Sometimes, it just hits a bit too close to home

The phone system is working again – at least for now. There was no exterior intervention, it just suddenly worked again. However, I’m still having online trouble such as getting assigned weird IP addresses. Plus, I cannot access certain sites since the phone trouble started and by coincidence they are all sites offering services that use a lot of bandwidth. Hmm, I wonder whether it’s just residue from the phone system trouble, even though the internet was working through it all, or whether my ISP is sneakily trying to disable high bandwidth uses. Oddly enough, I seem to be the only human being on the planet with this problem and if it really was due to the ISP, other people should be having similar issues.

My Women writers, international writers, marginalized writers post from yesterday really seems to have struck a chord and was linked by Sherwood Smith, Aliette de Bodard, Kate Elliott and was also picked up by Charles Tan for one of his link round-ups and then by SF Signal. There have also been plenty of tweets and facebook links. There has also been a viewer influx, though not nearly as many as during the Strunk and White affair. Obviously, a lot more people read XKCD than are interested in discussions about women and international writers in SFF. Continue reading →

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Phone Trouble

I was away for most of today and when I got home, I found that the phone system had broken down and stubbornly refuses all repair attempts. The phone system won’t even connect to my laptop.

The internet is still working, thank heavens, but landline phone and fax are not. So if you really need to reach me, either call the mobile or send me an e-mail.

What is more, it seems my post of yesterday struck a nerve. I’ll respond to comments later, but for now I have to finish a translation and earn some money.

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Women writers, international writers, marginalized writers

Today, for the first time since the whole Strunk and White madness erupted (chronicled here for anybody who hasn’t read it yet), my top search string for the day is something other than some combination of Strunk, White and fanfiction.

Instead, the top search string for today is “woman tired of being pigeon holed”

Short answer (I usually tend to interpret search terms as questions): Yeah, hell right, we are.

Longer answer: I’m not sure I have one. Nonetheless, this is as good an excuse as any for another women and speculative fiction post. Yeah, I know, because you’re all not tired of that subject already.

Anyway, let’s take a look at a few links I gathered in a draft post and then never got around to posting due to the whole Strunk and White thing and launching Pegasus Pulp: Continue reading →

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Gender roles in SFF romance hybrids

Right now, there are a couple of interesting discussions about gender roles in hybrid forms between the speculative fiction genres and the romance genre, that is urban fantasy, paranormal romance, futuristic romance, SF romances, etc…

attackfish has a great Bittercon* post wondering why paranormal romance is far more likely to feature a supernatural hero and normal human heroine than the other way around.

There actually are quite a few books where both hero and heroine are supernatural, but this constellation is far more common in urban fantasy than in pure paranormal romance. Nalini Singh’s Psy-Changeling series and Kresley Cole’s Immortals After Dark series are two paranormal romance examples where both hero and heroine are usually supernatural beings. But even if both characters are supernatural, the hero is usually already aware and in control of his abilities, while the heroine is only just discovering hers.

Meanwhile, novels featuring a supernatural heroine and normal human hero are indeed very rare. The only examples I can think of offhand are Ballad by Maggie Stiefvater, The Down Home Zombie Blues by Linnea Sinclair (sort of, the hero is a police officer from Earth, the heroine a military commander from outer space hunting down biomechanically created zombies) and Joey W. Hill’s Vampire Queen series which usually features vampire heroines paired with human heroes. And in Rob Thurman’s wonderful Leandros Brothers series, Niko Leandros (fully human albeit a martial arts master) has a vampire lover, while his half-human brother Cal has an ongoing affair with a female werewolf.

Sherwood Smith offers a Bittercon post of her own in response to attackfish’s and wonders whether the supernatural hero/human heroine pattern is not due to the fact that in our society, men are automatically viewed as more dangerous than women.

Finally, at the World SF blog, Joyce Chng interviews K.S. Augustin, who is an occasional commenter on this blog.

It’s a good interview, but what struck me most was the assertion that the terms SF romance and futuristic romance are used as labels to ghettoize female SF writers. Because plenty of male SF writers, including several golden age luminaries, feature relationships and even sex in their novels and are still classified as SF, space opera in particular. But when a woman writes about relationships and sex in outer space (or cyberspace or a post-apocalyptic future), the book is suddenly classified as SF romance. Which won’t necessarily hurt sales – after all, romance outsells SF. But it definitely makes the book invisible to SFF readers and critics. Writers like Linnea Sinclair or Susan Grant as well as Dorchester‘s defunct Shomi line are not on the radar of SF readers at all, even though many of the books would probably appeal to SF readers. It’s a classic case of what Joanna Russ called “False Categorizing”.

Of course, a lot of books that would be horror or just plain fantasy, when written by men, are classified as paranormal romance or urban fantasy, when written by women. And of course, the entire urban fantasy and paranormal romance genres – though numerous, popular and successful – are pretty much ignored by the SFF community. The books are not reviewed, not discussed and they are not nominated for any awards, whether Hugo, Nebula, Clarke, World Fantasy, Locus or any other.

