First Monday Free Fiction: Big Puffball

This post is something of an experiment, inspired by Kristine Kathryn Rusch who posts a free short story every week on her blog. I like the idea. However, I don’t have nearly as many stories as Kris, so I’ll post a free story on every first Monday of the month. It will remain free to read on this blog for exactly one month, then I’ll take it down and post another story.

Southern MonstersAnd because today is Rose Monday, the day before Fat Tuesday a.k.a. Mardi Gras, what better way to celebrate than with a Mardi Gras story?

And so I give you “Big Puffball”, a tale of a friendly swap monster with a taste for shiny things that may also be found in the collection Southern Monsters, available at fine e-book retailers everywhere:

 

 

 

Big Puffball

All right, so listen, cause this — like — really happened. I should know, cause I was there. I looked into the eye of the swamp monster and lived to tell the tale. And if you buy me a beer, I’ll tell you all about it.

Yeah, I know what you’re thinking. Swamp monster stories are dime a dozen here in bayou country. Pretty much everybody here in the bayous claims to have seen a ghost or a vampire or a swamp monster and most of the time, the so-called “monster” is no scarier than an alligator. Though alligators can be pretty fucking scary, if you ask me.

But my story is different. Because it’s one hundred percent totally true, cross my heart and wish to die and all that jazz. And for only the price of a beer, you get to hear it.

Okay, so it happened a long time ago, more than thirty years now, when I was but a little boy. It was February, Mardi Gras time, and me, my Mama and Papa and my sister Cally had gone to New Orleans to watch the parades. And now we were on our way home, Papa behind the wheel of our Pontiac Le Mans, Mama in the passenger seat and me and Cally on the backseat, counting our doubloons and beads. I was seven and Cally was five, both of us totally carefree, like children will be.

I still don’t know quite how it happened. One moment, we were happily chattering on the backseat, while Mama and Papa were quietly talking among themselves on the front seat. The radio was playing Zydeco music and the car was cruising along a dark backroad in bayou country, the headlights the only illumination. The next moment, there was a shadow, sharply outlined by the headlights, as something crossed the road.

I never knew what it was, a possum maybe or a raccoon or maybe something bigger. All I remember is that Mama screamed and Papa pulled the wheel around. The Pontiac swerved, avoiding the thing on the road. But Papa couldn’t get it under control again, so the car careened off the road, down a slope and right into the Bayou Marron.

Cally and I were wearing our seatbelts, which probably saved our lives. But nonetheless I was thrown forward and knocked my head against the back of the driver’s seat. I was out for a few seconds and when I came to again, our car was gradually sinking into the brackish water of the Bayou Marron.

Already water was seeping into the footwell, muddy and icy cold. On the backseat next to me, Cally had pulled her knees up to her chin to escape the water. In the front seat, Mama and Papa were rattling on the doors, but it was to no avail. The doors were jammed.

***

This story was available on this blog for one month only, but you can still read “Big Puffball” in the collection Southern Monsters. And if you click on the First Monday Free Fiction tag, you can read this month’s free story.

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Star Trek Discovery Visits Vulcan in “Light and Shadow”

Even though the Nebula Award debate has dominated the past two days, there also was a new episode of Star Trek Discovery last night. And if you want to see my posts about previous episodes of Star Trek Discovery, go here.

Warning: Spoilers under the cut! Continue reading →

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The Latest Developments Regarding the 2018 Nebula Award Finalists

I promise you that the regularly scheduled Star Trek Discovery review is coming, especially since they have finally found Spock (spoiler white-out). But for now, there have been some new developments on the Nebula front. For those following along at home, my previous posts on this year’s Nebula Award mini-drama may be found here and here. The second one went viral after N.K. Jemisin shared it on Twitter. I’ll also repeat some of the ETAs from my last post, for those who haven’t seen them yet.

To recap, this year’s Nebula ballot contained an unusual number of indie finalists (six in all fiction categories except for Best Novel), which in itself wouldn’t be that surprising, since the SFWA opened its membership to indie writers some time ago. A bit more surprising was that five of those six finalists were action heavy space opera or straight military SF of the “pew pew” type, i.e. not the sort of works that the Nebula electorate normally goes for. And upon closer examination, it turned out that all of the six indie finalists are members of a group called 20Booksto50K (for more explanation, see the previous posts). Camestros Felapton dug into the group and unearthed a recommendation list that is in the grey area to a slate.

Camestros Felapton dug in further and noticed that four of the six indie finalists were either published by or otherwise connected to LMBPN Publishing, a publishing company operated by Michael Anderle and Craig Martelle, who also founded and run the 20Booksto50K group, and that several other works and authors listed on the 20Booksto50K not-a-slate were also connected to LMBPN Publishing. Richard Fox, indie writer and Nebula finalist in the best short story category, also showed up in the comments to make a spectacle of himself, determined to fill every square on the SFF awards slate bingo card.

ETA: Camestros Felapton also conducts a hypothetical thought experiment to explain why the conflict of interest between 20Booksto50K and LMBPN Publishing is a problem.

Camestros Felapton has also taken it upon himself to review all six Nebula finalists for best short story. So far, he has reviewed “Interview for the End of the World” by Rhett C. Bruno (who behaves graciously in the comments and clarifies some points regarding his story), “The Secret Lives of the Nine Negro Teeth of George Washington” by Phenderson Djèlí Clark (where a supposed fan of Richard Fox’s shows up in the comments to explain how he really does not like that story for its unusual narrative structure), “And Yet by A.T. Greenblatt (no drama for once, just a discussion of the story), “A Witch’s Guide to Escape – A Practical Compendium of Portal Fantasies” by Alix E. Harrow (again no drama, just discussion of the story),  “The Court Magician” by Sarah Pinsker (once more no drama, just discussion of the story – I sense a pattern here) and “Going Dark” by Richard Fox (who is clearly not a fan of criticism of his work and once again shows up to make a spectacle of himself). Camestros Felapton also offers an summary of his reviews and finds that some finalists are not like the others.

And talking of Richard Fox, at Bounding into Comics, John F. Trent interviews Richard Fox. The interview is mostly about his books and his comic work, but Fox talks a bit about his Nebula nomination and gripes about traditional publishing and sensitivity readers.

On the front of authors and their fans behaving badly, Annie Bellet, an indie writer who found herself a Hugo finalist due to the Sad and Rabid Puppy slates in 2015 and withdrew, once she found out how her nomination had come about, spoke out strongly against the tactics used by 20Booksto50K. Today, she shared this piece of hate mail from fans/friends of Yudhanjaya Wijeratne, a finalist in the novelette category together with R.R. Virdi.

Stuff like this is just rude and awful. And everybody who has actually read Annie Bellet’s Twitter exchange with Yudhanjaya Wijeratne will see that only one party comes off badly in that exchange and that’s not Annie Bellet.

ETA: Though Yudhanjaya Wijeratne and Annie Bellet seem to have come to an understanding now, as this Twitter thread shows, once Annie Bellet clarified that she was not accusing Wijeratne and his co-author of cheating (which I never read that way, but then I wasn’t the target) and Yudhanjaya Wijeratne read about Annie Bellet’s experiences as a Sad/Rabid Puppy slate nominee.

ETA2: Meanwhile at Facebook, Mary Anne Mohanraj claims that there was a racist element to the complaints about the 20Booksto50K not-a-slate, at least regarding the nomination for Yudhanjaya Wijeratne and his co-author R.R. Virdi. Or at least, it was viewed that way in Sri Lanka, from where both Yudhanjaya Wijeratne and Mary Anne Mohanraj hail. She also explains the background of the situation for Sri Lankan writers. Found via File 770, where Mike Glyer also quotes from a good response by N.K. Jemisin refuting Mary Anne Mohanraj’s racism accusations (which I can’t seem to link to, not being a Facebook member).

Now I can’t speak for anybody else, but I for one have zero problem with Yudhanjaya Wijeratne and his co-author R.R. Virdi being writers of colour and Yudhanjaya Wijeratne being a writer from Sri Lanka. In fact, when I first saw the 2018 Nebula shortlist, their nomination didn’t stand out to me, unlike the ones for Jonathan P. Brazee, Richard Fox and Rhett C. Bruno, whose names I recognised as indie writers who write the sort of work the Nebula electorate doesn’t normally go for. However, I didn’t recognise the name of the anthology Expanding Universe as a 20Booksto50K anthology – in fact, I got it mixed up with a Strange Horizons offshoot mag called Expanded Horizons, where writers of colour and South Asian writers wouldn’t seem out of place at all. And while a nomination for that magazine would have been a surprise, it wouldn’t have been that much of one. It was only when I googled Yudhanjaya Wijeratne and R.R. Virdi, because I did not want to accidentally misgender them in my post, that the Dragon Award nominations of R.R. Virdi as well as the anthology with a very indie military SF cover and Craig Martelle listed as the editor popped up. And that’s when I got a little curious.

As for Annie Bellet’s tweets, I did not see them as singling out any of the 20Booksto50K finalists as unworthy. And though Annie Bellet’s tweets were sweary, I saw them as being directed at the slaters and not the slatees, because Annie Bellet after all knows what it’s like to be slated without your knowledge and against your will, though it’s understandable if any of the slatees read that differently. I also have sympathy for Yudhanjaya Wijeratne (and R.R. Virdi, for that matter), since it seems that they did not know why the 20Booksto50K not-a-slate was problematic. However, Wijeratne did not react well to Annie Bellet’s tweets, though he isn’t the worst behaved author in this kerfuffle by a mile. Never mind that six of the seven authors from the 20Booksto50K not-a-slate are Americans and five are white (and several of the other Nebula finalists are writers of colour and/or international writers), so you really can’t say that Wijeratne was singled out for racist reasons.

ETA3: Yudhanjaya Wijeratne shares his own view of his Nebula nomination and the aftermath.

ETA4: Brad Torgersen (remember him?) feels compelled to weigh in and present his version of the Sad Puppy saga in the comments of Yudhanjaya Wijeratne’s post as well as on his own blog (Archive link). According to Torgersen’s latest version of the Sad Puppy saga, it was now all about plucky upstart indies trying to stick it to the traditionally published establishment. Torgersen also really cares about the plight of international authors, which he certainly never did before (and indeed, the Sad and Rabid Puppies kept several international authors off the ballot in 2015). Torgersen also seems to assume that everybody who opposed the Sad and Rabid Puppies was American and traditionally published, even though plenty of Non-Americans and indie authors spoke out against them. There are also some Nineteen Eighty-Four comparisons, which as Camestros Felapton points out, is kind of ironic for someone so intent on rewriting history as Brad Torgersen.

Of course, if you actually look at Torgersen’s original Sad Puppy 3 slate from 2015, you’ll see very few indies. Instead, you have Tor, Roc, Baen and 47 North in the best novel category, i.e. two Big Five imprints, a medium-sized company and one of Amazon’s publishing imprints. In the short fiction categories, you see a lot of Analog stories, a Baen anthology, two Castalia House novellas (and Castalia House is a small press) and one story each from Galaxy’s Edge, Intergalactic Medicine Show, Fireside Fiction and Sci Phi Journal. Best related work gives us yet more Baen and Castalia House as well as a small press called Merry Blacksmith Press, while the Campbell nominees are two hybrid authors and someone who had a story in a Castalia House anthology. The only actual indies on Torgersen’s original slate are Annie Bellet’s story, which was published in an indie anthology (and which, let’s not forget, was withdrawn) as well as Michael Z. Williamson’s Wisdom from the Internet and the graphic story finalist Zombie Nation. So much for Sad Puppies 3 promoting indie authors, neither of which serve as advertisements for indie publishing, because they’re both bloody awful. Oh yes, and apparently Brad Torgersen has a new book out. From Baen.

ETA5: Vox Day also weighs in on the Nebula debate, which was probably inevitable (archive link). He reposts Brad Torgersen’s post and also delcares that SFWA is irrelevant and claims that he was the first to propose admitting indie authors to SFWA. Of yes, and both Tor and Baen (now that is new) are apparently dying and Amazon is evil. In short, it’s business as usual and everything is happening once again just as Vox Day has planned.

ETA6: Jon Del Arroz decides to weigh in as well with a lengthy article at a rightwing site called The Federalist (archive link). Basically, he repeats most of the usual puppy talking points, the traditional publishing is dominated by leftwingers who want to keep conservatives out, that traditional publishing is rigging the Hugo and Nebula Awards, that traditional publishing is failing, because they publish too many political books, and that indie writers are winning, because they are writing unpolitical books that readers want to read. Now I don’t doubt that there are readers who enjoy the “kill all the aliens” military science fiction that is filling up the Kindle store, but stories about manly and usually white and American space marines killing the evil other in space are many things, but they sure as hell are not unpolitical. And let’s not even talk about the military science fiction novel with a cover that looked like a Nazi recruiting poster (and it was not alternate history – I checked) that was in the also-boughts for one of my In Love and War stories a while back. But then, Del Arroz also believes that Robert A. Heinlein and Frank Herbert were unpolitical writers.

