Teen drama, some housekeeping and ruminations on Mad Men

My afternoon class today descended into a mess of teen drama complete with kids sulking, running from the classroom, swearing to hate each other forever and so on. No tears at least – thank heavens for small mercies.

The initiating spark, as far as I could discern, was a dispute over two Euros as well as two girls in love with the same boy. Ah, teen drama.

In other news, I’ve been tinkering with the backend of both this and the Pegasus Pulp site. The general books page is getting too big to use, so I’m planning on doing individual genre pages linked from the main books page. It’s not ready yet, but expect to see the overhaul soon.

Finally, Matthew Weiner has stated that he plans to end Mad Men in the present day with an eighty-something Don Draper looking back on his life. This means that the show won’t end with Don committing suicide by jumping from the window as seen in the title sequence, which is what I’d always assumed. Unless it’s eighty-something Don who jumps from the window (because the current recession has finally forced the firm to close?) and the umpteen seasons of Mad Men are just Don’s life flashing before his eyes.

Though I must confess that the only reasons why I still watch Mad Men and sit through lengthy segments and entire episodes that only make me go “What the fuck was that all about?” is that I want to know if Don and Peggy eventually end up together.

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No Post Today

Sorry, but there is no new blogpost here today. I probably would have posted something, but since my writing time will be cut short due to family obligations this weekend, I’d rather get some writing done now.

However, I have a new post up at the Pegasus Pulp blog, so why don’t you read that?

And should you have bought one of the new Kindle Fires which shipped yesterday, I have some books to fill it up. They have colour covers, so you can get some value out of the colour screen.

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Two announcements and two links

First the announcements:

All Pegasus Pulp e-books are now available in various formats at DriveThruFiction. Check them out, particularly if you’re into RPGs.

Pegasus Pulp fantasy books are now also listed at Paranormal Indies.

And now the links:

At Bryan Thomas Schmidt’s blog, Sarah Hendrix has a guest post about the different portrayals of creatures such as werewolves and vampires in traditional horror, where they are depicted as pure bloodthirsty monsters, and urban fantasy, where the portrayals are a lot more nuanced and range from romantic lead to villain.

Her observations match my own theory (to be expounded at length in my PhD thesis) that the portrayal of former “monsters” in fantastic literature has become more human, because othering is no longer acceptable in large parts of society and that includes fictional monsters who became victims of circumstance, sympathetic characters and eventually romantic figures. And of course, supernatural beings make excellent metaphors for marginalized groups of any kind. Nor is it any surprise that the current trend for humanizing supernatural beings formerly viewed as monsters has its roots in the 1960s and 1970s, the time of the great civil rights movements.

At the Guardian, Grace Dent complains about the sexist undertones of glamourous retro shows set at the uncool end of the sixties such as the new show Pan Am and “quality TV” favourite Mad Men. I blogged about this trendy retro sexism and my issues with it before.

However, it seems that those Mad Men copycats are not popular with US viewers, because The Playboy Club has been canceled after only three episodes, while Pam Am is on the ropes and probably won’t survive the season. Though oddly enough, the Pan Am show seems to be doing well abroad, at least in those countries where it’s broadcast.

The Playboy Club cancellation is blamed on one of those religiously motivated watchdog group crusading for what they consider clean television. But was the show really just canceled because fundamentalist nutters feared it might contain sex or because it was genuinely bad?

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Pegasus Pulp e-books now available DriveThruFiction

Nope, I’m not going to get into the whole indie versus traditional publishing debate going on right now, complete with namecalling on both sides. It’s an ugly discussion and utterly unnecessary, because no one ever said that it had to be an either/or question.

Besides, I already did my political post for the day and two would be overkill. So instead of namecalling, here is something positive:

Some of my Pegasus Pulp e-books are now available for sale at DriveThruFiction. DriveThruFiction is the e-book selling branch of DriveThruRPG, the largest RPG download store on the web. And of course, self-publishing has been common in the RPG world for a long time now.

DriveThruFiction specializes in science fiction, fantasy and horror, hence so far only Rites of Passage and Letters from the Dark Side are available for sale over there.

However, I will see whether it’s possible to upload some of the other books as well. For example, I think that the Silencer stories might be a good fit, since there is quite a bit of overlap between RPGs and classic pulp. Perhaps, some of the historicals would work, too, since there’s quite a bit of action in them.

