique version of his arm cannon, Shadow Weaver being creepy, a Horde Trooper, Hordak in rocket mode, He-Man, Man-at-Arms, Tung Lasher groping Adora and Bow.

Filmation animation cels on display at Stadthalle Neuss

Yet more Filmation animation cels from the He-Man cartoon on display at Stadthalle Neuss: We have the Sorceress, Stratos, Prince Adam apparently making an ice sculpture of Orko and Man-e-Faces.

Filmation animation cels on display at Stadthalle Neuss

And even more Filmation cels, all from the He-Man cartoon, on display at Stadthalle Neuss: We have sleepy Orko, Cringer taking a dump, Queen Marlena giving someone the side eye and Teela in warrior mode.

There was also a custom display for Altaya‘s Masters of the Universe figures. These are non-articulated figures with a base and they were only sold in France by Altaya, a company that specialises in selling collectible figures, vehicles, etc… with magazines. What makes them notable is that Altaya made several characters like the royal archaeologist Melaktha or Horde Admiral Scurvy that never had a figure in any other line, though it’s also notable that a lot of Great Rebellion members are missing.

Altaya Masters of the Universe figure display

This Altaya Masters of the Universe display looks great and – as the sign announces – it is for sale. However, it’s also huge.

Inside the air-conditioned auditorium at the center of Stadthalle Neuss, there was the stage where the programming took place and the dealers room/flea market in what is normally the audience seating area, though the seating had been removed.

Los Amigos stage at Stadthalle Neuss

The currently empty stage at Stadthalle Heuss where programming took place. Note the large She-Ra banner.

Los Amigos stage at Stadthalle Neuss

The other half of the stage at Stadthalle Neuss decked out for the Los Amigos con. Here we have a He-Man banner to match the She-Ra banner on the other side. The various objects on the table and the floor are tombola prizes.

The Dealers Room and My Haul

The dealers room was a mix of professional vendors and private collectors. It seemed to me as if the dealers room was a little emptier and less busy than last year, though that might also have been because I arrived late. With regard to offerings, there were a lot of fairly recent Masters of the Universe Origins, Masterverse and CGI figures. I already have most of those, though I purchased a Masterverse New Eternia Skelcon.

Now I already have one Skelcon, but I wanted at least two to flank Skeletor’s throne, because the Skelcons are Skeletor’s army of minions and one Skelcon isn’t much of an army (for comparison, I have five Eternian Palace Guards).  Unfortunately, the Masterverse Skelcon was never released in Germany. This happens occasionally, e.g. the figures based on the 1987 are also difficult to find. But for some reason, it’s always the army builders that are hard to find here in Germany, see also the Origins Horde Trooper. So when I saw a Skelcon for a reasonable price for sale at Los Amigos, I snapped it up.

Masters of the Universe Masterverse Skelcon in box

The Masterverse New Eternia Skelcon in its box with beautiful artwork of Skelcons attacking Avion and battling the Avionian troops led by Stratos, courtesy of Simon Eckert.

Masters of the Universe Masterverse New Eternia Skelcon unboxed.

And here is the Skelcon unboxed and ready attack Skeletor’s enemies. These guys are one genuinely creepy army.

You can’t really make it out in the photo, but inside the mouth of the Skelcon, there are lots of little screaming faces to represent the souls consumed by these creatures. This is a reference to Masters of the Universe Revelation, where the Skelcons were revealed to be Eternian citizens who had been turned into monsters by some kind of corrosive mist and had their souls ripped out by Skeletor. Yes, Masters of the Universe can get very dark on occasion.

***

The throne room of Eternos Palace, shortly after Skeletor stole the Sword of Power and became Skelegod:

Masters of the Universe Masterverse Prince Adam, Andra and Teela battle Skelcons in the throne room of Eternos Palace

Skeletor has stolen the Sword of Power during this past of Masters of the Universe Revelation, so Adam is wielding a battle axe instead. In the cartoon, he takes it from a display on the wall of the throne room.

“Be careful. These monsters are really just transformed citizens. We don’t want to hurt them.”

“Adam, I’m pretty sure these things don’t remember who or what they used to be. And in case you hadn’t noticed, they’re trying to kill us. And now grab that axe properly and start chopping.”

***

There also was a sizeable number of vintage Masters of the Universe figures and accessories on offer, both loose and in varying states of completeness and mint on card.  One vendor had a whole table of vintage mint on card figures, which were on sale for three to four figures, even though several of the blisters had yellowed and sometimes the cards were faded and beaten up, too. The whole display looked as if someone had broken into a toy shop or department store that closed sometime in the 1980s (there was a creepy store like that in the town of Berne, which had been closed for ages, allagedly because the owner was murdered, yet the mannequins and merchandise were still inside the shop, unchanged since the 1970s, though increasingly faded from exposure to sunlight through the display windows) and found those poor figures still on the shelves, exposed to the elements. And to be fair, that’s usually where  mint on card or in box toys come from these days – they’re warehouse finds. Though one dealer showed off one of those warehouse finds – a whole box of mint on card vintage Dragon Blaster Skeletor figures – at the con and the packaging of those figures looked absolutey pristine, as if they’d come through a time portal straight from 1985. There is one of those Dragon Blaster Skeletors on offer on the website of the vendor and for the low price of 1399.99 EUR he can be yours. But with toys that old, the condition of both toy and packaging is always a gamble, even when mint, which is probably also why I don’t even consider buying vintage figures on card, even if the pristine examples occasionally trigger a little pang of nostalgia of seeing these figures in a store back in the day.

That said, I was sorely tempted by a vintage Slime Pit and would probably have inquired what it costs, if it hadn’t sold right before my eyes. But since we are getting the Fright Zone in Origins, I suspect that we will eventually get the Slime Pit as well. The other vintage toy that tempted was a Dragon Walker – my favourite Masters of the Universe vehicle. But if I ever get a Dragon Walker, I want a functioning one, because the bizarre movement pattern is half the fun about this one.

Los Amigos Dealers Room

A look across the dealers room at the 2025 Los Amigos in Stadthalle Neuss

Los Amigos dealers room

Another look across the dealers room at the 2025 Los Amigos in Neuss. On the right, you can actually see the warehouse find case of vintage Dragon Blaster Skeletors being opened and shown off.

But while the vintage and modern era of Masters of the Universe were well represented, everything inbetween – Princess of Power, New Adventures, 200X and Classics – were less well represented, which was quite different from last year. I saw a handful of New Adventures figures, but the only vintage Princess of Power toy I spotted was a mint-in-box Clawdeen. If she’d been loose and in good condition, I might have bought her for my vintage Catra, but not in box.

As for 200X, there was one stall which had quite a lot of 200X figures, both mint-on-card and loose. I don’t systematically collect 200X figures, but I have been picking up figures and characters I like here and there. And this particular stall had a 200X Evil-Lyn figure and I bought her. She is beautiful – and still the only proper 200X Evil-Lyn ever made. Both Classics and Origins made an Evil-Lyn figure in 200X colours, but just repainted the regular body (which is also Teela’s body) rather than give her her 200X gown.

