More on the GLBT YA issue

There have been some new developments in the discussion about YA fiction with GLBT characters.

In the past few days, there have been several great posts in response to Sherwood Smith’s and Rachel Manija Brown’s original post at Publisher Weekly‘s Genreville blog such as these posts by Scott Tracey and Malinda Lo, who also offers some hard numbers regarding YA novels with GLBT characters. Both Malinda Lo and Scott Tracey have written and published YA novels with GLBT protagonists. There is also a response from an agent (not the agent who asked for the sexual orientation change) who urges people to buy more YA fiction with GLBT characters.

Sherwood Smith and Rachel Manija Brown were careful not to name that agent who asked them to change a character’s sexual orientation in their original post. But now agent/editor Colleen Lindsay posts a response from agent Joanna Stampfel-Volpe who claims that “No, it didn’t happen that way” and that the issues her agency had with the book in question were not the GLBT content but that there were too many POV characters. There is an unpleasant passive aggressive tone throughout the post and several not so subtle hints that the two authors are lying and that they are exploiting the issue of GLBT fiction for teens for their own ends.

Sherwood Smith and Rachel Manija Brown respond in their respective livejournals, while Rose Fox responds at Genreville. A brief look at the usernames cropping up in the comments in Sherwood’s livejournal makes me feel sorry for her for having to moderate that mess, because even a relative fandom outsider like me knows that several of the commenters hate each other’s guts.

Marie Brennan also responds to the response.

In the interest of transparency, I’ve known Sherwood Smith online for quite some time now. I’ve encountered Rachel Manija Brown online, though I never interacted with her in any significant way. I met Colleen Lindsay years ago and sometimes interacted with her on a long defunct messageboard where she used to post on occasion. I doubt she remembers my name. I have never had any interactions with Ms. Stampfel-Volpe at all.

Without having been present during the conversation in question, it is impossible to say what happened and who really said what. However, Sherwood Smith and Rachel Manija Brown behaved a lot classier than the agent. But then I find a lot of online behaviour by literary agents (e.g. making fun of easily identifiable queries) not particularly classy or professional.

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Really Random Links

I’m awfully tired, so here are some random links:

The New Yorker has a fascinating article on vintage sexual revolutions by Ariel Levy (the Female Chauvinist Pigs writer). Most of the article is about Wilhelm Reich (which is pretty interesting in itself), but the bits that most caught my eye were the discussions of sexual liberation movements in the 18th and 19th centuries. Rich material for any writer of historical romance there.

The BBC has a short video on so-called “man-caves”. I’m all in favour of people eschewing conventional ideas of tasteful interior design in order to build something that is cool, gadget-laden and expresses to their individual passions, whatever they may be. But why “man-cave” instead of “fun-cave”? Don’t women get to play, too? Because no matter what the guy in the video says, not all women like the bland pastels, artificial flowers and blonde wood look that seems to be the default style for bourgeois suburban homes these days (try finding anything at a furniture store that looks different), while plenty of men do like it. So why is a phenomenon that should be about expressing one’s individuality in one’s home suddenly gendered and of course assigned to men, while women get the infernal blandness of pastel upholstery, blonde wood and artificial flowers?

British artist Richard Hamilton, billed as the father of pop art, has died aged 89. Among other things, he designed the cover of the White Album by the Beatles.

Edited because I stupidly forgot to insert the link to the New Yorker article.

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Comment Backlog

Yes, I know that I’ve got a backlog of comments and e-mails to be replied to.

I’ll get to it, promise, but the past two days have been rather crazy.

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Strange search terms, gut-wrenching grit, writing about religion and SF art

My favourite search term of the day is: “cora has sex with fan”.

Nope, sorry, fans (all five of you that I have). I appreciate you, but I won’t have sex with you. Sorry.

Frankly, I suspect that most of the searches that involve some combination of the words “cora” and “sex” are not interested in me at all, but in a reality TV and porn star named “Sexy Cora” who died in January after a botched breast enhancement operation at the age of 23. Oddly enough, I had never heard of her (though she was on the German edition of Big Brother or some such show) until she died.

And now some links:

At the Book View Café, the inimitable Ursula K. LeGuin takes on the trend towards the gritty and gut-wrenching in SFF (and not just there).

Marissa Lingen addresses the issue of how to describe religious beliefs if one neither shares those beliefs nor has direct experience with people following this particular belief system. This is a very interesting and timely post, particularly as for an upcoming Pegasus Pulp reprint I am dealing with a character (in a historical setting no less) who has very strong religious beliefs that I don’t share at all.

