Masters-of-the-Universe-Piece Theatre: “The Mystery of He-Man’s Long-Lost Twin Sister”

Here is the long-awaited Masters-of-the-Universe-Piece Theatre Photo Story about She-Ra, He-Man’s long lost twin sister. To recap, last year I bought myself a Masters of the Universe Origins He-Man and Battlecat and then a Teela figure, because I couldn’t find my vintage figure. Gradually, they were joined by other Masters of the Universe Origins figures. I also started posing the action figures to re-enact scenes from the cartoons and my imagination and started posting the results first on Twitter and then here.

This is part 3 in a sub-series of posts called “Secrets of Eternia” about how much the entire Masters of the Universe franchise is driven by secrets. Part 1, where I discuss the secret identity of He-Man and part 2, where I discuss the origin of Teela, are here. You can check out all the Masters-of-the-Universe-Piece Theatre Photo Stories here.

When Prince Adam was first introduced as He-Man’s alter-ego in 1982, he was or at least thought he was an only child. All that changed in the 1985 animated movie The Secret of the Sword (you can watch it here), where Adam learned that he had a twin sister he never knew about, a sister who shared his powers.

The real world reason for why Adam suddenly acquired a twin sister is that Mattel realised that forty percent of Masters of the Universe toys were selling to girls, which was unexpected for what had been designed as a boys’ toy line (there’s a video by a former Mattel employee about this here).

Personally, I wonder why toy manufacturers are always so surprised that girls like toys intended for boys and vice versa. Even if there are certain tendencies with regard to what toys girls and boys gravitate to (and we have no idea how much of this is inate and how much socially conditioned, since boys and girls are treated differently from birth on), gender is not a monolith. And I hate it that whenever you go to a toy store or on the website of a general toy retailer, you are greeted by “Boys” and “Girls” as categories rather than e.g. “vehicles”, “puzzles”, “boardgames”, “dolls”, “plush toys”, “action figures”, etc… Why not let kids play with whatever they like.

Besides, in the late 1970s and early 1980s, if you were a girl who enjoyed fantasy and science fiction and adventure stories, you were pretty much limited to the boy toy lines, because the girl lines just didn’t offer that sort of thing. She-Ra: Princess of Power and Jem did not appear until 1985/86.  Before that, you had a choice between regular dolls, Barbie and similar fashion dolls and, from the early 1980s on, pastel-coloured cartoon characters like Strawberry Shortcake, The Care Bears or My Little Pony. And of course, you had unisex toy lines like Playmobil or Lego. Now the more girl-oriented toys could and did have plenty of exciting adventures – my dolls regularly went on space trips and had adventures on the high seas, complete with getting shipwrecked and attacked by pirates. I also reenacted Star Wars with my dolls. But toy lines like Star Wars or Masters of the Universe required less improvisation.

Never mind that a lot of girls, myself included, loved the Star Wars movies or the Masters of the Universe cartoons, even if the target audience were boys. In fact, I have no idea why people were surprised that so many girls liked Star Wars or Masters of the Universe, because both featured female characters who were not purely fainting damsels-in-distress, but were just as strong and smart and skilled as the male characters.

Furthermore, the original Masters of the Universe cartoon featured several great female characters.  Teela was of course the most notable one, but there were also the Sorceress, Evil-Lyn, Queen Marlena and lots of female guest characters. Rewatching the Filmation cartoons as an adult, I’m struck by how many women there are. Compared to other toy tie-in cartoons of the era, which often had just two female characters, a good and a bad girl, this was quite remarkable.

The Filmation cartoons also subvert traditional gender roles a whole lot. Teela is stronger  and faster than Adam, when he’s not He-Man, and she has the male-coded position of Captain of the Royal Guard and Prince Adam’s bodyguard. We also see Teela engaging in male-coded activities like fighting and competitive sports and Adam engaging in female-coded activities like cooking and baking a cake (though Teela bakes and cooks, too, because it is a useful skill, as she tells Orko). We see a young Adam nursing and bottlefeeding baby Cringer. And the most nurturing of the various parent figures in the cartoon (and highly deserving winner of the 2021 Jonathan and Martha Kent Fictional Parent of the Year Award) is a man and not just any man either, but a grizzled old soldier. The cartoons also gave us a female NASA astronaut at a time when Sally Ride was still training for her first spaceshuttle flight. They gave us a woman who gave up her child in order to pursue her career (and Duncan very much accepts that the Sorceress just isn’t suitable to be a mother and steps up to the plate and loves her anyway). They gave us a single father who somehow manages to combine child rearing and a demanding career. Both the original He-Man cartoon and the various reboots place a strong focus on found families. The Filmation cartoons even showed us men crying, as did Revelation. Man-at-Arms definitely sheds a manly tear or two at times as do Randor and even He-Man himself. And Mattel executives were honestly surprised that girls lapped up that story as much as boys did?

At any rate, once Mattel grasped that girls were buying forty percent of Masters of the Universe toys, they realised that they had an untapped potential for even more sales on their hands and decided to create more female characters. And this is why they decided to introduce Adora, Adam’s heretofore unknown twin sister, who wields the Sword of Protection and turns into She-Ra, the most powerful woman in the universe. Initially, She-Ra was just intended to be a new character and action figure in the Masters of the Universe series, but eventually she got her own spin-off cartoon She-Ra: Princess of Power as well as her own toy line, which was nice enough, but because it was managed by Mattel’s girls’ toys department and was more doll-like with rooted hair and fabric clothing, the She-Ra toys never really meshed well with the existing Masters of the Universe toys.

Unlike her brother, She-Ra did not appear in any of the later Masters of the Universe revival attempts, whether it’s the New Adventures of He-Man of the late 1980s, the 2002 cartoon, Masters of the Universe Revelation or the recent Netflix CGI show. Meanwhile, the 2018 She-Ra and the Princesses of Power cartoon largely followed the overall plot of the 1980s Filmation cartoon with one major difference: There was no He-Man, since the 2018 She-Ra did not have a twin brother. The reason why He-Man and She-Ra have not been seen together on screen for more than thirty-five years are rights issues. He-Man and She-Ra are considered separate brands owned by different companies, making crossovers extremely difficult. Oddly enough, this only affects She-Ra and her supporting cast – the antagonists Hordak and the Evil Horde can (and do) still appear in Masters of the Universe cartoons and did feature in both the 2002 series and were teased in Revelation. Toys are also unaffected, which is why most Masters of the Universe toylines of the past twenty years have featured She-Ra as well as Hordak and the Evil Horde, though She-Ra’s friends and comrades are much rarer.

The in-universe explanation for the revelation that He-Man had a heretofore unknown twin sister is that Randor and Marlena actually had twins, Adam and a little girl named Adora, both of whom were prophecied to be destined for greatness.

Babies Adora and Adam

Babies Adora and Adam. And no, these are not Masters of the Universe figures, but Bully baby figurines in a scale that matches the Masters of the Universe figures.

However, shortly after the twins were born, that cosmic never-do-well Hordak invaded Eternia. He heard about the cosmic wonder twins and decided that two strong warriors would be an excellent addition to the Evil Horde, so he planned to kidnap the babies and raise them to be loyal Horde warriors. Hordak also enlisted the aid of his occasional associate Skeletor (who had reasons of his own for wanting the young crown prince and princess of Eternia out of the way). Hordak and Skeletor did manage to sneak into the palace and the royal apartments and they did manage to overcome Queen Marlena, but then their kidnapping attempt was interrupted by the ever-heroic Man-at-Arms and his lover the Sorceress, so Hordak managed to snatch only one of the babies, Adora. Duncan and the Sorceress gave chase, but Hordak escaped through a portal to another dimension.

The kidnapping of Baby Adora is shown in The Secret of the Sword. Below, you’ll find my take. Instead of Skeletor proper, I used Keldor i.e. Skeletor before he had a skull-face (he was not born with a skull-face), because the change from Keldor (more on him another time) to Skeletor must have happened around this time.

Hordak, Keldor, Mer-Man and a Horde Trooper surround babies Adam and Adora
“Are you sure these children have fabulous secret powers, Keldor? Cause they’re so soft and squishy and pink.”

“Who cares? Stealing the babies will royally piss off Randor and that’s good enough for me.”

“Can I eat the babies, boss?”

“No, we’re here to steal the babies, not eat them.”

“Can I eat just one? Cause they look so pink and tasty.”

“No, Mer-Man, we’re not eating babies today.”

Man-at-Arms, the Sorceress and a royal guard confront Hordak, Keldor, Mer-Man and a Horde Trooper as they try to steal babies Adam and Adora

“Halt! Put down the babies, fiends! You are under arrest.”

“Tell Randor that he will never see his precious children again, bwahaha.”

“Waaah!”

“Why is it making those sounds, Keldor? And what’s that smell?”

“Just shut up and take the baby!”

“Waaah! Waaah!”

“Ahh, now it has sprayed me with some kind of stinking poisonous liquid!”

“Take the baby and go! Now!”

Hordak escapes through a portal with baby Adora, while a Horde Trooper drops baby Adam. Man-at-Arms, the Sorceress and a Palace Guard are in pursuit, while Keldor and Mer-Man slip away.“Take that, robot monster!”

“Waaah! Waaah!”

“Duncan, the portal! No!”

“Come on, Mer-Man, we’d best make our escape, while they’re otherwise occupied.”

“Grump, and I didn’t even get to eat one of those tasty looking babies.”

So Hordak escaped through an interdimensional portal with Baby Adora. The portal closed before Duncan could go after him. Worse, neither Duncan nor the Sorceress had any idea where the portal led. Baby Adora was lost forever… or so it seemed.

Man-at-Arms holds baby Adam, while the Sorceress and a guard look on.“Don’t cry, little Adam. I promise we’ll find your sister, no matter how long it takes. Here, look at the pretty blinking lights.”

“Duncan, that thing still isn’t a rattle.”

“But Teela loves it, so maybe it will calm little Adam, too.”

“Our daughter, is she…?”

“Teela is safe, have no fear. I left a man to guard her.”

“Uhm, Sir, should I alert the King?”

“No, Lieutenant, that’s something I need to do myself. And I’ll have to explain to Randor and Marlena that I lost their daughter.”

“But you saved their son, my love. And Grayskull’s future champion.”

Meanwhile, here is a glimpse into Duncan’s home life around this time:

Man-at-Arms gives childcare instructions to a guardsman

Finding a babysitter is never a problem, when you have the entire Royal Guard at your disposal.

“All right, Corporal. Feed her every four hours and change her diapers at feeding time or when she cries. Bottles, baby formula and diapers are in the cabinet over there. If there’s an emergency, call me on the radio. Any questions?”

“Ahem, with all due respect, Sir, but I’m not sure if babysitting is part of my job description.”

“It is now, Corporal. Understood?”

“Yes, Sir.”

Losing Baby Adora to Hordak left Randor and Marlena heartbroken. However, they still had a planet to rule not to mention another child that needed them, namely Adam. And so life went on and Randor and Marlena never spoke of their lost daughter again. Meanwhile, Adam, who had been only a baby, when his twin sister was stolen, grew up and never knew that he had ever had a sister at all.

As for why Adam was never told he had a sister, the intention was to spare him the pain of knowing he once had a twin sister and lost her. This is a noble motive, though once again it probably did more harm than good. Cause it must have been incredibly painful for Randor and Marlena to not only have lost a child, but to never even talk about her in front of Adam. Coincidentally, the fact that Randor and Marlena already lost one child also explains why particularly Randor puts so much pressure on Adam.

While life went on in Eternia, Adora was raised by Hordak and Shadow Weaver on Horde World and brainwashed into believing that everything the Horde did was good and right (which includes enslaving random people on planets conquered by the Horde) and that everybody who opposed the Horde was a rebel to be fought and destroyed. She grows up to become Force Captain Adora and Hordak’s right hand woman during his conquest of Ethiria.

Hordak presents Baby Adora to Shadow Weaver
“Behold what I brought you, Shadow Weaver. Keldor says this child has fabulous secret powers.”

“Waaahh!”

“Fabulous secret powers or not, I’m not changing its diapers.”

Some twenty years later:

She-Ra surrounded by Hordak, Shadow-Weaver, Mosquitor and a Horde Trooper.

She-Ra or rather Force Captain Adora with all the members of the Evil Horde in my collection at the present.

“You have done well, Adora, and become a worthy member of the Horde. I am very proud of you.”

“And I am very proud of you, too, child.”

“Thank you, Mighty Hordak and Shadow Weaver. I live to serve the Horde.”

“I know, Adora. And therefore I name you Force Captain of the Horde.”

“Thank you, Mighty Hordak. It is an honour I hope to prove myself worthy of.”

“You can start by taking the troops to the village of Thaymor on the edge of the Whispering Woods, a hotbed of rebel activity.”

“Yes, Mighty Hordak.”

“Bzzzt, why is she getting a promotion and not me? It’s not fair. I’ve worked so hard to serve the Horde, but she’s Hordak’s favourite”

I don’t have an Adora figure, largely because there is none in a matching scale and type, so She-Ra has to play both roles in the photo story.

As a kid, I never really appreciated how fucked up Adora’s backstory really was, though I must have seen The Secret of the Sword, since I was familiar with the basic story. After all, Adora was stolen from her family and literally raised to be evil. When we first meet Adora in The Secret of the Sword, she is a villain – and apart from Catra the only human-looking Horde member.  Pretty much the first thing Adora does on screen is shoot Adam – whom she doesn’t know is her brother – in the back with her blaster. And while the Filmation cartoon features Adora in her familiar red outfit and with long blonde hair as a Horde member, where she sticks out like a sore thumb, some of the later comics have gone further and gave us a full-on evil looking Adora with a buzz cut and a Hordak mask. The comics seem to have been quite a bit darker and have Evil Buzz Cut Adora leading an invasion of Eternia and kidnapping Teela. I’ve even seen a comic panel of Evil Buzz Cut Adora slitting her brother’s throat (he gets better and forgives her).

What makes Adora’s backstory even more fucked up is that viewers of the original He-Man cartoon, i.e. pretty much everybody who watched The Secret of the Sword, know exactly what Adora was robbed of, because we see quite a lot of Adam’s life as Prince of Eternia. And even though his relationship with his father is strained on occasion, Adam otherwise has a really good life. His parents love him and he is close to his mother, even if his father is frequently disappointed in him. Adam has good friends in Teela, Cringer and Orko and a supportive mentor in Duncan. He is also extremely privileged, for while most of Eternia seems to be on a roughly medieval level of technology, Adam has Sky Sleds and Wind Raiders and all the tech Duncan can conjure up at his disposal. When he’s not out heroing, he gets to go on camping and fishing trips, reads his way through the palace library, has practice fights with Teela and takes naps in random parts of the palace. And whenever we see Adam, Teela, Orko and Cringer hanging out and having fun together, we know that if things had gone just a little bit differently, Adora would have been there with them.

We don’t see much of Adora’s upbringing, though she does say at one point that she hardly ever left the Fright Zone, likely to keep her from asking too many questions. And while there is no on-screen evidence that Hordak and Shadow Weaver were ever physically abusive (though considering how Hordak acts towards his subordinates like poor Mantenna, it’s likely), they did brainwash and gaslight her. The 2018 Netflix cartoon She-Ra and the Princesses of Power shows Adora and Catra being close friends before Adora sees the light (quite literally), But I don’t think Adora has any friends except maybe her horse Spirit before she joins the rebellion in the original series. In short, Adora’s life is the exact opposite of Adam’s, loveless and lonely.

By the standards of 1980s cartoons, this is very dark stuff indeed. That said, Adora’s story is also very hopeful, because it is the story of someone who manages to overcome a bad childhood and parent figures who gaslight her and who manages to free herself from their influence (with a little help) and becomes the good person and heroine she truly is inside. Plus, she gets a new set of family and friends who truly love and appreciate her. Particularly for kids from troubled family backgrounds, this narrative is extremely powerful.

Amazingly, neither Hordak nor Shadow Weaver have ever won the Darth Vader Parenthood Award, even though they are exactly the sort of terrible parent figures the award was created for. And Hordak and Shadow Weaver would certainly have been more deserving winners than the two soap opera characters Chase Gioberti and Hans Beimer, who did win in 1985 and 1986. Even though I really, really hated Hans Beimer. The reason for this oversight is that the Darth Vader Parenthood didn’t really become a thing until the late 1980s/early 1990s (and it started out as a joke), so when I compiled the full listing of winners – the first version was a handwritten piece of paper – the earliest awards were given retroactively. And at the time I was compiling the retroactive winners, both Falcon Crest and Lindenstraße were still running and my Mom was watching both religiously, so their characters were a lot more at the forefront of my mind than a villain from a cartoon I had enjoyed a lot, but which had gone off the air years before. Plus, Hans Beimer was probably at the peak of his awfulness around 1990, though he was a very different type of awful than the likes of Hordak (and unlike Hordak, he was never intended to be a villain – in fact, viewers were expected to like him. Ditto for Chase Gioberti). Still, Hordak is an excellent candidate for a Retro Darth Vader Parenthood Award somewhere down the line.