The Masters of the Universe 200X and Classics Evil-Lyn

The 200X Evil-Lyn and the interpretation of the same look in the Masters of the Universe Classics line: Note that the boots and outfit are just repaints of the regular Evil-Lyn outfit, which is in turn a repaint of Teela’s outfit. My Classics Lyn is sporting the helmet-less with the short hair, which is how she appeared in the 200X cartoon.

Masters of the Universe 200X action figure

My small but growing of 200X Masters of the Universe figures. We have Two-Bad, Beast-Man, Mer-Man, Evil-Lyn, Keldor, Blood Armour Skeletor, Prince Adam and Serpent Claw Man-at-Arms. It’s notable that the 200X Skeletor clearly doesn’t like shoes, both as Keldor and Skeletor.

Poor Duncan and Prince Adam are vastly outnumbered faced with five Evil Warriors (six, if you count Keldor and Skeletor separately). I came close to buying a loose 200X Mekaneck at Los Amigos to bolster the ranks of the Heroic Warriors, but one of his arms had fallen off.

I do have a 200X Teela (purchased at Marchè Noir), but she is a carded and I have been debating whether to take her out – it is twenty-year-old carded figure after all. Though the 200X packaging isn’t as iconic as the vintage packaging and I don’t collect packaged toys anyway, so I should just go ahead and open her. After all, it’s my figure and my money

That said, I do not have a 200X He-Man, even though there were umpteen He-Man variants, including really bizarre ones like Snake Hunter He-Man, Samurai He-Man or Jungle Attack He-Man, in the 200X line. And I have seen 200X He-Man figures for sale, but for some reason I never saw one I liked. I should probably remedy that eventually.

The 200X cartoon actually shows us Keldor’s and Lyn’s first meeting. They’re both trying to steal the same artefact – or rather Keldor sends his minions to steal the artefact and only reveals himself, after Lyn makes short work of them.

Here is my take on that scene:

Keldor confronts Evil-Lyn, while Two-Bad, Beast-Man and Mer-Man look on.

In the 200X cartoon, Lyn beats up Beast-Man, Tri-Klops and Kronis (the future Trap-Jaw) and Two-Bad doesn’t join the Evil Warriors until roughly halfway through the first season. However, I only have Two-Bad, Beast-Man and Mer-Man, so they will have to do.

“Oh, you’re on trouble now, girly. Give it to her, boss! Show her that no one misses with the Evil Warriors.”

“Evil? I thought we were the Outcast Warriors?”

“Evil Warriors sounds cooler and scarier.”

“Keep away from me! I just kicked the butts of your minions and I can kick yours, too.”

“I doubt that. But where are my manners? Allow me to introduce myself. I am Keldor, future King of Eternia. And your name is…?”

“Lyn of Zalesia. Now Evil-Lyn, sorceress, thief and apparently the person who will beat up the future King of Eternia, if you don’t let me go right now.”

“But why so fast, my pretty? You impressed me, when you dealt with my minions…”

“Uhm, boss, you’re supposed to zap her, not flirt with her.”

“…and I am not easily impressed. I could use someone with your talents. Join me and I will give you riches and power beyond imagination. For every king needs a queen…”

“Hmm, join a gang called the Evil Warriors….”

“The Outcast Warriors, the Disinherited, those unfairly ignored and persecuted by the ruling class.”

“You know, Keldor, I’ve heard of you. The Gar halfblood, the first-born prince denied the throne and cruelly banished from the palace, come to take back what should have been his in the first place. I like what I’ve heard, for I have no love for the House of Miro and the Council of Elders myself. But I like what I see even more. For none of the stories about Keldor, the outcast prince, mentioned how handsome you are. So yes, I will join you and then we shall rule Eternia side by side, together.”

“Uhm, why does she get to be queen and not one of us?”

“Because she’s a girl and we’re not, idiot.”

“Keldor could still pick one of us. Who says the consort needs to be a girl?”

***

Keldor is canonically bisexual, BTW – as mentioned in the Masters of the Multiverse comic mini-series. Though he tends to prefer women – most notably Lyn and Crita from New Adventures, where Skeletor is positively charming, when flirting with her. With Lyn, he’s mostly just abusive.

However, the romantic bliss of Keldor and Lyn is short-lived, because Keldor manages to get his face burned off, when the acid he throws at Randor backfires on himself. Lyn takes the mortally injured Keldor to Hordak, so Hordak can heal him. However, in the process Keldor becomes Skeletor and the change affects not just his body, but also his mind. And the newly born Skeletor is not only his usual terrible self, but also seems to have no affection for Lyn in this incarnation, so Lyn falls out of love with him and proceeds to try to betray him by freeing first the Snake Men from the void and then trying to free Hordak from Despondos, because the 200X Evil-Lyn has a thing for freeing terrible monsters from their imprisonment to stick it to Skeletor.

The 200X Evil-Lyn never shows any sexual interest in Duncan, neither on screen nor in the comics, but I still thought it would be fun to have them flirt.

Lyn flirts with Duncan, while Skeletor looks on.“In the name of the King, you’re under arrest, Lyn of Zalesia. And now put down that staff and the dagger.”

“I don’t think so, Duncan.”

ZAP!

“Can’t move.”

“That’s paralysis spell. Love the new armour, by the way, Duncan. It suits you. But why so grim, when we could have so much fun together?”

“Because I’m the royal Man-at-Arms and you’re a criminal and Skeletor’s lover besides.”

“Skeletor’s lover? Pah, that’s long over. Well, Keldor, he was devilishly handsome, smart, ambitious and he was going to make me queen of Eternia. But Skeletor isn’t Keldor, not anymore. He’s rude, cruel and besides, he lost all interest in me.”

“Lyn, check out my new blood armour. Isn’t it great? Oh, you’ve captured Duncan. Good job. Throw him in the dungeon. We’ll torture him later.”

“See what I mean? He’s an idiot. That’s his third new armour this month. And trust me, you don’t want to see what his Mecha Blade, Serpent Crush and Disco armours look like. Honestly, why on Eternia does anybody need Disco armour?”

“If I’m your prisoner, Lyn, could you just lock me up already, because I don’t want to listen to your domestic disputes with Skeletor.”

“Really, Duncan, you’d chose a dark, damp cell over my soft, warm bed? Cause I could make you my personal sex slave. Skeletor wouldn’t even notice. He’s way too obsessed with breaking into that blasted castle. So, what will it be, Duncan?”

