Junkyard and “quality” TV, the irrational fear of repeated words, unfortunately named romance heroes and some awards neepery

First of all, I have a new favourite search string, namely “german tv show of trailer park trash people”. I suspect that whoever googled that was looking for the German reality TV show Die Ludolfs – Vier Brüder auf’m Schrottplatz about four scruffy brothers (one of whom has since died) and their life’s work, running the family junkyard. It’s the usual voyeurism you would expect from a show like that.

Talking of television, Slate has an article about how HBO revolutionized television with their patented brand of “quality drama”. My thoughts on this subject are well known.

A few days ago, I posted about the irrational American aversion towards the passive voice. Now Juliette Wade tackles the German stylistic obsession, namely a fear of repeating words and asks when it is all right or even desirable to repeat a word.

This review for a new romantic suspense novel made me laugh for all the wrong reasons. The plot itself actually sounds okay. However, the hero is one of those Greek billionaires that are ubiquitous in contemporary romances, particularly of the category variety. Which wouldn’t be a problem in itself, even though Greek tycoons have never done it for me. However, it’s the hero’s name that’s the problem. Because the hero is called – wait for it – Davros. Right, because this guy is the picture you want to have in your mind during a particularly hot sex scene.

The British Fantasy Awards have been given out last weekend. Looking at the list of winners, I wonder if British horror awards wouldn’t be a better name this award.

The German TV Awards have been given out as well and once again I haven’t watched a single one of the winning programs except for the Eurovision Song Contest (partly) and the literature program Druckfrisch, of which I am a big fan.

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Celebrating German Unity Day with a new release: Flying Bombs

I used the long holiday weekend to get a new e-book ready for release. Though it features a familiar face or rather mask, for my retro-pulp hero, the Silencer, is back.

Hardworking pulp writer by day and steel-masked vigilante by night, Richard Blakemore keeps Depression era New York City safe from all sorts of criminal low-lives. After being almost executed for a crime he didn’t commit, Richard now takes on the very symbol of Dieselpunk retro-futurism, the Zeppelin.

That’s also the reason why I dug up the photos my grandfather took of the Graf Zeppelin. Because my grandfather’s 83-year-old photo is now on the cover of the latest Pegasus Pulp release, digitally cleaned up of course.

And now, without further ado, I give you Flying Bombs.

Flying Bombs 1936: A madman calling himself the Master of the Air threatens to let death and destruction rain down upon New York City. No one take him seriously, until an airship taxi suddenly explodes the very next day. But was it an accident or sabotage? Police Captain Justin O’Grady and the masked vigilante known as the Silencer both investigate the case. But it’s a race against time, because the Master of the Air has already set his sights on a new target: The Zeppelin Imperator, the largest airship ever built…

For more information, visit the dedicated Flying Bombs page, which includes lots of background information and links about the history of airships.

Buy it for the low price of 2.99 US-dollars or Euro or 1.99 Pound Sterling at Amazon US, Amazon UK, Amazon Germany, Omnilit/AllRomance ebooks and XinXii.

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Day of German Unity Linkdump

October 3 is the Day of German Unity, which commemorates the German reunification on October 3, 1990.

This year’s celebrations seem strangely subdued. Sure, there is the official celebration in the former capital of Bonn and there are the requisite speeches by all important politicians about how East and West have grown together/need to grow together. But usually, the TV schedules are full of East Germany and unification themed films and documentaries around October 3. Goodbye Lenin is always on somewhere, as is Das Leben der Anderen. This year, however, I haven’t seen either film in the TV listings, though a private channel is broadcasting Go Trabi Go in a late night slot. Well, it is East Germany/reunification themed, even if it is a slapstick comedy.

It almost seems as if last year’s 20th anniversary celebrations have dampened the mood for this year’s celebrations. Perhaps German unity is so established by now that we will only commemorate it in depth every five or ten years now. Which is probably a good thing, because it means normality.

On the other hand, October 3 is not really that meaningful a date for most Germans. Yes, it’s a public holiday and that’s nice. But the day that everybody remembers and that everybody has stories about is November 9, 1989, the day the wall fell. By comparison, I remember very little of October 3, 1990, except that I was angry, because a TV show I liked had been pushed back into a long past midnight slot, because they had to broadcast all sorts of official unification ceremonies first. And that I spent midnight on October 3, 1990, sitting on the toilet following the call of nature, because I used to tell people later on that I shat upon German unity. Yes, I was a very angry anti-patriot at the time.