Del Arroz also repeats that those who criticised the 20Bookto50K not-a-slate were all traditionally published authors afraid of the plucky indie upstarts, when in fact most of those who spoke out against the tactics are indie writers themselves. Camestros Felapton is very amused by the idea that he is now an “elite commentator”, by the way.

Finally, regarding Michael Anderle’s claim (restated by Jon Del Arroz in his article) that he founded the 20Booksto50K Facebook group after he was run out of several indie writer forums because of his business-minded approach, I am a member of one of the forums Anderle was supposedly run out of and that’s not how it happened. Instead, Michael Anderle showed up to post a shorter version of his manifesto. Some people asked critical questions and he flounced, never to be seen again.

ETA7: Lela E. Buis also shares her view on the 2018 Nebula finalists. She does not seem much troubled by the 20Booksto50K finalists, probably because their works are to her taste, and also seems happy that there are more male writers on the ballot. However, she is troubled by the supposed dominance of Tor, even though only eight out of thirty finalists in the fiction categories were published by Tor or Tor.com, which isn’t that much for an imprint that is the biggest English language publisher of science fiction and fantasy. So no, the Tor conspiracy does not exist. Besides four of the eight Tor finalists are in the novella category, which Tor.com Publishing dominates because of their high quality novella line, while one of the two Tor.com novelette finalists was also published as a standalone in the Tor.com novella line, though it does not quite meet the wordcount requirement for a novella. Everybody who likes novellas should be grateful to Tor.com Publishing, because they were at the forefront of the novella renaissance. However, Tor.com’s marketing dollars and the high quality of their novella line do make it difficult for other publishers (and most novella publishers are small presses or magazines) let alone indies to be noticed, which is a potential problem. Though it must be pointed out that two of the six finalists in the novella category were not published by Tor.com. Aliette de Bodard’s excellent Sherlock Holmes retelling The Tea Master and the Detective was published by Subterranean Press, while Jonathan P. Brazee’s Fire Ant was self-published.

Lela E. Buis also points out that several of the 2018 Nebula finalists are members of the SFWA board and/or candidates for office. I noticed this as well and it is potentially problematic, though it is apparently not against the rules. Besides, none of those finalists were unlikely or unexpected.

Not everybody was happy to find themselves on the 20Booksto50K not-a-slate, especially since it appears that many authors were not asked. For example, World Weaver Press, a small press one of whose books, The Continuum by Wendy Nikel, was on the 20Booksto50K not-a-slate, point out that they have no idea how the book got onto the last and renounce slating tactics.

Finally, for those who are confused what is and is not considered acceptable in putting your work forwards for awards consideration, Jim C. Hines has posted a handy overview about how to get nominated for a Hugo or Nebula Award and what is and isn’t okay.

ETA: And if you want a longer read on the subject, at Amazing Stories Steve Davidson delves into the history of science fiction fandom and explains just why slates and recommended reading lists that cross into slate territory are considering so taboo in the SFF world.

Then today, Jonathan P. Brazee, whose novella “Fire Ant” was a 2018 Nebula finalist, posted a statement at File 770. A statement by the SFWA about the issue may also be found in the same post. I encourage you to go over there and read the whole statement, because it’s well worth it. But in short, Jonathan Brazee apologises and takes full responsibility for asterisks and wink-wink nudge-nudge remarks that pushed an initially unproblematic recommended reading list into problematic territory. He also states that neither the people on the list nor the 20Booksto50K group had anything to do with it and that the mistake was his alone. Finally, Jonathan P. Brazee also offers to withdraw his nominated novella Fire Ant from consideration. It’s a classy thing to do and if every writer on the 20Booksto50K list had behaved with as much class and grace as Mr. Brazee, this situation would never have escalated as it did.

The SFWA statement confirms that SFWA is aware of the issues and that they are investigating what can be done to make the Nebula ballot more proof against slating and logrolling, regardless the intention behind it. SFWA also repeats that they want to represent all writers of science fiction and fantasy, whether indies, hybrids or traditionally published. Finally, they ask everybody to give all Nebula finalists their due consideration, regardless how and where they were published. It’s another classy response.

In the comments on the File 770 post, Camestros Felapton also shares the gist of a statement by Craig Martelle posted to the 20Booksto50K group, which is only visible to group and Facebook members. Though Martelle later posted a shorter version of that statement (apparently, he omits a lengthy anecdote about golf, which can only be a good thing) on his personal Facebook page which is visible to the public. He still has no idea why people are upset – after all, he only wants to help indie authors – and feels denigrated, even though Martelle was only tangentially mentioned in the debate. He also still hasn’t understood that a book that sells well does not equal am award-worthy book, but then that’s pretty typical for the more business minded indie authors (and certain traditionally published authors, for that matter).

I really hope that this is the last Nebula post I have to write until the winners are announced later this year.

Comments are still closed.

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Some Reactions to the 2018 Nebula Award Finalists

Now that about a week has passed since the 2018 Nebula Award finalists have been announced, more reaction posts are coming in. I’ve already linked to some of those as ETAs in my previous Nebula post, but I’m going to post them here again for those who may not have seen them before.

One of the most notable developments is the number of indie works (six altogether in every fiction category except for best novel) on the 2018 Nebula shortlist. Now this isn’t all that astonishing in itself, because SFWA opened up membership to indie authors a few years ago and with more indie members, the number of indie works nominated could also be expected to go up.

What is surprising, however, is that the five of the six indie finalists are very different from the other finalists in style, subgenre, etc… They’re all either military leaning space opera or outright military SF of the “Pew pew” type, which isn’t traditionally something the Nebula electorate tends to go for, though there are exceptions, e.g. Charles E. Gannon and Jack McDevitt who got several nominations for military and action adventure science fiction a few years ago. Furthermore, all six nominated indie authors (one story had two authors) plus one hybrid author are members of a Facebook group for indie authors called 20Booksto50K. In my last Nebula post, I explained a bit about what the group is all about. I’ll just repost the relevant paragraph here rather than repeat the whole thing:

For those who don’t know, 20Booksto50K started out as a Facebook group for business minded indie writers (the name implies that 20 books should bring you an income of 50000 USD), but by now they are also holding regular writers’ conferences. 20Booksto50K is a huge group – I think they have twenty thousand members or something – and because of their business focus, a lot of financially successful indie writers, i.e. the ones also most likely to join SFWA, are members. Plus, many of the early members including the founder were SFF writers, though they’ve since branched out to cover other genres. I’ve never been a member, largely because I don’t do Facebook, but I know some members and have seen videos of their conferences, so I’m familiar with the ideas behind the whole thing, which is basically “write fast, publish fast and create a ‘minimum viable product’ in highly commercial genres”. I’ve also read their manifesto, which may be found here. 20Booksto50K also encourages collaboration between authors and I wouldn’t be surprised the some of the indie anthologies, where the nominated stories were published, grew out of this or similar groups. What is surprising, however, is that several writers affiliated with 20Booksto50K hit the Nebula shortlist this yar, since critical acclaim and awards recognition is not really a main aim of this group. Though I guess they’re happy enough to take the publicity boost it brings.

After I made my Nebula post, Camestros Felapton dug a bit into the 20Booksto50K group and unearthed a “not a slate” reading list and dug up an earlier “not a slate” reading list, which confirms that there was an organised campaign going on. Camestros Felapton has also taken it upon himself to read and review all the Nebula short story finalists, starting with “Interview for the End of the World” by Rhett C. Bruno.

ETA: Camestros Felapton also looks at the role of LMBPN Publishing, Michael Anderle’s publishing company, in this whole kerfuffle.

Some of the more unexpected finalists on this year’s Nebula ballot did not go unnoticed elsewhere either:

At nerds of a feather, Adri Joy and Joe Sherry discuss the 2018 Nebula finalists, compare the shortlist to their predictions and also briefly address the number of indie works on the ballot and the 20Booksto50K connection. And at Dreaming About Other Worlds, Aaron Pound weighs in on the 20Booksto50K not-a-slate issue and how it causes him to question even nominations that were likely come by honestly. Meanwhile, Nicholas Whyte analyses the Goodreads and Library Thing ratings of several Nebula nominees and finds that the 20Booksto50K finalists have a much lower rating count than the traditionally published finalists. There also is a thread at the printSF subreddit about the Nebulas, in which the number of indie finalists comes up and some of the nominated authors weigh in.

Nonetheless, things were fairly quiet for a few days, though there is a lively discussion going on in the comments at Cam’s second Nebula post, largely because two of the indie finalists showed up to point out that the quality of the story should matter more than the publisher name in the front matter (a point I agree with) and that they are writing quality fiction that readers love (again, not something I can really disagree with, because quality is subjective to a certain degree and I’m sure their readers enjoy their stories). However, once regular commenters asked some uncomfortable questions, both authors quickly got huffy. One flounced, the other stuck around to complain about virtue signalling and how no one cared about the quality of his story. Which really is not a good look at all.

Then yesterday, Annie Bellet called out 20Booksto50K on Twitter for slating the Nebulas. The Twitter thread starts here. For those who don’t know or remember, Annie Bellet is an indie author who found herself nominated for a Hugo via the Sad/Rabid Puppies slate back in 2015 and was classy enough to withdraw her story from consideration when the way it had gotten nominated became clear, only to find herself attacked by the Puppies who nominated her in the first place. Also on Twitter, Marko Kloos who found himself on the 2015 Sad/Rabid Puppies slate and withdrew weighs in as well and points out that slates are a really bad idea for all involved. So in short, if anybody knows how harmful slates, no matter what you call them, can be, it’s Annie Bellet and Marko Kloos, because they were victims of slating tactics back in 2015.

At File 770, Mike Glyer links to Annie Bellet’s comments as well as to various responses from Marko Kloos, Marshall Ryan Maresca and J.A. Sutherland, all of whom are critical of the behaviour of the 20Booksto50K group. J.A. Sutherland also points out that the 20Booksto50K list started as a simple recommendation and eligibility list, which no one would have had any problems with, and then morphed into something quite different. His comments are not linked at File 770, but Jim C. Hines also weighs in regarding the 20Booksto50K not-a-slate on Twitter.

ETA: World Weaver Press, a small press one of whose books, The Continuum by Wendy Nikel, was on the 20Booksto50K not-a-slate, point out that they have no idea how the book got onto the last and renounce slating tactics.

Mike Glyer also links to responses from 20Booksto50K members, such as Twitter replies by Yudhanjaya Wijeratne, one of the 2018 Nebula finalists affiliated with 20Booksto50K, to Annie Bellet and J.A. Sutherland. Wijeratne seems to have been unaware of the recent history of the SFF field and why slates are considered such a bad thing. Nonetheless, he comes across as rather condescending in his responses to Annie Bellet and others, which does not help his case at all. Annie Bellet also has a follow-up thread pointing out that she does feel for those who ended up on the 20Booksto50K “not a slate” without understanding why that would be viewed as problematic, but that they should maybe do their homework before snapping at people.

ETA: At Bounding into Comics, John F. Trent interviews Richard Fox, author of the Nebula nominated short story “Going Dark”. The interview is mostly about his books and his comic work, but Fox talks a bit about his Nebula nomination and gripes about traditional publishing and sensitivity readers.

Another response Mike Glyer links to is this Facebook post by M.D. Cooper, which feels very much as if we fell into a time warp. Cooper declares that she* feels that there aren’t enough indie books nominated for the Nebula Awards, because after all indie books dominate the SFF charts at Amazon. And if something sells well, it should also be nominated for awards. Besides, she doesn’t understand why people have problems with the “minimal viable product” principle, since pretty much every piece of software is released along the same principles (yeah, but books are not software and besides, I hate getting buggy software which needs constant updates, too). And anyway, what’s wrong with promoting yourself and supporting your friends – after all, traditional publishing does it, too. Besides, those traditional publishing folks are just angry and scared, because indies are taking over the market, and so they behave like elitist gatekeepers. In the comments, you also get people bragging that they only read indie books and stories (well, that’s their choice, though they’re missing a lot of good work), that indie books and stories are fresher and more exciting than traditionally published works (that’s a matter of taste), that the dreaded Social Justice Warriors are striking again. Craig Martelle, who runs the 20Booksto50K group, even threatens those who criticise the group with lawsuits.

We’ve heard all of those points except for the software comparison a hundred times before and we’ve discussed them ad infinitum back at the height of the puppy wars in 2015 and reiterated them several times since. So here is just a short summary:

Just because a book sells a lot of copies does not automatically make it award-worthy. Not to mention that the Kindle store bestseller list is so distorted by KU borrows being treated as sales to be pretty much worthless as a gauge for wider sales. So indies dominating the Amazon charts says very little about the wider market, especially since the traditionally published finalists probably get a significant part of their sales in print and at vendors that are not Amazon.