***

Lyn actually does make Duncan her personal sex slave in the six-issue mini-series, which started off the DC Comics Masters of the Universe run in 2011. In that series, Skeletor has won and conquered Eternia and instead of killing the heroes, which would have been the smart thing to do, he steals their memories and brainwashes them into forgetting who they are. But then their memories start coming back…

Duncan – wearing very few clothes – ends up as Lyn’s right-hand man on some tropical island which she rules. We never see anything happen between them, but it’s strongly impied that they’re lovers or rather that Duncan is Lyn’s personal sex slave, since he clearly didn’t consent to any of this. As mentioned above, Masters of the Universe can be quite dark on occasion.

There were a number of Classics figures of offer, but there were only a handful I was interested in. But then, my Classics collection has grown a lot in the past year.  In the end, it came down to a choice between two figures – both quite expensive. One was Hordak in his Filmation colours, who comes packagd with Imp. The other was a Classics Battle Cat, for while I have a Masterverse Battle Cat and he looks great, the Classics He-Man cannot ride on him, because he’s too big. This is time where the slight size difference between the Classics and Masterverse – about half an inch – becomes a problem.

In the end, I went with Battle Cat, because I’ve seen the Filmation style Hordak on eBay for cheaper and he will eventually come up again. Besides, the Classics Battle Cat looks amazing and is probably the best version of Battle Cat. So my Classics He-Man now has his best friend:

Masters of the Universe Classics He-Man and Battle CatMasters of the Universe Classics He-Man on Battle CatOf course, there were other vintage toys on offer as well in addition to the various Masters of the Universe lines, though fewer than at Toyplosion. I spotted a number of Star Wars figures, some Bravestarr, MASK, Teenage Mutant Ninja Turtles and Real Ghostbusters toys as well as Playmobil. There also were quite a lot of modern DC Comics and Marvel Legends figures. Meanwhile, there were almost no examples of girl-aimed toys like Barbie, Jem, My Little Pony, Care Bears, etc…

I also came across a stall which had a remarkable number of toys based on the rtaher obscure Filmation Ghostbusters cartoon (not to be confused with The Real Ghostbusters), including the two female figures Futura and Jessica. I’ve always had a soft spot for the Filmation Ghostbusters cartoon, even if it was overshadowed by The Real Ghostbusters, and secretly hoped that we’d get a crossover (which was never going to happen), because the US is clearly big enough for two teams of Ghostbusters, cause double busting makes you deel twice as good. The toys based on the Real Ghostbusters were easy to find even in Europe, but as a kid I only ever saw toys based on the Filmation Ghostbusters once in – yes, you guessed it – one of those messy toystores in Italy. So seeing these very obscure toys twice in the space of less than a year (first at Toyplosion and now at Los Amigos) makes me wonder whether the universe is trying to tell me something.

And that was it for my pretty epic Los Amigos haul:

Los Amigos haul

And here is my Los Amigos haul: Clockwise from the top left we have the Masters of the Universe Classics Battle Cat, a Masters of the Universe Revelation puzzle, an Eternia Mini Teela figure from the CGI Series, a Ruhrpott mug and tote bag from Mine Zollverein in Essen, two Masters of the Universe audio dramas on CD, the Formo Toys Warriors of the Galaxy Magnon, Huk and Baltard, a Masterverse Skelcon action figure, the 200X Evil-Lyn action figure and three art prints by Simon Eckert.

Other People’s Con Reports

Of course, there are also plenty of other reports about the 2025 Los Amigos con.

Rudolf Barnholt reports about the con for the local paper Neuß-Grevenbroicher Zeitung. Fun fact: Hape Kerkeling, the German comedian from the Ruhrgebiet region who was mentioned in part 1, frequently portrays one Horst Schlämmer, a fictional reporter working for this very newspaper.

The local news site Rhein-Wied News also has a report about the Los Amigos convention, sadly uncredited and illustrated with what appaears to be AI images. Honestly, how hard can it be to find official images of He-Man?

German toy collectors in general and Masters of the Universe fandom in particular are concentrated on YouTube, so there are a lot of YouTube videos about the con.

Goreminister shares a documentary about the 2025 Los Amigos with lots of footage and interviews and also mentions the torrential rain.

Customiser Master Ölli shares his impressions of the 20215 Los Amigos.

Toy Collector NRW shares a video with footage and impressions of the 2025 Los Amigos, as does Infoxicating Coffee Break.

There also are a lot of haul videos: Der Movie Picker shares some impressions of the con as well as his haul (and I’m so jealous of that Disco Skeletor). The two hosts of Tales From the Fright Zone share their impressions of the 2025 Los Amigos and their haul. Der Sitti shares his and his wife’s haul and some impressions of the con. The highlight is a vintage Slime Pit – quite possibly the same one I had my eye on. DJ Shifrocs shares his haul at the VTS Experience YouTube channel. It Waits TV also shares his haul as well as a some footage of the con.

Chriss Tainment, who is one of the organisers and also moderated the panels, shares his haul and he did buy several of those Filmation Ghostbusters figures I had my eye on. Silent Mike also shares his haul and he also bought those Filmation Ghostbusters figures. Amazing how many people remember loving the Filmation Ghostbusters cartoon, especially since it is often considered the lesser of the two Ghostbusters cartoons. Which is wrong, both Ghostbusters cartoons are great in their own way.

The Quest for Lunch Revisited

By the time I’d finished my Los Amigos rounds and taken my haul to the car and relocated my car to the actual carpark, which had emptied out a little by now, it was shortly before two PM, i.e. high time for lunch.

Now last year, the food options at Los Amigos were rather limited. The Los Amigos organisers had promised that there would be more food options on site this year, but in practice it was still just burgers, sausages (particularly the ever popular Currywurst, fries, crepes and drinks. The lines for these rather underwhelming food offerings were also pretty long.

Los Amigos food area

A look across the outdoor food zone at Los Amigos in Neuss

I did got myself a bottle of water at the drinks stall – and the operator had to go hunting for one, because the drinks stall mostly seemed to be focussed on selling beer. But otherwise, I decided to go looking for food outside the con.

Unfortunately, there were no dining options in the immediate surroundings of Stadthalle Neuss. There were dining options in the city center, but the city center of Neuss is pedestrianised and there are few parking options in this area. Of course, I could have tried walking from the Stadthalle to the city center, but I wasn’t sure how far it was, plus I’d been walking around the con for several hours and wasn’t in the mood for spending more hours walking around Neuss, especially given the weather.

However, Google Maps showed my a street in the suburb of Furth with several restaurants and a public parking lot near-by, which looked promising. So I programmed Else for the address and parked my car on the public parking lot (which was even free). The parking lot turned out to be next to a small park, which was flanked by two post-war churches – one Catholic and the other Lutheran – on each side.

Christ King Church in Neuss-Furth

The Catholic Christ King church in Neuss-Furth, built in 1955.

Mourning woman with peace dove

This sculpture is called “Mourning woman with peace dove” and was created by Neuss-born artist Marga Grove-Markovic in 1963.