Anyway, if you want to celebrate the Day of German Unity and don’t have a DVD of Goodbye Lenin or The Lives of Others or even Go Trabi Go handy, you could always read The Other Side of the Curtain, a spy story set in East Germany in 1965.

That was the ad break. And now on to today’s links:

The Lingua Franca blog at the Chronicle of Higher Education offers an amusing post on the specifically American irrational fear of the passive voice. I think we have decades of college classes regurgitating the questionable advice of Mssrs Strunk and White to thank for the anti-passive fanaticism.

I particularly liked this bit:

Am I seriously supposed to say “But an unexpected eventuality disrupted all plans”? And “when an oncologist named Price diagnosed her … “?

More generally, do the writing tutors of the world really think we should not report that a politician has been shot until we can specify the gunman? Do they honestly think it’s wrong to say that the lights are left on all night in an office building without supplying a list of the individuals who controlled the switches?

These examples are similar to the ones I use with my students to explain when the passive is appropriate. Except that instead of the doctor diagnosing a fatal illness I always used Lady Jane Grey being executed as an example for a case where the object of the action, i.e. the person to whom something is done, is more important than the actor. Though this year I updated my example sentence to “Osama Bin Laden was shot by Navy SEALs” to explain the principle.

The Lingua Franca blog looks very enjoyable in general. Here’s another amusing post about thriller writer Lee Child or rather his character Jack Reacher getting his phonetics mixed up.

The Los Angeles Times has a fascinating photo gallery of the home of designers Charles and Ray Eames in Pacific Palisades. What I find particularly interesting is that the house is not the austere and ascetic abode you would expect from a pair of famous midcentury interior designers. Instead, it looks warm and alive. I wouldn’t mind spending an afternoon there.

Finally, I also have a new post with several e-publishing related links up at Pegasus Pulp.

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September e-book sales figures and some writing links

September is over, so it’s time for the monthly e-book sales figures. This month I sold 14 e-books across all titles and platforms. That’s up from 9 in August. For a more detailed analysis please visit the Pegasus Pulp site.

I also have a couple of writing links:

YA writer and actress Adrienne Kress has a nice post on creating characters.

Neuroscientist and writer Livia Blackbourne also writes strengthening characters and creating emotional depths.

At Paperback Writer, Lynn Viehl offers a few tips to determine whether an old story idea is still valid or whether it should better be left where old ideas go to die.

At SF Novelists, James Alan Garner discusses plotting and brainstorming.

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Historical Photos of the Graf Zeppelin

Some time ago, I mentioned to my Dad that I was looking for public domain pictures of airships for the cover of an upcoming Pegasus Pulp e-book. And my Dad casually mentioned that we have original photos of the LZ-127 Graf Zeppelin, which my grandfather took when she visited Bremen.

“Well, where are they then?”, I asked. “In the big box of photos in the basement”, my Dad said.

So tonight I dug up a big metal tin full of vintage photos from among lots of other boxes in my parents’ basement and sorted through dozens of historical photographs of the sport club my grandparents were members of (with the unfortunate name of MTV Bremen), holiday snapshots from the 1950s, lots of photos of parties my grandparents attended (they must have been quite the party animals) and old family photos. Finally, I found this: Continue reading →

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The three labels of doom

I have a new post up at Pegasus Pulp, which is basically a follow-up to yesterday’s post.

In other news, I ended up teaching geography today, substituting for the regular teacher, even though geography not my subject at all. Hence I told eighth graders about tectonics and earthquakes and volcanoes and tsunamis – or rather I had the eighth graders tell me what they knew about these subjects. After all, they’re the ones who will be writing a test on those things, not me.

In August, several writers and bloggers discussed how the term “Mary Sue” has become misused to the point that any female character runs the risk of being accused of Mary Sueism. You can read my contribution with link round-up here and here.