Besides, the sort of people who nominate and vote for awards, whether it’s SFWA members nominating and voting for the Nebulas or WorldCon members nominating and voting for the Hugos, have different criteria for judging a book than the voracious Kindle Unlimited “whale readers” to use 20Booksto50K jargon (though I have no idea why they used “whale” as an analogy for extremely voracious readers, because while whales are big, they aren’t particularly voracious). Most “whale readers” looks for a good time and a predictable experience. However, award voters/nominator normally look for something beyond merely a good read, when considering what to nominate and vote for. Every voter and nominator has individual criteria, but innovation and putting a new spin on a familiar trope tend to be valued, as does literary quality. And yes, entertainment value plays a role, too – after all, no one reads to be bored. But when faced with the choice between a story that was entertaining, but offered nothing new whatsoever, and one which offers new ideas or does something interesting and new with familiar tropes, most Hugo and Nebula voters will go for the latter. J.A. Sutherland also points this out in this Twitter thread. Hence, “But the book sold a lot of copies and I’m a six or seven figure author” are irrelevant to most Hugo and Nebula nominators.

Also, unlike the Dragons, the Hugos and the Nebulas are not promotional awards, but are considered a guide to notable works in the field. A lot of people use the Locus and Nebula recommended reading lists as well as the Hugo and Nebula shortlists as guides to find books and stories to read. Hugo and Nebula shortlists are discussed and analysed and reviewed and any unexpected finalist – a book/author many fans have never heard of or a genre/subgenre that normally doesn’t get nominated – gets an extra dose of attention. Also, we’re talking of people here who do data analysis for fun. Unusual patterns will be noticed and investigated, because that’s what SFF fans do.

As for “But traditionally published authors do it, too, and what about all those recommendation lists on the internet?”, the SFF community traditionally views self-promotion and canvassing for awards as tres gauche. The Dragon Awards encourage canvassing for votes, but other genre awards don’t. Now the Nebulas apparently had a problem with logrolling and tit for tat votes in the past, but rule changes in 2009/2010 fixed that problem, as these posts from John Scalzi and Jason Sanford explain. In the Hugos it has always been taboo and Hugo voters tend to react to any hint of manipulation with a swift “no award”, whether it’s the Scientologists or the Sad and Rabid Puppies doing it. As for self-promotion, back in 2013, there was a huge debate if eligibility posts, which are pretty much standard by now, were not a step too far.  And many of the recommendation lists and sites you see now such as the Hugo Spreadsheet of Doom, the Hugo Wikia or Rocket Stack Rank came about as a direct result of the Sad and Rabid Puppy campaigns. Also, the wound left by the Puppy Wars of 2014-2017 is still raw, so reactions to any hint of slating are stronger than they might have been before 2015.

As a rule of thumb, “here is what I did last year that’s eligible, check it out” or “here are some great novels, stories, films, etc… I loved” or crowdsourced lists of eligible works are okay. It becomes problematic when a list tells people what to vote for, either directly or implied, rather than just encourage them to check something out and vote for what they love, when a list only has as many items as there are finalist slots (this was a huge part of the problem with the puppy slates) or when there is some kind of political intent involved, whether it’s “Promote conservative SFF”, “Promote leftwing SFF”, “Vote indie”, “Vote publisher X”, “Promote LGBT SFF”, etc… The 20Booksto50K list is definitely in a grey area here, because while it apparently started out as a simply recommendation and eligiblity list, the asterisks and the “Promote indies” message are problematic. It’s not against the rules, but then what the Puppies did wasn’t against the rules either.

ETA: If you want another view, Jim C. Hines has posted a handy overview about how to get nominated for a Hugo or Nebula Award and what is and isn’t okay.

As for claiming that those who criticise the 20Booksto50K list are traditional gatekeepers who hate indies – oh please! Annie Bellet is an indie writer, a very successful one at that, and she is one of those who worked to open SFWA for indies. Marko Kloos started out as an indie, before he was picked up by 47North. J.A. Sutherland is an indie writer. Camestros Felapton is an indie writer or rather his cat is. I am an indie writer and have been promoting indie books here and at the Speculative Fiction Showcase and the Indie Crime Scene for years. Accusing us of hating indies is just flat out ridiculous.

As for the whole “indie versus traditional” rhetoric, honestly, that debate is so 2012. The stigma against self-publishing has long since evaporated. Can’t we move on and accept that indies, traditionally published authors and hybrids are all part of the same genre? The Nebulas aren’t hostile to indie works – the 2014 Best Novel finalist The Red: First Light by Linda Nagata was self-published, at a time when SFWA wasn’t even open to indie writers yet. The Hugos aren’t hostile to indie works  – the novelette “In Sea-Salt Tears” by Seanan McGuire in 2013 was the first self-published finalist and there have been several since.

Besides, most people were initially willing to give 20Booksto50K the benefit of a doubt. The reaction was mostly along the lines of, “Well, they’re new and don’t know the culture and etiquette. They’ll learn and maybe some of the stories are good.” But the huffy responses from some 20Booksto50K Nebula finalists and other members of the group (Lawsuits? Really?) have destroyed a lot of good will, not just towards this group, but also towards indie writers in general. And I really doubt that was the intent.

Comments are closed.

*At the time I wrote this post, M.D. Cooper identified as male. However, she has since come out as trans, so the pronouns have been changed to reflect this.

 

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Indie Speculative Fiction of the Month for February 2019

Indie Speculative Fiction of the Month
It’s that time of the month again, time for “Indie Speculative Fiction of the Month”.

So what is “Indie Speculative Fiction of the Month”? It’s a round-up of speculative fiction by indie authors newly published this month, though some January books I missed the last time around snuck in as well. The books are arranged in alphabetical order by author. So far, most links only go to Amazon.com, though I may add other retailers for future editions.

Once again, we have new releases covering the whole broad spectrum of speculative fiction. This month, we have epic fantasy, urban fantasy, historical fantasy, portal fantasy, Asian fantasy, funny fantasy, sword and sorcery, paranormal romance, paranormal mystery, space opera, military science fiction, science fiction romance, dystopian fiction, post-apocalyptic fiction, horror, steampunk, hopepunk (yes, I’m using that term. Get over it), satire, witches, wizards, ghosts, valkyries, goblins, dark lords, assassins, prison breaks, outcast marines, space pirates, superheroes, space battles, undead slaves, the second coming and much more.

Don’t forget that Indie Speculative Fiction of the Month is also crossposted to the Speculative Fiction Showcase, a group blog run by Jessica Rydill and myself, which features new release spotlights, guest posts, interviews and link round-ups regarding all things speculative fiction several times per week.

As always, I know the authors at least vaguely, but I haven’t read all of the books, so Caveat emptor.

And now on to the books without further ado:

War Begins by Odette C. BellWar Begins by Odette C. Bell:

Diana had a troubled past. The kind where her family were brutally murdered right in front of her eyes. It’s changed the course of her future – but it will change more. An ancient race left a gift inside her mind, and it is time for it to rise.
…
Sampson is a psychic soldier – one of the Coalition’s best. When he’s sent to the Academy to spy on students, he has no clue he’ll be drawn toward Diana and into the final fight for the Milky Way.
…
War Begins is a four-part action adventure space opera sure to please fans of Odette C. Bell’s Axira. This series is complete, and all four books are currently available.

The Valley of the Man Vultures by Richard Blakemore and Cora BuhlertThe Valley of the Man Vultures by Richard Blakemore and Cora Buhlert

On his way to Krysh, a city of fabled riches, the sellsword Thurvok must first pass through the Valley of the Accursed Blood.

Traditionally, those travelling to Krysh make offerings at the temple at the entrance of the valley in exchange for protection on their journey. But Thurvok scoffs at such superstition and decides to continue his journey without any divine protection. His refusal to make an offering infuriates the temple priest Alberon who promptly curses Thurvok.

Thurvok is not much bothered by this – he does not believe in curses. However, the valley holds dangers that don’t particularly care whether Thurvok believes in them or not.

This is a short story of 4400 words or 15 print pages in the Thurvok sword and sorcery series, but may be read as a standalone. Includes an introduction and afterword.

The Tomb of the Undead Slaves by Richard Blakemore and Cora BuhlertThe Tomb of the Undead Slaves by Richard Blakemore and Cora Buhlert

The sellsword Thurvok and his friend and companion Meldom, thief, cutpurse and occasional assassin, venture into the Rusted Desert to seek the tomb of the ancient king Chagurdai and the legendary treasure supposedly hidden there.

But once Thurvok and Meldom venture into the tomb, they find that a treasure is not all that’s buried there.

This is a short story of 4100 words or 13 print pages in the Tales of Thurvok sword and sorcery series, but may be read as a standalone. Includes an introduction and afterword.

The Road of Skeletons by Richard Blakemore and Cora BuhlertThe Road of Skeletons by Richard Blakemore and Cora Buhlert

On their way to the northern city of Khon Orzad, Thurvok, the sellsword, and his friend Meldom, thief, cutpurse and occasional assassin, travel along a road lined with the skeletons of executed heretics.

It’s a grim path that becomes even grimmer when Thurvok and Meldom come upon a blindfolded woman who is still very much alive tied to a stake by the side of the road.

Should they continue their journey or rescue the woman and risk the wrath of the priest kings of Khon Orzad…

This is a short story of 5500 words or 20 print pages in the Thurvok sword and sorcery series, but may be read as a standalone. Includes an introduction and afterword.

Insight by Teyla BrantonInsight by Teyla Branton:

Welcome to the CORE: Commonwealth Objective for Reform and Efficiency

Detective Reese Parker is a survivor. Having left behind a violent past in Welfare Colony 6, she is now a sketch artist and detective with the New York Enforcer Division. Her entire focus is maintaining peace and order among the CORE’s remaining two million residents, to make certain their society never faces another economic and nuclear Breakdown.
She must also keep her secret. Because she never wants to be sent back to Colony 6.

With constant Teev surveillance and rigid control in the CORE’s most heavily populated state, Reese’s job mostly consists of tracing small-time juke pushers or sending rebellious students to reconditioning. She doesn’t have to face demented fringers that encroach upon the Core like her counterparts in Dallastar do, or patrol the northern borders where radiation-crazed animals attack unwary travelers. She’s content with being the most accurate sketch artist in the CORE.
But when one of her sketches puts her up against a human monster bigger than anything else that threatens the CORE, it’s a fight she might not survive.

Collision: Stories by J.S. BreukelaarCollision: Stories by J.S. Breukelaar:

A collection of twelve of J.S. Breukelaar’s darkest, finest stories with four new works, including the uncanny new novella “Ripples on a Blank Shore.” Introduction by award-winning author, Angela Slatter. Relish the gothic strangeness of “Union Falls,” the alien horror of “Rogues Bay 3013,” the heartbreaking dystopia of “Glow,” the weird mythos of “Ava Rune,” and others. This collection from the author of American Monster and the internationally acclaimed and Aurealis Award finalist, Aletheia, announces a new and powerful voice in fantastical fiction.

Assassin's Bond by Lindsay BurokerAssassin’s Bond by Lindsay Buroker:

Yanko and his friends must escape a Turgonian prison and find passage back home before their enemies claim an advantage that could change the world. And not for the good of the Nurian people.

But even more trouble awaits at home. Civil war has broken out, Yanko’s family is in danger, and the man who sent him on his mission has disappeared.

If Yanko can’t find Prince Zirabo, he’ll forever remain a criminal and be hunted down by his own people. Worse, his only chance to survive and redeem his honor may be to rely on the one person who’s been trying to kill him since his adventure began.

Quill Me Now by Jordan Castillo PriceQuill Me Now by Jordan Castillo Price:

What if the words you wrote came true?

Spellcraft isn’t exactly a respectable business, but it does pay the bills. At least, it should. Unfortunately, Dixon Penn failed his Spellcraft initiation. Instead of working in his family’s shop, he’s stuck delivering takeout orders in his uncle’s beat-up Buick.

Winning a Valentine’s Day contest at the largest greeting card company in the tri-state area would be just the thing to get his life back on track—but something at Precious Greetings just doesn’t add up. And despite numerous warnings to quit pestering them about his contest entry, he simply can’t stop himself from coming back again and again.

It doesn’t hurt that the head of security is such a hottie. If Dixon had any common sense, he’d be scared of the big, mysterious, tattooed Russian.

To be fair, no one ever accused him of being too smart….

Unleashed Valkyrie by Stacy ClaflinUnleashed Valkyrie by Stacy Claflin:

When two worlds collide, who will remain standing?

Soleil wants nothing more than to live with her family, free from the rules governing her kind. But with Valhalla on the brink of civil war, even retired valkyries are called back to service. Even though she’s a master at skirting the rules, there’s no avoiding her destiny this time. Especially since she’s accidentally volunteered to lead Valhalla’s opposition on Earth—and with two of her least favorite valkyries, no less.