While Hordak was eagerly competing for the Darth Vader Parenthood Award, only to lose out to Hans Bloody Beimer (which sadly did not lead to the Evil Horde invading Lindenstraße, more’s the pity), the Sorceress never stopped looking for Adora. And some twenty years later, the Sword of Protection, which had always been intended for Adora when she came of age, suddenly begins to glow and leads the Sorceress to one of the interdimensional portals inside Castle Grayskull.

Here’s my take on that scene. And yes, in The Secret of the Sword, the Sorceress lies in her bed all alone – it is a kids cartoon, after all – but we all know that she had company, whenever Duncan could sneak away.

Duncan lies in bed, while the Sorceress looks at a portal.“Come back to bed, my love.”

“No, Duncan, the Sword of Protection… it is glowing and it’s pointing at this portal.”

“The Sword is glowing?! You mean…?”

“Yes, after all these years, Princess Adora has been found.”

Duncan and the Sorceress look at a portal.“All right, I’m going in. After all, it’s my fault that Adora was lost in the first place, so it’s my duty to bring her home.”

“No, Duncan, this is a job for He-Man.”

“You’re right. Adora is He-Man’s sister, after all. And maybe he can succeed where I failed.”

“You didn’t fail, my love. You saved Prince Adam, so he could grow up to become He-Man and save Adora.”

So the Sorceress summons Adam and tells him to pass through the portal and find someone wherever the portal leads. This would of course have been the perfect moment for the Sorceress to come clean and tell Adam the truth about his long lost twin sister. However, inexplicably the Sorceress says nothing except that Adam must find someone on the far side of the portal and that the Sword of Protection will point him to this person. And while it’s understandable why Adam was not told that he had a sister before, there is really no justification for not telling him now.

The Sorceress shows Prince Adam an interdimensional portal“So let me get this straight, Sorceress? You want me to go through that portal, but you won’t tell me where it leads, to find someone, but you won’t tell me who, using this sword which looks almost like mine as a guide, but you won’t tell me why? Cause that’s not very helpful at all.”

“Oh please, hurry, Prince Adam. It is of utmost importance that you find her.”

“Her? Okay, that narrows it down to fifty percent of the population. But some more information like – say – a name would still be great.”

“How about this? If you succeed, your father and mother will be very proud of you. And Duncan will be proud of you. And I as well.”

“Damn, Sorceress, you really know how to grab a man by the feels.”

So Adam and Cringer go through the portal and promptly get involved with the Evil Horde and the Etherian rebellion, when Adam decides to teach some bullying Horde Troopers a lesson. And yes, he does this as Adam, not as He-Man. Though he does transform into He-Man by the time he first faces off against Adora – whom he still has no idea is his sister at this point in time, though the Sword of Protection does in fact tell him that Adora is the person he is supposed to find – and the rest of the Evil Horde. Adora wins this first encounter by shooting He-Man with her blaster. He-Man is taken prisoner, while Adora winds up with the Sword of Protection.

Force Captain Adora, Mosquitor and a Horde Trooper oversee the loading of prisoners, while He-Man sneaks up on them.

The villagers are random Playmobil figures and Adora’s blaster was borrowed from a Star Wars figure.

“Okay, the sword led me to this village, so maybe that means that the one I am seeking is here. Soldiers, I’d better hide.”

“People of Thaymor, you are all under arrest for resisting the Horde. Troopers, Mosquitor, see to it that the prisoners are loaded into the transport and taken to the slave mines.”

“Yes, Force Captain.”

“Faster, prisoners, or you’ll feel my sting, bzzzt!”

“I’m not entirely sure what is going on here, but those robots and their leader are bullying the villagers and I hate bullies. Time for He-Man to teach them some manners.”

He-Man fights Mosquitor, while Adora and a Horde Trooper attack from behind and the prisoners run away.“Let those people go or you will feel the wrath of He-Man!”

“A rebel! Mosquitor, Troopers, get him!”

“So who’s first? You? All right then.”

“Bzzt, feel my sting, rebel. I shall drain you dry.”

“You got to catch me first.” SLAM.

“Quick, run!”

He-Man fights a Horde Trooper, Mosquitor is down and the prisoners are escaping. “The prisoners are escaping, Force Captain.”

“Never mind. We can recapture them later. Get the rebel!”

“A robot. You know, at home I fight machines like you as a training exercise before breakfast.”

“Brrrkzzz.”

He-Man faces Force Captain Adora“Looks like it’s just you and me now, my pretty.”

“Indeed, it is. And you, rebel, are under arrest in the name of the Evil Horde.”

“Sorry, but I’ve got a mission to fulfil. And while I normally don’t fight women, I’ll make an exception for… Oh, shit, the sword is glowing brighter. It’s you! You’re the one I’m looking for.”

“Is that so, rebel?”

A horde trooper zaps He-Man from behind, while Adora threatens him with her blaster.“Listen, maybe we can…”

ZAP!

He-Man is down and surrounded by Adora, Mosquitor and a Horde Trooper.“Bzzt, my head…”

“Mosquitor, Trooper, get the rebel loaded up for transport to the Fright Zone. I’m sure Hordak will want to interrogate him in person.”

“Yes, Force Captain.”

“Hmm, he dropped his sword and it’s glowing. Let’s see. Amazing. This weapon feels strangely right in my hand, almost as if it were made for me. I’d better take it along to the Fright Zone as well.”

Later, at the Fright Zone:

He-Man is chained and surrounded by Hordak, Shadow Weaver, Mosquitor and a Horde Trooper.“Ugh, what happened? Head hurts, can’t move.”

“Save your strength, rebel. Even you cannot break these magical chains.”

“And you are?”

“I am Hordak, vice-roy of Etheria on behalf of the Horde Prime, ruler of the mighty Horde Empire, and these are my minions, the Evil Horde.”

“This sword… there is something about it. It glows when I touch it and that stranger… there’s something about him, too.”

“Put that thing down, Adora. It’s icky and you don’t know where it’s been.”

“As you wish, Shadow Weaver.”

“Bzzt, boss, can I suck him dry? Cause I can smell all that juicy lifeforce.”

“No, Mosquitor, first he’ll tell us everything he knows about the rebellion and then you can suck him dry.”

“You’re out of luck then, cause I only just got here and know nothing about any rebellion. Though I wouldn’t tell you anyway.”

“Then you will be tortured until you talk, rebel. But first, I shall leave you to contemplate your fate.”

Adora stands over He-Man with the Sword of Protection in her hand.“You’re still here?”

“This sword you carry intrigues me, stranger. It feels so right in my hand, almost as if it were made for me.”

“I initially thought it was.”

“And now you no longer do?”

“I was tasked with delivering this sword to a great warrior who serves the forces of good. But you serve the forces of evil.”

“Evil? It’s you who serve evil, rebel. I serve the Horde, the rightful rulers of Etheria.”

“The Horde conquered this world against the will of its people.”

“Only because they would not see the light willingly and bow to the might of the Horde.”

“You enslave people.”

“Only criminals and miscreants.”

“You tried to enslave that entire village, including the children.”

“Because they’re all rebels. Including the children.”

“You people literally call yourselves the Evil Horde.”

“Only because the Mighty Horde, the Villainous Horde and the All-Conquering Horde were already trademarked.”

“That’s not very convincing.”

“Forget it, rebel. I’m not listening to you. You’re just trying to trick me.”

Adora leaves with the sword, while He-Man is still chained up.“I’m not trying to trick you, Adora. Haven’t you seen how the Horde mistreats people? You can’t honestly believe that’s right.”

“I… I have spent most of my life here in the Fright Zone, training. I haven’t actually seen a lot of Etheria. Hordak and Shadow Weaver always say that it’s too dangerous out there with all of those rebels causing trouble, that I should stay in the Fright Zone, where it’s safe.”

“Have you never considered that maybe Hordak and Shadow Weaver just don’t want you to see what the Horde is really doing to the people of Etheria?”

“Hordak and Shadow Weaver would never lie to me. They took me in and raised me after my real parents abandoned me. They were like a father and mother to me.”

“If you’re so sure that Hordak and Shadow Weaver are telling the truth, then why don’t you go out and see for yourself what Etheria is like under the rule of the Horde? Or are you afraid?”

“I’m not afraid of anything.”

“Then you will go and see for yourself how the Horde is treating the people of Etheria.?”

“I… I will think about it. And I shall take this sword. Good-bye, stranger.”

“I guess you can’t remove those chains first? No? Well, it was worth a try.”

In The Secret of the Sword, Kowl, the intelligent flying critter that accompanies Bow, eventually frees He-Man by switching off the force field that keeps him chained. Since I don’t possess a Kowl and he always looked as if he had wandered in from a Strawberry Shortcake cartoon or something like that anyway, I shall skip that part.

Menawhile, contact with the Sword of Protection, combined with He-Man’s essential goodness and powers of persuasion as well as witnessing Horde Troopers abusing Etherian slaves, all help to break through Adora’s conditioning and make her start questioning the Horde. This initial attempt to break free is supressed by Shadow Weaver, but the cracks in Adora’s conditioning are there.

Adora confronts Hordak and Shadow Weaver“Adora, my dear, where have you been? We’ve been worried about you?”

“I’ve been taking a trip, travelling Etheria to see for myself how the Horde is governing the planet.”

“Uh, Shadow Weaver, I don’t think I like where this is going.”

“Let me handle her, Hordak.”

“And Adora, my sweet, what did you find? Surely you saw for yourself that the Horde is a just and lawful ruler and that there is no justification for rebel discontent.”

“No, I found that the rebels are right. The Horde is evil, cruel and unjust. The people hate us and with good cause.”

“Uh-oh, I told you this was going to be a problem.”

“Let me deal with this, Hordak. Somehow, the spell I put on Adora has weakened and it has something to do with that sword.”

“This stranger, this He-Man was right. The Horde is evil. I don’t know why I never saw this before, but now I have and…”

“The stranger was lying to you, Adora, my dear. It’s what rebels do. And now give me that sword. I told you not to touch it.”

“No, I can trust He-Man. I… I feel it deep inside of me.”

“Come on, Adora, didn’t I tell you that it is perfectly natural for a young person to feel certain… urges and encouraged you to explore those urges with fellow Horde members.”

“That’s not it. I don’t feel about this He-Man like I feel about Catra. It’s different. But I’m leaving the Horde and joining the rebellion and I’m going to ask Catra to come with me.”

“Shadow Weaver, do something!”

Evil Seed grabs Adora, while Hordak and Shadow Weaver look on.

Evil Seed is not a member of the Horde and indeed one of the few villains not affiliated with either Skeletor, Hordak or the Snake Men. However, I just happened to have him at hand, when I took those photos, so I used him.

“Get away from me, Shadow Weaver, or I swear I will…”

“And that’s quite enough out of you, young lady.”

“Let go off me, artichoke of evil!”

Shadow Weaver ensorcels Adora again, while Evil Seed has grabbed her and Hordak looks on.“No, go away!”

“Do you not trust me, Adora. Was I not like a mother to you?”

“You’re not my mother. You….”

Hordak, Shadow Weaver and Evil Seed stand over the fallen Adora.“There, that should deal with this whole rebel nonsense. When she awakes, she will be under my spell again.”

“I don’t like this, Shadow Weaver. First this He-Man shows up and then Adora turns against us. What is going on here?”

“I don’t know, Hordak, but I will find out. As for Adora, have you forgotten who she really is?”

“Of course not. After all, I was the one who brought her to Etheria to serve the Horde.”

“Ahem, far be it from me to interrupt this fascinating conversation, but what about my payment?”

“Get lost, artichoke face!”

Adam still has no idea who Adora really is, but he does sneak back into the Fright Zone, hoping to persuade her to turn against Hordak. Since Adora is under Shadow Weaver’s spell once more, this does not go as planned:

He-Man confronts She-Ra“Hello, Adora.”

“You? But Hordak said you had escaped. What are you doing here? If you’re going to sabotage the Fright Zone, I’ll…

“Please, Adora, just listen to me to me for a moment. There’s no need to raise the alarm.”

“What do you want?”

“The last time we met, I asked you to go out and see for yourself how the Horde rules Etheria. Did you do it?”

“I… Yes. At least, I think so.”

“So now you know that the Horde is evil?”

“Yes, I… I know that you’re a lying rebel spy and traitor and that you’re under arrest.”

“Okay, so that did not go as planned.”

Hordak and the Evil Horde interrupt He-Man and Adora.“Good work, Force Captain Adora. Well done. You’ve captured the rebel.”

“Sorry, Adora, just let me take out the trash and then we can continue our conversation.”

He-Man faces off against the Evil Horde, while Adora stands behind him.“I don’t think so, rebel. Guards, get him!”

“Force Captain Adora, stop the rebel!”

“But…”

“Adora, put down that sword and stop him!”

Adora shoots He-Man in the back.“Yes, Shadow Weaver.”

ZAP!

“Oh no, not again….”

He-Man is down after being shot in the back by Adora.“Excellent, Force Captain. I’m proud of you. Guards, takes the rebel to the dungeon.”

“Bzzzt, can I suck him dry, boss, pretty please?”

“All in due time, Mosquitor.”

He-Man is chained up and surrounded by the Evil Horde and Adora.“Ugh, what happened? Oh no, I got shot in the back again.”

“Welcome back, rebel. Though it won’t be a long reunion, because Mosquitor here will sap every last shred of energy out of your body.”

“The rebel is strong, bzzt. What a feast it will be.”

“You’re going to leave the rebel to Mosquitor? No.”

“Do you have any objections, Force Captain?”

“I… I…”

“Shadow Weaver, do something!”

“Yes, Mighty Hordak.”

“Listen to me, Adora. This rebel is evil and our enemy, so it’s only right to let Mosquitor drain him. Or do you have any objections?”

“No.. no objections, Mighty Hordak.”

Mosquitor drains He-Man's lifeforce, while Adora stands by, clearly troubled.

In “The Shadow of the Force”, Hordak uses a machine to drain He-Man’s lifeforce to power up his superweapon, but I used Mosquitor instead, because a) I had him on hand, and b) his power is draining people’s lifeforce, ditto for Leech. What is it about the Evil Horde and draining people?

“Must… resist…”

“You are strong, rebel, bzzt. There’s so much delicious power in you that we will be here all night.”

“Careful, Mosquitor, or do you want to overeat?”

“Shut up, Adora. Hordak left the rebel to me to play with. If you have any objections, take it up with him.”

“I… I don’t know what’s wrong with me. Hordak and Mosquitor are right. The rebel is our enemy. Draining his lifeforce will aid the Horde and must be done. Yet… somehow what we’re doing to him feels wrong. It feels… evil.”

“Adora…”

“What’s that voice? It sounds as if it’s coming from the sword.”

“Listen to me, Adora. The time has come for you to shake off the enchantment that has made you a slave of the Horde and seek your destiny. Let your heart guide you on your way.”

“Who are you? What do you want from me?”

“I want you to fulfil your destiny and become the champion of light and good that you were always meant to be. But first, I need you to save this man.”

“The rebel? But I… I can’t. He is an enemy of the Horde.”

“Great. Now she’s gone completely nuts and started talking to her sword, bzzt. Maybe Hordak will promote me to Force Captain now. Especially once I’ve absorbed all the tasty lifeforce from this rebel.”

She-Ra raises her sword.“This man is no ordinary rebel, Adora. He is He-Man, champion of all that is right and good. But to you, he is much more than that. This man, Adora, is your brother.”

“My… my brother…?”

“When you were but a baby, the Horde stole you from your real family, Adora. You had a mother once and a father and a twin brother.”

“I don’t understand. I don’t understand any of this. Though it feels right somehow.”

“You must hurry, Adora. There’s no time to lose. Your brother needs your help. And now speak after me: For the Honour of Grayskull…”

“What?”

“Just say it.”

Adora transforms into She-Ra.“Okay. For the Honour of Grayskull…”

“Oh shit! What’s happening now?”

She-Ra attacks Mosquitor to rescue He-Man.“Let go off my brother, fiend!”

“Who are you? Where’s Adora? Wait till I tell Hordak, bzzzzz….”

TWAK!

She-Ra frees He-Man“Have no fear, I’ll have you free in a flash.”

“Ugh, what’s happening?”

“What’s it look like? I’m rescuing you.”

“Uhm, thank you. Can you give me my sword?”

“Of course. Here.”

He-Man and She-Ra united“Ah, that’s much better. My strength is coming back. Not that I’m not grateful, but who the hell are you?”

“I… I’m Adora and this is going to sound weird, but I think I’m your sister.”

“You’re right. This is weird, cause I never had a sister.”

“I never thought I had a brother either. But when the voice from the sword told me you were my brother, I just knew it was the truth.”

“Voice from the sword? What voice?”

“A woman’s voice. She told me you were my brother and that you needed help and that I should say ‘By the Honour of Grayskull’. Then there was a huge lightshow and I turned into… well, into this. Like I said, it’s all very weird.”

“My sympathies. I also freaked out the first time I turned into He-Man.”

“So you believe me?”

