The Mandalorian and Baby Grogu delve into the backstory of “The Foundling”

Welcome to the latest instalment of my episode by episode reviews of season of The Mandalorian. Previous installments may be found here.

Warning! Spoilers behind the cut! Continue reading →

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Indie Speculative Fiction of the Month for March 2023

Indie Speculative Fiction of the Month
It’s that time of the month again, time for “Indie Speculative Fiction of the Month”.

So what is “Indie Speculative Fiction of the Month”? It’s a round-up of speculative fiction by indie and small press authors newly published this month, though some February books I missed the last time around snuck in as well. The books are arranged in alphabetical order by author. So far, most links only go to Amazon.com, though I may add other retailers for future editions.

Once again, we have new releases covering the whole broad spectrum of speculative fiction. This month, we have urban fantasy, epic fantasy, historical fantasy, cozy fantasy, sword and sorcery, paranormal mystery, science fantasy, space opera, military science fiction, Cyberpunk, horror, dragons, vampires, mages, shark shifters, elf assassins, exiled soldiers, genetically engineered space marines, alien invasions, crime-busting witches, crime-busting psychics, rival potion shops, roadside inns, terrors from the deep and much more.

Don’t forget that Indie Speculative Fiction of the Month is also crossposted to the Speculative Fiction Showcase, a group blog run by Jessica Rydill and myself, which features new release spotlights, guest posts, interviews and link round-ups regarding all things speculative fiction several times per week.

As always, I know the authors at least vaguely, but I haven’t read all of the books, so Caveat emptor.

And now on to the books without further ado:

Grimsbane by Nicholas AppleyardGrimsbane by Nicholas Appleyard:

In times past, the Grimm Horde—a cursed people corrupted and commanded the dread sorcerer Aihaab—were defeated and banished to the underground kingdom of Ash Ul M’on. Their master, Aihaab, was slain, and the world breathed a sigh of relief.

But now fell auguries whisper that the darkness has returned. Crows circle the skies. Men quarrel and worship the shadows. And a changeling warrior, Steeleye, adopted by the noble clans of the North, dreams of a vast field of destruction and death in which a beautiful red-headed woman calls to him.

Though Aihaab was defeated, his seven dark servants—great demons of old—were not. Called by the Goddess of Death, The Morriggu, Steeleye must now embark upon a quest to rid the world of these ancient terrors before their new master, a force far more terrifying than Aihaab, completes the work Aihaab left undone…

Grimmsbane is the startling first book in the intended Steeleye series, an epic sword and sorcery tale in the tradition of Robert E. Howard. Combining heroic fantasy with cosmic horror, Grimmsbane explores the psychological price of heroism, the meaning of fellowship, and what it means to face one’s death with courage.

A Rival Most Vial by R.K. AshwickA Rival Most Vial by R.K. Ashwick:

Two potion shops, one heated rivalry…until hate bubbles over into something else.

Any adventurer worth their sword knows about Ambrose Beake. The proud, quiet half-elf sells the best, and only, potions in the city—until a handsome new shopkeeper named Eli opens another potion shop across the street, throwing Ambrose’s peace and ledgers far off balance.

Within weeks, they’re locked in a war of price tags and products—Ambrose’s expertise against Eli’s effortless charm. Toil leads to trouble, the safety gloves come off, and right as their rivalry reaches a boiling point…

The mayor commissions them to brew a potion together.

The task is as complex as it is lucrative, pushing both men to the limits of their abilities and patience. Yet as the fires burn and cauldrons bubble…they find a different sort of chemistry brewing.

Exile by Jay AspenExile by Jay Aspen:

In the aftermath of a deadly invasion, Samaran is a land in turmoil.
Bandits prey on cities and farmsteads, corsairs prowl the high seas.

Ariel has earned her place with the elite Mage-warriors of the Eldrin, sworn to protect King and country––but power comes with a cost. The Elementals who can bestow dragonfire and ice-skills are wild and unpredictable, focused on their own long-term goals.

But now the sinister power behind the war is once more taking shape and form, the strength and skill of the Eldrin will be needed to lead the resistance.

For Ariel, life has become complicated. Visions of the distant threat haunt her dreams, her sister treads a precarious path as royal concubine and bodyguard, her Elemental ally seems to have gone rogue––and the love of her life has ended their relationship.

If only she can control the wild power inside her to defeat the raiders…
Then maybe she can protect her sister from the schemes of influential conspirators––and maybe even persuade Marin they can be reunited when the fighting is over…

Elf, dragon, wolf, and a mysterious Mage-warrior weave a dangerous path in this fantasy adventure-romance epic from Jay Aspen.

The Inn of the Seven Stars by Kevin BeckettThe Inn of the Seven Stars by Kevin Beckett:

A tale of an inn with good music, tasty food, strong beer … and inadvertent necromancy.

Travel is hard work and, for the Fiddler named Cal, any stop at an inn is a place to perform, to share the songs and music he has loved and, perhaps more importantly, use those in exchange for a warm bed, good food, free drinks, and maybe some extra coin.

However, the roads we travel are roads that have existed long before we set foot on them and, at the crossroads where Cal finds the Inn of the Seven Stars, he encounters an demonstration of inadvertent necromancy. To put matters to rest, an immortal must be queried, an inquisition must be stopped, and an inn must be saved.

But not before he finishes his beer in front of him.

Exiled to Perdition by Jonathan P. Brazee and J.N. ChaneyExiled to Perdition by Jonathan P. Brazee and J.N. Chaney:

Where does a warrior go when the war is over?

Forged into human weapons to defend humanity against impossible odds, Sergeant Major Reverent Pelletier and the rest of the IBHU Marines and other hyper-augments are discarded by those they fought to protect.

Now that the war is over, they are deemed too dangerous to exist.

Yet, they may still prove valuable.

With two recent, deadly wars against alien races, humanity needs to know what other threats are out there. Exiled from human space, they are given a new mission: dive into the unknown depths of the galaxy and discover what else lurks in the far reaches of space.

Space is vast but full of danger. Discovering it is a near certainty, given enough time.

Survival is a different story.

Wrenched by Lindsay BurokerWrenched by Lindsay Buroker:

Matti Puletasi finally has the name of one of the people responsible for her parents’ kidnapping. He’s a powerful billionaire with magical security strong enough to keep out dragons, but she’s determined to get in to question him. Make that interrogate him.

Sarrlevi, the elf assassin she’s fallen in love with, would usually help her, but he’s fighting a battle of his own. The wounds he received in their last skirmish aren’t healing, and something in his blood is affecting his mind. And it’s getting worse.

If Matti can’t reach the billionaire and find a way to heal Sarrlevi, she could lose everyone she loves.

Notes and a Nomad by Carl Cota-RoblesNotes and a Nomad by Carl Cota-Robles:

Al Hardin is 15 years old and he’s just left his hometown. Haunted by the memory of his mother’s passing, he’s looking for a place to start over and become someone new. But when he meets a talented piano player by the name of Soya, he’s drawn into a conflict against a notorious trio of criminals that will change his life.

Meanwhile, across the vast desert from him, a dragon rider is setting off on a secret mission. 15-year-old Maya dreams of following in his footsteps one day and bonding with her own dragon, but she’ll have to prove herself first. As she takes on an important job for the departing dragon rider, she struggles to maintain an important childhood friendship.

This is the prequel to the Dragon Destiny series. It’s the story of a determined girl navigating friendships and mistakes before becoming a dragon rider. And it’s the story of a boy, forging a new personality that comes to be known as The Silver Bandana.

The Palace Behind the Sky by Emery GallagherThe Palace Behind the Sky by Emery Gallagher:

Winter in Tandora finds the country locked in a stalemate of war, and Charlie of Windsong remains with the Heir’s Army to support Prince Justinian’s fight for the throne.

Loyalties and allegiances prove tenuous during times of conflict, and a sudden betrayal forces Charlie to flee for her life in the dark of night. She escapes her pursuers with the help of friendly strangers and finds refuge in a fantastical place where she is welcomed as an honored guest. But the longer she stays, the more suspicious she becomes that not all is as it seems in this magical place, and she is uncertain of who she can trust. When the truth is revealed, Charlie finds that the outcome of the war rests on a decision she must make. Her choice leads her on a fast-paced adventure through the Eastern Lands where she encounters danger, subterfuge, and someone from her past.

Her journey to Shala reunited her with her father, and her father’s political scheming brought her back to her home country. Now to save those she cares about, Charlie must depend on her own abilities as she takes on a task that puts her at the center of the battle for the country. On this next adventure, Charlie encounters magic beyond what she has ever seen, steps into her new role as leader of the Order of the Dagger, and takes the future of the Eastern Lands into her own hands.

The Last Lion of Karkov by Dale GriffinThe Last Lion of Karkov by Dale Griffin:

“Emotionally compelling protagonists and an action-packed storyline make this a rousing fantasy read” —Kirkus Reviews

“Commanding attention, the novel is propelled toward its gripping end: the world into which the twins were born is not the world that they will leave behind. Intelligent and brave, they inspire a new generation of citizens.” —Foreword Clarion Review

Raised in Karkov, a military, male-dominant kingdom, twins Natalia and Jillian know nothing but battle. When Jillian emerges as the dominant twin and apparent heir to the throne, Natalia, the softer and more diplomatic sister, ceases her military training. As Natalia prepares to marry the prince of her father’s favored Western ally, Jillian is set to become the first woman Lion of Karkov. But things don’t go as planned when the older generation of warriors values her womb over her sword. Suddenly, the role Jillian has fought for all her life is slipping through her fingers…and she’s not about to let it go without a fight.

At first, Jillian wants to destroy the young male warrior that the older generation favors. But soon, the two begin to fall for each other, and dark secrets behind Karkov’s past come to light. Now, Jillian finds herself in the unthinkable position of defending her former rival…and defying her father. Her defiance inspires a younger generation of warriors, who dub her the Lioness of Karkov.

Furious, her father ousts Jillian and the warriors who swore allegiance to her, setting in motion a chain of events that will disrupt everything he swore to protect. As innocent lands suffer invasion, greedy monarchies fall to revolution, and the wedding of the century threatens to live up to its name, Jillian and Natalia must reckon with the consequences of love and war. When four nations converge on a battlefield, one sister must decide whether to embrace the life she always wanted—or stand up for the destiny that was never meant for her.

Witching With Sharks by Lily Harper HartWitching With Sharks by Lily Harper Hart:

One of the biggest trivia competitions in the world is coming to Paradise Lodge, and Hali Waverly is expecting an influx of guests. What she’s not prepared for is murder.

When a body drops on the resort’s beach, however, she finds herself knee-deep in the investigation along with her new boyfriend Gray Hunter. Unfortunately for her, there are a few too many suspects for her comfort level.

Between the other contestants—a flamboyant group of individuals whom Hali has trouble relating to—and the workers, there’s no limit to the pool of potential killers. Finding the right one isn’t going to be easy.

When you add in the dark merrow, who continue to make their presence known, Hali has her hands full.

All she wants is a little rest and to have a good time. That might not be in the cards though. When it becomes apparent that someone is trying to control the outcome of the competition, all bets are off.

Beaches, bodies, and Bloody Marys? Yup, things are about to get hairy for St. Pete’s favorite witch and shifter.

Oh, yeah, there will be some shark shifters too.