As though a war with traditional valkyries isn’t enough, there’s been a resurgence of hunters. Even the help of the supernaturals on Earth may not be enough to assure victory. Not when she’s fighting a war on two fronts. There’s one supernatural who might be strong enough to turn the tide, but she’d never ask. She’s also not strong enough to keep him from entering the fray.

The fate of two worlds hang in the balance. Soleil wants nothing more than to flee with her family, but she’s honor-bound to stay and fight. The question is, how will the war end? With her people free? With two worlds destroyed? Or will she even survive to witness the outcome?

Murder in Downfell Manor by E.M. CooperMurder in Downfell Manor by E.M. Cooper:

Eleanor Blakely hails from a long line of talented witches, yet after failing to graduate from the Fanglewick School of Magic her prospects look grim. An apprenticeship at the Wandermere Observatory in the Department of Astronomical Predictions offers her a second chance to gain registration as a magic practitioner, but after falling asleep on the job, missing the planetary alignment in the newly discovered Merlin constellation and mistaking a dragon weyr flying over Wandermere for the Cazilla comet shower, she’s booted out. In the Old World, a magically unlicensed adult witch sits just above humans and troublesome teenage goblins on the scale of social worthiness, well below the most ordinary elves, witches and wizards. Unable to practise magic and in her mid-twenties, Eleanor endures work as a transfer officer, supervising humans on the wards of Silverwing Hospital. Her team transports witches and wizards suffering a fatal affliction, known as magic madness or magdolor, to St Blightus, an asylum in the south. In the midst of a transfer, a murder changes everything, forcing her to flee across dimensions to Earth with an amnesiac wizard. Pursued by ruthless elves, she takes refuge in Downfell Manor, where her grandmother, Lucinda and her strange cat, Bella reside. Murder and mayhem follow Eleanor and Artemis, their paths inevitably crossing those of a non-magical wizard, Detective Finley Quiveridge.

The Dark Lord Bert by Chris FoxThe Dark Lord Bert by Chris Fox:

How does a 1-hit-point goblin become the Dark Lord?

By accident. Bert is a tiny goblin with big dreams. He follows adventurers, and loots the copper they leave behind when they take the real loot. One day, Bert hopes, he’ll have enough copper to buy a warg, and finally promote from a 1-HP critter to a Warg Rider.

Kit is a typical gamer hoping to enjoy a good story, but her friends are more interested in rules, loot and experience. Kit’s friends Crotchshot, Brakestuff, and the White Necromancer rampage their way across the land desperately seeking the Dark Lord trope, which gives the wielder the power to reshape the world.

When Bert accidentally steals the trope, Kit is forced to make a choice. Should she help her friends, or help a new Dark Lord rise to power?

The world will never be the same. Get ready for The Dark Lord Bert.

Emerald Fire by Donna Maree HansonEmerald Fire by Donna Maree Hanson:

A book of manners, magic and mayhem

After Edward and Jemima’s honeymoon is cut short by a severed head landing in their marriage bed, they must away to London to devise a way to defeat the ravenous beast, Geneck and Jemima must be the bait.

Newspaper headlines reveal carnage in London streets and the police and the secret brotherhood of magicians are pounding at the door, demanding answers from Edward.

Joined by Fulton, Edward and Jemima begin to scour the dark places of London: sewers and newly-constructed underground railway tunnels. Their only chance is to find Geneck’s lair and end him in daylight, when he is weak. But the monster’s minions protect him and the road to safety is not clear.

When Jemima is taken, Edward is beside himself. Who has taken her and how is he going to get her back? Deeper into magic he must go, and Milly and Aunt Prudence join in the fight to rid the world of Geneck. But will that be enough?

Replication by Kevin HardmanReplication by Kevin Hardman:

Having saved the distant world of Caeles and its interstellar empire – not to mention the life of its ruler, Queen Dornoccia – Jim (aka Kid Sensation), returns to Earth with two notable prizes. The first is his long-missing grandmother, the alien princess Indigo. The other is Queen Dornoccia’s great-great-granddaughter, Myshtal, who is a princess in her own right and a budding superhero. And thanks to the machinations of the queen, she’s also Jim’s titular fiancée, a fact that puts something of a damper on Jim’s relationship with his girlfriend, Electra. It also doesn’t help that Myshtal is breathtakingly beautiful, personable, and witty – and lives under the same roof as Jim.

As if his life wasn’t complicated enough, Jim suddenly finds his world invaded by a doppelganger – an unknown individual who looks so much like him that he is even able to fool those in Jim’s inner circle. Even more disturbing, he also mimics Jim’s incredible slate of super powers.

Framed for crimes he didn’t commit, Jim is forced to seek out his lookalike in order to prove his innocence. However, as the depth of his double’s malevolent plans are revealed, Jim realizes that there is far more at stake than simply clearing his name. Now Jim faces the formidable task of attempting to stop an adversary who not only looks and thinks as he does, but also seems to match him power for power.

Fahrenheit's Ghost by Trish HeinrichFahrenheit’s Ghost by Trish Heinrich:

A weapon of mass destruction in the whisper of a child

When a savage crime boss attacks her family, Colleen vows to do whatever it takes to protect them. Even if it means stealing a superpowered person from a sadistic millionaire.

A top government agent, Karen has lied and killed in the name of justice. Kidnapping, then, isn’t a stretch. Especially if it’s someone who threatens the country she’s vowed to protect.

But when Colleen and Karen discover that the person they’ve been sent to capture is a child, they find themselves on the run from ruthless men who will stop at nothing to control the horrifying powers within the innocent girl.

Fahrenheit’s Ghost is the first, thrilling book in the new superhero series, The Vigilantes: The Pandora Project. If you like powerful heroes, nonstop action and a touch of romance then you’ll love this superpowered story.

The Ghost Who Says I Do by Bobbi HolmesThe Ghost Who Says I Do by Bobbi Holmes:

A Valentine’s Day Wedding at Marlow House?

Love is in the air—along with secrets—some are deadlier than others.

Will secrets from Clint Marlow’s past come back to haunt Walt and Danielle?

 

 

Ghoul You Be My Valentine? by Olivia JaymesGhoul You Be My Valentine? by Olivia Jaymes:

It’s time for another Ravenmist Whodunnit! A tiny Midwestern town with charming covered bridges, quirky residents, delightful antique shops, and more than their share of haunted activity.

Tedi has another packed inn of people for the Ravenmist Valentine’s Day Ball. The evening was a complete success until she and Jack find a dead body on the back patio with a Cupid’s arrow through his heart. There’s no shortage of suspects for his murder either. Jack will have his hands full paring down the list.

And Tedi? She’s staying out of this. No way is she going to be pulled into it. Not after last time. She has her own investigation. She and her friend Missy are trying to find why the town has suddenly been infused with paranormal energy. Ghosts are literally getting up and dancing around. It’s all going well too. That is until the investigation starts to hit just a little bit too close to home.

Hop into your ghostmobile and take a ride with Tedi as she meets a spirit who doesn’t think he’s dead, two ghosts in love, and a hard partying specter who just might have witnessed the murder. It’s a hauntingly good time in the little town of Ravenmist and you’re invited to the party.

The Spoils of War by Ethan JohnsonThe Spoils of War by Ethan Johnson:

Be careful what you search for…

After a successful tactical strike against The Thirteen, Ana Lode searches the city for her fellow rookie officer Sloan, who languishes in a secret detention facility.

This causes friction between Ana and the mysterious Klark, who insists on her undivided attention in the struggle to free the city from the iron grip of The Thirteen.

When Diane Pembrook leads a strike team to their remote hideout, Ana is forced to choose between her loyalty to Klark and her vow to save Sloan. What — and who — is she willing to sacrifice in the name of justice?

For the Love of Cupidity by Raven KennedyFor the Love of Cupidity by Raven Kennedy:

First comes love, then comes mating, then comes the baby and some cupid training.

Cupidville is overrun with new cupid recruits, and it’s up to me to train them in time for Valentine’s Day. Too bad I have four mates who keep insisting that it’s time for me to take a break.

Juggling my role as the cupid boss, being a mate, and handling motherhood isn’t always easy, but it’s sure as hearts worth it. Let’s just hope I can get these cupid flunkies trained in time.

Author’s Note: This is a Heart Hassle novella just in time for Valentine’s Day.

Love Potion, edited by Graceley Knox and D.D. MiersLove Potion, edited by Graceley Knox and D.D. Miers:

A valentines day charity anthology featuring 8 exclusive stories from your favorite bestselling Paranormal and Fantasy romance authors! All proceeds will be donated to Room to Read!

How to Capture a Demon’s Heart – Graceley Knox & D.D. Miers
A Demon’s Plaything (The Elite Guards) – Amelia Hutchins
Deep Blue Sea – Pippa DaCosta
The Hellhound’s Legion: A Kit Davenport Novella – Tate James
The Heart Cantrip: a Family Spells Novella – C.M. Stunich
Eternal Hearts – A Forsaken Gods Series Novella – G. Bailey & Coralee June
A Damsel and a Demigod (The Guild Codex: Spellbound) – Annette Marie
The Fox and the Wolf – Clara Hartley

Freaky Witches by Amanda M. LeeFreaky Witches by Amanda M. Lee:

Mystic Caravan Circus is heading for the Midwest … and their first stop is Michigan. Hemlock Cove to be exact.

Poet Parker is looking forward to what she believes will be a quiet time. Hemlock Cove isn’t big, after all, and Mystic Caravan is essentially serving as the centerpiece for a paranormal festival in a town where everyone pretends to be witches.

There’s just one problem … real witches are afoot, and they’re unbelievably powerful.

When a body drops close to the circus grounds, Poet finds herself facing off with local law enforcement, the town’s only reporter, and an elderly witch who is set in her ways … and knows exactly how she’s going to do things no matter who agrees with her or not.

Yes, Poet is about to interact with the Winchester witches, and who comes out on top is anybody’s guess. The only thing both factions know is that they have to work together to uncover a killer and keep their true natures under wraps. That’s easier said than done, especially when Nellie and Aunt Tillie join forces and decided to take control of the situation.

It’s a battle for supremacy, with Mystic Caravan in one corner and the Wicked Witches of the Midwest in the other. Both sides are going to come out swinging … and cursing.

Place your bets.

Two Witches and a Whiskey by Annette MarieTwo Witches and a Whiskey by Annette Marie:

Three months ago, I landed a job as a bartender. But not at a bar–at a guild. Yeah, the magic kind.

I’m not a badass mage like my three smokin’ hot best friends. I’m not a sorcerer or an alchemist, or even a wussy witch. I’m just a human, slinging drinks like a pro and keeping my non-magical nose out of mythic business. Seriously, I know my limits.

So why am I currently standing in a black-magic ritual circle across from a fae lord?

Somewhere behind me, my three mage friends are battling for their lives. Somewhere near my feet is the rogue witch I just knocked out with a stolen spell. And I have about five seconds to convince this very angry sea god not to shmoosh me like a bug.

I’m pretty sure this wasn’t in the job description.

Rainbow Bouquet, edited by Farah MendlesohnRainbow Bouquet, edited by Farah Mendlesohn:

Authors featured are Harry Robertson, Edward Ahern, Victoria Zammit, Erin Horáková, Cheryl Morgan, Sarah Ash, Kathleen Jowitt, Sean Robinson, Garrick Jones and MJ Logue, and the settings vary from a mediaeval monastery to the ‘final frontier’, give or take the odd supernatural realm along the way. Stories of love in the past, present and future – all as fascinating in their variety as love itself.

 

 

Liars Called by Ty HutchinsonLiars Called by Stephan Morse:

Abandoned by his father, too proud to ask his brother for help, and lured by the promise of money, Lance gets on a bus that mysteriously appears outside his house in the middle of the night.

It brings him and others to a dream-like land where anything can be bought and sold, even magic. When he returns home, he finds his family has changed, the world has moved on, and monsters from faerie tales overrun the town.

Survival is paramount—but everything has a price.

Revenge by Nathan HystadRevenge by Nathan Hystad:

The Rift has opened.

The aliens invaded.

The Eureka is on the other side.

Flint, Wren, and Ace, along with Charles, are now members of the Eureka, a state-of-the-art vessel heading for a world in the far reaches of a new galaxy. Sixty years ago a colony ship was sent there, along with someone close to their benefactor.

But when they arrive, they find getting to the surface isn’t as easy as they thought. With a crash landing, and news that shocks the entire crew, they must collectively find a way to get the Pilgrim off-planet, and into the fight against the Watchers.

One of the crew leaves from orbit, spelling betrayal, and the others know time is against them. They must create a virus and bring it to the enemy’s home world, but not everything is as it seems.

Join our heroes as they fight for the future, knowing an all-out war awaits them back home, on the other side of the Rift.