I’d add that there are also regional differences in the ways that people who nominally follow the same religion express their beliefs. For example, Marissa Lingen’s description of Midwestern US Lutheran Protestants does not match my experiences with North German Lutheran Protestants at all. Nobody here much cares what the synode says or what a pastor preaches in an individual sermon – it’s more about tradition. For example, new pastors occasionally get in trouble if they tamper with “the way things have always been done”.

And just because the day needs something nice, here is an interview with British science fiction artist Chris Foss from New Scientist. The works of Chris Foss are inextricably linked to my growing love for the science fiction genre, because many of the SF books I read as a teenager in the 1980s, including almost my entire collection of Isaac Asimov works, were British editions with Chris Foss covers. Kind of sad to hear that he never even read most of the SF novels he illustrated, though even my teen self realized that the cover illustrations didn’t have a whole lot to do with the contents. They were still damn cool, though. Another tidbit from the department of things I didn’t know is that Chris Foss also illustrated the original edition of the 1970s sex manual The Joy of Sex.

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Why young adult fiction needs more gay characters – and more diversity in general

Since Orson Scott Card has rewritten Hamlet with bonus homophobia, Ben Peek is now suggesting rewriting Ender’s Game with bonus homosexuality.

In addition to making me smile, Ben Peek’s post also touches on the one thing that shocked me most when I first stumbled on Orson Scott Card’s homophobic rants, namely the fact that I always viewed Ender’s Game and Speaker for the Dead as books about diversity and acceptance of the other.

Diversity also continues to be an issue in YA fiction. We’ve had several incidents of cover whitewashing, i.e. characters of colour either have had their race obscured on the cover or are depicted as white, because publishers believe that covers with characters of colour don’t sell. It’s not just covers either. I can think of at least two urban fantasy novels where the fact that a character was not white was hinted at so obliquely that you could easily miss it. In fact, it took me three books in one particular series (which I enjoy very much) to grasp the fact that an important character was black.

But after YA whitewashing, we now have YA straightwashing. For at Genreville, Rachel Manija Brown and Sherwood Smith explain how an agent offered them representation for their jointly written dystopian YA novel – on the condition that all references to a gay character’s sexual orientation be removed. There are also discussions on the respective livejournals of Rachel Manija Brown and Sherwood Smith. Continue reading →

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Best Books by Women and Local Election Results

Charles Stross asks his readers which is the most important book of the twenty-first century so far and disqualifies all male authors.

The responses are both interesting and sad. First of all, a lot of people seem to have misread the question as “the most important SFF book”, even though Stross doesn’t specify the genre. Or maybe these people read nothing but SFF.

Then you get people who apparently haven’t read a single book by a woman (or transgender/intersexed person) published in the past eleven years, which is really depressing. For the past few years, my reading has heavily skewed towards female authors, a percentage made even higher by the PhD research. But nonetheless, I make it a policy to read at least one or two books by men per year. It seems that many men don’t adhere to similar policies.

You also get people complaining that women have ruined the SFF section with all that paranormal romance crap they’re writing. Usually, that sort of comment is posted by men who have never even read a single urban fantasy or paranormal romance novel, they just know they are crap, because… well, they just know. There was also one benighted fellow who wrote a lengthy comment stating that women simply don’t write important books, because women don’t write about the singularity like his favourite male authors. Really, I have no words.

Of course, you also get a lot of suggestions. Many of them are of the usual “Take with a grain of salt” variety, people recommending whatever Ursula K. LeGuin or Margaret Atwood novels fit into the time frame, because those are the only female writers they know about. Or people recommend that last book by a woman they read or list books by women
which seem to be drawn directly from recent awards shortlists. Now of course it’s possible that these people really think that this book by a women that was just nominated for a major genre or mainstream award is really the most important female authored book of the century so far. But I doubt it, especially considering how many people seem to think that the turd that is Blackout/All Clear is the best book of the century so far. But you also get some very interesting suggestions, including many for non-US/UK women writers.

And finally, though I know that absolutely no one cares, here are the preliminary results of our local elections for town council, county council and county commissioner. The liberal party FDP has lost votes, the Greens have gained votes, which in pretty much in accordance with voting trends throughout Germany. Contrary to the nationwide trend, the conservative party CDU has been gaining votes in Stuhr, probably because the CDU mayor did a very good job. And indeed, our mayor ran for county commissioner this year and pretty much cleaned up the opposition.

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More responses to Orson Scott Card, the typo of the week and lots of e-publishing links

The Outer Alliance has a round-up of responses to Orson Scott Card’s latest outbreak of chronic homophobia.