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Celebrities being arseholes about Occupy Wall Street

Legendary comic writer/artist Frank Miller is proving himself to be an arsehole over the Occupy movement. Well, I never liked his work as much as many others, even in my comic reading days – overrated and way too much problematic stuff regarding race and gender for my taste. This post is still stunningly nasty. It’s also real smart to blanket-insult a movement whose demographics probably intersect with that of comic book buyers in no small way. After all, the Occupy movement took its symbol from a comic, though not one of Miller’s.

Another celebrity who is being an arsehole about the Occupy movement is Joachim Gauck, Lutheran priest turned East German civil rights activist turned keeper of the Stasi files turned failed presidential candidate. Gauck considers the Occupy protests silly, because they are Anti-Capitalist and Anti-Capitalism automatically equals Communism and Gauck suffered under Communism, as he never fails to remind anyone who will listen to him. And anyway, the Monday demonstration movement in East Germany in 1989 was so much more noble and the only true revolution, blah, blah, blah. This interview clip from Kulturzeit has his whole justification.

I never really understood the Gauck-mania that swept parts of Germany last year – though I did not particularly like Gauck’s opponent Christian Wulff either, speaking as someone living in Niedersachsen where he was prime minister for several years. Gauck was too old in my opinion, too mired in his past as a civil rights hero and unable to move on twenty years after the fall of the Wall. Now however, Christian Wulff is proving himself to be a surprisingly good and measured president, while Gauck insults some 80 percent of the people he was supposed to represent as a president (80 percent of Germans sympathize with the goals of the Occupy movement) and significant swarthes of the two parties that nominated him for the office in the first place. This is even more stunning since even conservative politicians like secretary finance Wolfgang Schäuble (who is the last person anybody would accuse of being a leftist) have expressed their understanding for the protesters.

For the record, I don’t necessarily agree with every aspect of the Occupy movement and their political aims truly are vague. But I certainly understand why they are angry.

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The link between the Occupy movement and V for Vendetta or Downton Abbey respectively – and some other stuff

I have come across a lot of interesting links of late, so here is a linkdump: Continue reading →

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Plagiarism is not Art – Q.R. Markham, Helene Hegemann and the Excuses of Cheaters

There is more information on the Q.R. Markham plagiarism case:

Thriller author Jeremy Duns, who was duped into blurbing the novel and running an interview with Q.R. Markham on his website, speaks out about discovering the plagiarism on his blog. It turns out that Jeremy Duns was actually the person who alerted the publisher to the plagiarism. He also has a follow-up post wherein he tries to explain why he did not notice the plagiarism initially, even though he had read several of the plagiarized novels years before.

It turns out that Q.R. Markham not just patched his entire novel together from various vintage spy novels, he also plagiarized the answers to the interview Jeremy Duns did with him as well as at least one article in The Huffington Post and a short story he had published in The Paris Review. In short, this guy plagiarized everything he ever published and is obviously incorrigible. Continue reading →

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Misfits Season 3: Episode 1 and Vegas Baby

Misfits, my favourite TV show of recent times, is back for its third season. For those who haven’t encountered this wonderful show yet, Misfits is about a bunch of juvenile delinquents from a London council estate (Thamesmead, where part of A Clockwork Orange was shot 40 years before) doing community service and gaining superpowers from a freak weather phenomenon. Heartbreak and hijinks ensue.

It’s a wonderful show, because it’s very dark, very funny and a scathing indictment of contemporary British society disguised as a comedy. What is more, the teen characters ring absolutely true (and are played by great young actors). I have had kids like the five main characters in my classes. And I have rarely seen a teen show which makes me go, “Yes, these kids could be my students” like Misfits does. Because all too often teenagers on TV are sanitized and behave like adults wish they would behave. These kids aren’t sanitized. They act and speak like real teens, complete with all the awkwardness and embarrassments of being a teenager. And rude words. Plenty of rude words.

I must confess that I was a bit worried about season 3 of Misfits. In recent years, too many British speculative shows that started out wonderfully lost their way somewhere in their second and third seasons and turned into unwatchable messes. Being Human lost its way toward the end of the second season, Torchwood lost its way from season 2 on upwards and got increasingly worse with every new season, Doctor Who started losing its way from season 3 or 4 on. Never mind that any show focused on teenagers is generally only good for two or three seasons, before it starts to either get stupid and repetitive or moves too far away from what had made the show interesting in the first place. So would Misfits be able to avoid the season three curse of British speculative TV dramas and teenager focused shows in general?