Buckle up, it’s going to be a bumpy ride.

The Night Belongs To Us and Other Stories by Jess LandryThe Night Belongs To Us and Other Stories by Jess Landry:

Sometimes the deepest wounds are from those we hold the closest.

In her debut collection, Bram Stoker Award-winner Jess Landry blurs the line between genres, magnifying the darkness in the spaces in between, and confronting those relationships that are nearest and dearest to us in the most horrific ways.

A mother and her daughter escape Nazi Germany, boarding the Hindenburg under the promise of a new life. An abused musical protégé discovers that her rage fuels much more than her cello-playing abilities. A hardened police officer finds something unexpected in the rising flood waters of her evacuated hometown. A woman ventures out onto the sea, in hopes of finding a mysterious mist where the dead roam freely. A strange tar infests the home of a young girl, swallowing everything in its wake, including her mother. Two broken women form a tragic bond while searching for a missing person in the dead of winter.

Mothers. Daughters. Sisters. Friends. No one is safe.

This collection of scary short stories is perfect for fans of Gwendolyn Kiste, SP Miskowski, Gemma Files, and Nadia Bulkin, as well as mystery and suspense short stories.

Proudly represented by Crystal Lake Publishing—Tales from the Darkest Depths.

Cast the First Crone by Amanda M. LeeCast the First Crone by Amanda M. Lee:

Scout Randall’s life has turned from bad to worse. With her boyfriend’s murderous mother on the loose, that means she’s a target. But where will the attack come from?

Scout thought they would have time to figure things out, time to regroup and come up with a plan. She was wrong. The next enemy is on their doorstep.

When a body is found in a remote hunting lodge, a familiar symbol painted on the wall, Scout knows it’s time to go on the offensive. Unfortunately for her, she’s not entirely certain what she’s hunting for.

Is it a human? Is it a vampire? Is it something worse?

Scout and her motley crew of witches and shifters are ready to fight, but when you don’t know your enemy, that’s virtually impossible.

Scout’s answers lie in her past, and the search she thought postponed is suddenly on her. The family that let her go might just be back in the mix. Will they be friends or foes, however?

Big answers are coming fast and furious. Scout’s never been in more danger, and yet if she can hang on just a little bit longer, her past will provide the answers she’s always wanted.

It’s time for the reunion to end all reunions…if Scout can stay alive to see it through.

Dark and Lonely Water by Graeme ReynoldsDark and Lonely Water by Graeme Reynolds:

Dark and Lonely Water is aquatic horror at its finest.”—Gingernuts of Horror

When Samantha Ashlyn is forced to return to her home town to write an article on a series of drownings, she initially resists, finding disturbing similarities to her childhood experiences. However, once she starts looking into the assignment, she finds that things are not what they seem. An ancient evil is rising again, aided by what appears to be a centuries-old conspiracy to keep it hidden. With the help of a disgraced police diver, Sam races to stop the nightmare before more lives are lost. Not realising that her investigation has put herself and those she loves in terrible danger.

Set in Northern England, this folk horror novel is perfect for fans of strong female protagonists, dark humour, conspiracies, mythological creatures, dark fantasy, and thrillers.

Proudly represented by Crystal Lake Publishing—Tales from the Darkest Depths.

Ropes and Last Hopes by Trixie SilvertaleRopes and Last Hopes by Trixie Silvertale:

When a suspicious death takes the life of a friend, our psychic sleuth must expose a killer’s dirty laundry…

Mitzy Moon hopes for a normal day running errands. And this time, she’s determined to get her grandmother’s couture properly cleaned. But her day gets stuck in a spin cycle when she encounters crime-scene tape at the dry cleaner’s and a puzzling murder.

With her only way into the case through an undercover stint in the women’s wrestling league, Mitzy charges ahead with little help from her mentor, Ghost-ma, or her entitled feline. But if the bell rings before she corners the suspect, more lives could end up on the ropes.

Can Mitzy hold a murderer down for the count, or will she be taken out in a lethal smackdown?

Nine Sailed Star by Glynn StewartNine Sailed Star by Glynn Stewart:

A captain, exiled for disobeying orders in the heat of a battle against dragons
A shaman, desperate to keep her clan of sailors out of servitude
An archmage who has foreseen the destruction of all worlds

The elvar, with their long lifespans and rigid traditions, condemned Cat Greentrees for fleeing an unwinnable battle to bring news of a new threat. Cat plans to wait out his exile by drinking himself into a stupor, but the words of prophecy dog his heels.

When one of the powerful and revered archmages—a short-lived halvar named Armand Bluestaves—receives a similar prophecy, Cat will need to decide whether to throw away what’s left of his reputation to wage a reckless campaign into the void.

In the void, there are no currents to propel ships. There is only hungry darkness and the ghosts of destroyed worlds. If they want to save all free var of the Spheres, they’ll need to leave everything they know behind.

But first, they need a ship…and a crew.

Infiltration by James David VictorInfiltration by James David Victor:

The enemy of your enemy is your friend. Maybe.

Carl and his team have been sent on a desperate mission to infiltrate the Palacian homeworld and apprehend the queen. When things go wrong, a new enemy emerges and they are faced with a difficult choice, and their only chance of winning the war might be to trust their sworn enemy. If they choose the lesser of two evils will it still mean destruction of the human race?

 

Teeth of the Rakshasa by B.J. WestTeeth of the Rakshasa by B.J. West:

Revolutionaries, thieves, or terrorists?

Depending on who you talk to, Spider King and his cohorts in the infamous Gordian Net are either criminals or revolutionaries in the ongoing struggle against the corporations that have replaced the federal government of the formerly united States.

Nobody pushes their notoriety as Robin Hoods harder than Spider himself. Arrogant and egotistical, Spider is a veritable rock star of the hacking world. It would be annoying if he wasn’t actually every bit as good as his talk.

Attracted by their reputation, a peculiar client approaches the Gordian Net with an opportunity that could be the score of a lifetime. But what first appears to be a simple hack-and-grab run quickly snowballs into an all-out war with the most powerful tech company in the world.

Spider will have to outthink, outrun, and outmaneuver the most ruthless street operatives in San Francisco without becoming the next victim of a new weapon of unspeakable horror.

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Indie Crime Fiction of the Month for March 2023


Welcome to the latest edition of “Indie Crime Fiction of the Month”.

So what is “Indie Crime Fiction of the Month”? It’s a round-up of crime fiction by indie authors newly published this month, though some February books I missed the last time around snuck in as well. The books are arranged in alphabetical order by author. So far, most links only go to Amazon.com, though I may add other retailers for future editions.

Our new releases cover the broad spectrum of crime fiction. We have cozy mysteries, small town mysteries, animal mysteries, historical mysteries, Victorian mysteries, Jazz Age mysteries, paranormal mysteries, crime thrillers, action thrillers, spy thrillers, psychological thrillers, romantic suspense, police officers, FBI agents, private investigators, amateur sleuths, spies, dark secrets, blackmail, mysterious widowers, wrongfully accused suspects, deadly circuses, deadly writing retreats, children in dangers, crime-busting witches, crime-busting socialites, crime-busting reporters, crime-busting photographrs, crime-busting cats, murder and mayhem in London, Louisiana, Maine, Los Angeles, Yorkshire and much more.

Don’t forget that Indie Crime Fiction of the Month is also crossposted to the Indie Crime Scene, a group blog which features new release spotlights, guest posts, interviews and link round-ups regarding all things crime fiction several times per week.

As always, I know the authors at least vaguely, but I haven’t read all of the books, so Caveat emptor.

And now on to the books without further ado:

Death Below a Restless Moon by Blythe BakerDeath Below a Restless Moon by Blythe Baker:

When Victoria Sedgewick’s cousin falls under suspicion for a crime she did not commit, Victoria must protect her. But with a new danger arising at home and trouble threatening her friendship with Branwell Keats, will Victoria be too distracted to prevent a horrific tragedy?

 

 

 

Beyond Reason by Molly BlackBeyond Reason by Molly Black:

Reese Link is determined to do right by her deceased older brother, to fill his shoes in the local police department, and to avenge his murder. She also wants to make her father, a local lobsterman, proud. But the local force is male, and close-knight, and Reese soon learns that being accepted won’t be so easy.

Small town life on a harbor in Maine can be rough. Winters can be cruel and stretch forever, while the working class who inhabit the harbor suffer no fools. Reese knows this town like the back of her hand—but when she teams up with a State police officer, she quickly realizes she’ll have to branch out to other areas, way out of her comfort zone. She will have to learn quickly about all regions of Maine, as she hunts deadly killers wherever they may take her.

All along, she must fight her own demons, shake off the heaviness of her childhood, the depression of this town, and ask herself: is she good enough?

Murder Foretold by Beth ByersMurder Foretold by Beth Byers:

Once again, Vi and friends are out and about. This time, they’ve come to a lovely little seaside carnival to visit friends they haven’t seen in a while.

They watched the clowns, witness the acrobats, visit the strange and unusual, and invite the psychic to a small party. Instead of a journey or a windfall, they’re told to beware. Is it a surprise their minds turn to crime? Hardly. And when a murder takes place, they have to follow the steps of what happened and prepare for the most unsuaul crime they’ve seen yet.

Limelight by Joshua CrossonLimelight by Joshua Crosson:

A FAME-OBSESSED LOS ANGELES POPSTAR MUST CONFESS TO A DARK SECRET FROM HIS PAST—A SECRET SO TERRIBLE IT COULD DESTROY EVERYTHING HE’S WORKED FOR—IF HE IS TO SAVE THE LIVES OF HIS LOVED ONES.

Chris Flowers, one of the most famous and beloved popstars in the world, wants nothing more than to keep playing shows and creating art for his dear fans. Nearly finished with an album, and only days from playing a major show, Chris receives a fateful phone call threatening to expose a dark secret of his past that could ruin him. The sinister voice demands Chris to “Confess” or else… When the lives of loved ones from Chris’s past—the very people he left behind to pursue stardom—become involved, Chris must decide how important his career truly is for him—and if he’s willing to sacrifice lives for it.

So Close by Sylvia daySo Close by Slyvia Day:

You can’t believe all of them, but can you trust any of them?

Widower Kane Black is still ruinously married to his late wife, Lily. Grief has hollowed him… until he sees a woman with his wife’s inimitable beauty on the streets of Manhattan. He whisks her up to his towering penthouse, protectively under guard, nestling her in dark opulence where Lily’s memory is a possessive beguiling force.

Aliyah, Kane’s mother, deals in science. There are too many questions, too few answers, and too much at stake. “Lily” has dangerous control over Kane and there can be only one queen on the throne.

Amy, Kane’s sister-in-law, has been bloodied by deceit and betrayal, and she’s devolving into murderous rage. She’s paid too high a price and now intends to claim what she’s owed.

Three women, linked by buried secrets, circle the man who unquestioningly accepts the return of his beloved long-dead wife. Kane is happier than he’s ever been, and he’ll do anything to stay that way.

Clue Krewe by Jana DeLeonClue Krewe by Jana DeLeon:

Beckett Rousseau is the firstborn son of one of New Orleans’ most prominent families. He’s the quintessential golden boy—great looks, money, and a political career in his future—until his wife murders him. Or at least that’s what everyone thinks.

