Just another weekend linkdump

The Guardian offers another article about self-publishing, digital and otherwise.

Lynn Viehl of Paperback Writer wrote a thoughtful post about the spectrum of elements a novel needs and the spectrum of skills a writer needs.

Worldbuilding is definitely one colour in this spectrum of skills, particularly but not limited to SFF writers. At Noise 2 Signal, Abi Sutherland offers this interesting post on worldbuilding. Found via Jay Lake.

The Locus Award winners have been announced. No big shocks there, though I’m a bit surprised that Blackout/All Clear seems to be sweeping so many awards. But the SF novels shortlist wasn’t that great. I don’t understand the appeal of Ship Breaker either. Or rather, I understand the appeal, it plays into trendy eco-apocalypse fears. I just don’t happen to share it, because Ship Breaker tackles subjects I’m very familiar with and it doesn’t do it very well IMO. Still, everybody else in the world seems to love it.

The Stoker Awards have been given out as well. I don’t really have much to say about the results, because horror is not my genre.

Though it is interesting that urban fantasy is grossly overlooked by the Hugos, Nebulas, World Fantasy, Stoker and Clarke awards, i.e. all major genre awards. The only place where urban fantasy novels have been honoured on occasion are the Rita awards and the Ritas are for more likely to honour paranormal romance or time travel romance (no surprise, since they are a romance award after all).

Editor Martin H. Greenberg has died aged 70.

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Opting Out of the Beauty Myth

At the Independent, Charlotte Raven wonders whether the choices available to western (in this case British) women have gotten narrower in spite of feminism.

The following quote struck me in particular:

The pervasive fashion for porn-star depilation (and vaginal cosmetic surgery) is not the same as a fashion for floral prints or gladiator sandals. It is not that they are merely inconvenient or costly; they are symptoms of a deep social and political malaise. The rampant commodification of the female body and interpersonal relationships has become the defining feature of modern British popular culture. You can’t just opt out of it, unfortunately.

When I was a teenager in the 1980s, very few young women shaved their legs (and anybody who shaved down there likely was a model or stripper) or wore bras. Visiting a more conservative part of the US in the late 1980s, I was stunned that girls my age and younger wore bras – even if they didn’t have breasts yet – and that women shaved their legs and with the sort of Gillette razors usually reserved for men, too. The Americans in turn were stunned that I didn’t shave or wear a bra and saw no need to do so. Continue reading →

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Linkdump has a Headache

I’ve got a headache of the nasty, stab behind the eyes sort. Probably an early sign of the upcoming weather change, I tend to get headaches when the weather changes.

So here’s just a quick linkdump:

Kristine Kathryn Rusch explains why short story markets are thriving and how writing and publishing short stories can help both indie and traditionally published authors.

The Guardian interviews authors David Moody and Barry Eisler on their decision to self-publish.

Spider-Man is dead, for now, apparently perished at the hands of the Green Goblin. Of course, it’s only Ultimate Spider-Man from the continuity-free reboot from the early 2000s that I could never get into, so Spider-Man proper is still somewhere out there alive. Never mind that comic book deaths almost never last, unless the character was a serious liability (hence the continuing deaths of Bucky, Gwen Stacy and certain annoying X-Men characters).

Finally, actor Peter Falk died on Thursday aged 83. He is of course best remembered for playing Inspector Columbo, an ace detective “disguised as an unmade bed” (unfortunately, I don’t remember where I read that description, but it’s spot on). There’s a longer obituary here.

During the 1990s and early 2000s, the entire Columbo series up to that point was rerun at least once a year in Germany, usually as a summer replacement program. And if there was nothing on, Columbo was always worth a watch. I’ve seen every case at least once, many of them two or more times. Because even if you’ve seen a particular Columbo case before, it doesn’t matter, because in all but two (I think) of Columbo’s cases, you know the identity of the killer going in.

The Columbo films were reverse whodunnits. The viewer knows whodunnit, the big question is how Columbo will find the truth and prove it. And through it all, the cases were cleverly constructed and well-plotted puzzles with barely any gore and violence. Columbo himself was immensely likable for all his rumpled and unkempt appearance. He never fired his gun in 33 years, he did not need flashy CSI technology to solve his cases (and in fact went up against a forensic specialist in one memorable case), he just relied on good old-fashioned brainpower. What is more, at a time when investigators on TV were either unmarried playboy types or mourning the aftermath of bitter divorces, Inspector Columbo was happily married (to a wife we never saw), had a dog (named only Dog) and a large extended family.

There are spiritual heirs to Columbo, investigators relying more on brains and clues than on violence and technology, entrapping suspects who are duped by their eccentric behaviour into not taking them seriously. Characters such as Monk, the frantically neat OCD detective, or the fake psychics turned detectives of Psych and The Mentalist owe a lot to Columbo.

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Poverty Porn

Regarding the subject of class prejudice as expressed in reality shows in the UK (and not just there), the Guardian has two articles about yet another show of that type, The Scheme, a reality show set on a Scottish council estate with the usual assortment of grotesque characters.

What sets The Scheme apart from many other shows of that type is that it apparently was controversial from the start and that it enraged many people in Scotland who did not want to be associated with the sort of caricatures depicted in the show.

I rather like the term “poverty porn” for that sort of program, by the way. It describes the appeal of that sort of program so accurately.