“I’m not sure what to believe, but I know who can tell us more. But first, there’s still Hordak to deal with.”

“Right. Let’s go and get him!”

He-Man and She-Ra confront the Evil Horde“Who are you? What happened to Adora? And why is the rebel free?”

“See, boss? I… bzzt… told you Adora had gone mad and turned against us.”

“Shadow Weaver, do something!”

“I… I can’t.”

“That won’t work anymore. I know the truth now. I know that you stole me from my real family, monsters, and raised me to be like you, evil.”

“Well yes, we did – sort of – but look what I gave you. After all, you were just a pink, squishy, ugly, wailing little thing when I found you and now you’re a Force Captain in the Horde. You should be grateful to me.”

“Grateful? You stole me from my family, from the people who loved me.”

“Now you’ve really pissed her off, Hordak.”

He-Man fights Hordak, while She-Ra fights Shadow Weaver.“Get out of my way, you musclebound oaf. It’s Adora I want, not you.”

“Sorry, but you’ll have to go through me first, if you want Adora.”

“Be reasonable, Adora. We were good to you, were we not? Even if we theoretically took you from your biological parents.”

“You kidnapped me and used your magic to brainwash me, so excuse me for not feeling very reasonable right now.”

Once Hordak and Shadow Weaver are defeated… for now… He-Man and She-Ra finally return to Eternia to get some answers from the Sorceress.

He-Man and She-Ra confront the Sorceress“Welcome back to Eternia, Princess Adora. I see you’ve fulfilled your quest, He-Man.”

“Yes, but we have questions.”

“And all shall be told, so listen…”

A long explanation later…

“So let me get this straight, Sorceress. You, my parents and Duncan all knew that I had a twin sister, yet none of you ever thought to tell me?”

“Because we wanted to spare you the pain of knowing you’d lost her, Adam.”

“So your name is Adam?

“You didn’t think I was really called He-Man, did you? That’s just my nom de guerre.”

“I’ll need one as well, will I?”

“Definitely. Anyway, Sorceress, when you finally located Adora and sent me to Etheria to find her, why didn’t you tell me then that I was looking for my sister? Cause it might have been useful to know that beforehand.”

“Because it was not yet time to reveal that secret.”

“Is she always like that?”

“So mysterious, you mean? More or less.”

The Sorceress watches as He-Man hugs She-Ra.“But anyway, Adora, there’s something I really want to do now.”

“And that is…?”

“Hugging my long lost sister.”

He-Man and She-Ra hug“And now, let’s go and meet our parents and the rest of the family!”

“I… I’m not sure, Adam. Do you think they’ll like me?”

“Like you? They’ll love you, Adora. I promise.”

“But I… I used to be evil. I used to work for the Horde. I used to enslave and hurt people. How can anybody like me after that?”

“That wasn’t you, Adora. That was Hordak and Shadow Weaver manipulating you. You were a victim of the Horde, as much as the people they enslaved. And now come and meet the family. Everything will be fine. I promise.”

Since I have neither a King Randor nor a Queen Marlena figure, you’ll have to imagine Adora’s reunion with her parents. But of course, there are some other members and quasi-members of the Eternian royal family to introduce to Adora.

Adam, Cringer and Adora“And this is Cringer, my fearless friend. Cringer, meet Adora, my twin sister.”

“Hello, Adora. It’s so nice to meet you. By the way, is it me or do you smell a little of cat?”

“Uhm…”

However, not everybody is all that pleased that there is a new girl on Eternia…

In the palace garden:

Adam hugs Adora“See? That went well, didn’t it? Our parents were so happy to have you back.”

“And I’m so happy to be finally back with my real family. Oh, Adam, I’m so glad that we found each other again.”

“Me, too, Sis. Me, too.”

Duncan comes upon Adam and Adora hugging.“Duncan, come and meet Adora, my twin sister. But I think you already know about her.”

“Adora? By the ancients!”

“Adora, this is Duncan, my friend, mentor and our royal Man-at-Arms.”

Tella comes upon Adam hugging Adora in the palace garden.“Oh wonderful! Isn’t it enough that you’re fooling around with those stupid giggling girls, Adam? Must you bring your arm candy into the palace, too, and shove them into everybody’s face?”

Duncan hugs Adora, while Adam and Teela look on.“Adora, my girl, it’s so good to see you again. The last time I saw you, you were just a baby and now look at you!”

“Hello, Man-at-Arms. It’s so wonderful to meet Adam’s friends.”

“Call me Duncan. After all, I’ve known you since were a baby. And I’m so sorry that I could not save you from the Horde.”

“That’s all right. Adam found me and brought me back.”

“You too, Dad? Just wonderful. Why is everybody so taken with Adam’s latest arm candy anyway? She’s not that wonderful. Okay, so she’s blonde and beautiful and… by Zoar, he’s not going to marry that one, is he? No, not even Adam would be that stupid. What if she’s Evil-Lyn is disguise and Skeletor is planning an invasion of the palace? Does no one care about palace security around here except me?”

Duncan hugs Adora, while Adam looks on and Teela berates a palace guard.“Corporal, how many times have I told you not to let anybody into the palace and the gardens without a valid security clearance?”

“But Prince Adam said it was okay, Captain.”

“Prince Adam does not get to decide who is allowed into the palace…”

“Actually, he is the Prince, so…”

“Security is my job. Is that understood, Corporal?”

“Yes, Captain.”

Adam wants to introduce Adora to Teela.“Adora, I want you to meet my very best friend in the whole world. Hey, Teela, come and meet…”

“I have no interest in meeting your latest girlfriend, Adam.”

“Uhm, what?”

Teela walks off, while Adam, Duncan and Adora look after her.“And now if you’ll excuse me, Adam, cause some of us have work to do. Good bye. Have… sniff… fun.”

“Teela, wait!”

“Okay, now that was weird.”

Adam talks to Duncan, while Teela stalks off.“Let me guess, Duncan, you never told Teela that I had a twin sister.”

“Of course not. After all, I gave my word.”

“Great. Cause Teela is jumping to conclusions… again. Anyway, I’d better go and talk to her. Sigh, why do I have a reputation as a womaniser anyway? I never do anything and it’s not my fault that those silly giggling noblewomen won’t take ‘no’ for an answer. After all, I can hardly go all He-Man on them, can I?”

Adam talks to Teela, while Duncan and Adora look on.“Hey, Teela…”

“Go away, Adam! I want to be alone. And I’m sure whatshername is eagerly awaiting your return.”

“Listen, Teela, it’s not what you think. She’s my sister.”

“Don’t play me for stupid, Adam. You don’t have a sister.”

“Well, apparently I do now.”

Adam hugs Teela, while Duncan and Adora look on.“Look, Teela, this is all very confusing for me as well. But apparently, I once had a twin sister. But when we were both babies, she was kidnapped by an outfit calling themselves the Evil Horde and taken to another dimension. Ask your father or the Sorceress, if you don’t believe me. They’ll tell you it’s the truth.”

“And that girl is…?”

“Yes, that’s my sister Adora. I found her and brought her back.”

“And you really had no idea you had a sister?”

“Not until today, when the Sorceress told me to go through a portal to find her.”

“But that’s terrible. To know that you had a sister all those years and that she was stolen from you. And then I come and go ballistic on you and…. I’m sorry.”

“It’s all right, Teela. And now come on. You want to meet her, don’t you?”

“Let me guess, Duncan, they’re not just friends, are they?”

“Sigh. No one quite knows just what they are. Including Adam and Teela themselves.”

Adora and Teela shake hands while Adam and Duncan look on.“Teela, meet Adora, my long lost twin sister. Adora, this is Teela, my best friend in the whole wide world.”

“It’s so wonderful to meet you, Teela. I hope we can be friends as well.”

“I… I’d like that. I think. I don’t have a lot of friends, women friends I mean.”

“I never had a lot of friends either, when I grew up in the Fright Zone. I mean, there was Catra and I really miss her, but she wants to stay with the Horde… sniff”

“However, I’m not just Adam’s friend, I’m also his bodyguard and Captain of the Royal Guard. And I am responsible for Adam’s combat training – which he keeps missing – and for yours as well, Princess Adora.”

“Careful, Teela. Don’t scare her off!”

“Combat training sounds great. Back at the Fright Zone, I was considered one of the best hand to hand fighters of the Horde.”

“I look forward to putting your fighting skills to the test.”

“Oh no, what have I wrought?”

Teela talks to Duncan and Adora talks to Adam.“How could you not tell Adam that he had a sister, Father? How could you keep such a secret from him?”

“It was for his own good, to spare him the pain of knowing that he had a sister once and lost her.”

“It was still wrong. Adam would have deserved to know the truth. You and your damned secrets!”

“I gave my word, Teela.”

“That’s always your excuse, isn’t it? That you gave your word. Don’t you realise that you keep hurting people with your damned secrets? What else are you not telling us?”

***

“She’s certainly spirited. Well done, brother. I like her.”

“Uhm, we’re not… I mean, we’re just friends. Very good friends.”

“Well, if you’re not interested, I certainly would.”

“Ahem…”

Beyond a few scenes in The Secret of the Sword, we never really see Teela and Adora interacting, because while He-Man visited his sister on Etheria quite frequently, he rarely brought his supporting cast along. And because the He-Man cartoon ended shortly after the She-Ra cartoon started, there were no crossovers in the reverse direction either.

Nonetheless, I like to think that Teela and Adora would quickly have become friends. Especially since Teela doesn’t really have any female friends except for Andra, who doesn’t come along until Revelation. And talking of which, I would love to see Teela, Adora and Andra having a girls’ night out.

So let’s take a look at the friendship between Teela and Adora that the cartoons did not give us:

Adora and Teela are having a practice fight, while Duncan and Adam look on.“Good counter, Adora. Teela, keep up your guard. Well done!”

“The fact that Adora actually enjoys those practice fights with Teela is one of the unexpected benefits of having a twin sister. Cause if Adora keeps Teela busy, she’s not constantly bothering me with her fight training.”

Duncan pushed Adam towards Teela and Adora.“Come on, Adam, your turn!”

“Oh, must we…? Cause I just remembered that I need to feed Cringer and…”

“Adam, just because you can turn into He-Man doesn’t mean you can neglect your fighting skills.”

Teela challenges Adam to a fight, while Duncan and Adora look on.“What’s the matter, Adam? Are you afraid of fighting a girl?”

“Or two?”

“If those girls are you, ladies? Very much.”

Adam surrenders to Teela and Adora, while Duncan looks on.“Okay, ladies, I yield, I surrender, I give up. You win.”

“Adam!”

“Come on, lad, humor Teela or you’ll never hear the end of it.”

Later, in Duncan’s workshop:

Teela and She-Ra are having tea“Poor Adam. You really wear him out, Teela.”

“All because I love him. After all, Adam must be able to defend himself, when Skeletor’s forces attack.”

“You know that he can change into He-Man and just smash the crap out of Skeletor and his Evil Warriors, don’t you?”

“But what if he is separated from his sword or can’t transform in time? No, Adam needs the training. Cause I’m not going to lose him again.”

“Talking of which, when you and my brother do… well, you know what, does he do it as He-Man or Adam?”

“Adam. He says turning into He-Man is too dangerous, because he might accidentally hurt me. Now I don’t think he would ever hurt me, but Adam is… well, he worried about being loved and appreciated as Adam, not He-Man.”

“But you do love him as Adam, don’t you?”

“Of course. He-Man is very impressive, a great warrior and hero, but Adam is my best friend and the one I love, the one I’ve always loved. So what about you? She-Ra or Adora?”

“Adora all the way. In fact, I only date people who like Adora, too, not just She-Ra. It’s… well, just like Adam I want to be loved for myself, not for She-Ra. Take Bow, for example. He’s cute and funny, a great archer, skilled musician and asset to the Great Rebellion. But he’s only pining for She-Ra and treats Adora strictly as a friend. Catra, on the other hand, liked me as Adora, long before I ever became She-Ra. If only I could convince her to leave Hordak and join the Rebellion… And then there’s Sea Hawk, who’s handsome and dashing and loves Adora as she is and views She-Ra just as a friend and comrade-in-arms.”

“You should tell them, you know? That you’re She-ra.”

“Which one?”

“All of them. I know you want to protect them, but if you’re not telling them the truth about yourself, all you’ll do is hurt them. Trust me, I know.”

This brings me to another point. Because the toys and cartoons were aimed at kids, Masters of the Universe characters, both heroes and villains, tend to be monogamous and only have a single love interest, if they have one at all. Randor has Marlena, Duncan has the Sorceress, Orko has Dree-Elle (who really needs an action figure), Skeletor has Evil-Lyn (though their relationship is dysfunctional), Hordak has Shadow Weaver (another dysfunctional relationship), Stratos has Hawke, Queen Angella has King Micah. And Fisto has Ram-Man, though that’s only my head canon.

Okay, so Adam ends up in a love triangle with himself in his relationship with Teela, but since Adam and He-Man are the same person, it’s still a monogamous relationship. One episode features a young wizard who had a crush on Teela, while She-Ra’s ally Frosta has a crush on He-Man, but both crushes are unrequited.

Adora/She-Ra is the big exception here, for not only does she have three different love interests across the original Filmation cartoon series from the 1980s and the 2018 Netflix cartoon, she’s also canonically bisexual. In the 1980s cartoon, Adora’s love interests are her friend, fellow rebel and crack archer Bow and the lightsabre wielding pirate and occasional rebel sympathiser Sea Hawk.

As a kid, I always preferred Sea Hawk to Bow and my adult self feels the same. After all, Sea Hawk had a solar-powered pirate ship and a lightsabre and was simply very cool. Plus, Sea Hawk actually was in love with Adora, not She-Ra. Sea Hawk and Adora also kiss on screen, something that Adam and Teela still haven’t done. There’s even – which surprised the heck out of me, when I rewatched the cartoons as an adult – a hint that Adora and Sea Hawk are having sex – unless you believe that Sea Hawk bunks with his first mate Sven, whenever Adora is a guest aboard his pirate ship.

As for Bow, rewatching some episodes of the 1980s She-Ra cartoon as an adult, it seems to me as if Adora mainly views Bow as a good and dependable friend. There’s no real hint of any romantic relationship between them, though Bow does seem to have a crush on She-Ra. In fact, I always expected that Bow would end up with Glimmer eventually. Unless he turns out to be gay.

The 2018 She-Ra and the Princesses of Power cartoon finally gave Adora a new love interest in the form of Catra, her former friend and comrade in the Evil Horde as well as successor as Force Captain. And yes, they do kiss on screen, which so shocked and confused a Republican politician that he named She-Ra and the Princesses of Power as one example of Disney trying to corrupt kids by showing them that LGBTQ people exist. The irony is of course that while Disney owns almost everything else in the universe, it does not actually own either He-Man or She-Ra.

So yes, She-Ra is canonically bisexual. And in fact, Evil Buzz Cut Adora predates the 2018 cartoon by several years and not only does she not look very straight, she also makes advances towards the captured Teela. So yup, Adora is bi. Live with it.

My She-Ra figure always looks as if she’s flirting, whenever she is not pointing her sword at someone, so She-Ra is always something of a flirt in my photo stories. Alas, none of her three canonical love interests are currently available at the right scale. There was an announcement that Mattel was making a Catra figure this fall, but she is in the wrong scale as well, so my poor She-Ra will have to remain single for now. Unless she suddenly clicks with someone who isn’t one of her canonical love interests. After all, that’s how Fisto and Ram-Man came to be a couple, too.

Anyway, that’s it for the (very long) story of She-Ra, He-Man’s long lost twin sister. There will definitely be more toy photo stories coming, including the fourth and final instalment of the “Secrets of Eternia” subseries, where I’ll take a look at another long-lost (well, sort of) member of the Eternian royal family and his not-so-secret identity.

Disclaimer: I don’t own any of these characters, I just bought some toys, took photos of them and wrote little scenes to go with those photos. All characters are copyright and trademark their respective owners.

 

 

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The 2022 Dragon Award Finalists Look Really Good… With One Odd Exception

As always this time of year, when you’re way too busy with other things, the Dragon Awards decided to drop their 2022 ballot. I sometimes swear they do this on purpose.The Dragon Awards are a fan award given out by Dragon Con, a massive SFF media con in Atlanta, Georgia.

This is only the seventh year of the Dragon Awards, but they have gone through quite a bit of history since then, as recounted here by Camestros Felapton. You can also find my previous posts about the Dragon Awards and their tangled history here.

Anyway, the finalists for the 2022 Dragon Awards were announced today and the ballot looks really good with only a single WTF? finalist (more on that later) and a lot of popular and well regarded works on the ballot. This confirms a trend that we’ve seen in the past three years, namely that the Dragon Awards are steadily moving towards the award for widely popular SFF works that they were initially conceived to be, as the voter base broadens and more people become aware of the award, nominate and vote for their favourites. It’s a far cry from the early years of the Dragon Awards, where the finalists were dominated by Sad and Rabid Puppies, avid self-promoters and Kindle Unlimited content mills with a few broadly popular books mixed in.