Now Shanna Swendson offers her take on the Mary Sue discussion and agrees pretty much with what everybody else said. She also makes another important point, namely that every woman, both real and fictional, who has a healthy sense of self-esteem and is not self-effacing to the extreme runs the risk of being called a bitch. And indeed you can see the “bitch” criticism applied to plenty of female characters, often in conjunction with the Mary Sue criticism.

The two-pronged take-down of female characters by labeling them as a Mary Sue on the one hand and a bitch on the other and sometimes both at once is particularly toxic for young women, because it tells them that if they are good at something or even awesome, it’s just wish fulfillment and makes them this obnoxious person that no one likes. And heaven beware that they actually know they’re awesome and that they refuse to take shit from men – then they become a bitch.

Let’s not forget the third prong of attack: Because if those young women happen to enjoy sex and set about to get it in any other way than strict monogamy, they are immediately labeled as sluts.

If a female character is particularly unlucky (e.g. Anita Blake or Gwen Cooper from Torchwood) she’ll get hit with all three accusations at once. Meanwhile, James Bond can be a bastard, a manslut and a blatant Mary Sue and no one bats an eyelid.

Sometimes, women just cannot win.

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Dentist woes, Star Wars hide and seek and big Amazon news

Even though the dentist assured me yesterday that yes, my Dad would be able to drive again this morning, he was still too woozy to drive. I suspect that there is a genetic quirk in my family that makes us oversensitive to painkillers and anaesthetics. When I was younger, I would get high on sore throat tablets and a single Aspirin would knock me out for up to 12 hours, though my tolerance for painkillers has increased ever since I had to take them daily for almost two months because of an inflamed ischiatic nerve. I still don’t take Aspirins when I’m driving in the next few hours, though. And indeed, this sensitivity is a big reason why I never experimented with drugs – because I knew that I likely would react more strongly than advertised.

My Dad hardly ever takes medication either, and since he still couldn’t drive, I had to get up two hours early to take him to his follow-up appointment and then I had to rush to school for my afternoon class. I had fifth-graders today, and while they are very cute and well behaved, they are also highly energetic and want to be constantly entertained.

The subject in fifth grade English class right now is prepositions and so we played, “Find the Star Wars characters.” It used to be that when I had to teach prepositions, I would improvise with classroom materials and hide pencils, rulers and the like. “Where is the pen? – The pen is under the table.” Eventually, I decided that using toy figurines would be much more fun.

Now I used to collect toy figurines (still do, in fact, though I am a lot pickier these days) and I have two hundred of them or so. The problem just is that most of my toy figurines are twenty to thirty years old and that the characters depicted don’t necessarily have any meaning for today’s kids. In the end, the choice was between my Simpsons figurines (small and easy to lose, but still sold and therefore replaceable) and Star Wars toys. Though I never used the Kenner action figures, because most of mine are over thirty years old by now and valuable, even if I never left them in their packaging. Instead, I used some PVC figurines made by a company called Comics Spain to tie in with the Ewoks and Droids cartoons of the 1980s (It’s probably very geeky to even know that those exist). These figurines may well be rarer than the Kenner action figures, but they’re difficult to destroy for any but the most determined kid. Interestingly, there is a whole blog devoted to the Star Wars figurines made by Comics Spain.

Anyway, the game is easy. I present the figurines (C-3PO, R2-D2 and Chewbacca) to the class and ask them to identify the characters. Then I tell the kids that the characters have to hide from Darth Vader and his Stormtroopers (“But he’s dead”, a kid informed me today), place them in various locations around the classroom and ask the kids where they are (“R2-D2 is behind the blackboard.” – “Chewbacca is in the sink”) Afterwards, the kids get to hide the figurines themselves. It’s a lot of fun and the kids learn the prepositions. Afterwards, the figurines soak in a solution of water and dish washing agent for a few minutes and go back on the shelf.

That’s it for today. I have a post up at Pegasus Pulp, discussing the recent Amazon announcements and their implications. In case you have been living under a rock (or driving family members to dentist appointments or playing Star Wars hide and seek with fifth graders like myself), Amazon not just announced the new Amazon Tablet a.k.a. Kindle Fire that has been speculated about for a while now, but also significantly reduced the price of its regular Kindle model and an upgraded touchscreen Kindle to under 100 US-dollars.

Among other things, this is very good news for authors, because all those people who buy new Kindles will also need something to read.