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Prora – The World’s Creepiest Resort

The New York Times has an article about Prora, the never finished Nazi monster resort on the island of Rügen.

I visited Prora in 2009 after a linguistics conference in the nearby town of Greifswald. It’s a stunningly creepy place, particularly since so much of it has been left to decay. I hope that at least part of it will be maintained in some form, because it is an important monument and the clearest surviving example of the Nazi’s “think big” attitude with regards to architecture.

Parts of the Prora complex are actually in use, housing several rivaling museums but also a night club with a rather incongruous name Miami and a youth hostel. There are some traces of the army base it used to be, too, though the army left in the early 1990s.

And now for some photos: Continue reading →

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A Visitor Spike

This blog has been experiencing an influx of new visitors and a spike of hits of late. Mostly this is due to people looking for my Game of Thrones related posts.

Even more amazingly, my latest post on the ABC Buhlert site has exploded the stats counter as well and got 99 visitors in a single day. For a blog that usually only gets a handful of visitors per day, this is pretty amazing.

And that’s it for today, since I have to get up early again tomorrow, because I have to take my Mom to a funeral service in the city. I’m not staying for the funeral – I didn’t know the deceased well enough to miss school. But I still have to get up early to drive my Mom there.

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More Gender Bias in SFF

io9 remembers that paranormal romance is a part of the SFF genre and runs an interview with Nalini Singh. The interview itself is good, though there is the usual anti-paranormal-romance trolling in the comments.

In particular, we get people complaining about the beefcake cover of Kiss of Snow. It’s stunning how uncomfortable many men – and I strongly suspect the offended commenters are men – are with seeing men portrayed as sex objects, whereas women are expected to put up with that sort of thing. For somehow I doubt a cover featuring a well-built and scantily clad woman would have generated the same response. Though urban fantasy and paranormal romance generally get crap for their covers, whether they feature attractive women or attractive men, because the covers hint at the presence of sex. Meanwhile, epic fantasy covers featuring muscular men in armour and bearing weapons get much less shit. It seems like yet another double standard.

Talking of double standards, Carrie Vaughn picks up on the recent discussion of women writers in SF and fantasy and offers a true story of a man who refused to read novels by women until he accidentally picked one up and liked it. This is how biases develop and how we get “best of” lists featuring 90 percent men.

Regarding “Best of” lists, John Scalzi points out that National Public Radio is asking people to nominate their favourite fantasy and science fiction books.

It will be interesting to see whether this poll gives a more balanced result than the Guardian poll from a few weeks ago. Unfortunately, National Public Radio are explicitly excluding horror as well as what they call “paranormal romance”, which for them includes not just explicit paranormal romance writers but also authors of romantic urban fantasy like Charlaine Harris. This means that most current urban fantasy series and therefore many female writers are automatically excluded, which is a way to keep the bias going. Though I saw someone nominating Diana Gabaldon’s Outlander series, which made me happy.

Finally, I rather like Mike Swanwick’s proposal for authors to leave their signed manuscripts behind after a reading. We have a newleaf reading coming up in July and this might be an idea to implement.

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A Quick Linkdump about Gender, Marriage and Smurfs

I have to get up early, because I have to take my Dad to the airport, so here’s just a quick linkdump:

The discussion on the invisibility of women in science fiction is still going strong with an SF Signal mindmeld, a post by Judith Tarr about how publishers pushed her work into fantasy, even though she was writing SF, a response by Daniel Abraham a.k.a. M.L.N. Hannover and two posts by Heather Massey pointing out that there are plenty of female writers writing SF/romance hybrids that they SFF community is unaware of and wondering whether the science fiction romance label doesn’t marginalize women, since the same books tend to get labeled as space opera, when written by a man, and science fiction romance, when written by a women. Which then promptly puts off male readers, because romance is a girl cooties genre.

At the Book View Café, Sherwood Smith wonders why there are so few believable married couples in the SFF genre.

I just came across Haunted Hearts, a blog dedicated to the vintage gothic romances of the 1960s and 1970s.

The English online edition of Der Spiegel has a longer article on the alleged Stalinism, anti-semitism and racism behind the Smurfs.

And to prove that Der Spiegel hasn’t completely deteriorated, their online edition also has a charming graphic interview with Shaun Tan.

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Darkness, Light and Assumptions of Quality

The New York Times profiles Amanda Hocking. Apparently, this is their way of acknowledging her success, since Amanda Hocking’s books are still excluded from the New York Times bestseller list, though other self-published e-books have been included in the list.

In many ways, it’s an odd article. There’s almost as much focus on the clothes worn by Amanda Hocking and her family and on the furnishings of her new house as on her novels and her writing career. The whole article feels like a puff piece for the lifestyle section rather than like an author profile from the arts and literature section – probably because it is, sort of (The article appeared in the weekend magazine supplement of the New York Times). When was the last time you saw an article about Philip Roth or Salman Rushdie that included detailed descriptions what they and their families were wearing or what their houses looked like? Continue reading →

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The Curse of Quality Drama

Rumours of a potential Star Wars live action series have been flowing around for a while now, but apparently the rumours are consolidating. Alyssa Rosenberg at ThinkProgress and Ta-Nehisi Coates at the Atlantic have information (a little) and speculation (a lot). Continue reading →

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