So let’s take a look at the individual categories:

Best Science Fiction Novel

This category not only looks very good, it could easily be a Hugo or Nebula ballot. The Kaiju Preservation Society by John Scalzi, Goliath by Tochi Onyebuchi and Shards of Earth by Adrian Tchaikovsky all could (and well may) be on the Hugo or Nebula ballot. Leviathan Wakes by James S.A. Corey probably wouldn’t make the Hugo or Nebula ballot, because later entries in long series rarely get nominated in the Best Novel category. But given how popular The Expanse series is, I’m not at all surprised to see it here. Finally, we have You Sexy Thing by Cat Rambo, which makes me very happy, because it’s a great novel that deserves more recognition.

Diversity count: 5 men (James S.A. Corey is two people), 1 woman, 2 authors of colour, 1 international author

Best Fantasy Novel

This category also looks very good and none of the finalists would feel out of place on a Hugo or Nebula ballot. Indeed, the excellent Light From Uncommon Stars by Ryka Aoki is a Hugo finalist this year (though personally, I would have put it in science fiction rather than fantasy) and the also excellent Green Bone Saga, of which Jade Legacy by Fonda Lee is the final instalment, is a Best Series Finalist. The first book in the series, Jade War, was also a Dragon Award finalist. Ursula Vernon a.k.a. T. Kingfisher is both a Hugo and Dragon favourite and I would not be surprised to see Nettle and Bone on the Hugo ballot next year. Besides, it’s a great book. Moon Witch, Spider King by Marlon James is one of those books that sit on the borderline between genre and literary fiction and Marlon James did win the Booker Prize in 2015. It’s also a fine fantasy novel and I’m glad to see it on the ballot. Daniel Abraham’s solo work tends to get less attention than his collaborative work as James S.A. Corey, so I’m happy to see him nominated for Age of Ash. I was a bit surprised to see Book of Night by Holly Black nominated in this category, not because Holly Black isn’t a fine and highly popular writer, but because she is best known as a YA writer. However, Book of Night is apparently aimed at adult readers and therefore absolutely appropriate here.

What’s a bit surprising in this category is the absence of Larry Correia, either alone or together with co-author Steve Diamond, since Correia is a Dragon Awards favourite and had at least two eligible books.

Diversity count: 2 men, 4 women, 3 writers of colour, 1 international writer

Best YA/Middle Grade Novel

This category not only looks like an Andre Norton or Lodestar Award ballot, it actually is half of the 2022 Lodestar ballot, because A Snake Falls to Earth by Darcie Little Badger, Redemptor by Jordan Ifueko and Iron Widow by Xiran Jay Zhao are all Lodestar finalists this year and very fine choices they are, too. Nnedi Okorafor and V.E. Schwab are always worth reading and so I’m not surprised to see Akata Witch and Gallant on the ballot. A Dark and Starless Forest by Sarah Hollowell is the only Dragon finalist in this category that’s unknown to me, but then I am not much of a YA reader. Judging by the number of Goodreads and Amazon reviews, it’s definitely a popular book.

Diversity count: 5 women, 1 non-binary, 4 writers of colour

Best Military SFF Novel

Once again, this category looks most like the early years of the Dragon Awards with several indie books and Baen books on the ballot. But then, military SF is dominated by Baen and indie writers, so that’s no surprise. The Shattered Skies by John Birmingham also got quite a bit of attention among people who are not hardcore military SF readers and is probably the finalist I will end up voting for. Former countryman Marko Kloos is popular with Dragon Award nominators, so I’m not surprised to see his latest Citadel here. Resolute by Jack Campbell is a book in his popular Lost Fleet series. Unless I’m mistaken, this is the first Dragon nomination for Jack Campbell, which is surprising, considering how popular he is. A Call to Insurrection by David Weber, Timothy Zahn and Thomas Pope is connected to Weber’s hugely popular Honor Harrington series. J.N. Chaney is a popular and prolific indie author. He is nominated for Backyard Starship along with co-author Terry Maggert. Against All Odds by Jeffery H. Haskell is the first book in a series published by indie small press Aethon Books.

Diversity count: 9 men

Best Alternate History Novel

This category is a big surprise this year, because it does not resemble the early years of the Dragon Awards at all. There is not a single indie author on the ballot, instead all finalists are popular traditionally published books. She Who Became the Sun by Shelley Parker-Chan is also a Hugo finalist this year and a fine choice. Charles Stross has been nominated in this category for the Dragon Awards before and of course also has multiple Hugo nominations and even wins. Invisible Sun is the third book in his Empire Games alternate history series. When Women Were Dragons by Kelly Barnhill got quite a bit of buzz, though I wasn’t aware it was alternate history. The Silver Bullets of Annie Oakley by Mercedes Lackey passed me by completely, though I usually like her work and Mercedes Lackey is of course a hugely popular writer. I’m a bit surprised to see no nomination for the late Eric Flint, though a book in the 1632 series he originated, 1637: Dr. Gribbleflotz and the Soul of Stoner by Kerryn Offord and Rick Boatright, is nominated. Apparently, Rick Boatright died last year, so it’s nice that he get s posthumous nod for his work.

Which brings me to this year’s WTF? finalist, namely The King’s Daughter by Vonda N. McIntyre. Not that The King’s Daughter is a bad book, in fact it’s excellent. But it also isn’t eligible. Now Vonda N. McIntyre died in 2019. Posthumous award nominations are a thing, of course, but The King’s Daughter is not a new novel, but was published in 1997, i.e. 25 years ago, and even won the Nebula Award under the title The Moon and the Sun. A movie based on the book was released earlier this year after many years in development hell and on the shelf. As a result, The Moon and the Sun was re-released as The King’s Daughter, but it’s still the same novel that won the Nebula in 1997. Honestly, does no one at the Dragon Awards check this stuff?

Diversity count: 3 men, 4 women, 1 author of colour, 2 international writers, 2 deceased writers

Best Media Tie-in Novel

There are no surprises in this category. We have two Star Wars tie-in novels written by fan favourites Timothy Zahn and Claudia Gray, two Star Trek tie-in novels by David Mack and John Jackson Miller and a Halo tie-in novel by Troy Denning.

Diversity count: 4 men, 1 woman

Best Horror Novel

This is another really good ballot full of fine and popular horror novels. Stephen Graham Jones is probably the best horror author currently writing. He is nominated for My Heart Is a Chainsaw. Grady Hendrix is not just a great horror historian, but also a very good horror writer and is nominated for The Final Girl Support Group.  Chuck Wendig is another Dragon Award favourite and is nominated for The Book of Accidents. Daryl Gregory is a frequent presence on Hugo and Nebula ballots. I haven’t heard of his Dragon finalist Revelatory before, but it sounds like something I should like. I enjoyed Caitlin Starling’s 2019 SF horror novel The Luminous Dead a whole lot. Her Dragon finalist The Death of Jane Lawrence is billed as gothic horror and should be right up my alley. Hide by Kiersten White got a lot of buzz, when it came out earlier this year and I’m not surprised to see it on the ballot.

Diversity count: 4 men, 2 women, 1 writer of colour

Best Comic Book

This is another very good ballot. We’ve got three mainstream superhero comics in Immortal X-Men, Nightwing and Devil’s Reign, a Marvel mini-series about Wilson Fisk a.k.a. Kingpin becoming mayor of New York City. Marvel is also represented by their (very good) King Conan comic, which I’m very happy to see here. Step by Bloody Step and Twig are two newish SFF comics by Image that I hadn’t heard of before, but that sound really good.

No diversity count, too many people are needed to make comics.

Best Graphic Novel

This is another mix of old and new favourites. Both Monstress and Saga are perennial Hugo and Dragon favourites and also excellent comics. Though I’m surprised that Saga is nominated in Graphic Novel rather than Comic Book, because Saga was on an extended hiatus and only started up again recently and the next collection won’t be out until October. There’s also a Wonder Woman and a Dune graphic novel. Geiger is a post-apocalyptic graphic novel by Geoff Jones and Gary Frank, who was one of my favourite artists, back when I was still reading comics. Bitter Root is an Eisner Award winning series about a family of monster hunters in Harlem.

No diversity count, too many people are needed to make graphic novels.

Best Science Fiction or Fantasy TV Series

We have a whole lot of very popular series here. The Expanse and Stranger Things are long-time favourites and Star Trek: Strange New Worlds is the best of the three live action Star Trek series currently running. I have zero interest in either For All Mankind or Wheel of Time, but both are popular, both were Hugo finalists and Wheel of Time is based on a very popular novel series, too. The Boys is another popular and well regarded series. The only finalist in this category that surprises me a bit is Halo, for even though the TV show was based on a series of extremely popular videogames, neither fans of the games nor regular viewers seem to have liked it very much. I’m a bit surprised to see neither Moon Knight nor Ms. Marvel nor Obi-Wan Kenobi on the ballot, considering how perennially popular Marvel and Star Wars are.

No diversity count, too many people are needed to make TV series.

Best Science Fiction or Fantasy TV Film

This category is a mix of expected and somewhat unexpected favourites. Marvel is represented by Spider-Man: No Way Home and Doctor Strange in the Multiverse of Madness, its two most fan servicy films of recent times. The also eligible Marvel movies Eternals and Shang-Chi and the Legend of the Ten Rings did not make the ballot. In the case of Eternals, this isn’t surprising, because Eternals was as close to a dud as Marvel can get (though it’s getting a sequel), but Shang-Chi was generally popular and IMO better than either No Way Home or Multiverse of Madness. Dune is pretty much a no-brainer, because a) it’s Dune and b) it’s actually a good adaptation. Ghostbusters: Afterlife surprises me a little, because not even the fanboys who hated the 2016 Ghostbusters (which at least tried to do something new and was a lot of fun) seem to have liked this one very much and everybody else felt it was overly nostalgic and fan servicy. Free Guy was a lot of fun and I’m glad to see it nominated. And while I had heard of The Adam Project, I had to look up what it even was about (time travel), because it largely passed under my radar. Interestingly, both Free Guy and The Adam Project share the same director (Shawn Levy) and star (Ryan Reynolds), so are we maybe seeing the impact of eager Ryan Reynolds or Shawn Levy fans here?

No diversity count, too many people are needed to make movies.

The Gaming Categories

I’m still not a gamer, so all I can say is that I have heard of some of those games, so they must be popular. And something called Thirsty Sword Lesbians must be good based on the title alone. Apparently, two of the boardgames are not SFF, but then that’s nothing new for the boardgame category at the Dragons. One year, a (very good) game about tile-making won.

All in all, this is a very good ballot and shows that by now the Dragon Awards have gone beyond their initial niche of puppies and indie writers. Coincidentally, the Dragon Award ballot also proves that the Hugos and Nebulas are not in fact out of step with the tastes of “real fans(TM)”, because the same books and authors get nominated for the Hugos, Nebulas and Dragons these days, even if the Dragons tend to have more male finalists than the other two awards. Also, I find it amusing that authors like John Scalzi, Cat Rambo or Chuck Wendig, who are vehemently disliked by the Puppies, are all on the ballot as are a lot of women and writers of colour.

Of course, it would still help if the Dragon Awards administrators would at least do a cursory check to avoid things like a 25-year-old novel being nominated due to a re-edition. Nonetheless, the Dragons seem to have reached full mainstream respectability by now and are another addition to the spectrum of SFF Awards with a few unique quirks such as their odd category breakdown and eligibility period.

But of course the question is: How do the Puppies react to a Dragon Award ballot they’re pretty much guaranteed to hate? Oddly enough, the reactions in Puppyland are fairly muted. Everybody seems to be way too upset about the FBI searching Trump’s Mar-a-Lago estate to worry about the Dragons. Even Declan Finn is oddly silent.

Below, you’ll find a few puppy-adjacent reactions I found:

So in short, it’s the usual “I have never heard of any of these books” along with the also usual “We hates John Scalzi” stuff.

For more Dragon Awards discussion, see also Camestros Felapton’s post.

ETA: Camestros Felapton has also analysed the gender breakdown of Dragon Award finalists and winners (short version: The Dragons still skew male, though less than they used to) and traces how the Dragon Awards went mainstream.

ETA 2: File 770 compiles the number of Goodreads ratings for each Dragon Award finalist in the novel categories and confirms that these are broadly popular books.

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Non-Fiction Spotlight: Cosplay: A History by Andrew Liptak

After the Hugos is before the next Hugos, so I’m continuing my Non-Fiction Spotlight project, where I interview the authors/editors of SFF-related non-fiction books that come out in 2022 and are eligible for the 2023 Hugo Awards. For more about the Non-Fiction Spotlight project, go here. To check out the spotlights I already posted, go here.

For more recommendations for SFF-related non-fiction, also check out this Facebook group set up by the always excellent Farah Mendlesohn, who is a champion (and author) of SFF-related non-fiction.

Today’s featured non-fiction book is the definitive history of a phenomenon born out of SFF fandom. Therefore, I am happy to welcome Andrew Liptak, author of Cosplay: A History, to my blog today.

Cosplay: A History by Andrew LiptakTell us about your book.

The book is a big overview of how and when cosplay came about! Cosplay as we understand it today has undergone some considerable changes over the decades, and as a historian and cosplay, I was interested in how and why we ended up dressing up at cons.

There’s the conventional history: that Forest Ackerman dressed up for the 1939 World Science Fiction convention, but there’s precedence to that: there were people dressing up well before he and his then-partner, Myrtle Douglas (who made his costume, along with one for herself) suited up in New York: Jules Verne had a costume party where guests showed up as his characters, there was an early convention at the Royal Albert Hall to commemorate a popular science fiction novel, Vril, and some other scattered examples throughout the 19th and early 20th century.

But you can also go back a bit further, and I wanted to also explore the broad story of how costumes became a tool for storytellers and how their use evolved with time.

In many ways, this is one of the core stories in the book: how we use costuming to relate to stories, and when you look at it through that lense, you see other, similar examples: people using costumes for political purposes, like protests (all the way up to the modern day), or education (living history and reenacting), and for one’s own personal journey to understand their identity, their fandom, or just for their own entertainment.

The other core part of the book is that it’s a story of fandom and community: it’s about how fans come together to share in their common interest, whether it’s to show off their work at a convention or to help one another build their costumes. I’ve been a member of the 501st Legion, a Star Wars costuming group for nearly 20 years, and that group takes a bit of the forefront of the book, because it’s a big part of my upbringing and identity, but also because I felt that it serves as a solid, representative microcosm for the growth and mainstream profile that the activity has experienced in the last couple of decades.

Tell us a little bit about yourself.

I’m a historian and journalist who’s written pretty extensively about science fiction and fandom for a long time. I fell in love with Star Wars when the special editions hit theaters, and after burning my way through the various tie-in books in high school, I jumped over to everything else I could get my hands on, from Redwall to Lord of the Rings to Foundation to Dune, and quite a bit more.

I studied history and then military history (BA and then MA), and found myself writing for a bunch of places like SF Signal, io9, and Kirkus Reviews about SF/F stuff. One of those projects was a history of SF/F at Kirkus, which gave me a broad understanding of how the genre evolved over time, and introduced me to some of that earlier history.

From there, I jumped over to The Verge, a tech / culture site run by Vox Media, and wrote extensively about SF/F stuff. But more importantly, I worked with two editors, Bryan Bishop and Laura Hudson, who really transformed how I thought about storytelling and how we relate it it: how does fan culture impact the things we consume, and what do those various books, comics, TV shows, games, and movies shape our view of the world? And of course, there’s the technology stuff, like how social media and the internet helps those things.

Above all, I’m also a cosplayer. I was a Star Wars fan from ‘97, and acquired my own set of stormtrooper armor in 2003: I’ve been with the group ever since in various roles, from regular trooper to holding leadership roles in my local garrison, and I’ve branched out to various other costumes over the years.

What prompted you to write/edit this book?

Saga Press’s Joe Monti did! He met some members of the 501st Legion at San Diego Comic Con back in 2015 or 2016, and reached out to me to see if there was a story there. The project went through a bunch of iterations until 2019 when we sold it. It went from a bit of a more specific history of the 501st to a much wider focus of cosplay in general, which I’m pretty thrilled at: the more I developed the project, the more I recognized how much bigger this story was.

Joe ended up setting me up with fellow Saga / Gallery editor Amara Hoshijo, who picked up the project and really helped me hammer it into shape from a manuscript into an actual book.

But I’ve always been interested in history, and how the past connects to the present that we currently exist in, and learning about the past helps to bring about some understanding as to why the institutions and traditions that surround us are here.

Why should SFF fans in general and Hugo voters in particular read this book?

In short, it’s a history of fandom as a community — not just the capital F literary traditions/community, but of the wider history of fandom and how it’s evolved and changed over the decades.

This was a particularly fascinating thing to watch as I interviewed folks or pored over documents from Fanac.org: how did the act of costuming become an institution within the worldcon scene, and how did it grow out and fracture as fandom expanded and Balkanized as science fiction and fantasy entertainment began to take over movie theaters, television sets, and video game consoles? It’s a really fascinating evolution, and one that I think is well worth paying attention to, culturally.

