Hot Topic Discussion Round-up

There’s definitely something in the air regarding discussions about diversity as well as non-US and non-Western POVs in the SFF genre, for here is a guest post by Elizabeth Bear at Charles Stross’ blog discussing how the singularity is a very male and very western concept and how the true future of SF is less the singularity and more the fact that the genre has become a lot more diverse in the past ten years or so.

Cheryl Morgan discusses international science fiction and the fact that the optimism about the future that used to determine American science fiction is still alive and well in countries such as China.

Damien Walter also addresses the state-supported SF boom in China (both he and Cheryl Morgan were inspired by the same comment of Neil Gaiman’s at the same event, too), though he frames it more in terms of “Why SF is important”.

The discussion of how women are subjected to more abuse and harassment online (and off) is also still going on with great posts by Seanan McGuire and Jim C. Hines.

Finally, there is a new entry in eternal discussion of gender equality and the representation of women in SFF, namely this open letter by Juliet E. McKenna to SFX magazine.

She’s kinder to SFX than I would be, considering that I used to read SFX for a very long time (I think the first issue I bought was No. 6) and even continued to buy the mag at hugely inflated import prices of 11 euros per issues and then abruptly stopped buying the mag two years ago, when I realized how bloody sexist the reviews and features often were.

Not a hot topic, but a good post nonetheless is this one by Sherwood Smith on kids and science fiction at the Book View Café. Though I suspect we could file this one under the eternally popular topic of the alleged death of science fiction.

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Culture, Representation and Diversity

Apparently, there is something in the air regarding the US cultural dominance and how can marginalize or outright erase other viewpoints. Joyce Chng wrote about it, Aliette de Bodard wrote about it, I wrote about it (here and here).

Now Athena Andreadis weighs in and with a two-part post on Safe Exoticism. Part 1 is about science and common misrepresentations in SF and very interesting in itself. Part 2 is about culture and addresses similar issues to the posts by Joyce Chng, Aliette de Bodard and myself.

There are other reactions as well, for Clint Harris responds to Aliette de Bodard’s post about the dominance of US storytelling modes.

What makes this post interesting is that Clint Harris is American (at least as far as I can tell) and still doesn’t find himself and his experiences reflected in popular culture. This is a point that is often forgotten in this debate, namely that there are also plenty of Americans who are underrepresented, misrepresented, exoticized or just plain don’t exist at all in US mainstream pop culture, e.g. African Americans, Hispanics, Native Americans, Jewish people, rural people, the poor, first and second generation immigrant cultures, people from the South or Midwest, Mormons, Amish, certain professional cultures, some subcultures, people with alternative sexualities, etc…

It is easy to forget, particularly for those of us outside the US, that the pop cultural images of the US as presented by the visual media (book are more diverse, provided you make an effort to seek them out) show only a tiny sliver of the country. The overwhelming majority of films and TV shows are set in big cities and only a handful of cities at that. Or when was the last time you saw Cleveland or Atlanta or Cincinnati or Phoenix or Salt Lake City or Houston or Denver or Minneapolis depicted on screen? Let alone vast swathes of rural America.

My students mostly get their image of the US from TV shows like CSI or NCIS. It’s an attractive image – most of them dream of visiting the US some day or even living there to become police officers, firemen or Navy SEALs. In fact, I have the theory that a lot of Anti-Americanism worldwide is actually the result of people having their naive pop culture determined image of the US invaded by unpleasant realities of racism and homophobia and state-sanctioned torture and the death penalty and unprovoked wars and a dozen other disappointments.

In recent years, there has been a lot of discussion in the online SFF community and beyond about issues of gender, race, class, culture, how to write about people and cultures who are different from us in some way and how to prevent othering, exoticizing or stereotyping them. Much of the time, these discussions turn ugly very quickly, which is why a lot of people are unwilling to say anything about these subjects at all. I always hesitate before posting about sensitive topics such as race, gender or culture. It’s also certainly no accident that Aliette de Bodard begins her post with a bunch of disclaimers and apologies. It also doesn’t help that previous discussions have often been very US-centric with non-US viewpoints often ignored or dismissed or worse.