If you have bought one and are looking for something to read, why not consider one of my books. They’re inexpensive and quite good, if I dare say so myself.

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Literature and capitalism, the trouble with romances, yet more gender bias in SFF, good writing advice and some dentistry, too, for good measure

I had to take my Dad to the dentist today and pick him up again. He is getting implants, which were inserted under general anaesthesia, so he couldn’t drive. He was pretty woozy afterwards – I very much had to drag him to the car. After I dropped my Dad off, I went to the supermarket and bought several cans of soup for him, so he has something to eat. I felt very self-conscious to buy nothing but canned coup, because I usually don’t buy a lot of prepared ready-meal type foods (neither do my parents, which was why I had to buy canned soup – since there was only one can or so at home for emergencies) let alone nothing but canned soup.

And now some links, all writing and literature related:

Ignore the conservative, pro-business rhetoric and this article at National Affairs, a magazine that is probably exactly what it sounds like, provides a great syllabus for a hypothetical university literature class on how business and capitalism are reflected in American literature.

By the way, my first reaction to Babbitt and Main Street by Sinclair Lewis was “Wow, this is a frighteningly accurate portrayal of a certain segment of US society.” And Lewis hadn’t even seen McMansions and manufactured suburbs like Levittown yet. After reading that, I was no longer surprised that Lewis has been awarded the Nobel Prize for Literature. Nor was I surprised that many Americans consider him an unworthy winner today.

At All About Romance, there is an interesting discussion about whether romance is a formula genre and how restrictive genre requirements such as the HEA (happily ever after for non-romance readers) are.

On a related note, Shanna Swendson discusses her issues with several recent category romances. Her issue has nothing to do with the HEA ending, but with contrived conflict and particularly the black moment requirement.

At the Night Bazaar, Courtney Schafer tackles the neverending issue of gender biases in SF and (epic) fantasy.

Chuck Wendig discusses 25 things writers should know about theme and tackles the Get a Real Job advice as well as the issue of self-doubt in writers in his inimitable fashion.

And finally some sad news: Australian fantasy writer Sara Douglass died of cancer aged 54.

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German politicians are clueless about the Internet – and the technological glass ceiling of fairground rides

According to a new study released today by German government spokesperson for addiction issues, half a million Germans suffer from internet addiction. Unsurprisingly, the percentage of internet addicts is highest among the 14 to 24 age group. Apparently, four hours of internet usage per day is enough to qualify as addiction. Never mind that the 60-year-old spokeswoman for addiction issues does not seem to have grasped the fact that online socializing is socializing.

Sigh. And they wonder that the Pirate Party got 8.9 percent of the vote in the recent Berlin elections, while the party of the spokeswoman for addiction issues, the FDP, got a measly 1.9 percent.

And there’s even more cluelessness and idiocy from German politicians regarding Internet usage, as conservative politician Volker Kauder has announced a bill that will allow to temporarily terminate the internet connections of copyright violators. I wonder what he’s going to do to all those plagiarising politicians, all of whom were members of Mr Kauder’s own party or the coalition partner FDP.

***

Fall is fairground season in Germany. This article from Deutsche Welle discusses a phenomenon that most German fairground visitors will already have noticed, namely that there are fewer new rides. The reasons are that new rides are getting every more expensive and that operation costs are rising as well. What is more, the big manufacturers of fairground rides such as our local matador Huss are increasingly focusing on amusement park rides.

Personally, I also suspect that we have hit a technological glass ceiling for fairground rides beyond which not a lot of innovation is possible within the limits of the traveling fairground business. Because the rate of innovation in fairground rides has definitely slowed down in the past ten to fifteen years, compared to the glory days of the 1980s and early 1990s where we’d queue up for the privilege to testdrive the latest Huss attractions and where the Freimarkt, our local autumn fair, boasted three or four new rides every year.

What is more, most newer rides – frankly speaking – suck and have sucked for a while. Of course, part of this may be due to the fact that I have been out of the target demographic for fairground rides for almost twenty years now, though my stomach is still strong enough, even if I avoid notorious spinal disc killers these days. But most of the rides of my youth are still enjoyable these days – I still love the Kraken and the Happy Traveller a.k.a. Breakdancer and the Frisbee and I’m sure I would still love the Rainbow or the Ranger or the Pirate Boat or the Magic or the Take-Off if they were still around. The new ones, however, are both forgettable and badly designed. It’s also telling that you still have to fight with 12-year-olds for a seat on the 35-year-old Kraken, while many a new ride remains empty and vanishes after two or three years never to be seen again.