Ghostly Hunt by K.E. O'ConnorGhostly Hunt by K.E. O’Connor:

Murder by crossbow. A haunted house used for ghost hunting, and an unloved iguana waiting for his soul mate!

When Lorna Shadow takes on a short term job at Applebank Manor, she gets the shock of her life. It turns out she’s in charge of setting up romantic weekends full of ghost hunting!

When a recent murder comes to light and the ghost asks for help, Lorna’s drawn into the mystery, alongside Helen and Flipper.

As the mystery deepens, the house ghosts cause Lorna problems, while Helen has to get to grips with a broken stove and a giant iguana. Then another crossbow murder takes place.

With the police closing in on the wrong suspect, Lorna must move fast. Can she stop the killer before they strike again and save an innocent man? And will Helen help a lonely iguana find his forever home?

There will be ghosts, humor, romance, treats, and a murder (or two) to solve in this new cozy ghost mystery.

Dimension Thieves by Misty ProvencherDimension Thieves by Misty Provencher:

The world is a much smaller place since the President droned the lower classes, making them mindless servants. Free will, granted to the elite, is in jeopardy of extinction.

Force Steele, son of a high-ranking advisor, has dedicated himself to eradicating mass droning, but now that the President destroyed the machine that could reverse the program, there is no way in Force’s world to replace the one-of-a-kind gears.

In this gripping serial, Force partners with a shifty mechanic and a sketchy crew to retrieve the gears. They must travel across lateral dimensions, often stealing the materials they need—even from themselves—to fix their dwindling world.

Digital Assassin by Jaxon ReedDigital Assassin by Jaxon Reed:

New technology allowed humans to reach for the stars. Now technology has led to war.

Opposing AI systems battle in a monumental struggle for control of the galaxy. But one planet remains a refuge of independent thought. Lute is home to pirates, harboring ruthless companies of warships hunting for prey.

The pirates are offered the spoils of war, for a price. Captain Christopher Raleigh leads his crew in an effort to snag a lucrative transport on the opposing side. Along with the ship, he snares the Tetrarch’s daughter and several hundred indentured servants.

But not all are who they seem. As the bodies pile up, Raleigh has to figure out who is telling the truth and decide if the spoils of war are truly worth it.

Power and Majesty by Tansy Rayner RobertsPower and Majesty by Tansy Rayner Roberts:

Aufleur is a city of honey cakes, decadent ritual… and a secret war fought by an army of beautiful monsters. The Creature Court die and bleed to keep the daylight folk safe, but no one even knows they exist.

Who will be the new Power and Majesty of the Creature Court: a man who was broken and exiled from their world, or the woman who knows nothing of their ways? Neither of them wants to rule, but Ashiol is determined to train Velody to take his place, so that he can finally escape his destiny.

 

Drone by Kyle Alexander RominesDrone by Kyle Alexander Romines:

After the emergence of the destructive, godlike Titans, the world is more dangerous than ever.

When drone pilot David Hunter is recruited to join a top-secret military program, he learns the government has captured the Titan Prometheus. Once considered a hero by many, Prometheus is now an empty shell, retrofitted with technology to serve as a new kind of drone–and it’s David’s task to use the Titan’s powers on the government’s behalf.

David has his own reasons to distrust Titans, but when he discovers some vestiges of Prometheus’ consciousness remain, it sets in motion a course of events that will cause him to learn what it means to be a hero.

Love Magic by Jesi Lea RyanLove Magic by Jesi Lea Ryan:

“The day I met Derrick while playing my violin in the park was magical. Unfortunately, magic and love together don’t always mix.”

Oliver met Derrick while busking in the park, and they hit it off from the start. At first, Derrick’s “mysterious magician” vibe was intriguing, but after two botched dates, Oliver was ready to call it quits.

Fearing he lost his chance with Oliver, Derrick makes a last-ditch effort to win Oliver’s heart with a romantic Valentine’s date. But when love and magic collide, things tend to go awry. Will these two guys make it through the date unscathed?

Winterbloom by Jessica RydillWinterbloom by Jessica Rydill:

Sophie Vasilyevich is a teenager growing up in Anglond, the child of exiles. Sometimes grass springs up where she walks, and her future holds an unusual fate: she is going to be kidnapped when she is sixteen, and no one can stop it.

Taken between worlds to the city of Bath in 1920’s England, Sophie meets a young man called James Carnwallis, once a pilot in the Great War. But even as she falls in love, she learns more about the forces at work – and her fate in their plans.

As an alliance of shamans, ghosts and gods assembles in a desperate attempt to recover Sophie and prevent the destruction of their worlds, they find that their only hope may lie in Sophie’s gift, and in the Greenwood: a power older than time itself.

My Wicked Valentine by Lotta SmithMy Wicked Valentine by Lotta Smith:

Valentine’s Day is just around the corner… Love is in the air and so are the ghosts!

When Rick’s old friend, up-and-coming celeb psychic Brian Powers is accused of murdering an esthetician at a luxe gentlemen-only spa, Mandy’s cozy afternoon at home goes from cookie-baking to crime solving.

With baby Sophie and ghost-pal Jackie in tow, Mandy and Rick take to haunting the spa where the facials are fab and the intrigue is high-end.

Every suspect has a secret, but who’s willing to kill to keep theirs under wraps? [Seaweed wraps, that is.] Find out in this dangerously funny installment of the Manhattan Mystery series.

Noble's Honor by Glynn StewartNoble’s Honor by Glynn Stewart:

Vassal of the Queen of the Fae
Noble of the Wild Hunt
Child of the Horned King.
Bait.

Jason Kilkenny has learned his full heritage and the nature of the bloodline that runs in his veins. One quarter mortal, he is also the child of a Power, the Horned King of the Wild Hunt of the Fae.

But his father is dead, murdered in a fae civil war that ended before Jason was born. It ended because of a powerful spell the Horned King cast, trading his life to deny the Masked Lords the weapon they needed to kill the Fae Powers.

Now, Jason gathers allies and resources in his new home of Calgary. The Fae Masked Lords are hunting him, but he has what they want and they have to come to him. The Fae Powers have prepared a trap for their long-hidden enemies, with Jason as both bait and ambush.It’s a clever plan—but no plan survives contact with the enemy!

Ruined Worlds by Jeff TanyardRuined Worlds by Jeff Tanyard:

Jerry Harper is back on Homestead recovering from his ordeal. The galactic political situation is deteriorating, and it looks like war between the Agrarian Commonwealth and the Reliant Mentarchy is inevitable. Jerry’s ordered to report in, and the military puts him back into action. He’s a spaceborne Rifleman once again.

The last hopes for peace are dashed. War is declared! Jerry and his men begin their first war patrol. But the Mentarch hits fast and hard, and its atrocities leave the Commonwealth reeling. Jerry’s electrokinesis is Homestead’s not-so-secret weapon, but he’s still just one man. He can’t be everywhere at once, and the defeats start to mount.

The Commonwealth desperately needs a victory, something to boost morale. Jerry knows his ability is powerful enough to swing a battle. But he still has orders to follow, and his options are limited. If he can’t find a way to help turn the tide soon, it might never happen. Because the Mentarch is relentless, and it’s determined to reduce the Commonwealth to a collection of ruined worlds.

Seeds of Change by Willow ThomsonSeeds of Change by Willow Thomson:

Jey is an introverted, intuitive healer with nothing left to lose. All her healing skill couldn’t save her mother from a virulent manmade virus. The heat index of 2071 Earth has reached crippling levels. Jey is barely coping—until she stumbles upon an opportunity to join the crew of Two by Two, the first colony ship set to launch from the ailing Earth.

The mission—to create an idealistic artisan colony on an unexplored exoplanet—fits right in with Jey’s dreams. Her friendship with a clairvoyant child onboard the ship, her growing empathic abilities, and her bumbling attempts at love bring her hope.

But when a rival corporation sabotages the ship, and their target planet is a blasted wasteland, Jey finds herself at the center of the conflict.

Can she set aside her old self destructive patterns? Can she take a leap into a new way of being—and seeing to save her colony? Join Jey and her shipmates on the journey to Aride to find out.

Seeds of Change is a soft science fiction novel with a splash of metaphysics and magic. It is a coming of age story with big themes, small pleasures, and an ensemble cast of characters living in a world you won’t want to leave.

Outcasts of the Earth by James David VictorOutcasts of the Earth by James David Victor:

Criminals. Murderers. Thieves. That’s what makes the Outcast Marines special. And expendable.

The Outcast Marines are the worst of the worst. If you’re conscripted, you will likely spend the rest of your days going on desperate missions that no one else can, or will, do. That’s an option Solomon, Jezzie, Malady, and the other Outcasts gladly took, though, because the alternative was certain death on a remote prison moon. And that’s a good thing, because sometimes it takes some truly bad guys to save the day.

Outcasts of Earth is the first book in the Outcast Marines series. If you like gritty science fiction with “heroes” who are anything but, the Outcast Marines will suck you into their battle to save humanity, from itself and the rest of the galaxy.

Download Outcasts of Earth and see how the “bad guys” save humanity in the 23rd century!

Sword of the Kaigen by M.L. WangThe Sword of the Kaigen by M.L. Wang

On a mountainside at the edge of the Kaigenese Empire live the most powerful warriors in the world, superhumans capable of raising the sea and wielding blades of ice. For hundreds of years, the fighters of the Kusanagi Peninsula have held the Empire’s enemies at bay, earning their frozen spit of land the name ‘The Sword of Kaigen.’

Born into Kusanagi’s legendary Matsuda family, fourteen-year-old Mamoru has always known his purpose: to master his family’s fighting techniques and defend his homeland. But when an outsider arrives and pulls back the curtain on Kaigen’s alleged age of peace, Mamoru realizes that he might not have much time to become the fighter he was bred to be. Worse, the empire he was bred to defend may stand on a foundation of lies.

Misaki told herself that she left the passions of her youth behind when she married into the Matsuda house. Determined to be a good housewife and mother, she hid away her sword, along with everything from her days as a fighter in a faraway country. But with her growing son asking questions about the outside world, the threat of an impending invasion looming across the sea, and her frigid husband grating on her nerves, Misaki finds the fighter in her clawing its way back to the surface.

When the winds of war reach their peninsula, will the Matsuda family have the strength to defend their empire? Or will they tear each other apart before the true enemies even reach their shores?

Second Coming by A.E. WilliamsSecond Coming by A.E. Williams

What Will Jesus Do?

After being crucified for Mankind’s sins, Jesus Christ and his half-brother, Lucifer, pass the time before His Resurrection playing cards in Hades.

They discuss the Plan of God, which they realize is another scheme intended to push Judgement Day thousands of years into the future.

After a heated exchange, Jesus gambles a billion souls that, by repeating the wager that Lucifer and God undertook regarding Job several thousand years prior, Mankind will prove His argument.

Lucifer agrees, and the next day, Jesus rises.

But, as the years go by, Jesus realizes that Lucifer may have stacked the deck in his favor!

He publishes his parables and morality tales under various pseudonyms.

He uses His knowledge of The List, composed by His Father, to guide His readers to the Truth.

In the current day, He now lives on his yacht, the Virgin Mary, in the Red Sea.

As His wager with Lucifer draws to a close, Signs of the Apocalypse portend that the Time of Revelations is at hand!

What will He do to save the human race from itself?

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Indie Crime Fiction of the Month for February 2019

Welcome to the latest edition of “Indie Crime Fiction of the Month”.

So what is “Indie Crime Fiction of the Month”? It’s a round-up of speculative fiction by indie authors newly published this month, though some January books I missed the last time around snuck in as well. The books are arranged in alphabetical order by author. So far, most links only go to Amazon.com, though I may add other retailers for future editions.

Our new releases cover the broad spectrum of crime fiction. We have plenty of cozy mysteries, small town mysteries, craft mysteries, animal mysteries, hardboiled mysteries, historical mysteries, Jazz Age mysteries, paranormal mysteries, crime thrillers, action thrillers, historical thrillers, pulp thrillers, science fiction thrillers, police procedurals, private investigators, amateur sleuths, serial killers, assassins, vigilantes, CIA agents, dead people who got better, cold cases, crime-busting witches, crime-busting ghosts, overweight detectives, murder on the seaside and ski lodges, in country manors and libraries, in big cities and small towns, in Upstate New York, the Missouri backwoods, New York City, Australia, London and much more.

Don’t forget that Indie Crime Fiction of the Month is also crossposted to the Indie Crime Scene, a group blog which features new release spotlights, guest posts, interviews and link round-ups regarding all things crime fiction several times per week.

As always, I know the authors at least vaguely, but I haven’t read all of the books, so Caveat emptor.

And now on to the books without further ado:

Dying for an Education by Stacey AlabasterDying for an Education by Stacey Alabaster:

Alyson has headed off to university to explore higher education, leaving Claire back in Eden Bay for an adventure of her own. When a professor turns up dead, Alyson must find a killer before her potential education gets the best of her. Can Alyson and Claire survive their separate adventures and bring a killer to justice?