Athena Durand is still reeling from her murder conviction but now that it’s overturned, she’s at a loss on how to proceed with her life. As long as people still believe she’s guilty, she has no future in Louisiana and more importantly, she wants to know who killed her husband. When she hears about Fortune’s exploits, Athena knows she is the one person who might be able to give her answers, and her life back. But too many people are harboring secrets about Beckett’s life and death, including Athena.

Can Fortune sort through the half-truths and lies to discover the truth? Or did the jury get it right the first time?

New Girl in the Falls by Elle GrayNew Girl in the Falls by Elle Gray:

Searching for a fresh start and a serene place to heal from both mental and physical wounds, Agent Spenser Song found herself answering the job posting for the quaint town of Sweetwater Falls…

After a series of tragedies turned her world upside down, FBI Agent Spenser Song felt like a woman adrift in a sea of chaos.
Her brush with death and the tragic murder of her husband left her questioning everything in her life.
And when it became clear that Bureau politics will trump justice, Spenser realized she needed a fresh start.

Looking for a slower pace and needing to heal, Spenser is hired on to be the sheriff in the idyllic town of Sweetwater Falls.
The town is everything her best friend said it would be and all in the Falls was seemingly perfect.
With the exception of her cantankerous landlord, Ryker Makawi, a former Navy SEAL with issues and a past of his own.
When a local woman is murdered, the case proves to be far from simple and Spenser finds herself forced to work with the ill-tempered Ryker.

With her past trying to reach into the present to pull Spenser into a cold dark grave.
Spenser soon realized that the chaos she fled from had found its way back into her life.
Spenser Song came west to find peace. But the new girl in the Falls soon finds herself in the fight of her life.

Witching With Sharks by Lily Harper HartWitching With Sharks by Lily Harper Hart:

One of the biggest trivia competitions in the world is coming to Paradise Lodge, and Hali Waverly is expecting an influx of guests. What she’s not prepared for is murder.

When a body drops on the resort’s beach, however, she finds herself knee-deep in the investigation along with her new boyfriend Gray Hunter. Unfortunately for her, there are a few too many suspects for her comfort level.

Between the other contestants—a flamboyant group of individuals whom Hali has trouble relating to—and the workers, there’s no limit to the pool of potential killers. Finding the right one isn’t going to be easy.

When you add in the dark merrow, who continue to make their presence known, Hali has her hands full.

All she wants is a little rest and to have a good time. That might not be in the cards though. When it becomes apparent that someone is trying to control the outcome of the competition, all bets are off.

Beaches, bodies, and Bloody Marys? Yup, things are about to get hairy for St. Pete’s favorite witch and shifter.

Oh, yeah, there will be some shark shifters too.

Buckle up, it’s going to be a bumpy ride.

Terms of Extraction by Ethan JonesTerms of Extraction by Ethan Jones:

How would you decide the terms of an extraction?

Jack Storm is facing conflicts on all fronts. While trying to bring his family back together, he must deal with a suspicious extraction where the terms are constantly being manipulated. Not knowing who is pulling the strings, Jack has had enough and determines it’s time to do this on his own terms…

Find out how Jack pulls off his most politically charged extraction yet.

Cast the First Crone by Amanda M. LeeCast the First Crone by Amanda M. Lee:

Scout Randall’s life has turned from bad to worse. With her boyfriend’s murderous mother on the loose, that means she’s a target. But where will the attack come from?

Scout thought they would have time to figure things out, time to regroup and come up with a plan. She was wrong. The next enemy is on their doorstep.

When a body is found in a remote hunting lodge, a familiar symbol painted on the wall, Scout knows it’s time to go on the offensive. Unfortunately for her, she’s not entirely certain what she’s hunting for.

Is it a human? Is it a vampire? Is it something worse?

Scout and her motley crew of witches and shifters are ready to fight, but when you don’t know your enemy, that’s virtually impossible.

Scout’s answers lie in her past, and the search she thought postponed is suddenly on her. The family that let her go might just be back in the mix. Will they be friends or foes, however?

Big answers are coming fast and furious. Scout’s never been in more danger, and yet if she can hang on just a little bit longer, her past will provide the answers she’s always wanted.

It’s time for the reunion to end all reunions…if Scout can stay alive to see it through.

Overedited & Underpaid by Amanda M. LeeOveredited & Underpaid by Amanda M. Lee:

Avery Shaw thought she’d seen it all. Then she gets the sort of call she never expected.

Buried in a part of the city she never visits, across the road from the Dairy Queen of all places, is Antique Dolls. It’s a niche strip club featuring dancers over the age of 40 … and a very unique clientele.

When a masked intruder comes barreling into the club firing a gun and hits the owner, Avery is intrigued. When she gets to the hospital and hears that the local police secreted away a politician under the cover of flashing lights and jurisdiction problems, she’s practically frothing at the mouth.

Finding a motive for the shooting should be easy, but when a secretive lifestyle minister inserts himself into the investigation, Avery is left spinning. He’s got a colorful past and an army of followers willing to fight for him.

What he doesn’t have is Avery Shaw. She’s determined to uncover the truth, even if it means putting herself in danger. When Grandpa and Mario decide to help—Mario going as far as to position himself as an undercover dancer—Avery has more backup than she bargained for.

Information is coming at her from all sides, and so is danger.

Avery Shaw doesn’t lose. This time, however, there might not be a winner.

Oh, Shoot! by J.B. LynnOh, Shoot! by J.B. Lynn:

Ever since her husband disappeared seven months ago and it came out that he’d been embezzling funds from the town, pet photographer Kiki Long has been keeping a low profile.

But now it’s time to focus on creating a new life for herself.

Risking the wrath of the town’s residents, Kiki attends the annual Pride Falls Fair where she’s regarded with a mix of animosity, curiosity, and pity.

When a participant in the pie eating contest drops dead due to poisoning, Kiki realizes that the pictures she captured at the fair could hold the key to figuring out the mystery of his death. But it’s not like she can go to Sheriff Rockland with them. He still considers her to be a suspect in her husband’s disappearance.

With the help of her cat, Kodak, Kiki sets out to prove that her friend, who baked the deadly pie, did not poison it. Can she catch the killer? Or will this new development be what lands her in prison?

The Girl on the Retreat by A.J. RiversThe Girl on the Retreat by A.J. Rivers:

The faster you run, the longer you survive…

After participating in a fundraising run, FBI agent Emma Griffin is invited to a week-long retreat.
Upon her arrival, she is instantly captivated by the beautiful yet eerie surroundings of the remote resort.
Sadly her time at the resort is soon met with misfortune and strange phenomenon.
When people start going missing and the guests start acting strange, Emma gets the sense that no one at the retreat is telling her the truth.
And as Emma attempts to uncover the mystery of the resort, she finds herself becoming a pawn in someone’s twisted game.

In a maze full of murderous traps, the only way to survive is to run.

Ropes and Last Hopes by Trixie SilvertaleRopes and Last Hopes by Trixie Silvertale:

When a suspicious death takes the life of a friend, our psychic sleuth must expose a killer’s dirty laundry…

Mitzy Moon hopes for a normal day running errands. And this time, she’s determined to get her grandmother’s couture properly cleaned. But her day gets stuck in a spin cycle when she encounters crime-scene tape at the dry cleaner’s and a puzzling murder.

With her only way into the case through an undercover stint in the women’s wrestling league, Mitzy charges ahead with little help from her mentor, Ghost-ma, or her entitled feline. But if the bell rings before she corners the suspect, more lives could end up on the ropes.

Can Mitzy hold a murderer down for the count, or will she be taken out in a lethal smackdown?

Winter's Rescue by Mary StoneWinter’s Rescue by Mary Stone:

Nice girls finish last. Bad girls finish dead.

When Private Detective Winter Black-Dalton receives a slew of messages from a mother desperate to protect her children after a traumatizing divorce, she takes the case without hesitation. Not only is it a welcome distraction from unpacking boxes, but Winter hopes to assuage the guilt still fusing her to her past.

She should have known better.

A crayon drawing of guns and “nakid notty girls” by her client’s five-year-old daughter hints at the wealthy and powerful father’s depraved activities. When the man in question warns Winter off the investigation, he reeks of cunning. But she has no hard facts, only impressions. And with no FBI badge to open doors, she needs to get creative.

But the more Winter investigates, she fears something far more sinister lurks beneath the surface. And when local call girls mysteriously disappear, Winter must risk it all to save other young women from the same fate.

The mystery and suspense continue with Winter’s Rescue, the second book in the Winter Black Season Two series, a thrilling ride that will make you realize things aren’t always as they seem. Sometimes they’re much worse.

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Non-Fiction Spotlight: Brian W. Aldiss and Robert Holdstock’s Mythago Wood: A Critical Companion by Paul Kincaid

Hugo season is upon us and nominations for the 2023 Hugo Awards have opened, so it’s time for another Non-Fiction Spotlight. For more about the Non-Fiction Spotlight project, go here. To check out the spotlights I already posted, go here.

For more recommendations for SFF-related non-fiction, also check out this Facebook group set up by the always excellent Farah Mendlesohn, who is a champion (and author) of SFF-related non-fiction.

Today’s Non-Fiction Spotlight is a double spotlight for two different, but very worthy works of SFF-related non-fiction. Therefore, I am pleased to welcome Paul Kincaid, author of Brian W. Aldiss and Robert Holdstock’s Mythago Wood: A Critical Companion, to my blog today.

Robert Holdstock's Mythago Wood: A Critical Companion by Paul Kincaid

Tell us about your book.

Through one of those quirks of publishing, I had two books out in 2022. This was in part because the first was, I think, a little later than originally intended, and the second was short and written to a very tight deadline. The first, Brian W. Aldiss, is part of the Modern Masters of Science Fiction series from Illinois University Press; the second, Robert Holdstock’s Mythago Wood: A Critical Companion is part of the New Canon series from Palgrave. Both, therefore, conform, at least partly, to the demands of their particular series.

Brian W. Aldiss is, as you might expect, a critical study of the science fiction of Brian Aldiss, mixed in with a little biography for context. It is, for instance, significant that the only novel he wrote in which the central character is in a lifelong, happy, monogamous marriage was Greybeard, which was written after the breakup of his first marriage and the beginning of his relationship with the woman who would become his second wife. It is also, noticeably, a novel about a world without children, and his own children from his first marriage had been taken away from him and he believed he would never see them again. As you might guess, I firmly believe that a thorough understanding of creative work must, as bedrock, include an understanding of the circumstances in which that work was created.

Robert Holdstock’s Mythago Wood: A Critical Companion, on the other hand, has a much narrower focus. It is all about the first volume in the Mythago sequence, examining the themes that can be detected in the work. It covers a lot of ground within a short space, ranging from the experiences of Holdstock’s grandfather in the First World War, to the nationalist leanings of interwar studies in folklore and folk music.

Tell us a little bit about yourself.

I suppose, like many people, I set out with ambitions to become a great novelist. But although I have had a handful of short stories published over the years, I have to admit that I am not a natural fiction writer. When I started writing non-fiction, however, I realised that this was something I could do. My first reviews were published in 1977, and I have been turning out reviews, essays, interviews and other stuff consistently ever since

My first book, as I suppose you might call it, was a 30,000-word history of British sf and fantasy, A Very British Genre, which was published as a chapbook by the BSFA to coincide with the British Worldcon in 1995. And there have been two collections of my essays and reviews, What it is we do when we read science fiction (2008) and Call and Response (2014), both published by Beccon. But it was when I found myself retired about ten years ago that the pace started picking up. I wrote the Modern Masters of Science Fiction volume on Iain M. Banks (2017), which won the BSFA Non-Fiction Award, and The Unstable Realities of Christopher Priest (2020) for Gylphi, as well as the two books we’re talking about here.