Once I’d parked my car, I went in search of the restaurants. Alas, the first restaurant – a Japanese place – turned out to be closed. The next one turned out to be a pizza delivery service. Then an Indian restaurant, also closed. Another pizza delivery service. A Thai restaurant, closed. And finally a café, also – you guessed it – closed.

As I’ve mentioned before, ever since the pandemic it has been getting increasingly difficult even in bigger cities to find a place to have lunch, especially if you avoid fast food chains like McDonald’s or Burger King. Pre-2020 I don’t recall ever having serious problems finding a place to have lunch anywhere. That is, when I was a teenager, we were on holiday in Northern Bavaria and had problems finding places to eat, but that was because all the restaurants were German country inns (which ironically are an endangered species by now), which had zero vegetarian options at the time. Nowadays, however, the only option is often döner kebap and while I don’t mind döner once in a while, I don’t want to eat it all the time.

Besides, there wasn’t even a döner shop in this part of Neuss, at least none that was open. The only place that was open was a bakery with a small café – a branch of Bakery Büsch, a chain from Kamp-Lintfort with branches all over the Ruhrgebiet – attached to an Edeka supermarket.  So I headed to the bakery, only to find that their food options were highly limited – it is a small bakery café attached to a supermarket, after all. I finally ordered a tomato and mozzarella sandwich. It wasn’t bad at all, just not what I would consider a proper lunch.

Tomato and mozzarella sandwich

A tomato and mozzarella sandwich, courtesy of Bakery Büsch in Neuss-Furth.

Germany is currently experiencing a wave of restaurants closing and going bankrupt as reported here, here and here. The reasons are high inflation – particularly food and energy costs have risen disproportionately – as well as rising wages and lack of personel. And since the high inflation is hitting the entire country, people are cutting back on non-vital expenses like eating out. It’s all very frustrating. I don’t eat out all that often, but when I’m away from home I need to eat something. And yes, in retrospect I should have gone into the city center, but the problem of finding a place to eat is still pervasive.

While I was munching on my tomato and mozzarella sandwich, it started to rain again. I considered ordering another coffee, allowing me to linger for longer and wait out the rain. However, this was only a brief shower and by the time I finished my sandwich, the rain had stopped.

So I made my way back to my car. By now, it was three forty-five in the afternoon, so still time enough to explore the area before heading to my hotel. But that’s a tale for part 3.

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Happy Birthday Heikedine Körting, Queen of the German Audio Drama

Heikedine Körting, audio drama director, producer, voice actress and lawyer, celebrates her eightieth birthday today.

If you’re not German, you’re likely thinking “Heikedine Who?” But if you grew up in Germany in the past fifty years, Heikedine Körting probably influenced a big part of your childhood, whether you know her name or not. Because Heikedine Körting is the producer and director of the popular Europa audio dramas.

If you grew up in (West) Germany in the 1970s and 1980s, audio dramas on cassette tape were an integral part of your childhood. They were ubiquitous, sold in supermarkets, drugstores, toy stores, department stores, book stores, magazine and tobacco stores all over West Germany, often in bright yellow displays directly by the cash register. They were also cheap, costing 5 or 6 Deutschmarks per tape. In short, these audio dramas on cassette were the ideal quick gift, to reward a kid after being dragged through the shops by their Mom or Grandma all day or for birthday parties of schoolmates.

They were an excellent value, too, for those 5 or 6 Deutschmarks per tape gave you roughly 45 minutes of entertainment. The production values were amazing – a full cast of excellent voice actors, often veteran stage actors, sound effects, music, often full orchestral scores – all for audio dramas aimed at children. The stories were usually well written by authors who specialised such this sort of thing such as horror and science fiction author H.G. Francis. There were dozens of audio drama series available for every age range and gender and in every genre, including lots of licensed properties.

Audio dramas on tape for sale at Marché Noir

A selection of audio dramas on tape for sale at the Marché Noir retro fair in Dorsten. The series include Gruselserie (The Spooky Series), Jan Tenner (a Flash Gordon style science fiction series), Masters of the Universe, Princess of Power, both Filmation and the Real Ghostbusters, Asterix, James Bond, Knight Rider, A Nightmare on Elm Street, The A-Team and The Simpsons.

Audio dramas aimed at children were not without controversy, particularly in the early years. There were disparaging comments about “electronic grandmothers”, since the first audio dramas were usually fairy tale based and the usual pedagogogic busybodies complained that listening to audio dramas would harm children’s reading abilities. However, those busybodies also said the same thing about comics, television, movies and dime novels to the point that it’s a miracle that we can read at all. Though there were parents who listened to that nonsense (like mine) and when confronted about it, would say that “But we only wanted the best for you and the experts said…” or “But your cousins read Donald Duck comics and listened to audio dramas and look at their school performance.” The cousins in question BTW happened to be undiagnosed dyslexics growing up in a toxic home.

Nonetheless, every West German kid had at least a few of those audio dramas on cassette (including me) and they also found their way to East Germany in parcels or as gifts. We would pop the tape into the player before falling asleep or as entertainment during long road trips o as background noise while doing homework. When you were on a school trip, the bus driver would usually pop an audio drama into the player (or sometimes a mixtape) to keep his passengers quiet and happy. The tapes were also swapped around and shared and they were so ubiquitous to the point that it never even occurred to me that audio dramas on cassette were mainly a West German thing and not nearly as prevalent elsewhere. I know the US had Kid Stuff records and I even owned a few – since my parents’ worries about comics and audio dramas harming my reading abilities miraculously vanished when the media in question was in English or another foreign language – but with regard to production quality there’s really no comparison.

There were four companies producing these audio dramas, Karussell, Kiosk, Maritim and Europa, but as a kid you didn’t pay attention to the label, only to the series and story. And you certainly had no idea who the people behind those cassettes were. Of these companies, Europa very much pioneered the form. Europa was founded in 1966 as the audio drama focussed imprint of the record company Miller International by record producer and music scholar Andreas E. Beurmann. The initial offerings was on fairy tales on vinyl records, still narrated rather than full cast dramas.

In 1971, Andreas Beurmann met a young law student named Heikedine Körting at a party. The two became friends and eventually fell in love, though Beurmann was 17 years older than Heikedine Körting. They married in 1979 and stayed together until Beurmann’s death in 2016.

As for Heikedine Körting, she had a difficult childhood like many Germans born during or immediately after WWII. She was born on June 18, 1945, in the village of Thalbürgel in Thuringia, barely a month after the end of WWII. According to this profile, Heikedine Körting was literally born in a blueberry field, while her mother was picking blueberries to support the family. The newborn was then put into a manger and licked by curious cows. The family soon relocated to Lübeck in West Germany, where Heikedine Körting grew up as a dreamy kid and natural entertainer who put on puppet shows for her friends. At the age of nine, she contracted polio and had to spend months in bed with only her imagination to entertain her, though she eventually made a full recovery. Public service announcement: Polio is a terrible disease that has thankfully been almost completely eradicated by vaccination, so please vaccinate your children and yourself, because this is one scourge we don’t want to come back.