All of this is a pity, because these discussions are so very important and worth having, particularly now that we are getting more and more viewpoints from around the world. And I’m very glad that this latest go-around has been largely free of namecalling and ad hominem attacks. That is, I did get a trollish comment on my response to Aliette de Bodard’s post, but that had nothing to do with the main topic but was instead berating me for my refusal to read a new epic fantasy book full of rape and murder and violence against women.

So here’s to more diverse fiction and to a more accurate portrayal of other cultures.

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Cora does her civic duty – and some links

First of all, I have a long post about art and money and why the whole literature versus entertainment debate annoys me up at Pegasus Pulp.

There are a few notable points about yesterday’s regional elections in the North-East German state of Mecklenburg-Vorpommern, namely that the Green Party made it into the Mecklenburg-Vorpommern parliament for the first time ever and is now in all 16 German state parliaments, that the liberal party (liberal in the European sense, i.e. libertarian in the US sense) did not make it into the parliament this time, which is further proof of the malaise that has affected the party, that the conservative party CDU suffered losses, while the ruling social-democratic party SPD gained even more votes, and that though the rightwing extremist and xenophobic NPD lost votes, they still made it into the Mecklenburg-Vorpommern parliament.

What does this tell us about the state of politics in Germany? Nothing we didn’t know already, namely that Angela Merkel’s coalition is in trouble and that the FDP are steadily losing voter support. If this trend continues in the local and state elections coming up in the next two weeks, I fully expect to see heads rolling at the FDP.

Talking of upcoming elections, Niedersachsen, the state where I live, will have a local election, i.e. city and county councils, next weekend. There is not a whole lot of interest, either in Niedersachsen or elsewhere, because local elections are traditionally not a good indicator for national trends. Today, I already cast my vote by mail-in absentee ballot. I’m a pragmatic voter and I ended up voting for different parties on the town council and county council level, because the candidate for county council happens to be our mayor and he has done a very good job here. And I support candidates who do a good job, even if they belong to a party I don’t normally vote for.

And now for some links:

Ellen Datlow complains about the stereotyped portrayal of older women in fiction and film. I don’t write a whole lot of older women (or men, for that matter) and those I do write are mostly supporting characters. But I agree that the “frumpy older woman” stereotype is annoying, particularly since the sixty- and seventysomething women I know are very different and a whole lot more diverse than those stereotypes.

The portrayal of older men isn’t really any better though. I can’t count the number of times I have seen a wheelchair-bound and dementia-addled old man featured in some film or TV show or novel only to realize that this guy isn’t ninety as I had previously assumed (and plenty of ninety year olds are in excellent shape) but seventy, i.e. about the age of my very energetic father.

YA fantasy writer Janice Hardy has a nice post about the eternal question “where do you get your ideas?”

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Headaches, sleep habits and unintentionally funny obituaries

I was going to write a longer post today, but I’m tired, I have to get up early tomorrow morning and the thunderstorms that are supposed to reach us tomorrow in the late afternoon/early evening have decided to announce themselves by giving me a nasty headache.

So the long post has to wait. Instead, have some links:

At the Guardian, Peter White tears into all of the so-called experts who know exactly when, how and how much people should sleep. As someone whose natural sleeping patterns have always deviated from the norm, I heartily agree with this.

German actress Rosel Zech has died of cancer aged 69. Rosel Zech is probably best known to international audiences for starring in two films by Rainer Werner Fassbinder, Lola and Die Sehnsucht der Veronika Voss. And indeed, Die Sehnsucht der Veronika Voss, which is loosely based on the life of 1930s and 1940s German film star Sybille Schmitz, is one of Fassbinder’s better films IMO. Coincidentally, the real life Sybille Schmitz starred in a very early vampire movie in 1932.