*Bittercons are online versions of conventional panel discussions for those who cannot attend cons for whatever reason.

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Reflections on London, a spectacular mosaic and some links

This afternoon, I picked up my neighbour and her son from the central bus station. They had just got back from a trip to London, one of those bus tours that are fairly cheap, provided you know what you’re getting yourself into. Continue reading →

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Class in British literature and popular culture – now with bonus Farscape

Apparently, the recent sociological tome on Chavs by seems to have reached the other side of the Atlantic, for the New York Times offers not just a review but an excerpt as well. Continue reading →

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Yet another e-book announcement

In addition to Amazon.com, Amazon UK and Amazon Germany, Pegasus Pulp e-books are now also available at XinXii.

What is XinXii? XinXii is a European e-book retailer based in Germany. They’re still fairly new, but growing.

Unlike the various Amazons, XinXii prices already include VAT inside the EU and they do not add the 2 dollar surcharge Amazon adds for customer outside their favoured eleven countries (for more information, read this post). So depending on where you live, XinXii might actually be the cheaper option.

What is more, XinXii offers Pegasus Pulp e-books in both mobi and epub format. So if your e-reader requires epub, you may be better off with them as well.

All Pegasus Pulp e-books can be found here.

And just for good measure, here are the XinXii links for the individual books:

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Emmy nominations, George R.R. Martin saves publishing as we know it and three German TV deaths

The Emmy Award nominations for 2011 have been announced and as usual there are a lot of nominations for a lot of shows I don’t watch, some that I think are dreadful (The Good Wife, Glee, Law and Order Special Victims Unit, Dexter) and some I have never even heard of (They remade Mildred Pierce? Honestly). And the dreadfully dull Downton Abbey of course gets lots of nominations in the miniseries categories, but then that was pretty predictable considering how extremely well received that show was in the US.

On the positive side, Game of Thrones gets a Best Drama Series nod and among that slate it may well be the best show, though I haven’t seen Boardwalk Empire yet. Though anything involving Steve Buscemi can’t be all bad. Peter Dinklage also gets a well-deserved Best Supporting Actor nomination. The Best Lead Actor nomination for Idris Elba in Luther also makes me happy, though I wonder why Luther wasn’t nominated in the Best Miniseries category. It’s certainly so much better than the actual nominees. But for miniseries, Americans – at least those that nominate for the Emmys – apparently like costume drama and social issues.

While on the subject of A Song of Ice and Fire, apparently book No. 5, A Dance with Dragons, is saving not just brick and mortar bookstores but also print books themselves, at least according to the New York Times.

Meanwhile, German television lost two important figures today:

Character actor Heinz Reincke died aged 86. Reincke was best known for playing North German originals such as small-time St. Pauli gangsters, rural clergymen and farmers. But even though he played pretty much the quintessential quirky North German on TV, he spent the last forty years of his life in Austria and even held the Austrian citizenship. I guess it’s the reverse of the Austrian sailor phenomenon, i.e. the fact that a lot of sailors tend to be Austrians, even though or maybe because their country is landlocked.

Screenwriter and director Oliver Storz died aged 82. The obituaries mostly give a long list of very worthy TV dramas about the Third Reich, the Holocaust and Willy Brandt that Storz wrote and directed. However, Oliver Storz also created my favourite German TV show of all time, Raumpatrouille Orion, which has the distinction of being the first and only German SF TV show.

The second notable German TV death of the day is that of former media tycoon Leo Kirch who died aged 84. Kirch started out by acquiring film rights and licensing them to TV networks. He was a leading figure in the introduction of private television in West Germany in 1985 and owned Sat1, one of the first private TV stations to go on air. For that alone, for liberating frustrated teenagers like myself from the tyranny of a patronizing three TV program world* and for giving us American TV shows and Star Trek every afternoon and cartoons and finally the chance to watch Star Wars on TV, we owe him thanks. However, like all media tycoons Kirch was also a staunch conservative and used his media empire to influence politics, though he was never as creepy as Silvio Berlusconi or downright evil as Rupert Murdoch.

Kirch’s media empire collapsed in the early 2000s, because he had overextended himself by purchasing expensive sports rights for Pay-TV channels that never had enough subscribers. Coincidentally, the SF show Farscape was one of the casualties of the collapse of the Kirch empire, because Kirch’s company had been co-financing the show (though they never even broadcast the last two seasons, because the show never caught on in Germany) and when Kirch had to pull the funding due to impending bankruptcy, Farscape died.

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More on the avalanche, science fictional childhood, dark YA and unfair e-book pricing

The Strunk and White avalanche is slowly ebbing, though I still get about ten times as many viewers as on a good day. Interestingly, the regional distribution of website visitors hasn’t changed all that much, only that there are a lot more of them now.