What prompted you to write/edit this book?

The short answer is absence. An absence of critical work on Aldiss and an absence of critical work on Holdstock.

Before me, there had been three published books on Aldiss, in 1977, 1984 and 1986. But 1985 marked the exact mid-point between his first published book in 1955 and his last in 2015. In other words, none of the books about Aldiss covered more than half of his career. I found that hard to believe, given that he is one of the most important figures in post-war British science fiction. I felt there needed to be a new, up-to-date appraisal of his entire career, and since no-one else seemed to be interested in doing it, it seemed to fall to me.

Now there is a good reason why nobody else was picking up the gauntlet on Aldiss: he is very hard to write about. In fact, I would go further and say he is a nightmare; the look of pity on John Clute’s face when I told him what I was going to do really says it all. Yes, he wrote some of the best and most important novels in the history of British science fiction, but he also wrote some of the worst. One of the problems I have with all three of those earlier books about him is that they came close to being hagiographies. They took him at his word on everything, and they praised extravagantly books that I felt did not deserve such praise. So I had to negotiate a very tricky path, finding what felt to me like the right balance between praise and criticism, and trying to identify the truth from the myths that Aldiss himself would spin. It is, of course, up to others to decide how well or badly I achieved my aim, but I hope it is the sort of judicious assessment that Aldiss deserves.

As for Holdstock, there is one previous collection of essays, which strikes me as woefully inadequate for such a significant writer. I have long harboured an ambition to write a book on Holdstock much like my book on Priest. I suspect, for various reasons, that is never going to come to pass, so when I got a chance to at least write about Mythago Wood I leapt at the chance.

To me, Mythago Wood is one of the most important and influential works in the history of 20th century fantasy, rivalled, I suspect, only by The Lord of the Rings by J.R.R. Tolkien and Little Big by John Crowley. It is a relatively short book, and yet it is packed full of mysteries and ideas that have had a profound effect on the fantasy that came after. It is no surprise that the Best Novel Award from the British Fantasy Society is called the Robert Holdstock Award.

I don’t think I realised, when I set out to write a book-length study of this one novel, just how much there was to disinter. But it was one of the most satisfying things I have ever written.

Brian W. Aldiss by Paul Kincaid

Why should SFF fans in general and Hugo voters in particular read this book?

I suppose the arrogant part of me wants to answer: because they are such good books, readable, engaging and revealing.

But the real reason is that my subjects, Aldiss and Holdstock, are absolutely essential figures in the history of science fiction and fantasy. Literally, you cannot understand, you cannot appreciate, the development of our literature over the last half-century and more without Aldiss and Holdstock.

Among other things, Aldiss, along with J.G. Ballard, so shaped the British New Wave that it is conceivable that there wouldn’t have been a New Wave without him. Yet at the same time he was instrumental in celebrating space opera and hard sf, through the numerous anthologies he edited alone or with Harry Harrison, at a time when that older tradition of science fiction was under threat from the New Wave. And that odd combination of the new and the old led to him writing the first narrative history of science fiction, Billion Year Spree, which has had a profound effect on the way the character and development of science fiction has been seen ever since.

Holdstock, meanwhile, cast the way myth and imagination shape our interaction with the world around us in such a startling new light that it changed the way that fantasy is written, and has had an extraordinary influence on writers as varied as Graham Joyce and Lisa Goldstein.

Do you have any cool facts or tidbits that you unearthed during your research, but that did not make it into the final book?

I am parsimonious in things like that, all the tidbits I unearth I find a way of integrating into the book. Though it is in the way of things that some of these tidbits end up being more noticeable than others. Reviews of the Aldiss book by women, for instance, have tended to focus on what I call his priapic masculinity; which was certainly there, a reprehensible aspect of both his life and his fiction. But among other things I see this as a pointer to something that has attracted rather less attention. I think Aldiss saw himself as the new H.G. Wells, and not just in the innumerable times that he echoed or referenced Wells in his work. He saw parallels: they were both from the same sort of lower middle class background, their fathers were shopkeepers, they were about the same age when they first got published, they married twice but had numerous other sexual relationships (I suspect Aldiss thought that Margaret should be as tolerant of these liaisons as Jane, though reading between the lines of his autobiography there seem to have been a number of estrangements between them), and they each had a major if unexpected success with a work of history. To what extent Aldiss tried to intentionally shape these parallels I don’t know, but the echoes were certainly there.

There was one thing I discovered that surprised me. I had taken on trust the kudos that Aldiss accrued for saving New Worlds magazine by securing an Arts Council Grant. In fact, I learned, the literature panel of the Arts Council had only just been established at the time and they had no idea how they were going to support literature. As a result they simply handed out grants to any literary magazine that asked for one. Aldiss may have been the one to ask, but he was pushing at an open door.

As for the Holdstock book, well, research is a rabbit hole. Once you start asking questions you have no idea how far you will tumble down, or what other worlds you will find down there. Mythago Wood opens with a quotation from Ralph Vaughan Williams (who appears as a character in the second book, Lavondyss) about his discovery of folk music at the turn of the century. I wasn’t entirely sure what this quotation had to do with what followed in Mythago Wood, though I was vaguely aware that some of those on the folk music scene would go on, between the wars, to be associated with Oswald Mosley’s British Union of Fascists. I wondered if this might have any connection to Holdstock’s decision to set the novel in 1947. I began to research and uncovered more than I expected, though to be honest most of that research found its way directly into the book.

SFF-related non-fiction is somewhat sidelined by the big international genre awards, since the Nebulas have no non-fiction category and the Best Related Work Hugo category has become something of a grab bag of anything that doesn’t fit elsewhere. So why do you think SFF-related non-fiction is important?

I have twice been shortlisted for the Hugo Best Related Work award, so I should be rather well-disposed towards it. But I’m not. I’ve ranted about this on numerous occasions in the past, so I’ll keep it brief. The category is a farce, and becomes more farcical the wider they cast their net. A piece of music? Stick it in Best Related. A previous award ceremony? Stick it in Best Related. There is literally no way you can sensibly decide between the apples and orang utans that populate this stupid category, so in a very real sense it is no honour to be nominated.

And that is a shame. Literally so: it shames science fiction! These are the pre-eminent awards for science fiction, and yet they cannot find a way to genuinely honour writing specifically about the subject supposedly being awarded. The BSFA Awards have a specific Best Non-Fiction category, and there are the various academic awards from the Science Fiction Research Association, but there should be a major award for science fiction non-fiction. We are the poorer without it.

Yet this is all at a time when non-fiction about science fiction has never been healthier. Just as science fiction is opening itself up to a wider world and to a greater range of human experience, so non-fiction is exploring further and deeper. Yes there are the usual collections of essays and single author studies (of the type that I have written), but there are also examinations of the Anthropocene, of cultural issues, of the way our literature responds to historical events or political realities. There is wonderful stuff out there which, collectively, shows us how our literature belongs in and shapes the very world we inhabit. It deserves our attention, because it explains our literature to us.

Are there any other great SFF-related non-fiction works or indeed anything else (books, stories, essays, writers, magazines, films, TV shows, etc…) you’d like to recommend?

From my last answer, you might guess that the answer to this is definitively “yes”. In fact, because last year was so personally catastrophic for me, I haven’t read anywhere near as much as I would like. But I could point you, for instance, towards Mark Bould’s amusing and idiosyncratic study of The Anthropocene Unconscious; Brian Attebery’s elegant Fantasy: How It Works (despite his inexplicable overlooking of Robert Holdstock); Mike Ashley’s five-volume history of the sf magazines reached its climax with The Rise of the Cyberzines, I have major problems with these books as history, but as a data set they are invaluable; and there is an intriguing examination of the science fiction of Bob Shaw and James White from an Irish perspective in Space for Peace by Richard Howard.

Looking ahead, this year brings a memoir from M. John Harrison, a collection of reviews from Niall Harrison, but above all there is A Traveller in Time: the Critical Practice of Maureen Kincaid Speller edited by Nina Allen coming from Luna Press. Okay, I know I’m prejudiced, I know I am still devastated by Maureen’s death last September, but I still reckon this long-overdue collection of her work is going to be one of the essential non-fiction books of 2023.

Where can people buy your book?

There is always Amazon: Brian W. Aldiss and Robert Holdstock’s Mythago Wood

Though personally I prefer to shop at uk.bookshop.org: Brian W. Aldiss.

Or in America you might try Powells: Brian Aldiss and Robert Holdstock’s Mythago Wood.

Though it might be simplest to go direct to the publisher. Brian W. Aldiss from Illinois University Press and Robert Holdstock’s Mythago Wood from Palgrave.

Where can people find you?

My website is here: www.paulkincaid.co.uk

My intermittent blog is: ttdlabyrinth.wordpress.com

On social media I am mostly to be found at Facebook: paul kincaid-critic

On Mastodon I am: @paulkincaidcritic@mastodon.social

On Twitter (for now) I am: @pkincaid_critic

Thank you, Paul, for stopping and answering my questions. Do check out Brian W. Aldiss and Robert Holdstock’s Mythago Wood: A Critical Companion to learn more about two crucial writers of our genre.

About Brian W. Aldiss:

Brian W. Aldiss wrote classic science fiction novels like Report on Probability A and Hothouse. Billion Year Spree, his groundbreaking study of the field, defined the very meaning of SF and delineated its history. Yet Aldiss’s discomfort with being a guiding spirit of the British New Wave and his pursuit of mainstream success characterized a lifelong ambivalence toward the genre.

Paul Kincaid explores the many contradictions that underlay the distinctive qualities of Aldiss’s writing. Wartime experiences in Asia and the alienation that arose upon his return to the cold austerity of postwar Britain inspired themes and imagery that Aldiss drew upon throughout his career. He wrote of prolific nature overwhelming humanity, believed war was madness even though it provided him with the happiest period of his life, and found parallels in the static lives of Indian peasants and hidebound English society. As Kincaid shows, contradictions created tensions that fueled the metaphorical underpinnings of Aldiss’s work and shaped not only his long career but the evolution of postwar British science fiction.

About Robert Holdstock’s Mythago Wood: A Critical Companion:

This book is a detailed examination of one of the most important works of fantasy literature from the twentieth century. It goes through Mythago Wood by Robert Holdstock considering how it engages with war on a personal and family level, how it plays with ideas of time as something fluid and disturbing, and how it presents mythology as something crude and dangerous. The book places Mythago Wood in the context of Holdstock’s other works, noting in part how complex ideas of time have been a consistent element in his fiction. The book also briefly examines how the themes laid out in Mythago Wood are carried through into later books in the sequence as well as the Merlin Codex

About Paul Kincaid:

Paul Kincaid is a Clareson Award-winning critic. His previous volume for Modern Masters of Science Fiction, Iain M. Banks, won a BSFA Award. His other books include What It Is We Do When We Read Science Fiction and The Unstable Realities of Christopher Priest.