Dying for an Education is the tenth book in the Hang Ten Australian Cozy Mystery series, a fast-paced cozy mystery with an authentic Australian flair. If you quirky characters and unexpected twists, you’re going to love the Alyson and Claire.

Brideg to Burn by Rachel AmphlettBridge to Burn by Rachel Amphlett:

When a mummified body is found in a renovated building, the gruesome discovery leads Detective Kay Hunter and her team into a complex murder investigation.

The subsequent police inquiry exposes corruption, lies and organised crime within the tight-knit community – and Kay’s determination to seek justice for the young murder victim could ruin the reputations of men who will do anything to protect their business interests.

But as Kay closes in on the killer, tragedy strikes closer to home in an event that will send a shockwave through her personal life and make her question everything she values.

Can Kay keep her private and professional life under control while she tries to unravel one of the strangest murder cases of her career?

She'll Stitch You Up by B.K. BaxterShe’ll Stitch You Up by B.K. Baxter:

After her generous, and unintentional, donation for splinter-free park benches, Velma Harmon gets invited to a charity dinner hosted by the Beautification Committee of Bliss at the home of Everett Gaines, one of the wealthiest widowers in town. With no interest in going, she hopes to find adventure elsewhere, much to the dismay of Ethel and Chief Rayne. Ethel has always wanted to see Gaines Manor up close, and Chief Rayne just wants Velma to enjoy her retirement and stay out of trouble.

When Ethel begs her to go to the event in hopes of finding herself a man, Velma reluctantly agrees. But when a heavy storm takes out a tree and a bridge, Velma finds herself trapped in Gaines Manor with two dead bodies, one handsome mailman, and a vicious killer. Who said nothing exciting ever happens in Bliss, Texas?

A Valentine for the Silencer by Cora BuhlertA Valentine for the Silencer by Cora Buhlert:

Valentine’s Day 1938: All Richard Blakemore a.k.a. the masked crimefighter known only as the Silencer wants is to have a romantic dinner with his beautiful fiancée Constance Allen.

But on his way to his date, Richard happens upon a mugging in progress. Can he save the victim and make sure that young Thomas Walden has the chance to propose to his girlfriend? And will he make it to dinner with Constance on time?

This is a short Valentine’s Day story of 7200 words or approx. 24 print pages in the Silencer series, but may be read as a standalone.

Valentine's Madness, edited by Beth ByersValentine’s Madness: A 1920s Historical Mystery Anthology, edited by Beth Byers:

Welcome to a very flapper Valentine’s Day!

Are you ready for the roaring twenties? For spunky young women crafting their own lives? If so, you’ll love Violet, Julia, Abigail, Evelyn, and Rosemary.

Inside, you’ll find four short Valentine’s day adventures, 1920s style including roses, chocolates, kisses, and cocktails. With stories from The Violet Carlyle Mysteries, the Piccadilly Ladies Club Mysteries, the Abigail Dutcher Mysteries, the Jazz & Gin Cozy Mysteries, and The Lillywhite Mysteries.

Winter Frost by Lauren CarrWinter Frost by Lauren Carr:

It all started with a chance encounter in the city with Blair, his late wife.

Chris Matheson and the Geezer Squad, working under the guise of a book club, dig into the events surrounding his late wife’s supposed death halfway around the globe. A state department employee shoots himself in the back three times. A CIA operative goes missing. A woman is targeted by an international assassin three years after being declared dead in a terrorist attack overseas.

Nothing is as it seems.

In his most personal cold case, Chris fights to uncover why the state department told him that Blair, the mother of his children, had been killed when she was alive. What had she uncovered that has made her a target? Who terrified her so much that she had gone into hiding and why are they now after him?

Killer Blow by M.A. ComleyKiller Blow by M.A. Comley:

A hunter on the prowl…

On the scent of his next victim.

DI Sara Ramsey has to dig deep to find an evil suspect who gets a thrill out of chasing victims to their deaths.

The murderer is smart, inventing new methods of tracking down his victims. Just as the inspector senses she’s closing in on the culprit, they change their MO, undoing all her hard work.

The media is striking fear into the residents. Can Sara set aside her personal problems and prevent the killing spree causing havoc on her patch?

Murder in Downfell Manor by E.M. CooperMurder in Downfell Manor by E.M. Cooper:

Eleanor Blakely hails from a long line of talented witches, yet after failing to graduate from the Fanglewick School of Magic her prospects look grim. An apprenticeship at the Wandermere Observatory in the Department of Astronomical Predictions offers her a second chance to gain registration as a magic practitioner, but after falling asleep on the job, missing the planetary alignment in the newly discovered Merlin constellation and mistaking a dragon weyr flying over Wandermere for the Cazilla comet shower, she’s booted out. In the Old World, a magically unlicensed adult witch sits just above humans and troublesome teenage goblins on the scale of social worthiness, well below the most ordinary elves, witches and wizards. Unable to practise magic and in her mid-twenties, Eleanor endures work as a transfer officer, supervising humans on the wards of Silverwing Hospital. Her team transports witches and wizards suffering a fatal affliction, known as magic madness or magdolor, to St Blightus, an asylum in the south. In the midst of a transfer, a murder changes everything, forcing her to flee across dimensions to Earth with an amnesiac wizard. Pursued by ruthless elves, she takes refuge in Downfell Manor, where her grandmother, Lucinda and her strange cat, Bella reside. Murder and mayhem follow Eleanor and Artemis, their paths inevitably crossing those of a non-magical wizard, Detective Finley Quiveridge.

The Girl in the Woods by Chris CulverThe Girl in the Woods by Chris Culver:

A volunteer found the body while searching the Missouri backwoods for a pair of missing teenagers. The victim was murdered and dumped at a camp site deep in the woods.

It’s tornado season in central Missouri. The air is still. The sky is dark green. There’s a wall cloud to the west.

A nasty storm is coming…

Detective Joe Court knows her team shouldn’t be out there, but they need to collect the evidence before it’s destroyed.

Little does Joe know, that storm should be the least of her concerns…

Letters in the Library by Kathi DaleyLetters in the Library by Kathi Daley:

A heartwarming cozy mystery series about losing everything, taking a chance, and starting again.

After suffering a personal tragedy Abby Sullivan buys a huge old seaside mansion she has never even seen, packs up her life in San Francisco, and moves to Holiday Bay Maine, where she is adopted, quite against her will, by a huge Maine Coon Cat named Rufus, a drifter with her own tragic past named Georgia, and a giant dog with an inferiority complex named Ramos. What Abby thought she needed was alone time to heal. What she ended up with was, an inn she never knew she wanted, a cat she couldn’t seem to convince to leave, and a new family she’d never be able to live without.

In book 2 of the series, Abby finds a bundle of letters which had been written in 1954 in the wall of the library after Lonnie tears it down as part of the remodel. Intrigued by the secret revealed in the letters, Abby and Georgia set out to find the rest of the story.

Meanwhile, Chief Colt Wilder uncovers a new clue relating to the death of a local girl the previous summer. In spite of her vow to focus her time on her writing, Abby finds herself pulled into the tangled web of half truths that may tell a different story than was first believed true.

Join Abby, Georgia, Rufus, and Ramos, as they continue with the remodel on the old mansion, prepare for a busy summer season, and continue to find a new meaning for their lives in the charming small town of Holiday Bay.

North Country Girl by Anthony DeCastroNorth Country Girl by Anthony DeCastro:

Voices from the past are best left there.

Myrtle Beach PI Fuzzy Koella knows this better than anyone.

But when his old teammate Jo Jo Bigtree calls about a young vagabond accused of murdering a nun, Fuzzy doesn’t heed that advice.

In the frigid landscape of Upstate New York, Fuzzy finds a town with a penchant for violence and dark secrets. An abusive high school hockey coach. A Voodoo doctor. A corrupt Tribal Sheriff. Even his own friend and the good Sister, herself.

As the temperature drops and the body count rises, Fuzzy questions the wisdom of sticking around to catch another bullet. Or worse, freezing to death. But a scared kid sits in jail that nobody seems to care about except Fuzzy.

Fuzzy Koella returns in his second, exciting adventure. If you love witty detective novels with a dose of hard-boiled action, you won’t want to miss North Country Girl.

The Fat Detective in Love by Christian HayesThe Fat Detective in Love by Christian Hayes:

Eugene Blake Is Back

When Eugene fills out an online dating profile he does not expect it to lead to his next case.

But his search for love triggers a mystery involving a glamorous (straight-to-video) movie actress, a shadowy society known as The Brotherhood of Broken Hearts and a fictitious 1940s New York detective. Oh, and he might just fall in love along the way.

This all means that Eugene is forced to put on his raincoat and head out into the rain-soaked city again.

Captivating, inventive and mysterious, The Fat Detective in Love is the second exciting book in the Eugene Blake trilogy by London novelist Christian Hayes.

Read now to find how Eugene’s journey as the most under-qualified detective in London continues…

The Ghost Who Says I Do by Bobbi HolmesThe Ghost Who Says I Do by Bobbi Holmes:

A Valentine’s Day Wedding at Marlow House?

Love is in the air—along with secrets—some are deadlier than others.

Will secrets from Clint Marlow’s past come back to haunt Walt and Danielle?

 

 

A Book of Truths by Ty HutchinsonA Book of Truths by Ty Hutchinson:

She’s feisty. She’s fearless. She’s fifteen. Meet Mui, the assassin’s daughter.

When a book filled with cryptic handwriting falls into Mui’s possession, she thinks nothing of the scribbling—until she learns the writings are hidden messages, and one is connected to her past.

But Mui’s not the only one interested in deciphering the symbols. Someone is killing anyone with knowledge of that information. Will Mui fall victim while figuring out her connection to the book?

A Book of Truths is the first installment in a gripping series about a mother-and-daughter assassin duo.

Ghoul You Be My Valentine? by Olivia JaymesGhoul You Be My Valentine? by Olivia Jaymes:

It’s time for another Ravenmist Whodunnit! A tiny Midwestern town with charming covered bridges, quirky residents, delightful antique shops, and more than their share of haunted activity.

Tedi has another packed inn of people for the Ravenmist Valentine’s Day Ball. The evening was a complete success until she and Jack find a dead body on the back patio with a Cupid’s arrow through his heart. There’s no shortage of suspects for his murder either. Jack will have his hands full paring down the list.

And Tedi? She’s staying out of this. No way is she going to be pulled into it. Not after last time. She has her own investigation. She and her friend Missy are trying to find why the town has suddenly been infused with paranormal energy. Ghosts are literally getting up and dancing around. It’s all going well too. That is until the investigation starts to hit just a little bit too close to home.

Hop into your ghostmobile and take a ride with Tedi as she meets a spirit who doesn’t think he’s dead, two ghosts in love, and a hard partying specter who just might have witnessed the murder. It’s a hauntingly good time in the little town of Ravenmist and you’re invited to the party.

The Spoils of War by Ethan JohnsonThe Spoils of War by Ethan Johnson:

Be careful what you search for…

After a successful tactical strike against The Thirteen, Ana Lode searches the city for her fellow rookie officer Sloan, who languishes in a secret detention facility.

This causes friction between Ana and the mysterious Klark, who insists on her undivided attention in the struggle to free the city from the iron grip of The Thirteen.

When Diane Pembrook leads a strike team to their remote hideout, Ana is forced to choose between her loyalty to Klark and her vow to save Sloan. What — and who — is she willing to sacrifice in the name of justice?

Freaky Witches by Amanda M. LeeFreaky Witches by Amanda M. Lee:

Mystic Caravan Circus is heading for the Midwest … and their first stop is Michigan. Hemlock Cove to be exact.

Poet Parker is looking forward to what she believes will be a quiet time. Hemlock Cove isn’t big, after all, and Mystic Caravan is essentially serving as the centerpiece for a paranormal festival in a town where everyone pretends to be witches.

There’s just one problem … real witches are afoot, and they’re unbelievably powerful.

When a body drops close to the circus grounds, Poet finds herself facing off with local law enforcement, the town’s only reporter, and an elderly witch who is set in her ways … and knows exactly how she’s going to do things no matter who agrees with her or not.

Yes, Poet is about to interact with the Winchester witches, and who comes out on top is anybody’s guess. The only thing both factions know is that they have to work together to uncover a killer and keep their true natures under wraps. That’s easier said than done, especially when Nellie and Aunt Tillie join forces and decided to take control of the situation.

It’s a battle for supremacy, with Mystic Caravan in one corner and the Wicked Witches of the Midwest in the other. Both sides are going to come out swinging … and cursing.

Place your bets.