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A Tale of Two Squeakers – and Edgar Wallace goes arte

I once wrote a whole article about my love for the German Edgar Wallace film adaptions of the 1960s. It will eventually be collected along with my other essays on vintage pop culture in a volume from Pegasus Pulp, but for now you can read it as a PDF.

The Edgar Wallace films are among those films that I can watch again and again, even though I have seen them all before, often more than once. Hence, I was very happy that
arte, the German-French cultural TV channel, decided to dedicate a whole theme night to Edgar Wallace with The Inn on the River (1962), notable for being one of the very few 1960s Wallace films where Klaus Kinski is not a villain.

They also had a new documentary about the films and a real gem, namely the restored 1931 version of The Squeaker. The arte website also has lot of background information on Edgar Wallace and the German interpretations of his work. Alas it’s only available in German and French, I fear.

I knew the 1963 version of The Squeaker, of course, and a very fine film it is, too, boasting the IMO best performance of Klaus Kinski’s career (he plays a deranged animal trainer/killer and doesn’t speak a single word, since his character is mute) and Günter Pfitzmann, best known for playing cheery and good-hearted Berliners in several bad TV-shows in the 1970s and 1980s, as the villain. Indeed, when I was a kid, one of the greatest joys of watching the vintage Edgar Wallace films was seeing all those kindly doctors of German TV as bloodthirsty villains.

I have seen a 1956 TV adaption of The Ringer. However, I didn’t even know that there had been a prior German (and Czech) adaption of The Squeaker. The reason was probably that the 1931 version was considered lost until fairly recently with only two incomplete copies surviving in film archives. Now it has been restored to its full glory. It still can’t hold a candle to the 1963 version IMO, because it’s a lot stagier. But the contrast is definitely interesting and indeed I wonder why arte didn’t broadcast the two versions of The Squeaker together. The action in 1931 centers on a car dealership – indeed, fans of vintage cars will love this adaption – while in 1963 an company selling wild animals to zoos, etc… is the focus of the action. More importantly, both versions feature a different villain. And if you’ve seen the 1963 version, the identity of the villain in the 1931 version will be a surprise, because it’s about the least likely person in the 1963 version. Yes, even less likely than Günter Pfitzmann, because after having suffered through countless episodes of Drei Damen vom Grill and Praxis Bülowbogen I was perfectly convinced that the man was evil.

Apparently, the Larmac-Ondra Film company (named after director Carl Larmac and actress Anny Ondra, future wife of boxing legend Max Schmeling) made two more Edgar Wallace adaptions in the early 1930s, before the Nazis put an end to German crime film making for twelve years. The Nazis did not like crime films – they were deemed bad for public morale and politically questionable, since the public might notice certain parallels between the villains on screen and the Nazis featured in the news reels – and they banned such excellent pre-1933 crime films as Fritz Lang’s M, Dr. Mabuse, der Spieler and the 1933 version of Das Testament des Dr. Mabuse, which was never actually shown in Germany and remained unseen until the late 1990s. The 1930s Edgar Wallace adaptions were apparently a casualty of the same ban. Though it’s not as if the Nazis completely banned crime dramas. Indeed, I have seen a crime/espionage film from the early 1940s, which looks just like any other wartime spy thriller, except that the Gestapo are the good guys, which is frankly disturbing.

After WWII, German cinema initially focused on the escapism of the Heimatfilm with its beautiful Agfacolor footage of alpine landscapes and sappy romantic storylines (though some of them were better than their reputation). But towards the end of the 1950s and in the 1960s, the crime film made a comeback, once again featuring the same themes and protagonists as in the 1920s and 1930s. Fritz Lang continued where he left of and made another Dr. Mabuse film (and then Artur Brauner made four more), while Horst Wendtland adapted every Edgar Wallace novel he could find. Even the style was clearly influenced by the German Expressionist cinema of the Weimar Republic, which is what makes the films so bloody good.

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