By the way, I accidentally deleted the spam comment folder without checking the contents first. So if I accidentally deleted anybody’s legitimate comment, I’m sorry.

Another thing that has struck me is how difficult it is to explain the phenomenon to family and friends who are not internet-savvy, because you have to explain who Strunk and White are (most Germans have never heard of them), what XKCD is and what slash is. Indeed, I showed the website stats graph with the impressive spike to my Dad, showed him the list of searchterms and finally the cartoon that started it all. He looked at the cartoon for a long time, read the caption and finally said, “I don’t get it. What’s supposed to be so funny about this?”

And now for a couple of links:

Paul Jessup offers this lovely post about how those that are now called Generation X spent their childhoods immersed in SFF.

This very much matches my experience, though the details are different. I never played videogames or RPGs and the availability of YA fantasy and SF in 1980s Germany was limited. What is more, I had rather conservative parents who wouldn’t take me to see Star Wars or Indiana Jones and all the other cool films of the period at the cinema, because I was considered too young*, and who considered VCRs and cable TV unnecessary luxuries. Comics were taboo, too, because they allegedly stunted reading ability, though I snuck plenty of glimpses at Franco-Belgian-Dutch comics at the store. Still, my main early SFF exposure came via cartoons, as explained here as well as whatever SFF films and shows the three TV station environment of the time deigned to show. There’s a reason why I am so attached to the original Battlestar Galactica.

The dark YA fiction debate that started up last month is still going on as well with both Erin Underwood and child psychiatrist Ilsa J. Bick offering two very thoughtful posts.

Lynn Viehl continues her series on quantum writing.

Finally, here is a link I already posted over at the Pegasus Pulp blog, but since it is important, I will repost it here:

David Gaughran, an Irish indie author living in Sweden, offers this must-read post about Amazon adding a two dollar surcharge for international e-book customers. This two dollar surcharge applies to e-books purchased in all countries except the USA, UK, Canada, Ireland, New Zealand, Australia, Germany, Austria, Switzerland, Luxembourg and Liechtenstein.

Read more at Pegasus Pulp.

*However, my Mom saw nothing wrong with taking me to see The Name of the Rose at the age of twelve, even though that film is a lot more disturbing than any early to mid 1980s SFF flick. And my Dad saw nothing wrong with making me watch WWII documentaries with lots of original footage, even though they terrified me.

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The Strunk and White Aftermath – and a linkdump

The Strunk and White avalanche is still continuing. July 12 got only 19 views less than July 11. Links are popping up in various places as well, including one in a Making Light open thread in this comment.

Meanwhile, absolutely no one cares about my long post about contemporary German literature with lots of linguistics and POV neepery. Not that I’m really surprised, it’s a classic example of the Bacon Cat Law of Internet Popularity in action.

So far the influence of my sudden internet fame on my e-book sales has been slight. I did sell two additional books since the whole Strunk and White madness began, but at least one of those went to a regular reader of this blog. Again, this is not unexpected, because legions of xkcd readers googling for Strunk and White slash will not necessarily be interested in my e-books. Nonetheless, I’ve already sold more books than I expected in the first month and the month is not even half over.

And now have a linkdump:

A blogger with the evocative name The King of Elfland’s Second Cousin offers this interesting post about fantasy, romance and the borders of intimacy and imagination, inspired by Jacqueline Lichtenberg’s series of posts about intimate space and romance in speculative fiction.

Lynn Viehl a.k.a. Paperback Writer just started a series on quantum writing, i.e. juggling multiple projects.

The Atlantic has an interview with George R.R. Martin.

In Time magazine, critic and fantasy writer Lev Grossmann offers a surprisingly detailed and fair explanation of fanfiction, what it is and isn’t. Considering how often fanfiction is misrepresented in what is commonly called “the mainstream media”, this article was a pleasant surprise.

The Süddeutsche Zeitung offers the following great article on internet freedom, net neutrality and the increasing regulation attempts of politicians by Anke Domscheit-Berg (in German). There’s nothing here that the regular reader of technology blogs hasn’t heard before, but considering that Germany is the country where droves of people – most of them people who are not regular Internet users – were terrified of Google Streetview of all things, where politicians seriously consider banning Facebook parties* (i.e. parties organized via Facebook – I suppose it’s okay if I organize the party via Google Plus or Twitter or livejournal) and have seriously proposed “broadcast hours” for blogs to protect children from evil internet content (obviously no one realised that it’s always 3 a.m. somewhere in the world), an article in a classic old media outlet that lays down the facts is important.

The Guardian offers a gallery of the SF art of Chris Foss. The Asimov books I devoured early in my SF-reading career and that blew the mind of 16-year-old me were mostly UK editions with Chris Foss covers, so those images bring back memories of the time when SF was new, amazing and just plain wonderful.

*Ironically, the party that proposed that particular bit of nonsense is now having its local meet-ups, summer festivals and other events – announced via Facebook – crashed by net activists.

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