It’s a high-level overview of the larger fan world, one that touches on a bunch of these various tribes. I wanted to make sure that it was approachable to folks who have been fans for decades, long-time costumers/cosplayers/makers, and to folks who were just casual fans or who wanted to learn a little more. Hopefully, it’s a good entry point to understand the larger cosplay — and fan — world.

Do you have any cool facts or tidbits that you unearthed during your research, but that did not make it into the final book?

Hm. There were some things that I just didn’t have time or space to include: I wanted to write a chapter about furries, but just ran out of time to really do the topic justice. I also came across some interesting tidbits about the impact of laws designed to curb KKK members from masking up around the US and how that’s impacted costuming in various places. (Didn’t quite fit with the topic of the book, but it’s something I’d like to delve into a bit more.)

Those are things that I’m hoping to do a bit more research into in the coming months for what I’m thinking of as “lost chapters”, which I’m thinking I’ll release in the newsletter I write.

But with any history, there are things you learn after the fact that you just didn’t come across during the initial research. Arthur Conan Doyle dressed up as his character Professor Challenger, and apparently there was a Roman Emperor, Commodus, who apparently dressed up as the hero Hercules. And, literally while writing this, someone just told me about Mustafa Kemal Ataturk, the founder of the modern Turkish Republic, who apparently commissioned a Jannissary uniform for a costume ball he attended. There’s undoubtedly plenty of other examples of this that I’ll be reading / researching!

SFF-related non-fiction is somewhat sidelined by the big genre awards, since the Nebulas have no non-fiction category and the Best Related Work Hugo category has become something of a grab bag of anything that doesn’t fit elsewhere. So why do you think SFF-related non-fiction is important?

I think the awards are an excellent way to highlight the scholarship that takes place about science fiction and fantasy. As a historian (I might be a bit biased here), I think it’s important to research and understand the past, because the fans, authors, editors, the works they produced and the events they participated in help to form the foundation of the community that we’re part of now. Those actions and works have a profound, lasting effect on everything that follows: look at how we’re still grappling with issues of equality and equity with fan circles. So, understanding and deconstructing the road that brought us here helps us conceptualize the environment we’re in today.

There’s been a lot of good work towards this end, and I think that an award nomination is useful to encourage people to seek out these works and these histories.

That said, I don’t think that something like “Best Related Work” necessarily needs to be limited to just book-length projects, but I do think that there’s value in specifically promoting long-form scholarship, because of the work that goes into it, and what such works yield for the reader and community at whole. I think it’s worth pointing out that the works that have ended up on the Hugo ballot have largely been well worth the inclusion on those lists.

The primary issue that I see is that “Best Related Work” is something of a catch-all, and I think that if we want to make sure that we’re putting attention to these things, and if we really value this as a category Hugo members need to draw up some more specific boundaries for that (maybe even something as simple as BRW Long / Short form). But then again, the Hugo ceremony is already pretty long and mission creep is a thing.

Are there any other great SFF-related non-fiction works or indeed anything else (books, stories, essays, writers, magazines, films, TV shows, etc…) you’d like to recommend?

There are a couple of books that I’ve picked up in recent weeks/months. The first is Ben Rigg’s Slaying the Dragon: A Secret History of Dungeons & Dragons, which is a voice-y nerd history but which essentially boils down to an interesting business book about TSR and a bunch of the product, business and organizational mistakes they made over the course of theri run. Riggs is essentially asking a question: why did Wizards of the Coast buy TSR in the 1990s, and lays out the case for that. It’s less about the making of D&D (there are lots of histories of this), which I found intriguing.

The other is Phasers On Stun! How the Making (and Remaking) of Star Trek Changed the World by Ryan Britt, which I’m reading now, and which is proving to be an interesting history of that particular franchise.

Where can people buy your book?

It’s published by Simon & Schuster’s Saga Press, so anywhere you buy books! If you’re interested in a signed copy, some of the stores near me, like Bear Pond Books, Yankee Bookshop, and Phoenix Books should have some that they can mail to you if you’re not in the area.

Where can people find you?

My main home online is a newsletter I write, Transfer Orbit, which I write on a somewhat regular (weeklyish) basis. You can also find me on my website, Facebook, Instagram, and Twitter.

Thank you, Andrew, for stopping by and answering my questions. Do check out Cosplay: A History, if you’re at all interested in the history of fandom and cosplay.

About Cosplay: A History:

A history of the colorful and complex kingdom of cosplay and fandom fashion by Andrew Liptak, journalist, historian, and member of the legendary fan-based Star Wars organization the 501st Legion.

In recent years, cosplay—the practice of dressing up in costume as a character—has exploded, becoming a mainstream cultural phenomenon. But what are the circumstances that made its rise possible?

Andrew Liptak—a member of the legendary 501st Legion, an international fan-based organization dedicated to the dark side of Star Wars—delves into the origins and culture of cosplay to answer this question. Cosplay: A History looks at the practice’s ever-growing fandom and conventions, its roots in 15th-century costuming, the relationship between franchises and the cosplayers they inspire, and the technology that brings even the most intricate details in these costumes to life.

Cosplay veterans and newcomers alike will find much to relish in this rich and comprehensive history.

About Andrew Liptak:

Andrew Liptak is a writer and historian based in Vermont. He graduated from Norwich University with a master’s degree in military history and writes about history, technology, and science fiction in his newsletter Transfer Orbit. His work has appeared in Armchair General Magazine, Clarkesworld Magazine, Gizmodo, io9, Slate, The Verge, and other publications. He coedited the anthology War Stories: New Military Science Fiction, and his short fiction has appeared in Galaxy’s Edge Magazine and Curious Fictions.

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Are you publishing a work of SFF-related longform non-fiction in 2022 and want it featured? Contact me or leave a comment.

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Non-Fiction Spotlight: Inventor of the Future: The Visionary Life of Buckminster Fuller by Alec Nevala-Lee

After the Hugos is before the next Hugos, so I’m continuing my Non-Fiction Spotlight project, where I interview the authors/editors of SFF-related non-fiction books that come out in 2022 and are eligible for the 2023 Hugo Awards. For more about the Non-Fiction Spotlight project, go here. To check out the spotlights I already posted, go here.

For more recommendations for SFF-related non-fiction, also check out this Facebook group set up by the always excellent Farah Mendlesohn, who is a champion (and author) of SFF-related non-fiction.

Biographies of prominent SFF and SFF-adjacent people are quite common on the Hugo ballot and today’s featured non-fiction book is just such a biography.

Therefore, I am pleased to welcome Alec Nevala-Lee, author of Inventor of the Future: The Visionary Life of Buckminster Fuller to my blog today.

Inventor of the Future: The Visionary Life of Buckminster Fuller by Alec Nevala-Lee

Tell us about your book.

Inventor of the Future is the first comprehensive biography of Buckminster Fuller, the architectural designer best known for the geodesic dome and the concept of Spaceship Earth. During his lifetime, Fuller was the most famous futurist in the world, and he had a particularly strong influence on the founders of Silicon Valley.

Tell us a little bit about yourself.

My book Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction was a Hugo and Locus Awards finalist in 2019. On the fiction side, I’ve published three suspense novels with Penguin and many hard SF stories in Analog, which will be releasing my latest novella, “The Elephant Maker,” sometime next year. I studied classics at Harvard University. My favorite writer is Jorge Luis Borges, and my other big influences include the movies of Michael Powell and Emeric Pressburger, The X-Files, and the Pet Shop Boys. I’m half Chinese and half Finnish/Estonian, I identify as bisexual, and I live with my wife and daughter in Oak Park, Illinois.

What prompted you to write/edit this book?

I’ve been interested since high school in Fuller, whom I first encountered in the pages of the Whole Earth Catalog. After Astounding, I was looking to expand the range of subjects that I could cover as a writer, and Fuller was an obvious choice—his life expresses many of the themes that I’ve explored in my earlier work, and until now, there’s never been a reliable biography that covered his entire career using the best available sources. I hoped that writing it would be a real intellectual adventure, and it was.

Why should SFF fans in general and Hugo voters in particular read this book?

Norman Spinrad once referred to Fuller as “a science fiction hero in the real world,” and his career offers a case study in how a certain kind of technologist might attempt to realize these ideals in practice. Fuller believed in solving social problems through design and engineering rather than politics or activism, which was part of the reason that he had such an impact on so many key players in the personal computer revolution. His approach didn’t always work as intended, and I see him as both a role model and a cautionary tale for enacting the values of science fiction in real life. (The book also features cameo appearances from numerous science fiction writers, including H.G. Wells, L. Ron Hubbard, and Arthur C. Clarke.)

Do you have any cool facts or tidbits that you unearthed during your research, but that did not make it into the final book?

One fact that I discovered too late to include in the book is that the director George Miller—of Max Max fame—is a huge Fuller fan. According to a recent profile in the New York Times, a lecture by Fuller that Miller attended in medical school inspired him to pursue filmmaking as well as medicine: “He synthesized so much that was rumbling around loosely [in] my mind.”

SFF-related non-fiction is somewhat sidelined by the big genre awards, since the Nebulas have no non-fiction category and the Best Related Work Hugo category has become something of a grab bag of anything that doesn’t fit elsewhere. So why do you think SFF-related non-fiction is important?

There are dozens of books that ought to be written about the history of science fiction, both because it’s inherently fascinating and for the insights that it can provide for authors and fans who are trying to make sense of the genre for themselves. (I’ve learned a lot about how to survive as a writer—and as a human being—from the lives that I’ve studied.) Since the financial rewards for this kind of work aren’t always great, a Hugo Award that was expressly designed to honor serious nonfiction would encourage a wider range of scholars, which is why I’m in favor of establishing a separate category for Best Nonfiction Book, while keeping Best Related Work as it is.

Are there any other great SFF-related non-fiction works or indeed anything else (books, stories, essays, writers, magazines, films, TV shows, etc…) you’d like to recommend?

The best works of SF nonfiction that I’ve ever read—aside from Astounding, of course—are probably Isaac Asimov’s memoirs In Memory Yet Green and In Joy Still Felt, as long as you remember that there are less attractive aspects of his personality, particularly his harassment of women, that aren’t reflected there.

Where can people buy your book?

Inventor of The Future will be available everywhere on August 2, although I’d prefer that people support their independent bookstores, e.g. by searching for the book on Indiebound.

Where can people find you?

I have a blog at www.nevalalee.com, which isn’t particularly active these days, although the “Science Fiction Studies” page includes hundreds of thousands of words of history and criticism that I wasn’t able to fit into Astounding. If you want to see what I’m currently doing, you can follow me on Twitter at @nevalalee.

Thank you, Alec, for stopping by and answering my questions.

Do check out Inventor of the Future: The Visionary Life of Buckminster Fuller, which just came out yesterday. And if you haven’t read it already, also check out Alec’s other SFF-related non-fiction book Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, which is probably my favourite non-fiction book of recent years.

About Inventor of the Future: The Visionary Life of Buckminster Fuller:

From Alec Nevala-Lee, the author of the Hugo and Locus Award finalist Astounding, comes a revelatory biography of the visionary designer who defined the rules of startup culture and shaped America’s idea of the future. 

During his lifetime, Buckminster Fuller was hailed as one of the greatest geniuses of the twentieth century. As the architectural designer and futurist best known for the geodesic dome, he enthralled a vast popular audience, inspired devotion from both the counterculture and the establishment, and was praised as a modern Leonardo da Vinci. To his admirers, he exemplified what one man could accomplish by approaching urgent design problems using a radically unconventional set of strategies, which he based on a mystical conception of the universe’s geometry. His views on sustainability, as embodied in the image of Spaceship Earth, convinced him that it was possible to provide for all humanity through the efficient use of planetary resources. From Epcot Center to the molecule named in his honor as the buckyball, Fuller’s legacy endures to this day, and his belief in the transformative potential of technology profoundly influenced the founders of Silicon Valley.

Inventor of the Future is the first authoritative biography to cover all aspects of Fuller’s career. Drawing on meticulous research, dozens of interviews, and thousands of unpublished documents, Nevala-Lee has produced a riveting portrait that transcends the myth of Fuller as an otherworldly generalist. It reconstructs the true origins of his most famous inventions, including the Dymaxion Car, the Wichita House, and the dome itself; his fraught relationships with his students and collaborators; his interactions with Frank Lloyd Wright, Isamu Noguchi, Clare Boothe Luce, John Cage, Steve Jobs, and many others; and his tumultuous private life, in which his determination to succeed on his own terms came at an immense personal cost. In an era of accelerating change, Fuller’s example remains enormously relevant, and his lessons for designers, activists, and innovators are as powerful and essential as ever.

About Alec Nevala-Lee:

Alec Nevala-Lee was a 2019 Hugo and Locus Awards finalist for Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, which was named one of the best books of the year by The Economist. His latest book is Inventor of the Future: The Visionary Life of Buckminster Fuller (Dey Street Books / HarperCollins), which will be released on August 2. He is the author of three novels, including The Icon Thief, and his nonfiction has appeared in the New York Times, the Los Angeles Times, Slate, Salon, and The Daily Beast. His short stories have been published in Analog Science Fiction and Fact, Lightspeed, and two editions of The Year’s Best Science Fiction, as well as the audio collection Syndromes.

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Are you publishing a work of SFF-related longform non-fiction in 2022 and want it featured? Contact me or leave a comment.

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Masters-of-the-Universe-Piece Theatre: “Holiday on Orkas Island”

It’s time for another Masters-of-the-Universe-Piece Theatre photo story, featuring the latest addition to my collection. The name “Masters-of-the-Universe-Piece Theatre” was coined by Kevin Beckett at the Whetstone Discord server.

The small toy aisle at the German drugstore chain Rossmann has turned out to be an unlikely source of Masters of the Universe Origins toys, because they tend to have even hard-to-find figures at regular prices. And during my last visit to the local Rossmann store, I hit paydirt and found Clawful, the lobster-like Evil Warrior who is almost impossible to find in Germany. I got even luckier at the shoe shop next door and walked out with a pair of half-price Dockers.

Clawful figure

Clawful is ready to wreak havoc with his claws and his club.

In the 1980s Filmation cartoon, Clawful looks quite different from his toy counterpart, probably because the cartoon was based on an early prototype. He also seems to be one of a kind. However, the 2002 He-Man cartoon reveals that there is a whole species of lobster people out there and that they hail from a place called Orkas Island, which also happens to be the retirement home of an aged warrior called Dekker, Duncan’s former mentor and predecessor at Man-at-Arms.

So I decided to send Prince Adam, Teela and Man-at-Arms on a well-deserved holiday and have Clawful and his fellow aquatic Evil Warrior Mer-Man cause some trouble. I also got out a bunch of maritime themed objects to serve as props.

On Orkas Island in the Ocean of Gnarl (yes, I looked up the names):

Prince Adam and Teela are kissing on the beach.“I was a bit skeptical about leaving the palace unguarded at first, but this beach holiday was a great idea, Adam.”

“The palace will be fine, Teela. After all, your guards are there to watch over it. And I think we all needed a break from fighting the Evil Forces of Skeletor. Plus, you and I finally get to spend some time alone.”

“Yes, luckily my father decided to go fishing in that secluded cove that only he and Dekker know about.”

“Come to think of it, it is a bit strange that your father left so quickly.”

“By Zoar, you don’t think he knows, do you? I mean, we’ve been so careful.”

“Well, I still have all my body parts, so I don’t think he knows.”

“Don’t be silly! My Dad loves you. You’re the son he never had.”

“That doesn’t mean he thinks I’m good enough for his daughter.”

“You’re the Crown Prince of Eternia and Champion of Grayskull. If you’re not good enough for me, then who is?”

In a secluded cove nearby:

Duncan is fishing.“I wonder how long I have to stay here and pretend to be fishing, so Adam and Teela can have some privacy. Sigh, I just wish they’d make it official, so we can all stop pretending we don’t know what they’re doing when they sneak off to be alone. Not that I never snuck off to meet my lover. Though I do hope I was a bit less obvious about it. Sigh, I just hope they’re careful. Not sure I’m ready for grandchildren yet. Yeah right, because I was so careful that I managed to get the Sorceress of Grayskull pregnant…”

Also nearby:

Clawful and Mer-Man are arguing.“Well, Skeletor is the Lord of Destruction, Beast-Man is the Master of Beasts, Evil-Lyn is the Mistress of Dark Magic and I shall be King of the Ocean.”

“No, I’m King of the Ocean.”

“And what about me?”

“You can be Lord of the Lobsters.”

Clawful points something out to Mer-Man.“I’m not a lobster. Hey, check that out!”

“Yeah, it’s Prince Adam making out with Captain Teela. Again.”

“Right. Prince Adam and Teela.”

“Oh, and if we capture them, Skeletor will be so pleased that he’ll promote me to his right-fin man.”

“No, he’ll promote me to his right-claw man.”

Back on the beach:

Adam and Teela are making out on the beach.“You’re wearing too many clothes, Adam.”

“Ahem, if you want He-Man, I told you that’s too dangerous. I could hurt you.”