However, German audiences mainly associate Rosel Zech with playing a resolute nun in the popular TV series Um Himmels Willen (For Heaven’s Sake). I have never cared for Um Himmels Willen which is basically Don Camillo and Peppone, only starring a nun instead of a priest. But a lot of people are fans, including my Dad who is both decidedly unreligious and hardly ever watches fictional TV programming.

And indeed Germany’s biggest tabloid Bild decided to commemorate Rosel Zech’s passing with the unintentionally funny headline: “TV nun defeated by cancer”.

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A weird coincidence and some links about women and writing

Today I did my grocery shopping and ran into a girl (well, woman by now, but I have known her since we were four) I had been friends with in kindergarten and primary school. We later went to different secondary schools, but since we continued to live in the same neighbourhood I still see her on occasion. So we chat, I ask her about her kid, etc… when someone walks by pushing shopping cart and says “Good morning”. We both turn around and guess what? It’s our old primary school teacher. Talk about weird coincidence.

I also have two links, both related to women, books and writing:

Foz Meadows points out this great post by British academic and writer Rosy Thornton about how her books were given stereotypical chick lit covers, even though they were anything but, and how she is not taken seriously as a writer and academic, because she dares to write about women and issues affecting women.

At the Book View Café, Nancy Jane Moore asks whether women dominated the SFF awards this year and whether that’s an outlier or a trend towards more diversity in the SFF genre.

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E-Book Sales, E-Book Launches and El Carnicero

First of all, it’s time for the monthly e-book sales figures. In August 2011 I sold 9 e-books across all platforms, down from 15 in July. The detailed breakdown is as follows:

Amazon US: 5
Amazon UK: 3
XinXii: 1

Those numbers aren’t great, but most indie writers have very low sales figures in the first few months. Plus, many self-published writers report a sales slump in August. So I’m not worried.

Besides, the best sales booster seems to be uploading new work and I’ve got that one covered. Because as I already hinted yesterday, I have a new e-novelette to announce. This is the second of the spicy pulp stories I wrote for Man’s Story to become digitally available again. As promised, it has a beautiful monochrome cover by Señor Goya himself. And now, without further ado I give you El Carnicero.

El Carnicero Captain Jonathan Farnsworth of the Rifle Brigade, fighting under Wellington in Peninsular Wars, only wanted to meet with some of allies and spend a few stolen hours with Comandante Teresa, rebel leader and the woman he loved. But instead Jonathan stepped into a scene of pure horror, when he found the village burning and its people slaughtered.
His beloved Teresa was not among the dead. But, as Jonathan learned from the sole survivor, she had been captured by the Napoleon’s troops. Now Teresa was the prisoner of the notorious French colonel known only as El Carnicero, the butcher. And she was sentenced to be garrotted as a rebel…

Warning: There is violence and some fairly graphic scenes in this novelette, so sensitive readers should tread carefully. But there’s also a happy ending – it is a romance, after all.

For more information, visit the dedicated El Carnicero page.
Buy it for the low price of 2.99 US-dollars or Euro and 1.99 pounds at Amazon US, Amazon UK, Amazon Germany, OmniLit/AllRomance e-books and XinXii.

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The dominance of US storytelling modes, the implications for international writers and other links

I’m surprisingly wordy today, even though I seem to have caught some kind of bug. Because after the lengthy harassment post, here are some other links too good to pass up: Continue reading →

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The Problem of Online Harrassment

John Scalzi, bless him, addresses the subject that women blogger often get a lot more abusive comments and e-mails than male bloggers of a similar visibility, based on this post by food blogger Shauna James Ahern, in which she discusses the sort of abuse heaped on her for “crimes” as harmless posting a photo of some processed cheese, traveling to a conference leaving her kid at home or just plain existing, being what some people consider overweight and still daring to eat.