The laugh of the weekend is provided by contemporary romance writer Susan Andersen or rather her publisher who has hit her latest novel Baby, I’m Yours with a hilarious typo. Considering I just found a line referring to the heroine of my upcoming Pegasus Pulp release as “spirited wrench” in a manuscript that has been through umpteen editing passes already, I certainly sympathize.

I also have a new post up at Pegasus Pulp, which is a round-up of new discussions on several old standby e-publishing topics.

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GLBT books, vintage pulp heroes, more genre versus literary fiction and bad author blogging advice

By now, you’ve probably all heard about Orson Scott Card’s stunningly homophobic Hamlet retelling. In case you didn’t, here is the review at Rain Taxi that kicked off the controversy.

Because arguing with or yelling at Orson Scott Card doesn’t achieve anything (this is just the latest in a long string of incidents involving Orson Scott Card and homophobia), people have been recommending GLBT books certain to drive Mr Card up the nearest wall on Twitter under the hashtag #buyabiggaynovelforscottcardday. Alison Flood also sums up the controversy at the Guardian.

Now megwrites has compiled an alphabetic list of all the recommendations. Plenty of books worth checking out.

Rain Taxi is also well worth checking out. In addition to the damning review of Hamlet’s Father, the latest issue also includes this great article on the pulp hero Operator 5.

Elsewhere on the net, Green Knight responds to Aliette de Bodard’s post about the dominance of US storytelling tropes. It seems that post struck a nerve with a lot of people.

At The Millions, Kim Wright wonders why so many literary writers are moving into genre fiction these days. For a genre versus literary article, this one manages to be largely free of condescension. The comments are interesting as well with contributions from several well-known SFF folks.

Finally, I have a post on the author blogging over at Pegasus Pulp inspired by the current wave of advice that authors should only blog about subjects of interest to a narrowly defined focus group and that they should absolutely not blog about writing ever (let alone about German politics or Romanhefte or the deaths of obscure celebrities), because blogging about writing doesn’t sell books. I obviously don’t much care for that advice, but if you want to read more, you have to go to the Pegasus Pulp site.

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Three Anniversaries

Exactly fifty years ago today (okay, yesterday, since I didn’t get the post up before midnight), on September 8, 1961, Unternehmen Stardust, the first issue of the German science fiction “Romanheft” Perry Rhodan appeared, in which US-astronaut Perry Rhodan with the help of some extraterrestrial friends saved the Earth from the brink of a nuclear war, destroyed all nuclear weapons and single-handedly ended the Cold War. But that was only the beginning, for future issues saw Perry take to the stars, become immortal, establish the Terran Empire and continuing to determine galactic history for centuries to come. Perry Rhodan, the magazine, is still going strong after fifty years as well.

What is more, Mike Brotherton points out that Star Trek also premiered on September 8, albeit in 1966, and is therefore celebrating its 45th anniversary today. I find it a wonderful coincidence that both Star Trek and Perry Rhodan were born on the very same day, albeit five years apart, particularly as both reflect the hopes and anxieties of the 1960s so very well. Besides, Kirk, Spock, Bones and Perry would probably get along just wonderfully.

I celebrated by watching an episode of Star Trek today and buying the latest issue of Perry Rhodan yesterday. Now if we could only link Doctor Who, Dune, Dangerous Visions, 2001 – A Space Odyssey and Raumpatrouille Orion to this date as well, then we’d have all the greats of 1960s science fiction to celebrate on a single day.

Today also marks the 100th anniversary of the opening of the old Elbtunnel (as distinguished from the new Elbtunnel, a highway tunnel built in 1975) in Hamburg. The tunnel was an engineering marvel, when built. Nowadays, it remains a piece of beautiful steampunky architecture.

Don’t believe me? Check out the photos I took during a visit to Hamburg last year behind the cut. Continue reading →

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Two Quick Links

I’m tired tonight, because I was out all evening long. So here’s just some links for today:

At the Book View Café, Shannon Donnelly discusses what makes characters real.

The 2011 Booker Prize shortlist has been announced. The list is definitely interesting. Only one well-known name (Julian Barnes), several unknowns and two debut novelists. What is more, a couple of the shortlisted novels actually sound like something I might like to read. Pigeon English by Stephen Kelman about a young Ghanaian immigrant growing up in a violence and crime-ridden London council estate probably also got a boost by become extremely topical due to the recent riots.

There seems to be some controversy that Alan Hollinghurst did not make the shortlist, but then it’s not as if Hollinghurst doesn’t have a Booker Prize already. Of course, the novel by the one author I have actually met in person (As the only student who had a car, I was hired to pick her up from the hotel and drive her to the university, where she was due to give a reading and a talk to English students) did not make the shortlist either, though no one except me seems bothered.

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