“I don’t want He-Man, stupid, I want Adam… naked.”

“In that case, I think I can oblige.”

Clawful and Mer-Man sneak up on Adam and Teela making out.“Why is it that whenever I see Prince Adam, he’s either chained up in the dungeons of Snake Mountain or boning the Captain of the Royal Guard?”

“Well, I’ve also seen him standing next to the King at a public audience.”

“What were you doing at one of King Randor’s public audiences?”

“I was using the opportunity to scout out the palace and look for weaknesses, okay? Anyway, let’s go and get them!”

Mer-Man and Clawful attack Adam and Teela on the beach.“Oh crap, it’s Mer-Man and Clawful. Is it too much to hope for some privacy around here? Is it too much to ask for a quiet day on the beach just once?”

“Let’s just kick their arses and get back to business.”

“Do you want to change? I can hold them off, while you run behind those rocks over there.”

“I don’t want to leave you alone. And besides, Prince Adam is enough for those guys.”

Adam fights Mer-Man and Teela fights Clawful.“What’s the matter, Your Highness? Are you waiting for He-Man to come and save your arse?”

“I don’t need He-Man to deal with the likes of you, Mer-Man.”

“Then bring it on, puny Prince!”

“Feel the power of my claws, Captain.”

“Feel the power of my staff, lobster face.”

“For the last time, I’m not a lobster.”

Adam has disarmed Mer-Man, while Clawful is fighting Teela.“Who’s puny now? Yield, Mer-Man!”

“That silly little shield won’t protect you from my club, Captain.”

“That’s a buckler, fish-face.”

“I’m not a fish either.”

Clawful grabs Teela, while Adam holds Mer-Man at sword point.“Now I’ve got you, my pretty. Skeletor will be very pleased about this catch.”

“Ah, let go off me!”

“Teela, no!”

Meanwhile, in a secluded cove nearby:

Duncan hears screams, while fishing.“Dekker was right, fishing can be very meditative. I think I’ve finally figured out how to fix that pesky induction coupling on the Road Ripper. Though if I don’t catch something soon, we’ll go hungry tonight, because I’m pretty sure Adam and Teela are way too busy with each other to catch any fish…”

“Aaahhh!”

“What’s that? Screams? By Zoar, what now? I’d better go investigate.”

Adam and Duncan rescue Teela from Clawful.“Oww, this hurts.”

“Let go off her, Clawful, and take on someone your own size.”

“Leave my daughter alone, you lobster-faced fiend!”

“For the last time, I’m not a lobster.”

Duncan fights Clawful, Adam hugs Teela and Mer-Man makes his escape.“Touch my daughter again and I’ll make crab cakes out of you.”

“I’m not a crab either, I’m Karikoni. Is that so difficult to understand?”

“Teela, are you all right?”

“I’m fine, Adam. Just a little bruised, that’s all.”

“Uhm, I’d better make my escape. Let Clawful go to prison for this. After all, it was his idea.”

Duncan and Adam comfort Teela, while Clawful and Mer-Man make their escape.“Wait for me, Mer-Man!”

“Are you hurt, my daughter?”

“I’m fine, Dad. Just a few bruises.”

“Let me see. I just want to check if anything’s broken.”

“Thanks for the help, Duncan. Though I could have handled him.”

“Oh, I have no doubt of that, Adam.”

Later, on the beach:

Adam, Teela and Duncan are having a lobster boil on the beach.“Well, after all that excitement, I’m certainly hungry. Good thing you caught that lobster, Duncan.”

“Well, I guess the two of you were much too busy to catch anything.”

“Busy with Clawful and Mer-Man, you mean?”

“Of course, what else would I mean?”

Meanwhile, back at Snake Mountain, Skeletor is having a shrimp boil of his own:

Skeletor is threatening Clawful and Mer-Man with Old Bay seasoning.“You had Prince Adam and Teela in your claws and let them go? You’ll pay for that, you incompetent seafood platter.”

“No, Skeletor, I beg you, have mercy! Not the Old Bay!”

***

The Old Bay gag was inspired by my friend and fellow Hugo finalist Paul Weimer, who remarked that the Twitter version of this story was missing an Old Bay joke. And since I had a container of Old Bay seasoning in the pantry, I let Skeletor have a shrimp boil of his own.

I hope you enjoyed this Masters-of-the-Universe-Piece Theatre Photo Story. There will be more stories soon. Meanwhile, here is a preview of Coming Attractions:

Castle Grayskull boxYes, I got myself a Castle Grayskull. Though it’s still in the box for now, because the space where I’m planning to set it up is not ready yet, because the carpenter is on holiday.

Disclaimer: I don’t own any of these characters, I just bought some toys, took photos of them and wrote little scenes to go with those photos. All characters are copyright and trademark their respective owners.

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First Monday Free Fiction: Bullet Holes

Bullet Holes by Cora BuhlertWelcome to the August 2022 edition of First Monday Free Fiction.

To recap, inspired by Kristine Kathryn Rusch who posts a free short story every week on her blog, I’ll post a free story on the first Monday of every month. At the end of the month, I’ll take the story down and post another.

This month’s story is called Bullet Holes and is part of my In Love and War space opera romance series. Anjali and Mikhail are two soldiers from opposite sides of an intergalactic war, who fell in love and decided to go on the run together, pursued by both sides. In this story, they have a run-in with Mikhail’s former superior and finds themselves dealing with…

Bullet Holes

Varishka was a miserable ball of ice and mud on the galactic rim, orbiting a distant sun. Its remoteness, hostile climate and a lack of useful resources meant that neither the Republic of United Planets nor the Empire of Worlds, the two powers that had divided the galaxy amongst themselves, had any interest in the planet. Those very same qualities, however, had made Varishka extremely interesting to the assortment of smugglers, pirates, outlaws, fugitives and other lowlives who had established a colony here.

Through the commercial district of Varishka’s capital, a man and a woman, both in their mid twenties, trudged side by side through the wet snow. Their pace was brisk, their movements in synch with each other, all of which suggested a close and intimate partnership.

The woman was short, with brown skin, sparkling dark eyes and thick black hair that fell loosely down her back in soft waves. She was Lieutenant Anjali Patel, formerly of the Imperial Shakyri Expeditionary Corps, now a deserter, traitor and wanted fugitive.

The man was tall with pale skin, striking blue eyes and long dark hair that he wore tied back in a ponytail at the nape of his neck. He was Captain Mikhail Alexeievich Grikov, formerly of the Republican Special Commando Forces, now a deserter, traitor and wanted fugitive, just like his partner.

Mikhail and Anjali had met on the battlefield of the eighty-eight year war that the Empire and the Republic had been waging on each other. Against all odds, they had fallen in love and decided to run away together to eek out a living in the independent worlds of the lawless rim. Neither the Republic nor the Empire were particularly happy about that.

Since they’d gone AWOL, Anjali and Mikhail had taken all sorts of odd jobs from anybody on the rim who required their particular skills and didn’t ask too many questions. Such as the smuggler who’d hired them to deliver a shipment of black market cyber-implants to her customer.

“I don’t like this,” Anjali said quietly to Mikhail, speaking in the Imperial tongue, so they wouldn’t be overheard, “We’re fighters, not smugglers.”

“We’re not the smugglers, just the delivery service,” Mikhail pointed out.

“We’re not couriers either.”

“I know. But the money is good and we need to replenish our funds.”

“It’s too good,” Anjali countered, “Who in their right mind would pay that much just for a courier? Especially since there are plenty of established courier services around who’ll work for much less.”

“Our client is also paying for the extra security.”

“Yeah, but why?” Anjali adjusted her shawl and kept her head down against the snow and the icy wind. “Sure, those implants are almost certainly smuggled and very probably stolen, but they’re still not valuable enough to require extra security to deliver.”

Mikhail winked at her. “Well, I for one am not going to ask the person who is paying us an obscene amount of money for an easy delivery job just why she feels the need to do so…”

Anjali scanned their surroundings, a warehouse district that seemed largely deserted. “Are you sure this is the right way?”

***

This story was available for free on this blog for one month only, but you can still read it in Bullet Holes. And if you click on the First Monday Free Fiction tag, you can read this month’s free story.

 

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Indie Speculative Fiction of the Month for July 2022

Indie Speculative Fiction of the Month
It’s that time of the month again, time for “Indie Speculative Fiction of the Month”.

So what is “Indie Speculative Fiction of the Month”? It’s a round-up of speculative fiction by indie and small press authors newly published this month, though some June books I missed the last time around snuck in as well. The books are arranged in alphabetical order by author. So far, most links only go to Amazon.com, though I may add other retailers for future editions.

Once again, we have new releases covering the whole broad spectrum of speculative fiction. This month, we have urban fantasy, epic fantasy, sword and sorcery, fantasy romance, paranormal romance, paranormal mystery, science fiction romance, space opera, military science fiction, weird western, horror, wizards, werewolves, domens, elves, fox shifters, Greek mythology, alien invasions, space marines, space pirates, space cops, crime-busting witches, haunted streetcars and much more.

Don’t forget that Indie Speculative Fiction of the Month is also crossposted to the Speculative Fiction Showcase, a group blog run by Jessica Rydill and myself, which features new release spotlights, guest posts, interviews and link round-ups regarding all things speculative fiction several times per week.

As always, I know the authors at least vaguely, but I haven’t read all of the books, so Caveat emptor.

And now on to the books without further ado:

The Princess Paradigm by Lindsay BurokerThe Princess Paradigm by Lindsay Buroker:

Elven princesses aren’t supposed to fall for brutish human warriors, especially not warriors from an empire of ferocious conquerers.

But when the tattooed Colonel Mrothgar stalks into the elven court, claiming to be there on a diplomatic mission, Princess Hysithea has to learn more about him.

Not because he’s handsome and his smile makes her insides melt. As a princess, it’s her duty to protect her people, and she needs to find out if the colonel is a threat to them.

But what if the answer is yes? And what if her heart leads her astray?

She can’t protect her people if she falls in love with the man who wants to conquer them.

Corsairs: Mathiras by Ruby DixonCorsairs: Mathiras by Ruby Dixon:

Someone is illegally stealing humans from their home world and cloning them.

For months, we’ve been hunting this ring of criminals and the end is in sight. I’m separating from my brothers and taking my ship to track down the bad guys.

One small problem — Helen insists upon joining me on this dangerous mission.

Helen herself is a clone, created to be an object of beauty. She’s not safe if she goes with me, as her kind are coveted all across the universe. But she’s not interested in staying safe. She’s interested in staying at my side…and tempting me to kiss her.

And kef me, is it ever a temptation.

Am I really going to run headlong into danger with the universe’s most beguiling female at my side? Am I going to be able to resist her charms?

(I think we all know the answers to those questions.)

Underworld Elements by Rachel FordUnderworld Elements by Rachel Ford:

They say the only guarantees in life are death and taxes, but they forget crime.

Not Space Station Frontera’s Marshal Kalandri, though. Crime is her business. And on Frontera, a port truly on the frontier of inhabited space? Well, job security is never a worry.

When a station-wide power outage enables a brazen heist, Kalandri is tasked with finding the culprits and retrieving the stolen goods. She knows just who is behind it, too.

Dani “Dusty” Agincourt: the beautiful underworld queen who always seems to be one step ahead of the law.
Proving it is going another thing altogether, though – because Dusty has covered her tracks, and covered them well.

When the privateer ship Black Flag pulls into port with the parts needed to fix the power system – and an unexpected stowaway – things go from bad to worse. Because that’s when the killings start.

To stop a ruthless assassin, the lawwoman and the underworld queen are going to have to strike a truce. It’s a risky business, and Kalandri knows she’ll regret it.

If she lives that long, anyway.

Space Station Frontera is an all-new space opera series in the Black Flag world. It features new characters and new adventures, and can be read independently of the Black Flag series.

Judas Kiss by Rachel FordJudas Kiss by Rachel Ford:

Mercy is weakness. Forgiveness is blasphemy. Sin is crime.

Agata and Father Edlin have made a new life on a colony of outcasts and fugitives far beyond the tyranny of the Union. He practices his heretical faith in freedom, without fear of prosecution, and she and her little ship supply their colony. Life is good.

And then an old friend – and sometimes enemy – arrives, with a desperate plea for help. Soon, they find themselves back in the Union, racing against time to unravel a terrible conspiracy.

A conspiracy that might blow the Union apart at the seams and ignite an intergalactic holy war in the process.

A holy war that will destroy them and any hope of a new life.

Witch at the End of the Tunnel by Lily Harper HartWitch at the End of the Tunnel by Lily Harper Hart:

Vanity is the one thing Hali Waverly has never understood. That’s about to become a weakness.

Life at the Salty Cauldron is going well…right up until a body washes onto the beach. The dead woman, who is forty years younger than her husband, had a run-in with Hali in her tiki bar the previous day. Authorities assume it was an accidental drowning, but a mark on the dead woman’s neck gives Hali pause.

Grayson Hunter finds himself in a pickle when the identity of the body becomes public. Seems he was the one hired by the victim’s husband to investigate her extra-curricular activities. Surprisingly enough, it turns out she wasn’t having an affair. That doesn’t mean she wasn’t up to something nefarious.

Crossing paths has Hali and Gray partnering up for a second time, and as tense as things are between them, things are worse when they enter the world of Selfie Planet, the victim’s place of business.

Vanity goes by many names, has many faces. The one Gray and Hali find themselves facing off with is dark and menacing. There’s more going on than selfies and rampant narcissism, however. There’s also a mirror monster and several soulless individuals walking around making things worse.

Separately, Hali and Gray are forces to be reckoned with. Together, they can handle almost anything…except maybe this.

Worlds are about to collide, and nothing will ever be the same again.

Harmony and Disharmony by Bill HiattHarmony and Disharmony by Bill Hiatt:

Orpheus is not interested in inheriting his father’s throne. He wants nothing more than to use music to bring joy to his fellow mortals. Jason believes that nothing is more important than wresting his father’s throne from a usurper. He wants to perform heroic feats that will earn him as much glory as possible. Under ordinary circumstances, Orpheus and Jason would probably never have met. Certainly, they would never have been allies. But scheming gods plunge them into adventures greater than either of them has ever imagined. Both of them want to achieve their respective dreams. But facing hostile armies, monsters, and even conflicts among the gods will force them into horrible dilemmas. Will they sacrifice their dreams, or will they die trying to preserve them?

Invasion by Joshua JamesInvasion by Joshua James:

THEY INVADED.
THEY CONQUERED.
THEY UNDERESTIMATED.

The War of the Worlds gets turbocharged in this nonstop action-packed thriller about a group of survivors thrust into extraordinary circumstances.

When aliens arrive on Earth, the tiny town of Little Creek isn’t any more prepared than the rest of the planet.

Without warning or provocation, the otherworldly creatures begin to lay waste to everything.

In the chaos that follows, an unlikely group bands together:

A beauty queen with something to prove…
A shopkeeper with something to hide…
A shellshocked teenager set on revenge…
And a world-weary veteran desperate to save them all.

As time runs out, this ragtag crew must find a way to fight back against the alien forces massing around them.

What are they? What do they want? How can they be stopped?

If they fail, it won’t just be Little Creek that is lost.

It will be all of humanity.

A Book of Blades, edited by L.D. Whitney and Matt JohnA Book of Blades, edited by Matt John and L.D. Whitney:

Within this tome are buried the blades of warriors, thieves, and wizards. Tales of their deeds, glories, and triumphs shall ring throughout the ages.

Rogues in the House Podcast has gathered the best tales of Sword & Sorcery from across the community.

Here, brave adventurers will find stories lovingly crafted from Heroic Fantasy greats such as Howard Andrew Jones, John R. Fultz, and John C. Hocking. At their side are up and coming genre authors Chuck Clark, T.A. Markitan, Cora Buhlert, and many more.

Includes artwork from various artists, including Morgan King, director of Spine of the Night, and Sara Frazetta, granddaughter of the Legend himself!

Witch is the Word by Amanda M. LeeWitch Is the Word by Amanda M. Lee:

Hadley Hunter is finally getting a handle on life as a witch. Island living isn’t always beautiful sunsets and fruity cocktails, but things have never been better…until a body washes up on the beach during a private picnic with her boyfriend Galen Blackwood.

The body belongs to a local business manager, who just happens to be married to the daughter of one of the richest men on the island. Unfortunately for their victim, nobody – including his wife and daughters – seems to care that he’s gone. The deeper they dig, the more dirt they come up with on the victim … and the clues lead them straight to the isolated coven on the far side of the island.

Hadley doesn’t know a lot about witches, including herself, but what she learns doesn’t leave her with warm and fuzzy feelings. These witches mean business, and they’re intent on keeping their secrets from seeing the light of day.

When more bodies start dropping, all coven members, Hadley realizes something very big is about to happen. What, though?
With Galen and their friends at her side, Hadley is ready to engage in a new type of battle. This one is bigger than witches because it leads right through the heart of the island’s government body, the terrifying DDA.