***

Did you publish a work of SFF-related longform non-fiction in 2022 or are you publishing one in 2023 and want it featured? Contact me or leave a comment.

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Masters-of-the-Universe-Piece Theatre: “The Prisoner of Castle Grayskull”

It’s time for another Masters-of-the-Universe-Piece Theatre photo story. The name “Masters-of-the-Universe-Piece Theatre” was coined by Kevin Beckett at the Whetstone Discord server.

Like any good castle, the mystical Castle Grayskull from Masters of the Universe also has a dungeon and indeed the Castle Grayskull playset has always been equipped with a practical trapdoor that allows you to drop intruders from the throne room straight down into the dungeon.

However, beneath the regular dungeon of Castle Grayskull, there is also a second, deeper dungeon that extends steadily downwards, because Castle Grayskull sits on top of a bottomless abyss named the Dwell of Souls. This lower dungeon is populated by all sorts of monsters and represented in all versions of the Castle Grayskull playset by a sticker of a metal grate with all sorts of monsters trying to get out. In many ways, this is reminiscent of the portal to the underworld located underneath Castle Joiry in C.L. Moore’s stories “Black God’s Kiss” and “Black God’s Shadow” or the monster-infested dungeon underneath the Scarlet Citadel from the eponymous Conan story by Robert E. Howar. I doubt this is a coincidence, because Masters of the Universe draws a lot of inspiration from vintage sword and sorcery and pulp SFF in general

Unsurprisingly, people have been fascinated by the dungeon sticker and the monsters living underneath Castle Grayskull for forty years now. I mean, it’s monster-filled dungeon beneath a castle, so who wouldn’t be fascinated by what’s down there? However, little was known about the creatures that live beneath Castle Grayskull until very recently.

The first of the dungeon monsters to receive a name and a backstory was the one-eyed tentacled monstrosity known as the Orlax of Primeria, seen in the top left corner of the dungeon grate sticker. The Orlax appeared in part 2 of Masters of the Universe: Revelation, where Duncan is locked up in the dungeons of Castle Grayskull by Skeletor. The Orlax is imprisoned in a hole undeneath Duncan’s cell and occasionally makes a grab for Duncan. Initially, the two prisoners are wary of each other, but when Duncan helps the Orlax after Skeletor needlessly hurts the creature, they team up to escape. The Orlax was last seen gobbling some of the lesser Evil Warriors (Clawful and Blade) before swimming off to live their best tentacled life. Furthermore, the Revelation prequel comics revealed that the Orlax was not evil at all, but a being from another dimension trying to warn Eternia of impending peril, only that their attempts to communicate via a psychic link caused those they touched to fall into a coma and accidentally killed the young son of King Grayskull, which is why the poor thing ended up in the dungeon underneath Castle Grayskull.

There actually was a toy made of the Orlax of Primeria – or rather part of them, a tentacle reaching out of the dungeon grate – but it was released as part of a convention exclusive Castle Grayskull expansion set and is very difficult, not to mention expensive, to find, so I’ll eventually crochet my own Orlax with flexible tentacles.

The next dungeon creature to receive a name, a backstory and a toy is the frog critter seen on the bottom left of the sticker. The creature is called Frog Monger and was sold as an exclusive action figure via Mattel‘s website. I was lucky enough to snag one and recently had him delivered. The mini-comic that came with the figure explains that Frog Monger was once a sorcerer who sold magical weapons to both sides of the conflict between the Snake People and the humanois Eternians. As a result, the Snake People cursed him and turned him into a frog. The human Eternians didn’t want anything to do with him either , because no one likes war profiteers and frog creatures, so the Frog Monger eventually exiled himself to the abyss beneath Castle Grayskull where he lived far from humans and Snake People. It’s basically the fairy tale of “The Frog Prince”, only without a princess and a golden ball.

Frog Monger and his friend are outside Castle Grayskull and preparing to escape into the wilderness.

Frog Monger with a friend in the form of a Schleich poison dart frog.

I really like the Frog Monger figure, because he is so delightfully bizarre. With his jetpack and ray gun, he looks as if he stepped right out of a 1940s science fiction magazine. And indeed I spotted an ancestor of Frog Monger in the interior art for “Gambler’s Asteroid” by Manly Wade Wellman in the Spring 1944 issue of Thrilling Wonder Stories. The artwork is uncredited, but likely by Marco Marchioni, who did the interior art for the rest of this issue. Marco Marchioni was a fascinating guy BTW.

Interior Art for Gambler's Asteroid by Manly Wade Wellman

Inspired by this piece of artwork, I decided to stage my own recreation of the scene with my Masters of the Universe figures. Because the frog alien is a lot shorter than the humans in the picture, I decided to pair Frog Monger up with the larger Masterverse figures.

And since I had the figures set up already, I also made a story set during the time, when Duncan is locked up in the dungeons beneath Castle Grayskull in Masters of the Universe: Revelation, after Skeletor took over the Castle, murdered the original Sorceress and turned Evil-Lyn into the new Sorceress.

In the dungeons deep beneath Castle Grayskull:

Frog Monger and Evil-Lyn pay a visit to the chained up Duncan.“The prisoner is secure and has been stripped of all his weapons, Mistress. He’s perfectly harmless now.”

RIBBIT!

“Let me loose and I’ll show you that I don’t need any weapons to deal with the likes of you!”

“Shall I blast him for his insolence, Mistress?”

RIBBIT?

“No need, Frog-Man. I can handle Duncan just fine. And now get lost. I want to be alone with the prisoner. I’m sure we’ll have much to talk about. And who knows, Duncan, if you cooperate, I might make your incarceration so more comfortable.”

“Forget it, Lyn!”

“Shall I blast him, Mistress?”

“Get lost, Frog Boy! I have everything in hand here. Quite literally.”

Frog Monger leaves, while Lyn harasses Duncan.“Come, my amphibian friend. I know enough about the mating rituals of humans to know when we’re not wanted. Here in the dungeons of Castle Grayskull, I have often heard the mating songs of the humans above and I don’t like them.”

RIBBIT!

Evil-Lyn harasses the chained up Duncan.“Ah, alone at last.”

“If you’re going to kill me, Lyn, could you do it now, cause my throat is parched and these chains chafe?”

“Who said anything about killing? Quite the contrary, dear Duncan. We could have so much fun together.”

“I’d rather die.”

Lyn harasses Duncan some more.“Still pining for your sweet Sorceress, Duncan? Accept it, she’s gone. And for the record, I did not agree with Skeletor stabbing her. That was entirely unnecessary.”

“You didn’t lift a finger to help either. And you wasted no time taking her place.”

“Do you think I wanted this? It’s Skeletor’s doing, all of it. He does what he wants and no one can stop him, certainly not me. Especially now that he has the Sword of Power.”

Lyn harasses Duncan some more and strokes his face.“What’s the matter, Lyn? Did Skeletor hit you again? That revealing outfit isn’t even hiding the bruises.”

“He… he changed. It’s that damned Power Sword. It changed him.”

“The Sword of Power doesn’t turn you into a violent arsehole. Skeletor always was like that, even back when he was still Keldor.”

“You don’t know him.”

“I’ve known Keldor for thirty years now, Lyn. He’s always been a violent piece of shit and he’ll never ever change. The Sword of Power brought out the best in Adam and it brought out the worst in Keldor. You know that. We both do.”

“Well, I’m stuck with Skeletor and his delusions of godhood. We all are. Cause he’s not going to give up that sword without a fight and your He-Man has no chance of taking it back, not as puny little Prince Adam. That reveal really was a surprise, by the way. We always wondered why you let Randor’s cowardly son run around with your Heroic Warriors. Who could have guessed that the cowardly little Prince was really He-Man, the most powerful man in the Universe? Tell me, Duncan, did it bother you, to take orders from a puny little boy?”

“Adam is one of the strongest and bravest people I know.”

“He still has no chance against Skeletor, not without the sword. None of us do. We’re all hostages to his insanity now.”

“You could always leave him.”

Duncan tries to persuade Lyn to free him and escape from Castle Grayskull together.“Leave Skeletor? Ha, that’s a good one. Have you forgotten that I’m the Sorceress of Grayskull now? That means I’m trapped in this cursed pile of rock. I can never leave. I’m as much a prisoner as you are, only that my quarters are nicer.”

“Of course you can leave, Lyn.”

“Not in human form. And I don’t fancy spending the rest of my life as a bat. Yes, that’s what I turn into. A bat. I don’t even get to be a soaring falcon like your sweet Sorceress.”

“That’s because she was the avatar of Zoar, while you’re the harbinger of Horokoth. And you can leave in human form. You just have to forego your magic.”

“Yeah right, give up the one thing that gives me some protection against Skeletor, that idiot Tri-Klops and his techno-cult, Mer-Man and – oh yes, your friend He-Man and his Masters of the Universe.”

“Adam would never hurt you. That’s not who he is.”

“No, he wouldn’t hurt me. He’d just lock me up in the royal dungeon, so I’d be exchanging one cell for another. At least here I have a comfortable bed. Which still smells like you, by the way. Musky and masculine.”

“If you help me get out of here, Lyn, I can vouch for you. Adam listens to me. So leave Skeletor and help me get out of here.”

“And then? You’ll go back to Randor, of course. The same Randor who threatened to execute you the next time he laid eyes on you.”

“He was upset. He didn’t mean it.”

“Of course he meant it. He meant every single word. And if Randor takes you back and doesn’t chop off your head the moment he sees you, it’s only because he’s finally realised that he can’t rule his way out of a paperbag without your help and your inventions. Come to think of it, Randor and Keldor are more alike than either of them would ever admit. They’re both arseholes who sit on their thrones and lord over everybody else, while people like you and me get the real work done.”

“Randor is not even remotely like Keldor.”

“No, he’s worse. You were his friend for thirty years. You kept his kingdom running, commanded his armies, raised his son for him and yet Randor turns on you the moment his idiotic son gets himself killed. As if you could have stopped him. As if anybody could have. At least, Skeletor has a place for me in his kingdom. At least, he occasionally remembers that I exist…”

“When he hits you, you mean?”

“Low blow, Duncan.”

“Just telling the truth, Lyn.”

“Well, here’s a truth for you. You don’t need Randor. I don’t need Skeletor. I could break you out of here and then you can help me kick Skeletor out of the castle and retake the sword. And then we can rule Eternia… together.”

“I can’t, Lyn. I’ll help you get rid of Skeletor, but I won’t help you rule Eternia. I swore an oath…”

A furious Lyn walks out and leaves Duncan chained up in the dungeon.“And isn’t that typical of you, Duncan? Always so noble, always so high and mighty, always putting Randor and the realm above yourself and your own needs. You know what? Rot down here and mourn you precious Sorceress! I don’t care. I’ll find my own way without you.”

“Lyn, wait! Could you at least give me some water from that pitcher over there, cause my throat is parched? No, I guess not.”

Duncan is chained up in the dungeon all alone.“Great, Duncan. Well, done. Your best chance of getting out of here just left, because… well, because I couldn’t pretend to accept her offer. Yeah, I probably should have sacrificed myself and my body to Lyn for the greater good. Not that it would be that much of a sacrifice. Lyn’s an attractive woman. Always has been. And I’m theoretically single again. Besides, I could always have pretended to accept her offer and then double-crossed her. Except… well, that’s not who I am. And Lyn knows it. She would have made me swear on my honour to aid her and then I would have been bound by my word to her. Damn, I just hope Teela is all right. And Adam, of course. And Andra and Cringer and Randor and Marlena and yes, even Malcolm. Cause it doesn’t matter if I die down here, as long as my family is safe.”