What is more, Misfits had come to a sort of natural end point at the end of season 2 with the kids finishing their community service and three of the main five characters getting a happy ending of sorts. So really, where could the show go from there?

Finally, there was also the fact that one of the original five characters, Nathan as played by Robert Sheehan, would not be appearing in season 3 due to a scheduling conflict. Now I have never viewed Nathan as the “star” of the show, because Misfits is very much an ensemble piece. Nor was he my favourite character – that would be Simon. Nonetheless, Nathan was very important to the first two seasons of Misfits, because he was responsible for some ninety percent of the jokes, since Nathan was a big mouth who always says the most unbelievable things.

So would Misfits manage to maintain the high quality of the first two seasons and survive the loss of a crucial character? I must say, I was ever so slightly worried. Though I needn’t have been, because Misfits is still very, very good. Whether it manages to reach the heights of season 1 and 2 remains to be seen.

Word of warning: There will be spoilers under the cut, not just for the current episodes but also for seasons 1 and 2. And Misfits is the sort of show one should really watch unspoiled. Because that way the two major mysteries of season 1 and 2, “What is Nathan’s power?” and “Who the hell is the man with the mask?” will be that much more impactful.

So if you have never watched Misfits before, stop now, get yourself a copy of seasons 1 and 2 and watch them before coming back here: Continue reading →

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Yet another plagiarism case

We have a new plagiarism case and this time it’s not a politician but a thriller author named Q.R. Markham whose debut novel Assassin of Secrets was found to be so heavily plagiarized that the publisher withdrew it from sale.

Edward Champion at Reluctant Habits has a side by side comparison and it looks bad. The comments are interesting, too. They include a further example provided by the son of John Gardner whose father was one of the authors whose work Markham plagiarized. The by now depressingly familiar postmodern remixing argument also makes an appearance.

The editorial reviews quoted at Amazon, where the book is still listed but no longer available, are priceless as well.

Publishers Weekly not only gave the book a starred review (so did “We hate everything” Kirkus), they also wrote:

“Quirky, entertaining … fine writing keeps the enterprise firmly on track, and the obvious Ian Fleming influence just adds to the appeal.”

The obvious Ian Fleming influence is likely due to the fact that Markham copied him. After all, he plagiarized John Gardner’s Bond continuations, so why not Fleming, too?

And Greg Rucka, whose spy comic Queen and Country I liked quite a bit years ago, gave Assassin of Secrets this glowing blurb:

“In Jonathan Chase, Markham has created the perfect cliche-shattering super spy while honoring the progenitors. Dangerously sharp, and genuinely fun–and very, very, very smart. I want more books like this. I want more books from the mind of Mr. Markham!”

Markham’s hero is so cliche-shattering that there is nothing whatsoever original about him and he honours his progenitors by stealing their words.

And I definitely don’t want more books from the mind of Mr Markham. Not unless he actually starts writing them himself.

For that matter, what sort of stupid title is Assassin of Secrets? Is it a novel about an assassin who assassinates secrets? And if so, why did this assassin of secrets fail to assassinate the secret that the author had plagiarized from other thriller and spy fiction writers?

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Midweek Writing Links

I had a longer post planned, but school preparation work got in the way, so here’s a quickie linkdump instead:

Bloomberg has a neat interview with Margaret Atwood. I particularly like her answer when asked whether it’s possible to write SF without accounting for sex (in short, the answer is no). It reminds me of a really awful article I read several years ago at Futurismic, wherein the author seriously declared that once the singularity arrived, posthumans would no longer bother with such icky trivialities as sex. Uh, methinks someone has issues and it’s not Margaret Atwood.

Here is another very nice interview. This time, John Joseph Adams of Fantasy Magazine interview Charlaine Harris.

At Terrible Minds, Chuck Wendig offers 25 things writers should know about suspense.

Lynn Viehl at Paperback Writer has a great visual explanation about which elements to focus on in a scene.

I have a new post at the Pegasus Pulp blog, discussing my pretty dismal October sales and some observations about the German e-book market.

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