Hadley thought she was adjusting but things are about to change. The question is, when the dust settles, who will be left standing and what side will they be on?

Sinister Magic by N.P. MartinSinister Magic by N.P. Martin:

A Dead Witch. A Dark Elf. An Avenging Wizard

The name’s Corvin Chance, and though I was born with magical abilities, I’d rather be playing my guitar in one of my local pubs than running around flashing my magic.

Until someone murdered my mother that is.

Now I’m slinging magic around the streets of Dublin as I try to find out who killed her. A gangster elf who crowned himself the king of the south is my main suspect. But besides being powerful and sociopathic, the elf is also part of a murderous cabal that includes a bloodthirsty vampire prince. I’m good, but not that good.

Luckily, I have my two best friends: Dalia, a sardonic Demi-Fae who could scare the bejeezus out of Lucifer himself; and Monty, a wise-cracking street magician and YouTube star with a gift for cybermancy and conjuring.

Together we will enter a dangerous Dublin underbelly populated by dark elves, vampires, goblins, and orcs to discover just who killed my mother and why… if we don’t die ourselves first, that is.

Join me and my oddball motley crew as we attempt to solve a murder, exact justice and just maybe… get a pint of the black stuff afterwards.

Last Car to Annwn Station by Michael MerriamLast Car to Annwn Station by Michael Merriam:

One week to save the child, bargain with Death and get the girl…

Child Protective Services Attorney Maeve Malveaux is sure that Chrysandra Arneson needs to be rescued from her rich, powerful and abusive family. But how? Her boss won’t listen to her and neither will the judge. But after she gets taken off the case and sent on involuntary leave to get her out of the way, she’s determined to find out what’s going on.

She’s not counting on joining forces with Jill, the gorgeous law librarian from work, and a mismatched collection of fairy folk. Or getting the ghostly assistance of the long-defunct Minneapolis streetcar system. And, perhaps, even a hand from Death himself. Mae and Jill are about to be caught up in a supernatural power struggle that will take them on an adventure from the Uptown neighborhood in Minneapolis into faery realms and beyond. All they need is a dime for the streetcar fare and a little help from their new allies to be on their way. But will it be enough to save a little girl and get them where they need to go? They’ve only got a week to find out…

I Have Asked To Be Where No Storms Come by Gwendolyn N. NixI Have Asked To Be Where No Storms Come by Gwendolyn N. Nix:

The demons are coming, and Hell’s coming with them.

A weird west alternate history horror novel set in Hell. “…like Stephen King and Cormac McCarthy teaming up to reboot Dante’s Inferno as a Western.”—Michael Pogach

The facts of Domino Bluepoint’s afterlife are simple in this horror adventure: he’s a half-breed witch from a people without a name, and no one wants to be stuck in Hell with witch blood.

When a demon bounty-hunter comes calling, Domino pairs up with his mother, who died too young and carries the witch lineage in her veins, to survive. Soon the two of them are Butch Cassidy and the Sundance Kid running from whatever torture awaits them and whoever wants to harvest their magic.

Yet, Domino doesn’t know that his brother, Wicasah, is behind this and is desperate to resurrect Domino out of long-lasting guilt and a sensation of belonging to no place and no one.

As Wicasah dives deeper into darker magic that ends in an ill-made deal, Domino must overcome addiction, depression, and hone his own brand of witch-magic to help save his brother—and the world—from an ancient god.

I Have Asked to be Where No Storms Come is perfect for fans of Stephen King’s Dark Tower series, supernatural fiction, dark fantasy, adult horror books.

Proudly represented by Crystal Lake Publishing—Tales from the Darkest Depth.

Fox Heart by Hollis ShilohFox Heart by Hollis Shiloh:

There are too many cops in my life. First there’s Ken, the guy I’ve been seeing. I’ve been his secret for far too long. Now he wants to join the Shifters and Partners organization—with me as his partner.

I’m not convinced. There’s also this wolf hanging around now. Eli works with the cops, and he’s awfully easy to get a rise out of. But he’s also kind of my friend now. And he’s…hot?

Fox shifters and wolf shifters don’t mix. Everybody knows that. But this situation is starting to get tricky for my poor heart.

What am I supposed to do when love is always just around the corner—for somebody else, but not for me?

Discretion by Glynn StewartDiscretion by Glynn Stewart:

A crew, scattered across enemy lines
A father, separated from his daughter
A daughter who will not wait for rescue

The bounty for bringing down a major crime syndicate may have removed Captain Evridiki “EB” Bardacki’s immediate financial needs, but no freighter captain wants to fly empty between the stars.

A cargo mission to run a blockade seems within his crew’s unique mix of talents, and he agrees to supply weapons to one side of a stalemated civil war in the Estutmost star system.

The sudden collapse of the stalemate puts EB on the wrong side of the front lines from his adopted daughter.

He took down a crime syndicate to protect her once—what’s a planetary military or two?

Breaker Marine by James David VictorBreaker Marine by James David Victor:

As a breaker, she was destined to live a hard life serving the whims of galactic corporations. As an Earth Alliance Marine, she has a chance to change the balance of power in the galaxy.

Holly Cropper grew up as a Breaker, mining the outer reaches of space. Now, she’s an up-and-coming lieutenant in the Earth Alliance Marines. Her mission: keep the peace and help humanity survive in the endless darkness of space. When a distress call comes in from a large mining vessel, her orderly world gets turned upside down. What starts with a simple pirate takeover turns into a hostile alien invasion. This Breaker Marine and her small team might be the only thing standing between humanity and annihilation at the hands of ancient aliens.

Breaker Marine is the first book in the Star Breaker series. If you like fast-paced space adventures with interesting characters who battle aliens, evil corporations, and space pirates, Holly Cropper and her team of Marines are ready to share their epic adventure with you.

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Indie Crime Fiction of the Month for July 2022


Welcome to the latest edition of “Indie Crime Fiction of the Month”.

So what is “Indie Crime Fiction of the Month”? It’s a round-up of crime fiction by indie authors newly published this month, though some June books I missed the last time around snuck in as well. The books are arranged in alphabetical order by author. So far, most links only go to Amazon.com, though I may add other retailers for future editions.

Our new releases cover the broad spectrum of crime fiction. We have cozy mysteries,  historical mysteries, Jazz Age mysteries, paranormal mysteries, crime thrillers, adventure thrillers, legal thrillers, police procedurals, romantic suspense, police officers, FBI agents, lawyers, journalists, amateur sleuths, missing persons, serial killers, poachers, crime-busting witches, crime-busting socialites, crime-busting realtors, murder and mayhem in London, Edinburgh, Cornwall, South Dakota, Michigan, Florida and much more.

Don’t forget that Indie Crime Fiction of the Month is also crossposted to the Indie Crime Scene, a group blog which features new release spotlights, guest posts, interviews and link round-ups regarding all things crime fiction several times per week.

As always, I know the authors at least vaguely, but I haven’t read all of the books, so Caveat emptor.

And now on to the books without further ado:

Murder, Perhaps by Beth ByersMurder, Perhaps by Beth Byers:

When Vi gets a visit from her brother, Geoffrey, she is delighted. Their relationship has been shaky from the beginning, but he’s older now. He even seems to have shaken off the claws of his mother.

Even so, when he tells Vi he’s seen a murder, she can’t quite believe it. It becomes clear that their relationship may never recover if she doesn’t take him seriously. Before long, Vi faces more than an investigation. She’s dealing with a nightmare she never expected: asking questions about a doubtful murder with her stepmother, her brother, and her father.

The mystery quickly becomes not whether she’ll find the killer, but whether her sanity will survive the investigation.

All Or Nothing by John CarsonAll Or Nothing by John Carson:

Practice makes perfect. Even in death.

DCI Harry McNeil is back at the helm, joined by his old friend, DI Frank Miller. He is juggling his private life with being a single father, running a new Major Investigation Team, and spending time with a woman who may or may not become more than just friends.

Edinburgh at New Year is a time for celebration, fun, and for one person, murder.

The festivities leading up to Hogmanay are tinged with fear as Harry’s team gets a shout when the murdered body of a woman is found floating in the Water of Leith near the docks.

A vicious killer has left his mark and Harry’s new team is put to the test.

But with time running out, the killer is going to be knocking on Harry McNeil’s door, in more ways than one…

Paradise Gone by David CrosbyParadise Gone by David Crosby:

AN ENDANGERED FLORIDA PANTHER, A DEADLY
POACHER, AND A KID IN TROUBLE…

Hotshot Florida journalist Will Harper, known for reporting hard-hitting stories (and for living on a trawler), is quietly doing both those things when cans of worms suddenly explode in all directions.

His story-in-progress seems safe enough, even a bit predictable—it’s about overdevelopment killing Florida culture and wildlife. But when he contacts a wildlife photographer for information, he finds himself listening to a much more compelling yarn than the one he’s working on. The photographer and her assistant recently filmed a mother black bear tragically killed by a poacher in front of her cubs.

And then the poacher, carefully setting his sights on the humans, shot her assistant right in front of her.

Rushing to get help, she returned with the police only to find that both the wounded man and the bear’s corpse had disappeared. With no evidence, the cops declined to investigate

Enter the ever-quixotic investigative reporter—if no one else is going to look into this, Will sure will.

But his investigation is hampered by a new development that’s destroying his domestic peace and quiet. It seems his girlfriend neglected to mention she has a teenage daughter who’s hell on wheels and who’s now been to sent to live with her mom and Will—which means their once-peaceful trawler is now home to squabbling, tension, and teen-age angst.

So while Will is hellbent on trying to track down the missing assistant, he’s also got to keep this teenager from finding a way to get in touch with her psycho biker boyfriend. Watch the exceedingly nimble Will juggle his article on gorgeous (and disappearing) Florida culture, his investigation into the deadly poacher’s ghastly crimes, and his big-hearted attempts to keep the angry teenager from being kidnapped by the so-called “love of her life.”

All in a day’s work for this guy.

Witch at the End of the Tunnel by Lily Harper HartWitch at the End of the Tunnel by Lily Harper Hart:

Vanity is the one thing Hali Waverly has never understood. That’s about to become a weakness.

Life at the Salty Cauldron is going well…right up until a body washes onto the beach. The dead woman, who is forty years younger than her husband, had a run-in with Hali in her tiki bar the previous day. Authorities assume it was an accidental drowning, but a mark on the dead woman’s neck gives Hali pause.

Grayson Hunter finds himself in a pickle when the identity of the body becomes public. Seems he was the one hired by the victim’s husband to investigate her extra-curricular activities. Surprisingly enough, it turns out she wasn’t having an affair. That doesn’t mean she wasn’t up to something nefarious.

Crossing paths has Hali and Gray partnering up for a second time, and as tense as things are between them, things are worse when they enter the world of Selfie Planet, the victim’s place of business.

Vanity goes by many names, has many faces. The one Gray and Hali find themselves facing off with is dark and menacing. There’s more going on than selfies and rampant narcissism, however. There’s also a mirror monster and several soulless individuals walking around making things worse.

Separately, Hali and Gray are forces to be reckoned with. Together, they can handle almost anything…except maybe this.

Worlds are about to collide, and nothing will ever be the same again.

The Escrow Escape by CeeCee JamesThe Escrow Escape by CeeCee James:

It’s a Georgie and Stella combo!

Stella’s routine is getting back to normal after her mother’s trip to Poland. But even the simplest things can lead to unexpected adventures. While searching for a mystery at the local bookstore, Stella picks up an abandoned book. A handwritten note falls out with an odd message: Where she goes there are no shoes…

When she mentions the note to her Oscar, her grandpa, the retired FBI agent tells her about the missing persons case he couldn’t solve a decade ago and shows her an old newspaper clipping. The photo shows the phrase spray painted on a wall, with red paint. Before long, Stella is wrapped up in the strangest mystery she’s faced yet.

Three Ring Murder by CeeCee JamesThree Ring Murder by CeeCee James:

Perfect for readers who love mysteries with unforgettable characters. Join Trixie in this newest cozy mystery where she must rescue her friend Jerry, accused for the death of the Mayor! With the evidence in plain sight, it seems the detectives have the right guy. But Trixie remembers a certain someone sneaking around the Big Top who didn’t belong, despite being a respected politician. With Prancer, her horse, and the many circus dogs, Trixie is on the hunt for both evidence and the true villain.

Then she discovers he may be on the hunt for her. Can she catch him in time in this fast-paced mystery?

Cold Evidence by Robin JamesCold Evidence by Robin James:

A murder so brutal, only a monster could have committed it. The accused had no motive. But there’s a mountain of evidence against him.

A decorated war hero, Ty Chapman has built his dream life in the quiet lakeside community of Delphi, Michigan. He has a beautiful wife. A baby on the way. Everything to live for. He’s the last person anyone would suspect of beating a local handyman to death behind a seedy motel. But when two credible witnesses see him running from the crime scene, hands bloodied, the police believe they have him cold.

There has to be a reason for the killing. But the prime suspect won’t talk. Not even to his lawyer.

Cass Leary is Delphi’s top defense attorney. In Ty Chapman, she’s finally got a client who can afford her. Only Ty goes mute anytime she tries to get his side of the story. All she has is a parade of character witnesses who swear Ty isn’t capable of such a heinous act.

The more Cass delves into the mystery, the more questions she has about the victim. Only most of what she learns is inadmissible in court and Ty still won’t tell her what really happened in those woods. If that weren’t enough, Cass gets a call that her former mob boss has gone missing and the FBI thinks she’s the key to finding him. Their timing couldn’t be worse as Cass heads into the courtroom to argue for Ty Chapman’s future.

Will Cass’s fight win her client’s freedom or expose an even more shocking truth?

Witch is the Word by Amanda M. LeeWitch Is the Word by Amanda M. Lee:

Hadley Hunter is finally getting a handle on life as a witch. Island living isn’t always beautiful sunsets and fruity cocktails, but things have never been better…until a body washes up on the beach during a private picnic with her boyfriend Galen Blackwood.

The body belongs to a local business manager, who just happens to be married to the daughter of one of the richest men on the island. Unfortunately for their victim, nobody – including his wife and daughters – seems to care that he’s gone. The deeper they dig, the more dirt they come up with on the victim … and the clues lead them straight to the isolated coven on the far side of the island.

Hadley doesn’t know a lot about witches, including herself, but what she learns doesn’t leave her with warm and fuzzy feelings. These witches mean business, and they’re intent on keeping their secrets from seeing the light of day.

When more bodies start dropping, all coven members, Hadley realizes something very big is about to happen. What, though?
With Galen and their friends at her side, Hadley is ready to engage in a new type of battle. This one is bigger than witches because it leads right through the heart of the island’s government body, the terrifying DDA.

Hadley thought she was adjusting but things are about to change. The question is, when the dust settles, who will be left standing and what side will they be on?

The Girl and the Twisted End by A.J. RiversThe Girl and the Twisted End by A.J. Rivers:

A horrific beginning.
Ends with the most unexpected twist…

Marie was young, beautiful, and vibrant.
Her life was cruelly taken from her.
Her murderer still roams this world, potentially looking for a new prey.
With Sam devoting himself to finally bringing an end to Marie’s case, Emma dives further into the twisted worlds of corruption and brutality, to finally bring an end to the mystery behind Miley’s disappearance…
As the pieces seem to fall into place to bring an end to the cases FBI Agent Emma Griffin has been chasing, unexpected people come into her life.

The question is… what are their true motives?
Who or what do you believe?

All questions are ready to be answered.
All the mysteries lead to one twisted and shocking conclusion.
There’s a storm brewing around Emma Griffin.
Will she get through the eye of the storm or get swept up into utter destruction?

The Creek by L.J. RossThe Creek by L.J. Ross:

YOU CAN RUN, BUT YOU CAN’T HIDE…

Kate Irving arrives at her grandfather’s cottage at Frenchman’s Creek in the dead of night with her young son, a small suitcase and little else. Its scattered community of fishermen, farmers, artists and jetsetters barely bat an eyelid, because theirs is a rarefied world, tucked beneath the lush forest that lines the banks of the Helford estuary, deep in the heart of Cornwall, where life is slow and people generally mind their own business. Unless, of course, your grandfather happens to be a pillar of the local community…

Kate’s left the past behind and guards her privacy and her son fiercely. She’s wary of accepting the friendship her new neighbours offer, but their kindness is too great to refuse and she begins to feel she has found her place in the world. That is, until tragedy strikes, and her new friends look to her for the answers…

Kate soon learns that the past always catches up with you, in the end—the question is, will she be able to face it, when it does?

Suspense is peppered with romance and humour in this fast-paced mystery, set amidst the spectacular Cornish landscape.

Man Overboard by Wayne StinnettMan Overboard by Wayne Stinnett:

Jesse McDermitt has returned to the Florida Keys. But things in the islands are different now. The locals are worried, but nobody can explain why. A sense of foreboding hangs in the humid July air.

One of the locals, an investment banker, is waiting tables at the Rusty Anchor Bar and Grill. He seems a shell of the man he used to be—a hollow man whose fortune and wife are gone. He’s tight-lipped about how he came to be a guest in Rufus’s little shack behind the bar.