The ghost of the Sorceress appears in the dungeon before the chained up Duncan.“Hello, my love!”

“You?! But you’re…”

“Dead, yes. But apparently I still have some business to conclude here before I can enjoy my eternal reward in Preternia.”

“Well, according to Adam, Preternia isn’t all it’s cracked up to be and he should know. – Listen, my love, I’m sorry that I couldn’t protect you against Skeletor, couldn’t save you from him. If I could trade my life for yours, I would.”

“It’s all right, Duncan. My tale is done, but you’re still needed here. Watch over Teela and Adam, because they’ll need you. They’re still so young and they’ll need your strength, your wisdom, your guidance and your love.”

“I would do anything to protect our daughter – and Adam, of course – with my life, if necessary.”

“I know. And Duncan, I’m sorry for not being a better partner to you. You’re the best man I know and you deserved so much better than me…”

“But I never wanted anybody but you.”

“Farewell, my Duncan. Try to be happy, because you deserve it.”

“I don’t suppose you can break me out of this place?”

“I’m afraid not. I am but a ghost now and such feats of magic are beyond me. But have no fear. Help will come… from an unexpected quarter.”

“Do you mean Lyn?”

Duncan is chained up in the dungeon all alone.

Since I don’t have an Orlax of Primeria or anything that can stand in for the creature, you’ll just have to imagine the Orlax and their tentacles.

“Gone. As if she never was here. And maybe she wasn’t. Maybe I’m imagining things. Hallucinations are not uncommon with prisoners.”

ROAR!

“Oh, shut up, Orlax! Don’t you ever sleep?”

***

Later, in the Sorceress’ chambers:

Lyn is alone in the Sorceress' chambers.“Alone at last. No Skeletor indulging in his delusions of godhood or gazing into the cosmos, no Duncan being all high and mighty and infuriating, no Beast-Man saying ‘Yes, my lady’ and ‘No, my lady’. Yet I’m stuck here, bound to this blasted castle and surrounded by Teela-Na’s stuff. As well as the things Duncan left behind. I don’t even have a room furnished according to my own taste. I mean, honestly why does everybody like Delftware so much?”

The ghostly Sorceress appears to Evil-Lyn

“Hello, Lyn!”

“You? Can’t you stay dead? And for the record, I do not agree with Skeletor stabbing you.”

“I know you don’t agree with Skeletor. And yet I see you wasted no time replacing me, Lyn. Nice outfit, by the way.”

“Oh please! I look like the Salesian streetwalker I swore I’d never be. Do you think I chose this? Any of it? This is Skeletor’s doing, not mine.”

“That’s not how it works, Lyn. The Sorceress is the one who grants the power to the champion, not the other way around. You’re in control. Skeletor only has the power as long as you give it to him.”

“So let me get this straight, Teela-Na. You chose the champion of Grayskull and you picked a snot-nosed kid? Even though Duncan was standing right there.”

“Adam is the chosen one. He was born to wield the Sword of Power.”

“If Prince Adam is the chosen one, then how come that Skeletor can wield the sword and call down the power?”

“Keldor is of the bloodline of Grayskull via King Miro. But many people in Eternia carry the bloodline of King Grayskull…”

“Because the kings of Eternia were busy sowing their wild oats all over the place for centuries. Yes, I know.”

“…but only Adam is the chosen one.”

“I guess that answers Skeletor’s question how Adam was able to call down the power without the sword and then proceeded to beat the holy shit out of Skeletor. Which, for the record, I wish I could have seen. Still, Skeletor can solve his own problems…”

“Adam has called down the power without the sword? That is not good.”

“He used it to beat the holy crap out of the Skeletor and that was very good indeed.”

“You don’t understand. The sword is a modulator to temper the power. Without it, Adam has no control.”

“Again, not my problem. Teela teleported Adam, her friends and herself to Zoar knows where. And unlike you, I’m not going to watch over little Prince Weakling, chosen one or not.”

“The Sorceress has a duty…”

“Yes, but I don’t care. Cause unlike you, I never wanted this job. Which brings me to my next question: So you and Duncan were a couple all those years and you have a kid. And don’t even try to deny it – Teela looks a lot like you and the name is a dead giveaway, too. So why didn’t you marry him?”

“The Sorceress must have no worldly attachments.”

“That’s bullshit and you know it. Duncan is a good man. He loves you and he would have moved into this accursed castle to be with you and he probably would’ve repaired and refurbished the place, too, while he was at it…”

“The Sorceress must not ever be distracted from her duties…”

“What duties? Sitting on that damned throne all day long or gazing into your magic mirrors? Not that I get to do even that, because Skeletor hogs the throne and the magic mirrors. No, Teela-Na, the truth is you’re an idiot. You had the choice of living in the Royal Palace as the wife of the royal Man-at-Arms or being stuck all alone in this rotting ruin, unable to ever leave, and you chose this? Talk about the mother of all bad decisions…”

“Says the woman who hooked up with Skeletor.”

“Let’s get this straight, Teela-Na. I did not hook up with Skeletor. I had a hot and passionate affair with Keldor, when that idiot managed to get his face burned off and his brain along with it. Or do you honestly think I would have chosen to be with Skeletor?”

“Actually yes. After all, you are fated to have a very complicated relationship with Skeletor in every universe out there.”

“In every universe out there? You mean, there’s more than one?”

“There’s an infinite number of universes out there. A whole multiverse of universes, in fact.”

“And I’m stuck with Skeletor in everyone of them? Now that is a terrifying thought. Anyway, Teela-Na, I came here to rest and inhale some of that musky Duncan smell that clings to your bedsheets, not to talk to a ghost or whatever you are. So why don’t you just scoot and go back to Preternia or Subternia or wherever you ended up?”

“Good night, Lyn. Remember, the Sorceress is the one who grants the power. Skeletor is nothing without you. And Lyn, would you do me a favour?”

“Depends. I’m not looking after little Prince Weakling, if that’s what you mean.”

“Adam will be fine. Teela will make sure of that. But Lyn, could you watch over my Duncan for me?”

“Are you honestly asking me to take care of your boyfriend?”

Poof.

“And she’s gone. Typically Teela-Na, perpetually cryptic and infuriating.”

***

It’s strongly implied in Masters of the Universe: Revelation that Evil-Lyn has a liking for Duncan, which has been hinted at elsewhere as well. Most recently, the Masterverse comic mini-series by Tim Seeley and various artists has presented an alternate universe where Duncan and Evil-Lyn team up to fight crime.

What is more, these two have also known each other for years, long before either Adam or Teela were even born. The first episode of the 2002 Masters of the Universe cartoon shows us a young Randor as captain of the guard with Duncan as his lieutenant fighting the forces of Randor’s estranged half-brother Keldor, among them Keldor’s lover Evil-Lyn. We also know that Randor and Keldor fought side by side, before Keldor turned against his brother and became Skeletor, and that Duncan and Randor have been friends since they were teenagers. So all of these people have a lot of history with each other.

It’s also notable that while Skeletor is a terrible person and abuses both enemies and his own allies, he really, really hates Duncan. Of course, Skeletor is never nice to anybody (except maybe at Christmas), but he’s utterly vicious towards Duncan. This can be seen all the way back to the Filmation cartoons of the 1980s and becomes even more apparent in the 2002 cartoon – where Skeletor beats the crap out of Duncan in the season 1 finale, strips him of his armour, chains him up in his dungeon and abuses him – and in Revelation, where he murders the Sorceress in front of Duncan’s eyes and then strips him of his armour and locks him up in the dungeon again. A lot of characters get captured and locked up by Skeletor at one point or another, but only Duncan ever gets stripped down to his underwear. Of course, stripping Duncan off his armour makes sense, because he has all sorts of weaponry built into it, but there’s also a definite element of humiliation in there. Kevin Smith and writer Eric Carrasco even snuck a castration reference into the respective Revelation episode. As for why Skeletor hates Duncan so much, I suspect he blames Duncan for coming between him and his brother.

The murder of the Sorceress is probably the most heartbreaking moment in a show that’s not short of heartbreaking moments – to the surprise of me and everybody else who didn’t exactly expect heartberaking moments from Master of the Universe of all things. First of all, because there is absolutely no reason for it – the Sorceress has used up all her magic and is powerless at this moment. True, she has insulted Skeletor by calling him “nothing but bones”, but she’s not a threat, neither to Skeletor nor to anybody else. Yet Skeletor kills her anyway, because he feels like it and because he’s a vicious piece of shit.

The first time I watched the respective episode of Masters of the Universe: Revelation, my full attention (and everybody else’s, I bet) was on Duncan and his grief-filled howl of pain as the woman he has loved for twenty plus years dies in his arms. It’s an incredibly powerful moment – and an amazing performance by Liam Cunningham, who voices Duncan – probably made even more powerful by the fact that only minutes before, we had gotten definite confirmation that Duncan and the Sorceress were a committed couple. There had been plenty of hints before, of course, going all the way back to the Filmation cartoon of the 1980s and even the old mini-comics, but I personally missed them, probably because Duncan and the Sorceress were parent figures and as a kid you don’t want to think about parent figures doing that sort of thing.

That moment is such a gut punch, because we see Duncan – who is one of the bravest and most heroic people in Eternia – literally fall apart. He doesn’t even try to fight back – and Duncan had gone one on one with a powered-up Skeletor shortly before – but lets himself be arrested and taken away without any resistance. He’s completely broken at this moment. And Skeletor – as if to prove that he’s an even worse person than we already knew he was – finds the whole thing really, really funny.

But upon rewatching that episode, I realised that Evil-Lyn’s reaction is also extremely interesting. For starters, she’s clearly horrified that Skeletor just casually murders the Sorceress – remember Evil-Lyn and the Sorceress had worked together to restore magic to Eternia. But as she witnesses Duncan’s reaction, it’s clear that this is the moment where Lyn realises what true love looks like and that she never had anything like that in her life and never will, at least not with Skeletor. That fact that Skeletor not only cracks a joke about Duncan’s pain, but also completely fails to understand what grief even is and why people experience it makes things even worse, because it proves beyond a doubt that Skeletor is unable to feel any normal human emotions. I suspect he wasn’t always like this and that he probably did have feelings when he was still Keldor, but as Skeletor he’s unable to feel anything except hate, anger and pettiness. This is also the moment, where Lyn mentally and emotionally breaks up with Skeletor – though it takes her another two episodes to physically break up with him – and probably also the first sign of the utter despair and hopelessness that makes her try to snuff the entire universe out of existence later in the series.

Both Duncan and Lyn are alive and single by the end of Revelation and Lyn is theoretically reformed, so will the sparks between these two lead to something more? I guess we’ll see once Masters of the Universe Revolution comes out.

That’s it for today, folks. I hope you enjoyed this Masters-of-the-Universe-Piece Theatre Photo Story, because there will be more.

Disclaimer: I don’t own any of these characters, I just bought some toys, took photos of them and wrote little scenes to go with those photos. All characters are copyright and trademark their respective owners.