Heikedine Körting attended the gymnasium (academic focussed 13-year grammar school in Germany) when this was still highly unusual for girls, since “they only would get married anyway” (Someone honestly said that to my parents, where I could hear it, as late as 1985. Joke’s on them that I never married). She got in trouble for writing essays that were too imaginative (I can sympathise). After graduation, she attended law school and became Germany’s youngest independent lawyer, though her true calling lay elsewhere.

Shortly after she met Andreas Beurmann, he invited Heikedine Körting to his recording studio. She taught herself how to use the mixing console and started directing and producing audio dramas. In 1973, Heikedine Körting became the head producer and director for Europa‘s extensive line of audio dramas, a position she retains to this day.

Heikedine Körting was largely responsible for Europa‘s shift away from narrated fairy tales to full cast audio dramas and also for the expansion into adventure, mystery, science fiction, fantasy and horror series aimed at older kids. She recruited well-known stage and voice actors for Europa – people like Hans Paetsch, who voiced Hui Buh the castle ghost from the eponymous series and narrated many of the fairy tales, Peter Pasetti, who was the German voice of Humphrey Bogart and voiced Alfred Hitchcock in The Three Investigators and Skeletor in Masters of the Universe, Norbert Langer, the German voice of Tom Selleck and John Nettles of Midsomer Murders fame as Prince Adam/He-Man in Masters of the Universe, German film and TV star Horst Frank as Inspector Reynolds in The Three Investigators, acting legends Hans Clarin and Günther Pfitzmann as Asterix and Obelix respectively or Jürgen Thormann, the German voice of Michael Caine as Ram-Man and Zodac in Masters of the Universe. Listening to these audio dramas, especially as an adult, can be a weird experience, because of all the famous voices. Part of the reason why Heikedine Körting was able to recruit such high calibre actors for audio dramas aimed at children was that many stage actors, particularly older ones, were frustrated by the direction that German theatre was heading in the late 1960s and early 1970s, where directors were more interested in making political points that may or may not be related to the play in question rather than in putting on reasonably faithful productions (also see this post at Galactic Journey about an early example of that trend). In retrospect, it’s funny that the much criticised “Regietheater” of the 1970s and 1980s is indirectly responsible for my generation being exposed to excellently acted audio dramas as kids.

The range of audio dramas produced by Europa under the auspices of Heikedine Körting is stunning. The most famous are probably the teen mystery series The Three Investigators, in nigh continuous production since 1979 and still with the same voice actors who are now gentlemen in their 50s and 60s rather than teens, and TKKG, which started in 1981. Also still in production to this day are Hui Buh, the Castle Ghost (started in 1973), The Famous Five (started in 1978), based on Enid Blyton’s eponymous kids adventure series, and Hanni and Nanni (started in 1972), based on Enid Blyton’s St. Clare’s boarding school novels. Past series include the SF series Commander Perkins (1976 to 1982) and Perry Rhodan, based on the eponymous dime novel series, the horror series Gruselserie (literally Spooky Series), Castle Schreckenstein, Larry Brent and Macabros, which were controversial due to being bloodier and scarier than the usually terminally bland West German kids’ entertainment, because audio dramas could get away with more than visual media. In the 1980s, Europa also produced a lot of audio dramas based on licensed properties such as The A-Team, Knight Rider, A Nightmare on Elm Street, James Bond 007, Asterix, both the Filmation and the Real Ghostbusters (cause double busting makes you feel twice as good), Bravestarr, Rainbow Brite and of course both Masters of the Universe and Princess of Power.

There are two different versions about how the Masters of the Universe audio dramas came to be. One is that Heikedine Körting was strolling through the Nuremberg Toy Fair when she saw Masters of the Universe figures on display at the Mattel booth and asked the Mattel rep whether there was any media to go with these toys and whether she could licence them to produce audio dramas. The other version is that Heikedine Körting saw her young nephews playing with Masters of the Universe toys and when she asked, if there was a story to go with these toys, she was told, “No, there isn’t” (which was true in the early 1980s). So Heikedine Körting contacted Mattel and licenced Masters of the Universe to produce audio dramas. But whichever version of the story is the true one, the Masters of the Universe audio dramas were huge successes and continue to the be the canonical version of Masters of the Universe for many German fans. The German Masters of the Universe audio dramas, penned by the prolific H.G. Francis, also introduced Anti-Eternia He-Man, the evil parallel universe counterpart of He-Man who has since made his way into the wider Masters of the Universe cosmos.

Masters of the Universe Classics Anti-Eternia He-Man

“Happy Anti-Birthday to you, Ms. Körting. Have some anti-cake!”

Masters of the Universe Classics He-Man versus Anti-Eternia He-Man

“Get lost, imposter. I want to wish Ms. Körting a happy birthday.” – “Imposter? It’s you who’s the imposter, you goody two-shoes.”

Part of the reason why Masters of the Universe and the other licenced audio dramas were so successful in West Germany is that while we got most of the toylines of the 1980s, we didn’t get the cartoons that went with them, because in the three TV-channel world of early 1980s West Germany, the public channels would not broadcast those terrible violent American cartoons (where no one ever got seriously hurt and He-Man and friends delivered moral messages at the end of every episode). So unless you were lucky enough to have cable TV early or had access to foreign TV, the audio dramas were the only story you got to go with your toys. And they were good and usually a little harder edged, more violent and more grown-up than the cartoons, even if the Filmation cartoon was a stronger influence on me personally than the audio dramas.

In the 1970s and 1980s, the Europa audio dramas were huge success. Heikedine Körting was awarded a staggering 180 golden and platinum records for the audio dramas she directed and produced, making her one of the most successful female recording artists of all time, outselling the likes of Madonna or Taylor Swift.

But difficult times were coming for Europa, because the sales of audio dramas on cassette starting dwindling in the late 1980s and fell off a cliff in the early 1990s. The reasons were the increasing shift away from audio tapes towards CDs, the proliferation of private TV, which brought a huge expansion of cartoons and other shows popular with young viewers and also the proliferation of video games. By the early 1990s, all of Europa‘s many series had been cancelled except for the blockbusters The Three Investigators and TKKG.

However, the fortunes of Europa reversed in the late 1990s and early 2000s, as more and more of the now grown-up listeners of yesteryear got on the internet, rediscovered the audio dramas of their childhood and also connected with other fans. The prices for vintage audio dramas on cassette tape or vinyl skyrocketed – a cassette that cost 5 or 6 Deutschmark in the 1980s now goes for twenty times that. In response, Europa reissued many of their popular series starting in 1999, though in some cases series could not be reissued because of rights issues involving the music. The licensed series were mostly also not reissued, because the original licence didn’t allow for it and the property would have to be relincensed, often from new owners who were not exactly sympathetic. The Three Investigators even tours as a live stage show with the original voice actors. Europa also began producing new instalments of popular series such as The Three Investigators, TKKG or Gruselserie as well as brand-new series such as Teufelskicker (Devil Players) about a football team. Oddly enough, I remember winning a football themed audio drama on cassette at the Bürgerpark Tombola (a local charity tombola to finance a park) sometime in the 1980s. Since I didn’t care for a football themed story about boys, I swapped it with my cousins (the undiagnosed dyslexics whose school performance caused my parents to believe so much nonsense) for something more to my taste.