And as if all that wasn’t disturbing enough (Why harrass a food blogger, for fuck’s sake? If you don’t like her food, don’t read her blog or cook her recipes), there is this post by marketing and business blogger Naomi Dunford, in which she describes how she was harassed online and received death threats, because a very disturbed individual believed that she was having an affair with his brother (she didn’t) and decided to target her for allegedly wrecking the brother’s marriage. Continue reading →

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Bremen, Books and Banksy

I was in Bremen today. I had lunch at the Restaurant Übersee and ate their penne with chicken breast and broccoli in plum chili sauce. I don’t really need the chicken, but I love the sauce.

I also bought two books (as well as some underwear and a Moleskine notebook, but I don’t think anybody cares about that): Hunt the Moon, the latest installment in the Cassandra Palmer series by Karen Chance, and Delirium by Lauren Oliver.

Delirium is one of those trendy YA dystopias and sounds pretty dreadful, to be honest. You know, the sort of worlds where adults control everything, love is viewed as an illness (but luckily there is a cure) and only our heroine, the lone teen rebel in dystopia, wants nothing to do with the cure for love, because she’s just met her soulmate. The blurb alone is a masterwork of overwrought teen emotion. My long-suffering friend, whom I asked to hold the book for me, while I went in search of Moleskine notebooks (which have become surprisingly difficult to find of late), actually started to giggle upon reading the blurb, because it was just so overwrought.

So why did I buy the book, if I don’t particularly expect to enjoy it? For starters, I think it is important for a teacher to have at least some idea of what the students are reading – and teen dystopias are hugely popular these days, even if I haven’t seen a whole lot in my classroom yet. What is more, this one might even fit into the parameters of the YA chapter of my PhD thesis with its focus on forbidden (literally forbidden in this case) love.

Though the teen dystopias may show up any moment now, considering Germany always lags about a year or two behind US literary trends. Case in point: The SFF section of my favourite chain bookstore had a huge display advertising that “new exciting genre”, Steampunk. They even had some Steampunk by German authors, which I might have checked out, if my reading time wasn’t severely limited. My friend, meanwhile, just wrinkled her nose. “Don’t even think of giving me that for my birthday.” Too bad, because I think she might enjoy some of the less technical Steampunk. But it also took some time to persuade her to give urban fantasy a try.

Tonight I watched Exit through the Gift Shop (2010), the street art documentary by Banksy that was nominated for the best documentary long form Academy Award this year, but lost out to something painfully earnest about the global banking crisis.

It’s a pity, because Exit Through the Gift Shop is both hilarious and a fascinating look at the street art scene. Though it’s not so much a film about Banksy but about his pal Thierry Guetta a.k.a. Mr Brainwash and his career as a wannabe filmmaker and successful street artist. Nor is it really a documentary in the truest sense of the word, because I suspect that Banksy, Mr Brainwash and their pals were taking the piss much of the time.

Still, I found it surprisingly enjoyable for a film I might not even have watched, if I hadn’t stumbled upon one of Banksy’s works in his hometown of Bristol* that by some strange instance of cosmic serendipity exactly matched the story I was working on at the time. Since then I have been paying more attention to Banksy rather than just viewing him as “that guy in the hoodie who does those funny stencil graffitis”.

*I had planned to go looking for some Banksy works in Bristol, since I knew he hailed from there and had left some of his works behind. But I did not go looking for this one, I literally stumbled upon it.

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No, Criminal Minds, no!

So I watched the first episode of the Criminal Minds spin-off Criminal Minds: Suspect Behavior last night along with a fifth season episode of the original.

Now I mainly watch crime dramas or police procedurals, as we’re apparently calling them these days (And why did the term change anyway? They were always called crime dramas when I grew up) for the characters and their interplay. I don’t particularly care for the crimes, because the crimes are rarely interesting, frequently nonsensical and often so formulaic I can tell who did it after fifteen minutes. Never mind that the crimes featured on US crime dramas these days are so interchangeable that you mostly can’t even tell which show it is if you just look at the crime. Continue reading →

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