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Semiprozine Spotlight: Hexagon Speculative Fiction Magazine

Hugo season is upon us and nominations for the 2023 Hugo Awards have opened, so various Spotlight projects continue with a new Semiprozine Spotlight. For more about the Semiprozine Spotlight project, go here.

Today I am pleased to feature Hexagon Speculative Fiction Magazine and welcome editor J.W. Stebner to my blog.

A note to Hugo nominators: Hexagon Magazine is eligible for the 2023 semiprozine Hugo award.

Hexagon cover banner

Tell us about your magazine.

Hexagon SF Magazine is a quarterly speculative fiction literary magazine. The magazine publishes mainly fantasy and science fiction from international authors, with an emphasis on weird, wondrous, and whimsical stories. Since the magazine’s first issue in 2020, over 50 authors have been featured inside 12 issues. Hexagon continues to grow year after year thanks to the support of authors and readers from the short fiction community.

Who are the people behind your magazine?

Hexagon is a ship with only a single pilot. I do all of the reading, editing, graphic design, and promotion of the magazine from start to finish. I enjoy running the magazine alone as it simplifies organization, but I do occasionally wish that I had a team to help me with the tough decisions. But, at the end of the day, I get to be my own boss, choosing the stories I think work best and supporting authors with whom I enjoy working.

Why did you decide to start your magazine?

I decided to start the magazine out of a desire to acquire some editing experience as well as to improve my own writing. Once I created the magazine, I got the chance to connect with an entire community of editors, authors, and readers who were drawn to literary magazines because of a love of great writing and speculative fiction. After releasing the first few issues, I discovered that I really loved editing the magazine, and I decided to shift my focus from writing to editing. Since starting the magazine in 2020, I have edited 12 issues, as well as an anthology with Perennial Press. I have also had the privilege to work with incredible emerging editors as part of my MYRIAD Digital Zines project.

What format do you use for your magazine (print zine, PDF zine, e-mail zine, online zine, podcast, etc…) and why did you choose this format?

The magazine is published in PDF and ePUB formats. I wanted to choose a format which was available online and offline. Readers can download any issue of Hexagon onto their phone, tablet, or computer and read it anywhere they want. They are also great formats for those who wish to share the issues with friends who might be interested in reading the magazine.

Hexagon Magazine Issue Grid

Science fiction, fantasy and horror were born in the pulps and short fiction has long been the beating heart of the genre. However, the focus of attention is increasingly moving towards novels and series. So why do you think SFF short fiction is important and worthy of attention?

I think that the reason SFF short fiction is so important is that it is constantly evolving and keeping up with what is happening in the world. Short fiction can be written, edited, and published long before a novel outline is finished. There is something immediate and satisfying about short fiction that does not exist in longer works of SFF. A great short story can be devoured in a single sitting, giving the reader a complete narrative arc in the time it takes to drink a cup of coffee. Whole worlds can be created, inhabited, and destroyed on a single bus ride. There’s something about that that always attracted me to short fiction.

One big problem for SFF magazines is monetarization. Readers are happy to consume short fiction, but they’re often unwilling to pay for it. What are your strategies for financing your magazine and paying your writers and staff?

I funded Hexagon out of pocket for the first six issues until the magazine had enough support through its Patreon to be self-sufficient. Now, subscribers get early access to issues, cover art reveals, and tables of contents, and can choose to sign up for the Writer Tier, which offers short fiction critiques and feedback. Hexagon has now published two subscriber-exclusive year end anthologies that collect everything published throughout the year as well as cover illustration concept art and author interviews. Subscribers also get access to the four MYRIAD Zines edited by emerging editors Kevin M. Casin, Anna Madden, Lyndsey Croal, and Jordan Hirsch.

All of these extra goodies are offered to those who support the magazine. Free fiction is fantastic, but if we want authors to be paid for their work, the money needs to come from somewhere!

Are there any other great magazines, podcasts, editors, stories, etc… you’d like to recommend?

To be honest, I wish I had 30 hours in a day to fit in all of the submission reading I do and to read all of the stories that other mags publish throughout the year. My typical strategy is to find an author I enjoy (usually after reading what they submit to the magazine), search up whatever they have published, and read it voraciously. This strategy takes me to all corners of the literary magazine community. If all else fails, I check out what Alex Brown Charles Payseur, or Maria Haskins have recommended. They have yet to steer me wrong.

Where can people find you?

You can read all issues of Hexagon for free at hexagonmagazine.ca and you can follow us on Twitter @hexagonmagazine to stay up to date on news and announcements.

Thank you, J.W., for stopping by and answering my questions.

Check out Hexagon Magazine, cause it’s a great zine.

***

Do you run a semiprozine and want it featured? Contact me or leave a comment.

 

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The Mandalorian and Baby Grogu step aside for “The Convert”

Welcome to the latest instalment of my episode by episode reviews of season of The Mandalorian. Previous installments may be found here.

Warning! Spoilers behind the cut! Continue reading →

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Fancast Spotlight: Chrononauts

Hugo season is upon us and nominations for the 2023 Hugo Awards have opened, so my Fanzine and Fancast Spotlight project continues as well. For more about the Fanzine/Fancast Spotlight project, go here. You can also check out the other great fanzines and fancasts featured by clicking here. And if you need more Hugo nomination inspiration, also check out my series of Non-Fiction Spotlights and Semiprozine Spotlights.

Regular readers of this blog will know that I enjoy reading and discussing vintage SFF, particularly lesser known works. And so today’s featured fancast is right up my alley.

Therefore, I am thrilled to welcome JM, Gretchen and Nate of Chrononauts to my blog today:

Chrononauts podcast logo

Tell us about your podcast or channel.

JM: Chrononauts is a podcast that delves into the history of science fiction literature, and seeks to discuss more obscure works in tandem with or in relation to more well-known stories and writers. In the beginning, I don’t think we had a very precise vision of what we wanted to do, besides: “Hey, let’s talk about some cool sci-fi books! And maybe we can proceed sort of chronologically through the genre’s history!” As time has gone on I think we’ve gotten a more firm handle on this, but also adopted a somewhat relaxed approach, so that while we are still, roughly speaking, moving forward chronologically, we are also taking many tangential side-steps, and are open to including newer works “out of sequence” as it were, particularly if they match up thematically with something from the past. Since I’ve always been into hunting down obscure treasures, I think one of my goals, from the beginning, was always to highlight things that were lesser-known, either because they simply didn’t get as much promotion or, in some cases, had no exposure in the English-speaking world.

We’re also just friends who like discussing books, and I think that comes through in our podcasts. Also, when I was at university in the early 2000s, I did take a science fiction class, and the professor took an interesting approach, wherein the first half of each class discussed some kind of scientific principle or development, and the second half dealt with stories that were connected to that concept. I thought this was really cool and interesting, and I think a part of me wanted to duplicate, although not too rigorously, that approach. So that’s why sometimes we’ll include a segment of history or science background before we get into discussing a particular work. I think it really helps sometimes to add some interesting and informative context to discussing fiction.

Who are the people behind your podcast or channel?

Chrononauts is JM, Gretchen and Nate, we’re three fans who are interested in science fiction history.

JM: I’ve been a science fiction fan for my entire life, really. I also have a background in English literature studies and went to work for the library for the blind producing books in alternate formats. Now I do work in information technology, but stories have always been one of my primary interests. I first got into the Doctor Who television series when I was ridiculously young, and not long after that, my father introduced me to “A Connecticut Yankee in King Arthur’s Court”, by Mark Twain, and you could say I was hooked. I don’t read only science fiction and some of my favourite books are not considered a part of this genre, but it’s one of my biggest interests; always has been, and in early 2020, I decided I wanted to finally get in on this podcasting thing. The basic idea was initially suggested by another friend, who in the end didn’t have the time to participate, but Nate, whom I’ve known for years, was a natural fit for this and I knew right away that I wanted to ask him to join. It was always in my mind that we should have three hosts, and in late 2021 we were finally able to bring that to fruition again, adding my friend Gretchen to the group.

Nate: My background is in academia (history of electrical technologies) and I’m approaching the podcast from more of an “English major” reading background, despite the fact that I haven’t taken an English class since high school. My favorite authors are Dostoyevsky, Dickens, Proust, Joyce, Balzac, Eliot, Fielding, E. Bronte, Woolf, etc., and while I’ve read some SF/F before starting the podcast, it hasn’t been a huge percentage of my reading habits, and as such a lot of the stuff we cover on the podcast I’m coming to for the first time. I’m a native English speaker, but would consider myself at B2 proficiency in Spanish and A2 proficiently in Russian, so I’ve done a number of amateur translations of stories in these languages for the podcast, and made some attempts at some in Italian, German and Catalan (to varying degrees of success).

Gretchen: I have a background in literature and academia as well; I’m currently working on a thesis for English and will be working on a master’s degree in English and information science by the coming fall. My taste in novels, like my taste in pretty much all media, is pretty eclectic, though I definitely have a deep fondness for science fiction. I’ve been a fan of sci-fi franchises such as Doctor Who and Star Trek since I was young, and started getting into the literature around middle school after reading some Bradbury and Douglas Adams, but there’s still a lot out there I haven’t read, so I’m grateful working on this podcast gives me such an opportunity to do so.

Why did you decide to start your podcast or channel?

JM: Put very simply and briefly: We all love stories, and are all science fiction fans to varying degrees. I think that 2020 will be remembered as a time when, among other things, many peoples’ lives changed; I was certainly going through a very rough personal crisis, and I needed something to do to keep my mind occupied and stimulated. I thought: Why not explore this area of interest, so I can share knowledge, have a good time with friends, and learn things, too.

Gretchen: As JM mentioned, I became a member of the podcast after he invited me to join in late 2020. Since then, the podcast has given me a chance to enjoy and talk about many works of sci-fi I haven’t had a chance to read before. As a college student, I get assigned a good amount of readings, but the podcast provides me with other stories and books to read that I can have fun discussing with friends, and all, of course, without the stress of being graded.

Nate: At the start of the pandemic, JM approached me with the idea. My normal reading was in a bit of a slump as I did most of it on my daily commute via train, which had been disrupted when the world shut down, so a new project to work on was just the thing to rekindle the fire. I’m a librarian by day and love doing these in-depth research dives, so discovering an entirely new world to me filled with hundreds of cool sounding stories from the early days was an absolutely fantastic process, as was trying to organize them in a logical fashion. Doing the interlude music also got me back into composing (also to varying degrees of success).

What format do you use for your podcast or channel and why did you choose this format?

Nate: Our format took a while to arrive at. Honestly, our early episodes are a complete mess. We had no idea what we’re doing. It smooths out as we go, and I think now we’re happy with the current format. We decided to approach science fiction history chronologically in the beginning, so we started off with Lucian’s “A True Story” written in the second century AD, and went through various proto-science fiction works through the Enlightenment before we arrived at Mary Shelley in our second episode. In the latter half of the 19th century, a lot more stories that could fall under the SF umbrella were being published, so from roughly episode 5 forward, we started to focus on the origins of various themes and tropes that play out throughout the genre’s history. We’re a spoiler podcast, but we’ve structured our latest episodes to include non-spoiler discussion at the beginning of each segment, so someone who hasn’t read the work can get a feel for if they’d want to or not. We’ll often include in-depth biographical or technical history segments where we think it’s relevant for the material we’re discussing. We like this format as it allows us to cover a wide range of works, and play similar works off of one another, often pairing a popular work with an obscure one.