Amazingly, Europa only stopped offering audio dramas on cassette tape in 2011, largely because audio tape was nigh impossible to source by then. You can still buy their offerings on CD or as MP3 and you can also stream them. Heikedine Körting still produces and directs Europa‘s audio dramas and the various sound effects are still sourced from analogue tapes and not digital.

The legacy of Heikedine Körting also continues to bear fruit elsewhere, because Germany still has a rich environment of new companies producing audio dramas inspired by the cassette tapes of yore. The vintage horror dramas have inspired productions like Blutige Zeche in Bottrop (Bloody Mine in Bottrop). The science fiction series Jan Tenner (which was not produced by Europa, but by rival Karussell) has just made a comeback with brand-new stories and even Masters of the Universe has a new series of audio dramas.

So a happy 80th birthday to Heikedine Körting and thank you for all the wonderful stories that kept generations of kids entertained.

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Frontpage News

We interrupt your regularly scheduled con coverage, because I’ve been in the news again, for Alexandra Penth interviewed me for the Weser-Kurier about my Hugo nomination as part of the Galactic Journey team. You can read the article here. I also really love the photo of me in my Foundation t-shirt, posing with the 2022 Best Fan Writer Hugo.

And here is what the article looks like in the actual paper:

Regionale Rundschau front page from June 10, 2025Yes, I made the front page above the fold. Of course, it’s only the front page of the regional supplement for Stuhr, Weyhe and Diepholz county, but it is still the front page.

And while on the subject of Galactic Journey, I forgot to link to my latest article where I review the 1970 science fiction novel (well, it’s more of a fix-up actually) A Circus of Hells by Poul Anderson. It’s a Dominic Flandry novel, entertaining but also rather dated.

In the early years of my science fiction reading journey, I read a lot of Poul Anderson and a lot of Dominic Flandry, because Anderson was very prolific and the spinner rack at my local import bookstore always carried at least one book by him.

But then I discovered Lois McMaster Bujold and read The Warrior’s Apprentice almost directly after a Flandry novel, which might have been A Circus of Hells (I own it and definitely read it) and Bujold told a similar story – spy action and intrigue in space – so much better than Anderson ever did.

What is more, the winners of the 2024 Nebula Awards were announced while I was at the Los Amigos con. I’m not sure if I’ll do my usual commentary post on the winners this year, but I’m overall satisfied with the Nebula winners and think they are great choices.

The next instalment of my epic Los Amigos con report should come out soon, hopefully tomorrow, so stay tuned.

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He-Man Goes Ruhrpott – Cora’s Adventures at the 2025 Los Amigos Masters of the Universe Convention in Neuss, Part 1: It’s Roadtrip Time Again

Last year, I attended the Los Amigos Masters of the Universe convention in Neuss, which also involved a rather epic 300 kilometers there and back roadtrip.

I enjoyed the con and the trip a lot, so I decided to go again this year. And because I wanted more time at the con and more time to explore the Ruhrgebiet with its many sights, I booked a hotel to stay overnight. So it was time to return to the Ruhrpott.

Masters of the Universe Classics He-Man posing with a Ruhrpott mug

He-Man goes Ruhrpott

As for why He-Man is posing with a mug, “Ruhrpott” or just “Pott” is an affectionate name for the Ruhrgebiet. However, the term “Pott” can also refer to a large mug. Hence, the mug in the photo (more on how I came by it later) is both a souvenir from the Ruhrpott as well as a literal Ruhrpott.

This year, the Los Amigos convention took place on Saturday, June 7, which happens to be part of the long Pentecost holiday weekend, which means hotels and roads would be busier than usual. What is more, there were all sorts of fairs, festivals and other events happening this weekend all over Germany, including a major rock festival.

Because I expected the roads to be busy, I got up at five AM and set off at shortly before six. The sun was already up, because it currently rises at 5:08 in the morning.

Autobahn A1 and Dammer Berge

The trip to Neuss was mostly the same as last year. I drove onto Autobahn A 1 at Groß Mackenstedt and followed the A1 through the Wildeshauser Geest nature park, across the Teutoburg Forest, through the Münsterland and into the Ruhrgebiet.

The Autobahn was indeed fuller than it usually is early on a Saturday morning and there were a lot of trucks trying to make it to their destination or at least out of Germany, before they would be grounded for two days, because trucks are not allowed to drive on German roads on Sundays and public holidays, unless they are transporting perishable goods.

Nonetheless, I made good time. Part of the reason was that the 33-kilometer monster construction zone between the exits Lohne/Dinklage and Bramsche is gone now. There still are a few smaller constructions zones between Lohne/Dinklage and Bramsche, mostly where bridges across the Autobahn are in the process of being replaced.

My first pit stop was at service station Dammer Berge with its iconic bridge restaurant.  No, not for breakfast – I learned my lesson last time. Not to mention that it was 6:45 AM, when I reached Dammer Berge, and too early for breakfast. However, I was feeling some pressure in my bladder from an early morning mug of tea and decided to peruse the restroom at Dammer Berge. I could probably have held out until service station Tecklenburger Land, but I still have a soft spot for the unique structure that is Dammer Berge.

Service Station Dammer Berge on Autobahn A1

The iconic bridge restaurant of service station Dammer Berge on a rather gloomy day.

In spite of the early hour, the service station and adjacent parking lot were already quite busy. There was a busload full of young people who were playing techno music in the parking lot at an annoying high volume.

I did my business at the bathroom and also paid a brief visit to the Autobahn chapel (for more about Autobahn chapels, see this post) at Dammer Berge.  I left a message in the guest book – something I usually do at Autobahn chapels – and put a Euro in the collection box, though I couldn’t light a candle, because there was no lighter at the chapel and I didn’t have one either.

Autobahn chapel Dammer Berge

The Autobahn chapel at service station Dammer Berge, built in 1970. This was the first ecumenic Autobahn chapel in Germany – previous chapels were either Catholic or Lutheran, even though denominational differences are silly, particularly for chapels aimed at travellers.

Autobahn chapel Dammer Berge interior

And this is what the Autobahn chapel Dammer Berge looks like on the inside.

Autobahn chapels are calm and quiet places. Even the loud techno music of the busload of young folks did not penetrate into the chapel, even though the bus was parked only a hundred meters or so away.