Lady Rample and Cupid's Kiss by Shéa MacLeodLady Rample and Cupid’s Kiss by Shéa MacLeod:

Just when Lady Rample has given up on love, a former flame reappears, bringing with him all sorts of emotions she thought buried. Unfortunately, that flame comes with one very aggressive and rather angry almost-ex-wife. The ensuing catfight is almost worth the price of admission.

When the ex-wife is found dead in Hyde Park, stabbed with a hatpin in the shape of a heart, the police naturally assume the killer is the husband. Our intrepid heroine is not about to allow her love to go down for a crime he didn’t commit. Unfortunately, proving him innocent may put her own neck on the line.

Never one to shirk from danger, Lady R—with the help of her eccentric Aunt Butty—will need all her wits about her if she’s to solve the crimes of the Cupid Killer.

Enjoy the glitz and glamor of the 1930s with the sixth book in the popular 1930s historical mystery series, Lady Rample Mysteries.

Arsenic in the Azaleas by Dale MayerArsenic in the Azaleas by Dale Mayer:

Riches to rags. … Controlling to chaos. … But murder … seriously?

After her ex-husband leaves her high and dry, former socialite Doreen Montgomery’s chance at a new life comes in the form of her grandmother, Nan’s, dilapidated old house in picturesque Kelowna … and the added job of caring for the animals Nan couldn’t take into assisted living with her: Thaddeus, the loquacious African gray parrot with a ripe vocabulary, and his buddy, Goliath, a monster-size cat with an equally monstrous attitude.

It’s the new start Doreen and her beloved basset hound, Mugs, desperately need. But, just as things start to look up for Doreen, Goliath the cat and Mugs the dog find a human finger in Nan’s overrun garden.

And not just a finger. Once the police start digging, the rest of the body turns up and turns out to be connected to an old unsolved crime.

With her grandmother as the prime suspect, Doreen soon finds herself stumbling over clues and getting on Corporal Mack Moreau’s last nerve, as she does her best to prove her beloved Nan innocent of murder.

Ghostly Hunt by K.E. O'ConnorGhostly Hunt by K.E. O’Connor:

Murder by crossbow. A haunted house used for ghost hunting, and an unloved iguana waiting for his soul mate!

When Lorna Shadow takes on a short term job at Applebank Manor, she gets the shock of her life. It turns out she’s in charge of setting up romantic weekends full of ghost hunting!

When a recent murder comes to light and the ghost asks for help, Lorna’s drawn into the mystery, alongside Helen and Flipper.

As the mystery deepens, the house ghosts cause Lorna problems, while Helen has to get to grips with a broken stove and a giant iguana. Then another crossbow murder takes place.

With the police closing in on the wrong suspect, Lorna must move fast. Can she stop the killer before they strike again and save an innocent man? And will Helen help a lonely iguana find his forever home?

There will be ghosts, humor, romance, treats, and a murder (or two) to solve in this new cozy ghost mystery.

The Forgotten Mother by M.L. RoseThe Forgotten Mother by M.L. Rose:

When a famous film director is brutally killed in his home, Detective Arla Baker is called in to investigate. This killer is sadistic, insanely clever, and somehow able to stay one step ahead of the police. As Arla pulls the clues out, disturbing secrets emerge from the glittering glamour of London’s film studios. This director had secrets that an entire industry would kill to keep quiet…

Arla’s own love life is heating up. But before she knows it, the man in her life is threatened by this killer, and he will not stop till he meets his goal. For some reason, the killer wants Arla.

He’s watching her.

Waiting for her.

He will destroy everyone around her till he has Arla in his grasp…

My Wicked Valentine by Lotta SmithMy Wicked Valentine by Lotta Smith:

Valentine’s Day is just around the corner… Love is in the air and so are the ghosts!

When Rick’s old friend, up-and-coming celeb psychic Brian Powers is accused of murdering an esthetician at a luxe gentlemen-only spa, Mandy’s cozy afternoon at home goes from cookie-baking to crime solving.

With baby Sophie and ghost-pal Jackie in tow, Mandy and Rick take to haunting the spa where the facials are fab and the intrigue is high-end.

Every suspect has a secret, but who’s willing to kill to keep theirs under wraps? [Seaweed wraps, that is.] Find out in this dangerously funny installment of the Manhattan Mystery series.

Valentine's Blizzard Murder by Linnea WestValentine’s Bizzard Mystery by Linnea West:

When a minor celebrity staying at the Shady Lake Bed and Breakfast dies of an allergic reaction during a blizzard, it doesn’t seem like it could get much worse. But was it really an accident?

Jake Crawford is a D list celebrity who loves to come back to Shady Lake to be the big fish in a small pond. This time, he brought his new wife back to Shady Lake for his honeymoon and they are staying at the bed and breakfast that Tessa Schmidt helps her family run. Jake is kind of a jerk, but then a blizzard hits and he dies of an allergic reaction. It seems like things couldn’t get any worse for a Valentine’s Day weekend. But Tessa is starting to suspect that the allergic reaction isn’t the horrible accident she had assumed.

As the blizzard stretches on and on, secrets keep coming out. It seems like almost everyone has a motive to kill Jake. Can Tessa figure out who wanted to kill Jake Crawford before the killer strikes again?

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Some Comments on the 2019 Academy Award Winners

So the winners of the 2019 Academy Awards were announced last night with the usual pomp and circumstance and gorgeous gowns, but without the usual host, since the guy they picked disqualified himself due to homophobic remarks and bad behaviour. Not that the host was missed, at least not by me, we simply had the presenters making the more or less funny jokes. And without the lengthy opening monologue and jokey interludes, the ceremony went a lot quicker than usual. But then, I’m probably the odd Oscar viewer who would be perfectly happy if the ceremony was just the announcement of the winners, the thank you speeches and the “In Memoriam” segment with none of the other stuff. In talking of the “In Memoriam” segment, there were again some very notable omissions, though at least they included Stan Lee and Bruno Ganz.

I already weighed in on the very lacklustre finalists here. Compared to what might have been, the 2019 Oscars were actually pretty good. With one exception: The 2019 Oscar for Best Picture went to Green Book, a movie absolutely no one except for the Academy in its infinite wisdom seemed to like. Thus, Green Book joins the ranks of the “What the hell were they thinking?” Oscar winners along with the likes of Crash, Argo, Spotlight, The King’s Speech, Driving Miss Daisy (Hell, Green Book is basically “Driving Dr. Donald Shirley”), Oliver, The Hurt Locker, Chicago, The Greatest Show on Earth, etc…Some people would also include The Artist in this list, but I quite liked the film and IMO it’s one of the better Best Picture winners of the past ten years.

The critics agree as well. At The Guardian, Catherine Shoard declares that the Best Picture win for Green Book undermined an otherwise fine and diverse Oscar night. Also at The Guardian, Peter Bradshaw claims that even the highly deserved wins for Olivia Colman, Spike Lee and Alfonso Cuarón cannot erase the sting of mediocre films like Green Book and Bohemian Rhapsody winning big. And at Der Spiegel, Andreas Borcholte agrees that Green Book was the wrong winner and that pretty much every other movie would have been better, even Bohemian Rhapsody.

When I talked about the backlash against Green Book with a friend today, they said, “But why? It sounds like a pretty interesting film and it’s even based on a true story. Besides, racism in the US is an important subject and everybody wanted more diversity at the Oscars, so why does no one like that movie?”

And that exactly is the problem. Because there is a good story hidden inside Green Book, it’s just not the story the movie chose to tell. Dr. Donald Shirley seems to have been a fascinating man, who was completely misrepresented in the film to the point that his family was furious. The history of the real Green Book is fascinating as well and will soon become the subject of a documentary film. And if you want to see what a Green Book looks like, the digital collection of the New York Public Library has the 1950 edition online.

But what Green Book did is take all this fascinating and little known (at least to me – it may be different for Americans) history and turns it into a mediocre and old-fashioned movie that is elevated by the performance of its stars. And note that absolutely no one has a problem with Mahershala Ali winning the Oscar for Best Supporting Actor for his portrayal of Dr. Donald Shirley (though many, including me, feel that Mahershala Ali should have been nominated for Best Actor rather than Best Supporting Actor). What has so many people upset is the movie itself as well as the behaviour of everybody else involved except for Mahershala Ali and Linda Candellini. Basically, the screenwriter – the son of the real life driver of Dr. Donald Shirley – has been accused of misrepresenting his subject and of making islamophobic remarks (which is particularly dicey because Mahershala Ali is Muslim), the director has been accused of sexual misconduct and co-star Viggo Mortensen uttered the N-word in an interview. Yasmin Jeffery sums up the controversy about Green Book at ABC News.

The problems were also made apparent in the thank you speeches of the production team, after Green Book won Best Picture. There was no mention of Dr. Donald Shirley or of Victor Hugo Green, who created the real life Green Book. Instead, someone – director, screenwriter, producer, I’m not sure, a white guy at any rate – said that the film started ith Viggo (Mortensen) and that without him there wouldn’t have been a film. The guy finally remembered that there were other actors in the film and briefly thanked Mahershala Ali and Linda Candellini, before starting to gush about Viggo Mortensen again. Which explains not just where the makers of Green Book are coming from, but also why so many people are upset.

Especially since there were two excellent movies with black stars – my personal favourites Black Panther and BlacKkKlansman – nominated this year as well as another excellent movie with a black cast – If Beale Street Could Talk – that wasn’t even nominated. Though all three got to take home Oscars as well. Regina King won Best Supporting Actress for If Beale Street Could Talk, Spike Lee finally won a long overdue Oscar for the Best Adapted Screenplay for BlacKkKlansman, though he lost Best Director to Alfonso Cuarón.

And Black Panther walked home with three highly deserved Oscars for Best Production Design for Hannah Beachler and Jay Hart, Best Costume Design for Ruth E. Carter and Best Original Score for Ludwig Goransson, the first Oscars for a Marvel movie ever. Even better is that costume designer Ruth E. Carter and production designer Hannah Beachler were the first black women ever to win in their respective categories and two of only three black women to ever win Oscars for anything other than acting. So let’s give them a hearty “Wakanda Forever!” Superhero movies also scored another highly deserved Oscar, when Spider-Man: Into the Spider-Verse won Best Animated Feature, beating out the latest offering from Pixar who have been dominating this category since its inception.

Now there have long been plenty of superheroes (or rather the actors who play them) present at the Oscars – this year, I spotted Nick Fury, Captain Marvel, Captain America, Ant-Man, Aquaman, Black Panther, Shuri, Okoye, Queen Ramonda, Eric Killmonger, Valkyrie, Aleta Ogord, Rocket Raccoon or rather his voice, a very pregnant Jessica Jones, Nova Prime, Batman and Lois Lane (who disturbingly seem to have morphed into Dick and Lynn Cheney) and Laura Barton (who, we’re happy to see, seems to have survived the Thanos snap, though she had the bad judgement to take a role in Green Book) and probably others I have forgotten. But even though superheroes are welcome as presenters (and in the case of Hugh Jackman a.k.a. Wolverine as host), so far they haven’t been welcome as Oscar nominees and winners. That is finally changing, even though the wins for Black Panther were only in technical categories (but in technical categories that are not special effects – which bafflingly went to First Man – and make-up, which equally bafflingly went to Vice).

But in spite of the disappointing Best Picture winner, there are several encouraging signs that the Oscars are changing for the better. For starters, both presenters and winners were a lot more diverse this year. Three of the four acting awards went to people of colour with two Muslim men, Mahershala Ali and Rami Malek respectively, winning Best Actor and Best Supporting Actor. Mahershala Ali is also only the second actor of colour ever to win two Oscars – the other is Denzel Washington. What even more encouraging is that the various “behind the camera” categories, which used to be dominated by white guys in tuxedos, have also become a lot more diverse. The team which won for Spider-Man: Into the Spider-Verse included two men of colour and a woman, Best Animated Short and Best Documentary Short both went to women director teams, including at least one woman of colour (and Best Documentary Short was won by a film about menstruation), while Best Documentary Feature was won by a man and woman of colour. Okay, so it was a mountaineering film, but then my complete and utter lack of interest in the mountaineering film genre doesn’t mean that everybody shares it. And since short films are a training ground for future feature film directors, wins for women and people of colour in those categories mean that things are gradually changing, even if we still have to roll our eyes at the likes of Green Book and Bohemian Rhaspody. Never mind that 2019 marks the second Best Director win in a row for a Mexican director, after Guillermo del Toro winning last year. Finally, we also got several people, both presenters and winners, speaking Spanish on stage

Talking of Bohemian Rhapsody, in the end it took home four Oscars, one more than Black Panther and Green Book (which also took Best Original Screenplay in addition to Best Picture and Best Supporting Actor). In addition to Rami Malek winning Best Actor, a choice no one quibbles with, even if they don’t much care for the movie itself, Bohemian Rhapsody also won Oscars for Sound Mixing and Sound Editing (which it probably deserved) and Film Editing, where I’m not so sure. And having Mike Myers and Dana Carvey a.k.a. Wayne and Garth from Wayne’s World introduce the film was a nice touch.