JM: It’s definitely a work in progress, but I think we have found a really good groove, now. The format has sort of developed over time.

Gretchen: As a new addition to the podcast, I wasn’t a member while some of the changes were occurring, but since joining, we added, as Nate mentioned, the non-spoiler section for our listeners, and we have also started dividing topics and numerous works related to them over longer spans of time, which has, I think, given us a better ability to cover individual stories more in-depth. It is possible there will be more changes in the future, but for now, the format seems to work quite well.

The fan categories at the Hugos were there at the very beginning, but they are also the categories which consistently gets the lowest number of votes and nominations. So why do you think fanzines, fancasts and other fan projects are important?

Nate: The media interests of my formative years were largely dominated by underground music (metal, punk, noise), where fanzine culture and independent releases were very much a part of the landscape, allowing a community to exist separate from the big corporations. I think its important to have that grass-roots, ground up voice, where people can exercise their creativity in expressing their own interests on their own terms, which can often lend a unique, authentic air in contrast to the top-down approach to fandom that comes from big publishing companies.

JM: It may be cliché to say, but fans keep things alive and thriving. The science fiction fan community started out, pretty much, in the earliest of the SF-oriented pulp magazines, and it gave people an opportunity to share ideas and enthusiasms. Many of these fans also became writers, illustrators,  or found some other way to get directly involved. Like Nate, I also have some experience with more underground music subcultures, and I got my first science fiction fanzine when I was eight years old, from the local Doctor Who club. Science fiction seems a particularly appropriate place for fandom and fan outlets to thrive, because it always, at its best, promotes some really passionate discussions and, being a form that’s “obsessed with ideas and speculations”, it makes sense that it’s from these kind of grass-roots community-based initiatives flourish and, in a way, lead the proverbial charge.

Gretchen: I agree with my co-hosts that fan content is important for keeping things thriving and fostering independent communities. As a person born after 2000, I’m acquainted with fandom in the digital age, and I have been and am a part of fan communities in online spaces that create their own projects and content based on the media they enjoy. This is part of a long history of fandom, springing in part from the science fiction community.

In the past twenty years, fanzines have increasingly moved online and fancasts have sprung up. What do you think the future of fan media looks like?

Nate: The media criticism sphere of Youtube has really expanded in the last five years, and in addition to the fanzines, websites and podcasts, I would expect to see a lot more SF/F content in the video essay area in the future

JM: I imagine we’ll be seeing more and more audio and video content, probably on all sorts of platforms.

Gretchen: I, too, believe in an expansion of online fan media in both video and audio formats. Besides more of a shift to online fanzines, there will likely be increasing efforts to find and digitally archive previous projects.

The four fan categories of the Hugos (best fanzine, fan writer, fan artist and fancast) tend to get less attention than the fiction and dramatic presentation categories. Are there any awesome fanzines, fancasts, fan writers and fan artists you’d like to recommend?

Nate: Jess Nevins’ “The Encyclopedia of Fantastic Victoriana” is one of the essential reference works we’ve used, which has now been made available online. “What Mad Universe” is a podcast that covers similar historical stuff to us, but more broadly focused on “genre” media, rather than just science fiction. There’s an awesome Youtube channel called “Quinn’s Ideas” that has these amazing dramatic plot summaries of the Dune books with some incredible fanart.

JM: In addition to the things Nate mentioned, there are other terrific genre literature-oriented podcasts like The Elder Sign, Apocalist Book Club, The Paperback Warrior, Hugos There Podcast, and the Dickheads Podcast. I also enjoy movie podcasts like The Projection Booth and Sci-Fi On Screen.

Where can people find you?

We’re on:

Our episodes: https://anchor.fm/chrononauts (also on Apple, Google, Spotify, etc)
Twitter: @ChrononautsSF
Facebook: https://www.facebook.com/chrononautspodcast
Obscure texts, original translations, episode transcriptions: https://chrononautspodcast.blogspot.com/
Goodreads: https://www.goodreads.com/group/show/1093395-chrononauts

Thank you, JM, Gretchen and Nate, for stopping by and answering my questions.

Listen to Chrononauts, because it’s a great podcast.

***

Do you have a Hugo eligible fanzine/-site or fancast or a semiprozine and want it featured? Contact me or leave a comment.

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The Mandalorian and Baby Grogu Visit “The Mines of Mandalore”

Welcome to the latest instalment of my episode by episode reviews of season of The Mandalorian. Previous installments may be found here.

Warning! Spoilers behind the cut! Continue reading →

Posted in TV | Tagged , , , , , | 1 Comment

Remembering John Jakes (1932 -2023)

Writer John Jakes died yesterday aged 90, not quite a month before his 91st birthday.

Most people will probably associate John Jakes mainly with the weighty historical epics that made him a bestseller in the 1970s and 1980s. If you were a kid during that time, John Jakes’ Kent Family Chronicles and North and South were probably on your parents’ bookshelves. They certainly were on my parents’ bookshelves (and still are, in fact).

And even if your parents or grandparents didn’t read John Jakes, you’ve probably at least seen the North and South TV miniseries and its sequels Love and War and Heaven and Hell, which were smash hits in the 1980s that everybody watched. Reruns of the three miniseries – called Fackeln im Sturm (Torches in the Storm) in Germany, because a TV executive claimed North and South sounded like the title of a travel program – still get good ratings in Germany almost forty years later. The Bastard, The Rebels and The Seekers, the first three Kent Family Chronicles novels, were made into TV mini-series as well, though they never had quite the impact that North and South did.

For many years, I mentally shelved John Jakes as a writer of the sort of historical doorstoppers that were immensely popular from the 1960s to the 1980s. John Jakes was very much “parent literature”, enjoyable and interesting enough when you found yourself stuck on a holiday with nothing to read but your Mom’s paperback copy of North and South. His novels were also better researched than many others of the same type – and indeed Jakes was aware of his responsibility as a writer of historical fiction, since he knew that for many people, his books would be the first and only time they ever heard about the historical events they covered. However, Jakes was not really someone whose works I would seek out on my own.

And indeed most obituaries, such as Robert D. McFadden’s from the New York Times and Mike Barnes’ from The Hollywood Reporter, focus mainly on John Jakes as a writer of bestselling historical fiction. Interestingly enough, I couldn’t find any German obituaries at all, even though North and South was immensely popular here in the 1980s. I find this very telling, especially since I found at least five different obituaries for the far more obscure German Romanian writer Richard Wagner (not to be confused with the composer of the same name), who happened to die on the same day.

What is only a footnote in all of the mainstream obituaries is that John Jakes was also an SFF writer as well as a writer of crime fiction, westerns and erotica long before he found success beyond imagination with historical sagas.

I certainly had no idea that John Jakes had written SFF before I came across his name in a review at Galactic Journey and thought, “Wait a minute, the North and South guy used to write SFF?” Turns out John Jakes did not just write SFF, he wrote a lot of it and was also one of the protagonists of the second sword and sorcery boom.

John Jakes debuted towards the end of the pulp era (and indeed was probably one of the last surviving authors of the pulp era) with a story called “The Dreaming Trees” in the November 1950 issue of Fantastic Adventures, when he was just eighteen years old. The story in question is an early work of ecological science fiction and may be read online here. In fact, that story sounds fascinating and I will probably do a Retro Review of it eventually.

Fantastic Adventures November 1950

The Dreaming Trees by John Jakes

Interior art by James B. Settles for “The Dreaming Trees” by John Jakes

John Jakes’ next story “Your Number Is Up!” appeared only one month later in the December 1950 issue of Amazing Stories. More stories appeared in rapid succession in the Ziff-Davis SFF magazines, but also in If, Planet Stories, Imagination and even Galaxy and The Magazine of Fantasy and Science Fiction, at the time two of the most prestigious SFF magazines.

Your Number Is Up! by John Jakes interior art

Interior by Edmond Swiatek for “Your Number Is Up!” by John Jakes

A lot of these early John Jakes stories sound quite fascinating – a mix of horror, crime fiction and delightfully pulpy SFF. Here’s one from 1951 which appears to be a murder mystery set on a mansion on Venus. Honestly, I feel Retro Reviews coming on.

At the same time, John Jakes also wrote westerns for the remaining western pulps as well as mysteries, crime fiction, historical adventure fiction (pre-empting his later career mainstays), men’s adventure fiction, TV tie-ins and even erotica. Like many writers of the pulp and early paperback era, John Jakes was a Jack or rather Jakes of all genres. At Dark Worlds, G.W. Thomas traces the seventy year writing career of John Jakes in a three part part post.

John Jakes was a fan of Robert E. Howard’s Conan stories, even though he was only six months old, when Conan of Cimmeria burst onto the scene in the November 1932 issue of Weird Tales. And so he created his own sword and sorcery hero loosely inspired by Conan in Brak the Barbarian, whose adventures initially appeared in Fantastic Stories of Imagination between 1963 and 1965 under the editorship of sword and sorcery champion Cele Goldsmith Lalli (more on her in an upcoming article in issue 1 of New Edge Sword and Sorcery Magazine).

Fantastic May 1963

Brak the Barbarian debuted in “Devils in the Walls” in the May 1963 issue of Fantastic

Fantastic, January 1965

Brak meets “The Girl in the Gem” in the January 1965 issue of Fantastic. Note Brak’s signature ponytail, which gives him a resemblance to He-Man in the 1989 New Adventures of He-Man series.

Fantastic March 1965

Brak and friends explore “The Pillars of Chambalor” in the March 1965 issue of Fantastic.

When Cele Goldsmith Lalli left Fantastic for Modern Bride magazine, Brak’s fate like that the other sword and sorcery heroes who had appeared in its pages seemed sealed, for the new regime preferred cheap reprints to original fiction. However, when the second sword and sorcery boom was kicked into overdrive with the Lancer paperback editions of Robert E. Howard’s Conan stories, publishers scrambled to reprint any sword and sorcery they could and so the Brak stories were reprinted as a series of fix-up novels with striking Frank Frazetta covers starting in 1968. New Brak stories also continued to appear in Lin Carter’s Flashing Swords anthologies well into the time when John Jakes hit paydirt with The Kent Chronicles.

Brak the Barbarian

The 1968 paperback edition of Brak the Barbarian with a striking Frank Frazetta cover.

Brak the Barbarian is often called a “Clonan”, i.e. a Conan clone, but that’s unfair, because Brak is very much his own character. Yes, he is a Barbarian (and note that Conan never refers to himself as Conan the Barbarian) and an outcast from his people for daring to question their gods, but Brak is more vulnerable than Conan and frequently finds himself enslaved and forced to serve wizards against his will. Unlike Conan, who drifts through life, Brak is also on a quest to find the promised land of Khurdisan the Golden. He never finds it in the published tales, but rumour had it that there is one more Brak story in which Brak finally find the promised land, to be published only after John Jakes’ death. I really hope that rumour is true.

Even though John Jakes eventually left speculative fiction behind for the greener and more lucrative pastures of historical fiction (and who could blame him?), he nonetheless was and remained one of us, a writer and a fan of SFF and kept returning the genre throughout his life.

Rest in Peace, John Jakes.

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