I have now visited three of the 44 Autobahn chapels in Germany, namely Dammer Berge, Roxel/Münsterland and Kassel/Lohfelden. I also missed at least two during my trip to Hanau last December, because I had no idea they existed. I hope to visit more, because I like the concept of Autobahn chapels as an update of the roadside shrines and chapels from days of old. Several Autobahn chapels, including Dammer Berge, are also specifically dedicated to the victims of traffic accidents.

Before setting off again, I also snapped this photo of He-Man posing on a picknick table at service station Dammer Berge. I wanted to position him, so the bridge restaurant would be visible in the background, but then a gust of wind knocked over the figure, two guys having a smoking break became unduly interested in what I was doing and a few drops of rain landed on me, my phone and He-Man.

Masters of the Universe Classics He-Man at service station Dammer Berge

He-Man at service station Dammer Berge, because even Champions of Grayskull occasionally need a pit stop.

As for why I took along a He-Man figure – this is the Masters of the Universe Classics He-Man BTW – I hoped that there would be opportunities for toy photography on route.

Just Driving in the Rain

The few droplets that had landed on me, my phone and He-Man at service station Dammer Berge has turned into a full-blown rainfall by the time I reached Osnabrück. This wasn’t unexpected – the weather forecast had said that there would be showers all weekend long – but since I’d even had a bit of sunshine around Wildeshausen, I hope I’d be spared rain until I was safely inside the convention center.

Alas, no such luck. When I crossed Teutoburg Forest, low-hanging clouds were hanging between the tree and hill tips. Of course, these damp, dark and foggy woodlands already plagued and eventually doomed the five legions of the Roman army under the command of Publius Quinctilius Varus back in 9 AD.

By now, it was half past seven and the perfect time to find a spot for breakfast. So I drove onto a rest area to check Google Maps for bakeries close to the Autobahn. Alas, I was in the void that is the Münsterland, where there are few Autobahn exits and even fewer towns and villages. Of course, those towns and villages have bakeries, but the towns here are usually quite a bit away from the Autobahn, requiring a longer side trip than I was prepared to take.

However, I remembered that last year on my way back from the Los Amigos convention, I had coffee and cake at a nice bakery café in a retail park directly by the Autobahn at intersection Kamener Kreuz. That would be the perfect place to have breakfast, so I headed onwards towards Kamener Kreuz.

Breakfast at Kamener Kreuz

Kamener Kreuz is where Autobahn A1 and Autobahn A2, one of the main North-South and one of the main East-West routes for all of Germany and Europe, intersect. It used to be infamously busy and prone to traffic jams, though the situation is much improved by now, and is also frequently referenced in (West) German pop culture. Even if – like me – you live nowhere near it, you’ve heard of the Kamener Kreuz. Fun fact: As a kid, I always assumed the Kamener Kreuz was named after a woman named Carmen, but it’s really named after the town of Kamen.

The Kamener Kreuz is also the gateway to the Ruhrgebiet, though the Ruhrgebiet officially begins in Hamm, one Autobahn exit before Kamener Kreuz. However, Hamm is quite a bit away from the Autobahn and Kamener Kreuz is also where the tangle of Autobahnen all named A-fortysomething that marks the Ruhrgebiet begins.

At Kamener Kreuz, I passed almost directly by the ADAC monument a.k.a. four angels abducting a helicopter.  I would really love to take a closer look at that monument one day and take a few photos, but so far I have never been able to figure out how to get there, since it sits directly inbetween two Autobahnen. I’m sure there must be a path or something, since someone is clearly mowing the lawn on the hill on top of which the monument sits.

I took the next exit – Kamen Zentrum – and headed for the retail park and the Grobe bakery café. Bäckerei Grobe is a Dortmund based bakery chain with branches all over the Ruhrgebiet and I have enjoyed their offerings a few times before.

Because it was half past eight on a Saturday morning at the start of a long holiday weekend, the bakery café was busy both with people picking up fresh bread rolls for breakfast at home as well as with people looking to have breakfast at the café. The breakfast line was shorter than the take out line, but unfortunately, it also moved a lot slower.

Part of the problem was that Grobe offers something called a bakery café breakfast, which consists of two bread rolls and five toppings of the customer’s choice. So almost everyone in line took ages to decide what rolls and toppings they wanted. There was a list of available toppings, but not of available bread rolls. The fact that only one person manned the breakfast counter didn’t help either.

When it was finally my turn, I didn’t bother with bread rolls and toppings at all, but instead went for a Dortmund market omelette with and cheese.

Dortmund market omelette

Breakfast of Champions of Grayskull: He-Man and I are enjoying a Dortmund market omelette, courtesy of Bakery Grobe at Kamener Kreuz.

By the time, I had finished breakfast, the rain had stopped, which seemed promising. However, because the breakfast line had moved to slowly, it was also already half past nine and the con was set to open at ten. So, I set off again without further ado.

When I reached Hagen, where you have some of the best views along the A1 across the Ruhr valley with no less than two castles, four towers and a massive war monument on top of various mountains, it started to rain again.

Here is a dashcam video on YouTube following almost the entire route I took along the A1, though in reverse direction. It starts in Unna and ends in Bremen. The Kamener Kreuz retail park is at the five minute mark, the angels abducting a helicopter monument at Kamener Kreuz at the seven minute mark, the bridge restaurant of service station Dammer Berge is at the one hour and thirty-eight minutes mark, Groß Mackenstedt a.k.a. Delmenhorst-East, the nearest exit for me in southbound direction is at the two hours and twenty-four minute mark and Bremen-Brinkum, the nearest exit for me in northbound direction, is at the two hours and twenty-nine minute mark. At the two hours and thirty-one minute mark, the driver leaves the A1 at exit Bremen-Arsten. At two hours and thirty-five minutes, he drives through the Habenhausen retail park and then crosses the river Weser via Strawberry Bridge a.k.a. Karl Carstens Bridge.  He then drives down Georg-Bitter-Straße and turns into Bismarckstraße. At two hours and forty-three minutes he passes the former telephone exchange building, where my grandmother worked as an operator (a highly desirable job in the 1920s), and then passes Hospital Bremen-Mitte where my Dad died. At two hours and forty-four minutes, you get a glimpse of 1920s apartment buildings along Bismarckstraße, an early and then revolutionary attempt at social housing for the working class. Nowadays, the apartments are cramped and small with low ceilings, small windows and tiny kitchens, but since they are protected historical buildings, there is little anybody can do about that. At two hours and forty-six minutes, you get a glimpse of the St. Ansgari church and the Victorian buildings of the Schwachhausen neighbourhood. At two hours and forty-seven minutes, you get Am Stern (literally the star), an infamously confusing roundabout where six streets meet and which most locals do anything to avoid. At two hours and forty-eight minutes, you can see the Hermann Böse Gymnasium and the former headquarters of the North German Lloyd shipping company, now a hotel. The video finally ends in front of Bremen Central Station, while I question the driver’s navigation choices, because that’s not the route I would have taken, if I wanted to get to the Central Station.