The highly touted fourth reiteration of A Star Is Born only got to take home one Oscar in the end, the award for Best Original Song. And though I still believe that the film is completely superfluous, because the story has already been told four fucking times (honestly, the whole “based on the 1976 motion picture, based on the 1954 motion picture, based on the 1937 motion picture” citation, when the screenplay nominees were called out, was ridiculous) and the sole surviving previous born star, Barbara Streisand, was even on stage as a presenter, I do feel that Lady Gaga’s win for Best Original Song was deserved, because it is a nice song and the live performance she and Bradley Cooper gave was great. Though personally, I would have preferred the sweet little country song from The Ballad of Buster Scraggs to win.

The equally highly touted and equally superfluous Vice a.k.a. “Let us contemplate the American navel – again” only went home with a single Oscar for Best Make-up. Considering that the various acting nominations for Vice seemed to be of the “confusing make-up and rubber suits (unless worn by Doug Jones, that is) with acting” sort, I guess it probably deserved that award. Though I for one found this year’s Best Make-up finalists very lacklustre anyway.

The also very highly touted The Favourite got to go home with one Oscar as well, the Best Actress Award for Olivia Colman. Now I like Olivia Colman a lot and she was actually my favourite in this category, though like everybody else, I expected Glenn Close to win. Olivia Colman also delivered a charming thank you speech, probably the best of the evening along with Spike Lee’s very political speech.

And then there was the last highly touted film, namely Alfonso Cuarón’s Roma, which took home three Oscars for Best Foreign Language Picture, Best Cinematography and Best Director. Now Roma is one film where I deviate from what appears to be the majority opinion, because I find it massively overrated. In fact, I find the outpouring of love for Roma utterly baffling. I guess Hollywood occasionally needs the reminder that their domestic servants are indeed human beings. I also have issues with the whole concept of domestic service (long story, but I had a brief brush with the previously to me totally unknown concept at the age of 10, which has clouded my views ever since), which influences my view of Roma. As for its three Oscars, it probably deserved Best Cinematography, because the movie is beautifully shot. For Best Director, I would have preferred Spike Lee and Yorgos Lanthimos, but I can live with Alfonso Cuarón.

As for Best Foreign Language Picture, both Capernaum and Shoplifters are vastly better, but Hollywood isn’t interested in stories about street kids and refugees. And the win for Roma at least means that the dreadful German nominee Werk ohne Autor, which is inexplicably known as Never Look Away in the US, got to go home empty-handed. Because we already had a bio pic denounced by its subject winning Best Picture, so we don’t need another bio pic vehemently denounced by its subject winning Best Foreign Language Picture. The real story of Gerhard Richter and his aunt Marianne Schönfelder may be found here BTW (trigger warning for discussion of Nazis murdering disabled people). And besides, Alfonso Cuarón snagging two Oscars (Best Foreign Language Film and Best Cinematography) from under the nose of Werk ohne Autor is payback of sorts for director Floriam Henckel von Donnersmarck’s Das Leben der Anderen/The Lives of Others robbing Guillermo del Toro’s vastly superior Pan’s Labyrinth of its deserved Oscar.

Initially, I thought that I wouldn’t have had an issue with Werk ohne Autor winning Best Cinematography. But the cinematographer is at least party responsible for the creepy sexualised scene of attractive young women in silky underwear getting gassed to death by evil Nazi doctors, so I’m glad he didn’t win.

And as was only to be expected, the German cultural press completely failed to notice that one of the Best Picture nominees, Black Panther, has a German castmember, Ugandan German actress Florence Kasumba, who plays Ayo, second in command of the Dora Milaje. Florence Kasumba has just been cast as a regular in the long-running German crime drama Tatort opposite Maria Furtwängler Burda, which makes me want a crossover now.

So let’s talk fashion. There were a lot of gorgeous gowns and tuxedos seen on the red carpet and on stage. A selection may be found here, though they have forgotten Michelle Yeoh’s gorgeous gown, which is truly worthy of an Empress of the Universe (though Philippa the Merciless seems to prefer black leather). Pink seems to be making a comeback and several women were wearing what appeared to be variations of Jodie Comer’s pink fluffy gown from Killing Eve. Sometimes it works (Kacey Musgraves, Gemma Chan), sometimes it doesn’t (Maya Rudolph, whose dress looked as if it had been made from her grandma’s curtains). Nowadays, movies and TV shows rarely start fashion trends like the Letty Lynton gown, worn by Joan Crawford in an otherwise forgettable movie, did in the 1930s or the wardrobe worn by the stars of Dynasty did in the 1980s, so it’s interesting when one does. And do I detect the lingering influence of the Letty Lynton gown in the Killing Eve gown?

There were a few examples of “what the hell were they thinking?” fashion. I’ve already mentioned the curtain gown. The red latex gown worn by Rachel Weisz is another example. It’s not a bad gown at all, but what’s with the red latex bib? Okay, so if she accidentally pours a drink on herself at the after-party, she can just wash it off, but it’s still a very strange look. And while I applaud several male actors and presenters going for something different than the standard black tuxedo (as Helen Mirren said about her and Jason Momoa’s attire, “This proves that a middle aged English woman and a Hawaiian god can both wear pink), the camouflage shorts worn by Pharrell Williams made me wish for the boring tuxedos.

But the best outfit of the Oscar night was the tuxedo gown worn by a gentleman named Billy Porter, whom I admit I have never heard of before I saw him on the red carpet. It starts as a normal black tuxedo and then flares out into a ball gown at the waist. Absolutely gorgeous and yet another sign that the Oscars are changing.

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Introducing Thurvok and the Return of Richard Blakemore

Yes, this is a new release post, though one with a little difference. Because I’m not just announcing my own new release (okay, so I am), but that of Richard Blakemore.

Those of you who’ve been following my writing will probably recognise the name Richard Blakemore as the protagonist of the Silencer series, who is a pulp fiction writer in the 1930s – when he’s not fighting crime as the Silencer that is.

The Silencer series focusses on Richard’s crimefighting exploits — we only get brief glimpses of his writing, most notably in Fact or Fiction. However, I have always wondered just what Richard’s writing was like, especially since it is established throughout the series that The Silencer wasn’t all he wrote.

In the Silencer story Mean Streets and Dead Alleys, there is a brief scene where Richard purchases the January 1936 issue of Weird Tales and is pleased to find a new instalment of a Conan serial by Robert E. Howard, a Jirel of Joiry novelette by C.L. Moore, a Jules de Grandin novelette by Seabury Quinn as well as one of Margaret Brundage’s famous covers. He also muses that he would like to take a stab at writing something like that one day. This throwaway scene got me thinking, “What if Richard actually did write a sword and sorcery series for Jake Levonsky?”

Not that he would have used that term, of course, since the genre monicker “sword and sorcery” was only coined by Fritz Leiber in 1961. And just in case you’re wondering why Richard never acknowledges Fritz Leiber as an influence (though he was certainly one of mine), that’s because Leiber didn’t start publishing his Fafhrd and Gray Mouser stories until 1939, i.e. after Richard started writing the Thurvok stories.

Fast forward a couple of years to the 2018 July short story challenge, where the aim is to write a story per day during the month of July. Finding inspiration for 31 stories isn’t that easy, so I have a folder full of evocative images – photos, cover art, paintings, vintage illustrations and SFF concept art – on my harddrive which I flip through to see if any image sparks an idea. And one day, this painting by Michael Macrae entitled “Hot Dirt” did and I found myself writing a sword and sorcery story about a wandering sellsword named Thurvok who meets monsters in a desert valley. I was quite happy with the result and so I thought, “What if this is Richard Blakemore’s lost sword and sorcery adventure?”

Somehow, my mind kept returning to Thurvok and kept latching onto images and ideas that evoked sword and sorcery tales. And so, by the end of July, I had written four more stories featuring Thurvok and the motley crew of companions he picks up on his travels. Did I channel Richard Blakemore, while I was writing the Thurvok stories? I don’t know. All I know is that they were written under extreme conditions in the space of about a week, the hottest week of the year at that, and that they are quite different from my usual work. And so the idea to have a bit of metafictional fun and pass off the Thurvok stories as the work of Richard Blakemore, 1930s pulp writer and crimefighter, was born.

Hence, I decided to credit the story to Richard and pass myself off as the editor who rediscovered him. I wrote an introduction and an afterword. I also created a blog, a Twitter account and an Amazon author page for Richard and filled out a Smashwords interview in his persona, all of which was quite fun. In case you’re wondering about the author photo, it’s from a 1941 Sears catalogue.

And if you want to know how and why Richard created Thurvok, he tells his version of the story in his own words at his blog.

The first two Thurvok stories are available at all the usual e-book retailers now. There is a third coming, that will have to wait until the next announcement, even though it is already available at some retailers. And if you miss the Silencer – well, he has another adventure coming up as well.

But for now, prepare to meet Thurvok, the sellsword, and his friend Meldom, thief, cutpurse and occasional assassin, in…

The Valley of the Man Vultures
The Valley of the Man Vultures by Richard Blakemore and Cora BuhlertOn his way to Krysh, a city of fabled riches, Thurvok, the sellsword, must first pass through the Valley of the Accursed Blood.

Traditionally, those travelling to Krysh make offerings at the temple at the entrance of the valley in exchange for protection on their journey. But Thurvok scoffs at such superstition and decides to continue his journey without any divine protection. His refusal to make an offering infuriates the temple priest Alberon who promptly curses Thurvok.

Thurvok is not much bothered by this – he does not believe in curses. However, the valley holds dangers that don’t particularly care whether Thurvok believes in them or not.

This is a short story of 4400 words or 15 print pages in the Thurvok sword and sorcery series, but may be read as a standalone. Includes an introduction and afterword.

More information.
Length: 4400 words
List price: 0.99 USD, EUR or GBP
Buy it at Amazon US, Amazon UK, Amazon Germany, Amazon France, Amazon Netherlands, Amazon Spain, Amazon Italy, Amazon Canada, Amazon Australia, Amazon Brazil, Amazon Japan, Amazon India, Amazon Mexico, Kobo, Barnes & Noble, Apple iTunes, Google Play, Scribd, Smashwords, Inktera, Playster, Thalia, Weltbild, Hugendubel, Buecher.de, DriveThruFiction, Casa del Libro, e-Sentral, 24symbols and XinXii.

The Tomb of the Undead Slaves
The Tomb of the Undead Slaves by Richard Blakemore and Cora BuhlertThurvok, the sellsword, and his friend and companion Meldom, thief, cutpurse and occasional assassin, venture into the Rusted Desert to seek the tomb of the ancient king Chagurdai and the legendary treasure supposedly hidden there.

But once Thurvok and Meldom venture into the tomb, they find that a treasure is not all that’s buried there.

This is a short story of 4100 words or 13 print pages in the Thurvok sword and sorcery series, but may be read as a standalone. Includes an introduction and afterword.

 

More information.
Length: 4100 words
List price: 0.99 USD, EUR or GBP
Buy it at Amazon US, Amazon UK, Amazon Germany, Amazon France, Amazon Netherlands, Amazon Spain, Amazon Italy, Amazon Canada, Amazon Australia, Amazon Brazil, Amazon Japan, Amazon India, Amazon Mexico, Kobo, Barnes & Noble, Apple iTunes, Google Play, Scribd, Smashwords, Inktera, Playster, Thalia, Weltbild, Hugendubel, Buecher.de, DriveThruFiction, Casa del Libro, e-Sentral, 24symbols and XinXii.

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Star Trek Discovery delivers a Saru centric episode with “The Sound of Thunder”

For the second time in season 2, Star Trek Discovery focusses on fan favourite character Saru. But while the last Saru centric episode was a triumph, this one was much less so. For my comments on previous episodes of Star Trek Discovery, go here.

But before we return to our regularly scheduled Star Trek Discovery review, I’d first like to point out that there is a big 99 cent/pence sale of romance and/or crime noir e-books going on at Double-Cross Lit. Lots of books and even box sets in two different genres on offer, including two of mine.

Warning: Spoilers behind the cut! Continue reading →

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Some Thoughts on the 2018 Nebula Award Finalists

The finalists for the 2018 Nebula Awards have been announced today, as have the finalists for the 2018 Aurealis Award and the finalists for the 2018 BSFA Awards were announced a few days ago. If you want to read the 2018 Nebula Award finalists, at The Verge, Andrew Liptak has compiled a list where to find the 2018 Nebula Award finalists online for free.

ETA: JJ at File 770 also has a more comprehensive list regarding where to find the 2019 Nebula Award finalists with both free and buy links.

So let’s take a look at the different categories: Continue reading →

Posted in Books, Film, TV | Tagged , , , , , , , , , , , , , , , | 11 Comments