Something very sinister is going on—Jesse smells it. He’s usually very good at rooting out the source of a problem, but is stumped this time. Will he figure it out in time to stop it from happening to someone else?

Until another tight-lipped hollow man shows up.

Murder at the Boxing Club by Lee StraussMurder at the Boxing Club by Lee Strauss:

Murder’s a knockout!

Despite her misgivings and general distaste for fighting sports, Mrs. Ginger Reed, also known as Lady Gold, agrees to attend a boxing match to support her adopted son’s cousin, a street fighter who’s quickly risen in the ranks.

But when his opponent, the presumed champion-to-be, drops out and then drops dead, Ginger and her husband, Basil, a chief inspector at Scotland Yard, investigate. Was the fighter dead because of sports-betting gone awry? Were London gangs involved? And has an old, but newly present danger returned to threaten the Reed family?

When one of their own falls prey, the gloves come off and the fight becomes personal. Can Ginger and Basil save their family and stop a killer before the towel is thrown in the ring?

Without Mercy by Ava StrongWithout Mercy by Ava Strong:

MMA champ-turned-FBI Special Agent and BAU specialist Dakota Steele is as tough as they come—and as brilliant, too, able to crack serial killers that no one else can. But this new case is unlike anything she’s seen, and Dakota, weighed down by the demons of her own past, may have just reached her breaking point.

Dakota’s last case broke her, driving her to quit the FBI and return to the hard streets of her South Dakota hometown. She is weighed down by a lifetime of fighting, and by the demons of her dark past: her missing sister who vanished when Dakota was a teenager. Her estranged father, who she still can’t bring herself to speak to.

The killer she let get away.

Dakota has hit her low point.

Only the most desperate case—and the tough love of her partner—can lure her back.

Victims are disappearing along empty stretches of desert highway, with no witnesses. The landscape is desolate, the people tough and dangerous. And the police are stumped.

Time is running out before the next victim is taken, and it’s up to Dakota to connect the dots.

Can Dakota stop him in time?

Or will her own demons take her for good?

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Non-Fiction Spotlight: Management Lessons from Game of Thrones: Organization Theory and Strategy in Westeros by Fiona Moore

First of all, I was at the Hugos There podcast again as part of a great panel discussing the 2022 Hugo finalists for Best Novella. You can listen here or watch us blabber on YouTube here.

After the Hugos is before the next Hugos, so I’m continuing my Non-Fiction Spotlight project, where I interview the authors/editors of SFF-related non-fiction books that come out in 2022 and are eligible for the 2023 Hugo Awards. For more about the Non-Fiction Spotlight project, go here. To check out the spotlights I already posted, go here.

For more recommendations for SFF-related non-fiction, also check out this Facebook group set up by the always excellent Farah Mendlesohn, who is a champion (and author) of SFF-related non-fiction.

Business books are not exactly what you’d expect to find in a series of spotlights about SFF-related non-fiction. However, a business book is absolutely appropriate for this series, when it shares management and business lessons from Game of Thrones.

Therefore, I am happy to welcome Dr. Fiona Moore, author of Management Lessons from Game of Thrones: Organization Theory and Strategy in Westeros to my blog today:

Management Lessons from Game of Thrones by Fiona Moore

Tell us about your book.

Management Lessons from Game of Thrones takes a look at management theory through a Westerosi lens. I use characters, organisations, and events from the television series (primarily, though there’s some references to A Song of Ice and Fire in there as well) to explain the background and concepts of organisation theory, human resource management, strategy, and mergers and acquisitions (or, in the Westerosi context, weddings and warfare). I also look at how and why Game of Thrones is such a useful tool for management education, and suggest ways in which the reader can develop their own understanding of organisations through the use of SFF stories.

Tell us a little bit about yourself.

I’m an anthropologist who wandered into a business school twenty years ago and stayed because they keep feeding her! Seriously, I did my doctorate in anthropology, but, because my area of interest centred around multinational corporations, I found it easier to get a job in a management studies department. However, while I was doing my doctorate I also started co-writing guidebooks to cult and/or SF television, which has led to a parallel career writing academic works on SF, and the two streams have finally intersected.

I also write fiction; most of my published work is about intelligent machines and people learning to live with them, though I also write Lynchian horror and a series I generally describe as “Gerry Anderson, but with lesbians.”

And I have a tortoiseshell cat who is mostly bent on world domination, though at thirteen she’s mellowed a tiny bit.

What prompted you to write/edit this book?

It was very much an unexpected journey. I’m a Game of Thrones fan, and I teach, among other things, leadership theory to masters’ students—many of whom are also Game of Thrones fans. In order to make it more interesting for them, I began using examples from Game of Thrones.

Word got around the business school and before long I was giving a cut-down version as a “taster lecture” to prospective students.

Then, encouraged by various friends in fandom, I wrote it up as a blog post series, and gave a talk at Eastercon. But people kept asking, ‘when are you going to write a textbook?” And, when academic publishers Edward Elgar approached me asking if I had any ideas for new books, I pitched this one to them and they were delighted.

Why should SFF fans in general and Hugo voters in particular read this book?

In the first place, I think SFF fans in general should read it because, at the risk of sounding arrogant, it should teach you something, and in what is hopefully a fun and interesting way. That was my original aim when I started out, and I still think it’s easier to learn about, for instance, the role of the personnel function in organisations when you’re thinking about it in terms of how the Night’s Watch works, or mergers and acquisitions through the history of Winterfell. Even if you’ve got a background in management studies, this approach should give you some insights you might not have had otherwise.

More seriously, and for the Hugo voters, this approach also does the reverse, and gives us insights into Game of Thrones. The reason Game of Thrones works so well as a management teaching tool is because it was written in a context of late American capitalism, based loosely on historical societies at a time and place when businesses as we know them were starting to evolve. This book allows us to see how Game of Thrones holds a mirror up to our world, and, through allegory and fiction, tackles problems that ordinary managers face.

Do you have any cool facts or tidbits that you unearthed during your research, but that did not make it into the final book?

There was one insight into Ironborn society that I had when I was exploring the complicated issue of gender and leadership on Westeros. There are a number of societies, for instance the Inuit, which have very strict gender roles, and which handle a situation where a family has too many people of one gender and not enough of the other by re-gendering some of the kids. Or adults. In Albania, for instance, where a lot of men die in blood feuds, some of the women become what they call “sworn virgins”, who are socially male. Though in most cases that re-gendering only goes so far: ”sworn virgins” can’t marry, for instance.

And although nobody’s ever said so, that would explain Yara Greyjoy perfectly. One son is dead, the other traded off to the Starks as a hostage and considered no longer an Ironborn: so you raise the daughter in a male role. And then hit the inevitable problem when you run up against the limit of the re-gendering, and she can’t in fact inherit her father’s title.

That’s the sort of thing that anthropologists love to think about, but it was a bit harder to work into a management text!

SFF-related non-fiction is somewhat sidelined by the big genre awards, since the Nebulas have no non-fiction category and the Best Related Work Hugo category has become something of a grab bag of anything that doesn’t fit elsewhere. So why do you think SFF-related non-fiction is important?

SFF-related non-fiction is important because that’s where our insights come from. I like to read Vector and Foundation, two SFF non-fiction journals here in the UK, because I always come away seeing a familiar work in a new light, or understanding it in a way I didn’t before. If people didn’t take a step back from the genre and think about what makes it work, we wouldn’t understand it as well as we do.

Are there any other great SFF-related non-fiction works or indeed anything else (books, stories, essays, writers, magazines, films, TV shows, etc…) you’d like to recommend?

For a start, Vector and Foundation, as I mentioned above. Obverse Books do a great line in short monographs about Doctor Who and other cult television series (full disclosure, I’ve written one of them). Academics I follow include Tony Keen, who writes on popular works on classics; Dassi Elber-Aviram, who has a new book out called Fairy Tales of London, Farah Mendlesohn and Edward James; Andrew Butler, whose book on 1970s SF I find a useful reference; Amy Binns, who has written a great book on John Wyndham; and Ali Baker, who does a podcast called Fantasy Book Swap. Outside of academia but still in nonfiction, I can also recommend my frequent co-author Alan Stevens; Rob Fairclough; Andrew Pixley; and the Doctor Who focused zine Vworp! Vworp! I’m also addicted to the Octothorpe podcast, but that’s by the way.

Where can people buy your book?

You can buy direct from the publisher here , and I believe they have international shopping. Otherwise, easiest way internationally is probably Amazon. You can find it on Amazon UK at and Amazon US. If you want to order from an independent bookshop, and I would encourage you to, the ISBN is 978 1 83910 528 9.

Where can people find you?

I’m @drfionamoore on all social media, my professional website is www.fiona-moore.com, and my blog is www.adoctorofmanythings.com. There’s an essay series on my blog called Leadership Lessons from Game of Thrones (linked to on its sidebar) which is a bit of a taster for the book if you’re hesitating about buying it!

Thank you, Fiona, for stopping by and answering my questions.

Do check out Management Lessons from Game of Thrones: Organization Theory and Strategy in Westeros, which came out today.

About Management Lessons from Game of Thrones: Organization Theory and Strategy in Westeros:

This intriguing and absorbing book takes a look at aspects of Westerosi society and politics from an anthropological and organizational studies angle. It shows both how management theory influenced the world-building in the Game of Thrones franchise, and also how students, academics and managers can draw on the series to further enhance their understanding of concepts in human resource management and organization theory.

Based on a detailed knowledge of Game of Thrones but grounded in serious management research, Fiona Moore provides a tour of the organizations, leaders and followers in Westeros, giving insights into the fantasy kingdom as well as important lessons managers can use in their own careers. Providing a brief and enjoyable introduction to management and organization theory, the book then discusses how and why modern management concepts can be seen in Game of Thrones, exploring concepts such as leadership, strategy and human resource management through a unique lens.

Unconventional in its approach, this book will prove a key resource for students and scholars in areas such as business leadership, human resource management and organization studies looking for new and entertaining ways of understanding the theory behind management.

About Fiona Moore:

Fiona Moore is a two-time BSFA Award finalist, writer and academic whose work has appeared in Clarkesworld, Asimov, Cossmass Infinities, and three consecutive editions of The Best of British SF. Her publications include one novel; numerous articles in journals such as Foundation; guidebooks to Blake’s Seven, The Prisoner, Battlestar Galactica and Doctor Who; three stage plays and four audio plays. When not writing, she is a Professor of Business Anthropology at Royal Holloway, University of London. She lives in Southwest England with a tortoiseshell cat which is bent on world domination. More details, and free content, can be found at www.fiona-moore.com.

***

Are you publishing a work of SFF-related longform non-fiction in 2022 and want it featured? Contact me or leave a comment.

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Toy Photo Story: “The Frost-Giant’s Daughter” – and some mixed links

I have another toy photo story coming up. Not a Masters-of-the-Universe-piece Theatre story this time, because it involves vinyl figurines (of which I have a huge collection going back more than forty years) rather than Masters of the Universe toys.

However, first I also have a couple of links to other places on the web where you can find me and my work.

First of all, I have another flash story available at Wyngraf Magazine of Cozy Fantasy. It’s called “Demon Child” and its basically a changeling story in reverse.

Earlier this week, I was over at Galactic Journey, where I review two SFF novels of 1967: the sword and planet novel Flame of Iridar by Lin Carter, which was actually decent, a throwback to the sort of fiction published in Planet Stories or Startling Stories in the 1940s, and Chthon by Piers Anthony, which I first read at the age of sixteen and disliked so much that it turned me off the entire New Wave for years. I explicitly offered to review Chthon for the Journey, because I still have my old copy (given the price of import paperbacks in the 1980s, you did not throw even a bad book away) and because I wanted to give it another chance to see if I was maybe too young to enjoy it. However, it turns out that I actually liked Chthon even less the second time around. Gideon Marcus, who found a copy and decided to read it, also hated it, by the way. Based on my observations, Chthon is also the first SFF novel of the 1960s with truly creepy sex scenes and a lot of them. Even the first Gor book was more dull than anything else with comparatively little of what made the series infamous later on.

Finally, I’ve also been on the Hugos There! podcast, discussing the 2022 Hugo finalists for Best Short Story (video here) and Best Novelette (video here) with a bunch of cool people.

And now, let’s get to the main event, a toy photo story adaptation of “The Frost-Giant’s Daughter” by Robert E. Howard. For those who don’t know, “The Frost-Giant’s Daughter” is the second story about Conan of Cimmeria that Robert E. Howard ever wrote, ninety years ago now. It was rejected by Weird Tales and only published in altered form (with Conan renamed Amra) in the fanzine The Fantasy Fan during Howard’s lifetime. The original version did not appear until way after Howard’s death. You can read the Amra version here.

“The Frost-Giant’s Daughter” is set early during Conan’s career. Many believe it is the earliest of Conan’s chronicles adventures. I’m not entirely convinced by this, but Conan is definitely young in this story.

My adaptation differs from the original story in two aspects. For starters, I made it less rapey. Secondly, instead of the male pseudo-Viking companions from the original story, the companion I gave Conan is Valeria of the Red Brotherhood, pirate, mercenary, swordswoman and all around awesome character, whom Conan meets in the later story “Red Nails”.

So I present you: “The Frost-Giant’s Daughter” by Robert E. Howard, starring Conan of Cimmeria and Valeria of the Red Brotherhood:

Far up in the frozen wastes of Nordheim:

Ymir and Atali

“I hunger, Atali, my daughter. Bring me food.”

“There has been a battle nearby. I shall find a strong warrior for you there.”

A little later on a nearby battlefield:

Conan and Valeria meet Atali

“By Crom, it’s a girl. Here, on the battlefield. I wonder if she’s cold in those gossamer robes.”

“Hello there, warrior. I am Atali and I am looking for a strong man just like you. Follow me.”

“Of course, I’d follow you anywhere.”

“Uhm, Conan, I don’t think that this is a good idea.”

Conan follows Atali, while Valeria follows Conan.

“Come on, big bad Barbarian. Catch me, if you can.”

“I shall catch you and then I will show you how a Cimmerian makes love.”

“Conan, wait! Oh great, why must that idiot always think with the dangly end?”

Atali seduces Conan, while Ymir lurks in the background.

“By Crom, you’ve led me on a merry chase, girl.”

“Come on, big bad Barbarian, meet my father Ymir and my brothers.”

“Just to make things clear, I am not the sort of man you take home to meet your family, girl. Conan is not a man to marry.”

“Who said anything about marriage?”

Ymir attacks Conan while Atali looks on.

“Meet my father!”

“Roar, I am hungry. He looks strong… and tasty. You have done well, daughter.”

“Crom, this did not go as planned.”

Conan fights Ymir, while Atali looks on.

“Crom, he is big. And a lot faster than he looks.”

Valeria comes to Conan's aid and fights Ymir, while Atali looks on.

“Let go off Conan, monster!”

“Valeria, what are you doing here?”

“What’s it look like? I’m saving your arse. Again.”

Ymir is down and Valeria is threatening Atali, while Conan looks on.

“Father, no!”

“Not so fast, witch. You’re involved in this, too, aren’t you?”

“My father! You slew my father, Barbarian swine.”

“Uhm, your father was trying to eat me. What did you expect me to do?”

Atali mourns Ymir, while Conan and Valeria leave.

“Father, no. What will I do now that you’re gone?”

“Thanks for the help, Valeria. What would I do without you?”

“Get eaten by whatever monster uses a comely witch to lure you into its lair, I guess. Anyway, next time use your brain before you run after strange women.”

The End.

***

Ymir, the Frost Giant is a Schleich Eldrador ice monster. Valeria is a Schleich Amazon warrior and Atali is a Schleich princess. Conan is a Comics Spain figurine. The frozen wastes of Nordheim are portrayed by glass paperweights and nice white pebbles.

I love the various Schleich dinosaurs and monsters. Not only are they awesome, the larger ones also match the Masters of the Universe Origins figures in scale and look a lot like the weird and wonderful fauna of Eternia seen in the 1980s Filmation cartoons. And because I got a good deal on them online, I ordered two monsters, a rock monster and an ice monster:

Schleich Eldrador rock monster and ice monster

They’re both awesome and the rock monster looks just like the rock people that occasionally show up in the vintage Masters of the Universe cartoon. The ice monster also looks like something out of the vintage Masters of the Universe cartoon, but it’s a bit too small for the Origins figures. However, it’s a perfect fit for my Conan figurine, so the idea to do an adaptation of “The Frost-Giant’s Daughter” was born.

Bonus: He-Man and Teela fight the rock monster.

He-Man and Teela fight the rock monster

“When you said, ‘Let’s patrol the outer perimeter for some alone time’, I certainly did not expect to be interrupted by rock monsters.”

“Rabar want sword. Rabar want to be warrior.”

“Hey, ugly, interrupting people, when they just want some privacy is rude. And now leave my boyfriend alone.”

***

Disclaimer: I don’t own any of these characters, I just bought some toys, took photos of them and wrote scenes to go with those photos. All characters are copyright and trademark their respective owners.

 

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