Autobahn A46 and a Biblical Downpour in Wuppertal 

At the intersection Wuppertal-North, I left Autobahn A1 and drove onto Autobahn A46, one of the many A-fortysomethings of the Ruhrgebiet. Based on my experience last year, it should take about twenty minutes to half an hour to reach Neuss and my destination. At least, that was the theory.

It was still raining and the rain was getting heavier as I passed the various exits that made up Wuppertal. There was also construction work going on here, because the aging A46 is undergoing some much needed refurbishments. But combined with the rain and an already unpleasantly narrow Autobahn, the drive wasn’t exactly pleasant.

But it got even worse, because the rain got even heavier and turned into a downpour of biblical proportions. My windshield wipers were working at the highest frequency and I could still see barely anything. I slowed down, but I couldn’t slow down too much or I’d risk getting hit by other cars.

In short, it was a really dangerous situation. Heavy rain, almost zero visibility and pretty dense traffic. Even my Dad, who was a better and more experienced driver than me, wouldn’t drive onwards under such conditions. He’d stop and wait out the rain. Occasionally, Dad would even stop on the hard shoulder of the Autobahn, when the rain was this heavy. But while that might be viable on the broad A1 or A28, it wasn’t a great idea on the narrow A46. No, I needed to get off the Autobahn fast. A rest area or service station would be best, but an exit would do as well. Any exit.

Luckily, there was an exit just ahead called Wuppertal-Sonnborn, so I left the Autobahn in search of some place to park the car and wait out the rain. Now I have never been to Wuppertal before and know nothing about the city except that it has a unique steampunky suspension railway. So I upon leaving the Autobahn, I randomly turned into the direction which looked more populated and crawled along the streets of Wuppertal-Sonnborn, looking for a place to stop. I chanced to take a road that follows the river Wupper. There was a park along the banks of the river Wupper, which is surely lovely, when you’re not in the middle of a downpour of biblical proportions. But unfortunately, there was no place to park my car.

Eventually, I spotted an Aldi supermarket and drove onto the parking lot. Because it was a Saturday morning, the parking lot was full and I also had to dodge shoppers who were dashing through the rain for the safety and dryness of the store or their cars without paying much attention to traffic. Some people even stopped their cars directly in front of the entrance to let family members get out.

I finally found a free slot a the edge of the parking lot and waited, while the sky was determined to drown Wuppertal in biblical floods. It was five past ten now, the con had just opened and here I was stuck on the parking lot of an Aldi market in Wuppertal. I checked the weather app on my phone, which told me that the downpour would continue for at least another fifteen minutes. So I waited, ate some chocolate and drank a bit of water. In theory, I could have gone into the Aldi store, but in practice I would have been soaked by the time I made it to the door.

Wuppertal in the rain

The view from my car across the parking lot of an Aldi store in Wuppertal in the rain. I would have put He-Man on the dashboard, but he was in the trunk.

It was about twenty-five minutes past ten, when the rain had subsided to the point that it was safe to continue on my way. So I returned to the Autobahn and the city of Wuppertal, as if determined to apologise for the unplanned delay, gave me a lovely parting gift, because I saw the famous suspension railway pass by. That sight made me so happy that my cheering attracted the attention of other drivers. One day, I really need to make a planned stop in Wuppertal and ride the suspension railway, because it’s just so very cool.

Meanwhile, the ten thirty traffic report on the radio had worrying news. There had been an accident on Autobahn A46 just ahead of me. Apparently other drivers had not been so wise to leave the Autobahn, when the rain became too heavy. So a driver lost control on a rain-slick road and crashed first into a barrier and then into another car, which overturned. Four people were injured and had to be taken to hospital, though luckily no one died. Also see this report about the accident from the Rheinische Post newspaper, which even has a few photos.

Of course, on Saturday morning, I knew nothing about what had happened beyond there has been an accident on the A46 just ahead, a vehicle has overturned and there is a traffic jam with a five minute delay. Now a five minute delay isn’t too bad and since I don’t know my way around Wuppertal and surroundings at all, I drove back onto Autobahn A46 anyway, only to hear the five minute delay turn into a ten minute and then a fifteen minute delay.

And then I hit the traffic jam. The radio informed me that the delay was twenty to twenty-five minutes now, so I decided to leave the Autobahn at the next exit and circumvent the traffic jam on local roads. Luckily, there was an exit just ahead called Haan-East.

I was less than a kilometer away from the exit Haan-East, when I hit the traffic jam, but it took me ten minutes or so to make even the hundred meters to the exit.

Traffic jam on the A46 in the rain

Traffic jam on the A46 in the rain.

Turns out that the decision to leave the Autobahn was exactly the right one, because shortly afterwards the entire A46 was closed to allow a rescue helicopter to land. As I left the Autobahn, I also saw an ambulance speeding in the other directions, sirens blaring.

A Detour Among the Neanderthals

Once I left the A46, I found myself in utter terra incognita. I had never been here before and of the names on the roadsigns, only Solingen rang a bell, but Solingen was definitely in the wrong direction. The town Mettmann also rang a bell, but only because there was a German comedy movie called Samba in Mettmann several years ago, starring comedian Hape Kerkeling, who hails from the Ruhrgebiet. Here’s a trailer.

So I stopped to check Google Maps – my GPS Else is unfortunately useless in such situations – which told me that the best and quickest way around the now blocked A46 lead through a town called Gruiten and a town called Hochdahl. I’d never heard of either town, but right inbetween Gruiten and Hochdahl, there is a place everybody has heard of, namely the Neanderthal (nowadays spelled Neandertal) valley. Yup, that Neanderthal, where the remain of the first Neanderthal man were discovered in 1856. The Neanderthal valley was a limestone quarry, which is how the remains were discovered. I was literally among the Neanderthals.

The rain had mostly stopped by now and I drove along a pleasant country road through fields and forests and villages with timbered houses. At the exit Haan-West, I finally rejoined the (still closed) A46 and journeyed onwards past Düsseldorf (or rather under Düsseldorf, since Düsseldorf has a lot of tunnels.)

I left the A46 at the exit Düsseldorf-Bilk and crossed the Rhine on the Josef Cardinal Frings Bridge, which like so many bridges in Germany is currently under construction. To be fair, the bridge was built in 1951 (and named Südbrücke – Southern Bridge – before it was decided to name it after the former Archbishop and Cardinal of Cologne, who was born in Neuss) and probably needs it. But it’s an annoyance nonetheless.

On the far side of the Rhine, I entered Neuss, passed the Rheinpark Center mall, a massive 1970s concrete slab, as well as the German headquarters of 3M and finally made it to Stadthalle Neuss and the con. By now, it was almost half past eleven, i.e. the 32 kilometers from Wuppertal to Neuss had taken me one and a half hours.

But that’s a story for another day.

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